765 Production Studio manages the unique talents of 13 professional idols as they slowly make their way to the top and become country-wide celebrities. But the girls' journey is far from just fun and games: hard work, sweat, and tears are some of the prerequisites needed to flourish in this industry—and for 765 Pro in particular, a watchful eye out for their rival, the infamous 961 Production.
As the girls' fame grows, however, their time together as a family diminishes, and now the very popularity they sought is threatening to tear them apart. A difficult balance of work and bonding must be achieved, or they risk everyone going their separate ways. The personal and professional ordeals of these idols can not be conquered alone, but with each other's loving support, any obstacle or hardship can be overcome!
[Written by MAL Rewrite]
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Ryhzuo
When one gets to point where they begin disregarding anime because they have too many girls on their front poster, it's probably time to take moment and re-evaluate. Granted, I've forced myself to sit through so many generic harems, rom-coms and ecchis these past few years that it has almost become reflexive of me to steer clear of any anime which possibly looks like it may contain any one of the aforementioned three. It was only natural then when I saw the poster of The Idolm@ster, an ensemble of 13 cute girls gawking up at me, that alarm bells tripped off in my head likefire sirens at a pyromaniac's convention. Only due to vigorous recommendations did I reluctantly pick up the series later on.
Proverbial justice looks down on the pretentiously knowledgeable, or so it would seem. My transition from skepticism to fanboyism was swift. Within episodes I was converted, all preconceived doubts I harboured for the series unfounded or long forgotten. I almost felt ashamed, my predictions of meaningless plot and mindless ecchi not only completely wrong, but also reflected the conceited critic that I had become. The Idolm@ster humbled me, never again shall I judge an anime at face value.
The Idolm@ster follows story of 765 productions, a small time idol agency and their road to stardom and success. The narrative of each episode are alike but flexible, each one generally focuses on the backstory of one character, but also contains plenty of interwoven exposition of various other characters so that no episode can really be considered standalone. The general theme of each episode often revolves around a character issue or weakness, some form drama arises from this issue, which is then eventually resolved with the character experiencing some kind of revelation or growth. In many episodes the show cleverly relates the story to a broader context; for example the episode "Everything Starts with One Courageous Step" refers both to Yukiho's small step in facing her phobia, and the day's events as 765 production's first step towards their future.
There are times where the structure of each episode feels a little formulaic, however this is largely offset by the large variety of different stories the show offers. The tone of the stories are what I like to call very PG-13 esque, many of the problems and struggles are grounded in realism, but airbrushed with a heavy hint of optimism. Whilst the drama does get quite heavy towards the later stages of the anime, you can always rest assured that there will be a happy conclusion. In fact, the entire overarching theme of the anime seem to revolve the simple ideas of happiness and optimism which it conveys well, sometimes to a fault.
The characters of course are, quite literally, the stars of the show. It quickly becomes apparent how unexpectedly deep the characterization for these girls go. Each character is unique and Idolm@ster goes out of it's way to make sure these girls all interesting and memorable, which it does a surprisingly good job of. Idolm@ster features an amazing ensemble of voice actors that do a fantastic job of bringing these characters to life, both on stage singing as idols or off stage exchanging playful banter with each other.
Ironically, the true unsung hero is actually the main protagonist. Given a largely clean slate, the nameless "producer" remains very undeveloped and uncharacterized, acting as a role of sorts for the viewer to jump into, (if one was interested in that sort of stuff). What it also meant was that the spotlight always on the girls, never stolen away to implicate or relate the girls with a largely support figure character, romantically or otherwise. Funny how irrelevant the titular character ended up being.
There are many standout qualities The Idolm@ster offers, but the gem of the glitter has to go to the cinematography. In many ways the cinematic progression of the show reflects the characters themselves. While 'offstage' the production value is reasonable at best, easy to look at but not spectacular. The anime goes about it's daily business, not hinting at the show that's about to come.
Then, as stage is set and the music cues, here's when you finally realize that all bets are off. Explosions of lights and sound ensue, magnificently choreographed sequences aided by thrilling transitions, zooms, pans and cinematic techniques I didn't even think Japan knew existed, all cumulating in an electrify experience that's really putting my vocabulary limit to the test. The contrast of onstage and off really allows you to appreciate the level of workmanship devoted into these few minutes of animation. And then there's the ED sequences, which being unique to each episode itself is already unprecedented, also offers some great imagineative style backed with wonderfully fitting music. I have nothing more to say about The Idolm@ster's production value, other than two giant thumbs up of approval.
The Idolm@ster is in many ways a neat little snippet into a prominent Japanese idol subculture. Though perhaps not entirely accurate and/or realistic, The Idolm@ster takes a risk with it's presentation, using what could easy come off as a simplistic and childish tone, and instead delivering on a show that has both enthusiasm, energy and character.
Watch Idolm@ster with an open heart, and you'll quickly discover the sparkle that is perhaps one of the most underrated anime this season.
Inushinde
There are some anime series that you desperately want to love. You’re either drawn in by the premise, one of the characters will strike your fancy for some reason and you’ll begin a furious Pixiv binge in search of any fanart of them to the point that your computer crashes and you’re declared legally dead, or you see some shimmer of pure gold underneath that thick sheen of shit and mediocrity and want to see if it’ll be more evident later on. The Idolmaster was one of the latter series, and it left me feeling entirely unsatisfied from start to finish. The premise is simple enough:Twelve girls of questionable talent with single-note personalities and insecurities all vie for the chance to become idols with the help of their talent company and their ever-faithful producer. This single idea takes them all over Japan as their popularity inexplicably soars and they learn important things like trust, friendship, and synchronized dancing. Say what you will about the overall quality, it sticks to this premise throughout without ever losing the spirit of the idea. If you’re not in the market for a show all about the power of friendship or supposedly catchy pop music, there won’t be much for you here.
For me, the most important thing in any show is how the characters develop and interact. Something with a fantastic plot or great production won’t leave much of an impression if the characters don’t; see Madoka Magica. Unfortunately, this is the first and gravest misstep that the Idolmaster makes.
Though it really can’t be helped with such a large cast of main characters, there isn’t much gravity to how the characters develop or interact. One minute, soliloquies are dropped regarding what problems a certain character has on their rocky road to idol stardom, the next the plot tousles them on the head, tells them to move on with their lives, and it’s never brought up again. While I understand that everybody is supposed to develop, it still feels awkwardly crammed in when it shouldn’t be.
This would be acceptable if all of the characters were memorable in some way, but some quite simply shine over the many others, leading to some intimate moments feeling resolved much too quickly in order to get back to what the Idolmaster perceives to be the most important characters. Haruka and the Futami twins seem to take up the most time, leaving the likes of Azusa and Makoto in the background for all but a few scant moments when they could have been fleshed out and humanized much more.
These overly-sentimental bits are punctuated every so often by the meddling of a rival talent company, 961 Pro, led by the conniving Takao Kuroi, which essentially play out the same each time. While they’re a welcome distraction from the slew of halfhearted character developments, these scenes could have easily been left out without the series suffering in any way. Don’t get me wrong, these were the only episodes in which I believed that the 765 Pro girls would come out more mature and fleshed out in the end, but I acknowledge their overall pointlessness. They take away nothing from the experience, but they add very little in return.
Where the Idolmaster came closest to breaking out of mediocrity was in the last few episodes, as Haruka dealt with everyone’s newfound success and consequential estrangement. It’s well paced and actually competent, leading to a complete departure from the episodic format of before.
Story and character-wise, the Idolmaster falls a bit flat for me, even with the competently strung together drama in the final episodes. However, if there is one area where it shines, it’s definitely the production. The animation is crisp, the character designs are pleasing to the eye and soft by comparison, the dancing is wonderfully choreographed, the music could actually be confused for something thrown onto the market to be bought by thousands of impressionable Japanese teens and otaku of all sorts… in short, the Idolmaster went all out to bring the games to life, and that’s something to be admired.
Yet, for all the dazzling displays and occasional moments of interesting storytelling, the Idolmaster fails to be anything more than a flashy series that’s ultimately completely forgettable. Yet I can say without a shadow of a doubt that this is the best adaptation of the game series that anybody’s ever going to make. I tried to like the Idolmaster for what it was, and I did enjoy it every now and then, but overall it was a disappointing experience that I wouldn’t in good faith recommend.
Sanagami
The Idolm@ster is an ecchi anime with tons of fanservice but don't worry, your parents won't get mad because there is never any sex! A Producer enters a world with tons of lonely models and they get into many panty-revealing, nose bleeding adventures. The harem increases one by one and soon, all the girls just want the producer to touch their boobs. If you are a man, I definitely recommend this anime. Why should we ever bother with hentai anymore? That's all Idolm@ster is about.... ....Or so you thought. Well then, sorry to disappoint you but I lied. For some reason, Idolm@ster tries to sellitself in a way that strays from its true focus. It's probably a conscious decision for the director to choose a poster that screams "ECCHI". However, it doesn't stop there because while Idolm@ster is a fun slice of life that tosses around cliche characters with smiles and jokes that make you feel warm it, ultimately rolls out two of the most intense drama arcs I've come to enjoy.
At a first glance, the characters seem to be the strongest point of the show. The show emphasizes this by dedicating episodes to each of them. Yet the characters are where I have my most complaints. Each idol represents a typical character trait - from a friendly klutz, to playful twins, a prince who tries to be a princess - we've seen them all. Also, some of the characters just feel less important, which is understandable because there are 13 main idols, but not really an excuse because you wouldn't attempt such a show if you didn't have the confidence in developing 13 characters.
Still, despite the flaws, Idolm@ster somehow is able to make each character memorable and fresh. The way they react with each other is extremely important in achieving this. Yayoi's episode would not have been so enjoyable if it wasn't for Iori. Chihaya and Haruka's relationship is a joy to watch and Miki's relationship with "Honey" is very fun. They are just side stories that continue throughout the whole series even though the series is episodic. We end up with a very heartwarming series as the characters support each other to achieve their dreams.
I also quite enjoyed the variety of ideas. Sometimes we get almost pointless episodes like Hibiki's and Azusa's that just make you laugh but then we suddenly get serious ones like Miki's. The most important episodes are the last 4 towards the end of the series where it unravels into a melodrama that really pulls some emotional strings. The directing was also varied as the first episode was all shown through a camera all the way through and episode 15 was a whole show that the idols were hosting.
Yet what I love about this anime most is how everything seemed so simple, so happy, but there were tons of rather dark and complicated moments. The president's background with the antagonist president was enough to get you thinking. The whole introduction of " Ryūgū Komachi" made me feel extremely uncomfortable, because I just couldn't help feeling how jealous all the rest of the girls must have felt which was most apparent in Miki. The Futami twins episode made me feel even more uncomfortable because while it looked as if Mami was unhappy because she wanted to be with Ami, I really felt a bit of jealousy in her tone. The foreshadowing of Chihaya's past in many of the episodes really piqued my interest. It's funny how even in a beach episode with 13 idols, you get a small scene which ends up with a discussion about what if fame doesn't end with what you actually wanted. Haruka's feelings in her last arc, are actually quite dark. Realizing that what she wants is selfish, she keeps it all to herself but in the end it's too much for her. And don't forget about Iori's blackmailing. There are many hidden emotions that never are being said, most notably Chihaya's anger towards Miki for abandoning practice even though she was the one who kept the group together when they all were worried. They are all little things, but when you put them together, you realize that this is no coincidence and they were scattered throughout the show on purpose. It adds an extra layer.
I'm not that great in talking about animation and sound but I feel this anime definitely deserves some sort of recognition for it. The music was definitely fun and fitting but it really wouldn't have made an impact if it wasn't for those live performances. Those music videos were gorgeous. There is something special about the camera angles, the lights that explode, the choreography and uniforms, its just plain eye candy. They really put a lot of effort into making them - the details to the flying hair, few recycled scenes - I loved them all.
You see, Idolm@ster sells itself as a simple slice of life but if you pay enough attention, you'll notice the complex ideas hidden away in the story. Its easy to compare Idolm@ster to K-On!, as both seem to be a character-focused shows about girls having fun, yet I feel Idolm@ster tries to trick the watcher into thinking that while it dashes small hints of jealousy and sadness in the background. Its almost like a real show, because your idols are gorgeous on stage, but they are just humans behind the scenes.
Oh, and I wouldn't mind marrying Haruka.
KUNYIT
Story: 3 (no impact. Mostly episodic, and while episode 08 is the only one that i like, the rest was boring for me) Art: 8 (moe-moe cute girls) Sound: 7 CHaracter: 2 (annoying and childish) Enjoyment: 2 Overall: 2 (don't bother this at all) Before proceeding to review sentence, allow me to apologize for my harsh overall ratings. The Idol Master has potential to be the most entertaining idol anime because it was adopted by A-1 Picture that notably has abundant budget to create appealing animation, art, and music/OST. Unfortunately it falls apart from the expectation due to that it diverges its way from being realistic in idol topic...or notso serious if you like. The reason i prefer idol anime to be more serious nuance is because idol anime heavily involved in, not only in character development from childish to more mature idol-like person, but also frequent engagement in business commercial that may connect to political things.
Below is a quick bird view for screening purpose. If you don't want to see those things, please see the other two idol anime out there.
Things that are lack of:
- Very little internal conflict exists within group members and individual
- Very little competition, and thus conflict, between idol group
- No idols scandal at all
- Mediocre Lack of management, marketing, networking story of how to lift the idol group to the top
- Although there are some internal problems needed to be solved by idol group member, most of problems are trivial, which don't need to have manager for that. It is just as if the manager and director in idol master is represented just for the sake of completeness, without further development.
- No interesting characteristics or traits of idol members. Worse, most characters are annoying as hell
Idol Master could be said to be similar just like school club activity (slice-of-life), except it was flavored with idol taste. So it's just sad that, while art and choreography are sparkling, it's not be complemented with more mature and non-mediocre story, the things that i'm looking for, hence ripping off the balance of interesting dimensions of idol topic.
Scrambled1432
Nearly plotless, fluffy as hell, and still pretty good. No CGI unlike Love Live!, which might be good or bad depending on who you are. Somehow manages to have each character be a character despite there being 15 or so. Suuuuuuuper homosexual, though. Single most gay thing I've ever watched, and I watched Boku no Pico, man. Not that it's a bad thing, just incredibly homo. Every character is a lesbian or Miki, the only confirmed straight one there.
Jeffrey-sama
Being an idol is far from easy. On the surface, it may seem like the job is all fun and games. However, as shown in THE iDOLM@STER, unexpected twists and turns make this job a very stressful one. Despite this, being an idol is like a dream come true for many of these girls as they would undoubtedly give everything they have to stay as one. Based on the popular raising simulation and rhythm game of the same name, THE iDOLM@STER had previously been unknown to the vast majority of the anime universe. Before continuing on to the main section of the review, take notethat this adaption is my first experience with the iDOLM@STER franchise.
Art (9/10)
I'm a big fan of well-choreographed stage performances and the ones in THE iDOLM@STER definitely don't disappoint. Considering that they generally suck up a lot of the show's budget it's surprising, but good to see, that there were TWO, as opposed to one, large-scale concerts that were shown. In both of these, I found the animation to be top-notch and the use of camera panning and angling enhanced my viewing experience greatly. The characters themselves were also visually unique which I thought was a nice treat. However, like virtually all anime series that have scenes of breathtaking animation, there are also times where the drop in quality is noticeable. Although this barely affected my viewing experience, the fact that it happened prevents me from giving a perfect score in this category.
Characters (10/10)
I came into THE iDOLM@STER knowing none of the 13 idols and having no idea which ones I'll end up liking or hating. However, after the 25 episodes, I can say one thing for sure: all the girls are likeable and interesting in their own ways. Although some got less screentime than others, I felt they all were developed reasonably well considering that most of them only had one episode that focused on them. The development for the "main three" (Miki, Chihaya and Haruka) was anything but unnoticeable. If one were to compare their characters from when they were first introduced to the final few episodes, it is evident that there was a great deal of change that occurred. Aside from individual character development, the idols, as a group, also show signs of growth and bonding throughout the series. A big contributing factor of all this development can be attributed to the surprising amount of drama that was present; more on that later.
Sound (10/10)
I'm quite sure that almost everyone will agree with me when I say the sounds category for this episode definitely deserves a perfect 10. Not only are there 25 different EDs and 2 catchy OPs, but also a slew of insert songs (at least one for each episode). With this much content, I find it unbelievable if one were to tell me that none of the songs were, at minimum, "good." The BGM was also quite decent, especially the perfectly placed piano pieces of various songs at the right times. The seiyūs, although many of whom are not popular, did a great job with their roles as each character's voice seemed to fit their personality. On top of being able to voice their characters well, they showed great deal of skill by being able to sing decently as well, an ability that not all seiyū have.
Story (9/10)
Let's be honest here - not for one second did I expect THE iDOLM@STER to have a story or plot. And for the first half or so of the series, I looked to be correct. However, once drama started appearing on the horizon, things took an unexpected turn. My image of THE iDOLM@STER suddenly transformed from one of "my weekly dose of moe idols living their lives" to "an exciting and gripping drama surrounding moe idols". Even so, I greatly welcomed this surprising turn of events and, in no time, the series won my heart; the best of both worlds - moe girls and intense drama - all wrapped up into a nice package that is THE iDOLM@STER.
Overall (10/10)
What can I say? I absolutely loved THE iDOLM@STER. I know there are many out there who are skeptical about this adaption but I ask that you remember these familiar words of advice: "Don't judge a book by its cover." Sure, on the surface, THE iDOL@MASTER may look like it only appeals to the hardcore otaku fanbase but underneath all the singing, dancing, and moe girls, there's a great story waiting to present itself. So whether you're a fan of moe or drama anime, I highly recommend you sit back, relax and enjoy yourself some THE iDOLM@STER; it definitely wouldn't hurt to give it a try!
PoorKid
This is my first review, so please mind my unprofessionalism. Originally, I watched the first episode as a mere joke, but by the end of the first episode, it left me wanting more. The IDOLM@STER was the first idol anime I had ever watched, and it opened up an entire new type of anime to me. I had taken a liking to idol animes upon completion of this one. As I watched this anime of 13 idols grow bigger and bigger in popularity, it made me feel somewhat proud. Remembering them as beginners just in the first few episodes and top idols in the last fewhad me very satisfied that they had gone a long way.
Story: 7/10
The story overall, would be unique and different to me, compared to others. The whole story revolves around 15 year old idols that work their way up to the big stage. Unlike many other animes, this story takes place at the 765 production office and does not show any of the character's school lives. Along with some fillers, each episode was dedicated to one character, and hence great character development in my own opinion. Many animes leave me with an empty feeling; I felt that I would have wanted a better ending, but this anime, however, made me feel complete, and I didn't really want to watch anymore, it was a great ending to me.
Art: 8/10
The art in this one might not be THAT great to some. However, as I am watching this in 2015, I feel that for a 2011 anime, it has greatly exceeded my expectations. I even would prefer this art then some of the art in this year.
The art has a moe feel to it to me. It's simple and unique. Although the characters from certain angles might be a bit strange, it the art was amazing nonetheless.
Sound: 7/10
The voice acting was good, it matched with the animation and was clear. The background music and sound effects was good, but not that good. In some parts of the anime, some did not fit, but imo doesn't really effect me overall. Im not excellent at judging sounds, but if I were to rate it without any criticism, I would give it a 7/10.
Overall: 8/10
First, It was me trying to watch this idol anime as a joke, but in the end it had been one of my favourites of all time, and made me take a liking to idol animes. Each episode kept me locked on the screen and didn't make me feel bored at all, and upon completion made me feel complete and fulfilled. It's a happy, and sometimes sad anime, and if you haven't watched it yet. I highly recommend you should.
Sawt0othGrin
The core concept behind a Japanese Idol is “heart” and then projecting that heart onto their audience. Likewise, an Idol-anime must emulate this same sensation of heart and project it onto the viewer. This emulation can be a task easier said than done and thankfully "The iDOLM@STER" accomplishes this with flying colors. Idol Master follows the story of 12 would-be idols and their amazing production team on their journey from borderline bankruptcy to stardom. Along the way we get to see every up and down in the idol process. This includes stories ranging from quirky and often times veryfunny character-on-character encounters to deep, life lessons. The same lessons that are often reflected inside of the music they produce, almost as if to summarize what we’ve just seen. Each episode is outfitted with its own unique still image sequence and ED(this is almost worth a free point on its own).
Arguably the most important challenge presented to an anime of this nature is making sure that all of the idols feel very Distinguished and likeable. Every girl needs to have her own personality, her own likes and dislikes, her own life and backstory, her own very unique presence on the screen. Idol Master spares no expense breathing life into each of its characters and, almost as if boasting, lets you experience each of the characters both alone and together in a group enviroment. By the end of the 26th episode you will feel as if you personally know each and every one of the characters you have met.
Salsk
Idol /ˈʌɪd(ə)l/ n. a person or thing that is greatly admired, loved, or revered. What does it mean to be an idol? That's a question the A-1 pictures' series The Idolm@ster tries to answer. It's based on the Xbox 360 game with the same name and follows thirteen idols and their producers as they all try to overcome trials of varying sizes and severity in their quest to reach the top in the Japanese entertainment industry. The show kicks off with a mockumentary style first episode, which really surprised me. It fools you into thinking that this actually might turn out to become something interesting direction-wise, asI've never heard of an anime of this genre being made before. Never fear! All the subsequent episodes are good ol' slice-of-life. As usual, each episode focuses on one character that is in some sort of pinch, and then the pinch resolves itself somehow and everyone is happy and smiling. Sometimes there is more than one character in focus, and sometimes there is no pinch at all, but the core plot-model doesn't really change a lot during the series. This doesn't really matter that much to me, as I'm a fan of mindless slice-of-life. I also found most of the girls to be likeable and every viewer will probably find at least one girl they like in the large cast.
Some people might want to check out this even if they don't usually like this kind story. I'll get back to that later.
The main antagonists, Jupiter and their producer, are introduced in the latter half of the story. I didn't really like them a lot in the beginning, as they felt unnecessary to the plot (if you could call it that.) But they acted as the catalyst for some surprisingly well executed drama; and I guess they grew on me eventually.
Drama is often the bane of slice-of-life stories. Writers who don't know what they’re doing tries to force in a contrived, sloppy sob-story in the last two episodes for no apparent reason and the whole show is ruined in 50 minutes. That is not the case for Im@s though, the drama arcs are properly implied from the start and they feels like a natural development of the story, I’d even say that it’s the high point of the series. Characters get to be properly fleshed out in a satisfying way and it also explores themes that, while not original, are interesting. For example the downsides of fame and how friends with the same ambition ironically get torn apart while chasing it. Im@s is not exactly a tear-jerker, but that wouldn't have clicked with the light-hearted tone anyway. Series like this one and Soredemo Machi wa Mawatteiru show us that it actually is possible to have drama in a slice-of-life show without it having to feel incredibly forced and out of place.
I have no problem with light-hearted stories, but the first episode and the drama-centric episodes show us a "what could have been" Idolm@ster. A more raw and gritty take on the idol industry, a scathing social commentary. But it's not that, and that's fine. With nothing more than a regular-sized budget and averagely skilled staff, Im@s could very well have turned out to be something relatively mediocre, bad even. So let's have a look at what it is that really makes this series shine.
Do you know what sakuga is? It's a term reserved for describing unusually fluent and exciting animation. It's not something commonly seen in series aired on television, but Im@s has buckets of it. I mean seriously, watching this show almost makes me wish they’d use all that money on something worthwhile, like fixing world hunger. Almost. The series routinely utilizes jaw-dropping animation and routinely makes animation nerds like me giggle like retarded, sugar-high children. Im@s really reminds us of why A-1 is such a highly regarded studio. Actually, I've been seeing a lot of sakuga lately. Fate/Zero and Mawaru Penguindrum have a lot of it too, though Ufotable seems more interested in design consistency than fluency with F/Z, and Penguindrum's strength mostly lies in its excellent scene composition and art. While Im@s just has brute, raw sakuga. Which show you’d prefer, visually speaking, mostly depends on what you value the most when looking at animation; it's a question of personal taste.
Of course, animation is only one half of the presentation. Im@s is all about idols, so the music is a vital part of the whole package. The Idolm@ster series already boasts a rather large catalogue of songs and the staff has taken full advantage of this. The result is a new ED for every episode and many, oh so many insert songs. The viewer really is getting spoiled here. Whether you like the songs or not, again, comes down to taste. The songs are pop, but pop is a very wide and diffuse genre and Im@s has songs from every side of the spectre. You have both slow, pompous ballads and hyperactive J-pop. If you only listen to black metal or gabber you might feel a bit stumped, though most people should probably find the song catalogue listenable.
On the seiyuu side, while some of the voices might be a bit grating, Im@s has an overall strong cast. I wouldn't consider all of them to be good singers, or singers… Some have great voices though, Asami Imai (Chihaya) especially stands out as a really talented singer throughout the show and Hiromi Hirata (Makoto) was also a favourite of mine with her cute, tomboyish voice.
Despite all the praise I've been singing up until now, Im@s does suffer from a few problems. For example, some characters didn't have enough screentime (Takane) and some were subjected to mediocre writing (Takane). Some fans of the original games might also feel a little unhappy about the minor changes made when adapting the series to television. Finally, the direction and writing is very fluctuating, a common problem with episodic series lacking overarching plot and also Im@s's greatest. The episodes typically range from mediocre to so-cheesy-it's-awesome, ultimately it's the character interactions and presentation that'll keep you watching, not cleverly constructed stories and witty writing.
These are only minor hiccups, at the end of the day The Idolm@ster is a very strong show. It goes for a scattershot approach, trying to appeal to as many as possible at once. Of course you can’t please anyone 100% like that, but Im@s succeeded fairly well. I’d say it pleased me about 80%. The show doesn't take many chances, but it has lots and lots of money and a very skilled staff. If you're only watching one show this year, make it Penguindrum, but if you're watching two, The Idolm@ster would be a good candidate.
Tozzy
I’d like to think that I’ve made plenty of ventures into different genres and styles of anime. Part of the fun in consuming the medium for me is finding something new to explore, and throwing myself in the deep end at times has proven to be a worthwhile experience. However, I’d found myself shying away from the realm of idol anime and I’m not too sure why. There was not much that appealed to me or reached out to say ‘you really need to give this a go’. I had to push myself to take a leap of faith and decided to use The Idolm@sterto do just that.
The Idolm@ster provided me with a bumpy ride but formed itself into something pleasant by the time the 25 episodes had come to a close. Was I blown away by the visuals, the choreography or the music? Sure, but the reason I enjoyed The Idolm@ster far more than I thought I would is because the show really isn’t about the music and dancing. It’s about the teamwork needed to make that all happen. That really caught me by surprise. It must be said that I’m not really one for the brand of music depicted, with its overly mushy lyrics and the fact that most songs come off as sounding the same to me. I went into the show expecting that to be the focus and have the characterisation poorly tacked on. I was wrong. Even though the cast is pretty much designed to cover all the ranges of emotions and personality types (i.e. the snotty one, the shy one, the mysterious one, the androgynous one etc.) they’re usually fun to watch. The Idolm@ster does a solid job of creating a cast you want to cheer on, even if some of them irritated me to no end.
The Idolm@ster follows 12 girls looking to make their big break in glitzy and glamourous world of idols. They dance, act and sing under the guidance of their producer as they desperately seek out a way to make a bigger name for not only themselves but also their production studio, 765. In the way of a story, as you could imagine, it’s pretty simple. The group take on jobs wherever they can while trying to better understand each other and industry that lays ahead of them. Trouble often strikes in some form, whether it be a wardrobe concern or someone out to sabotage their name. Early on I started to get worried because everything felt so aimless. There all these issues befalling everyone but even when things get resolved it’s back to square one, like nothing has really changed amongst the group as a collective. The comedy seemed to fall flat and the show tended to rely on it too much for its own good. My leap into the genre wasn’t off to the most comfortable of starts.
It’s the latter story arcs of The Idolm@ster that make sitting through the tedious opening half of the show worthwhile. These parts start to actually flesh out the characters, delve into their past and - above all - actually show the importance of depending upon each other. The struggles aren’t just simple filming but instead they create consequences for the group as a whole – and that’s much more engaging for the viewer. The questions the characters ask start to steer away from “How can I improve my image?” to “How can I make sure I’m not letting anyone down?”. While it can be fun to watch the cast act cute, it’s much more impactful and rewarding to watch them all resolve their personal problems. The drama is never overbearing though, thankfully. The show always maintains this sense of optimism without being dark or too serious for its own good. The balance is just right. Because we get to know all the cast that little bit more, watching them battle their way to the show’s conclusion is a fun experience.
The 12 girls themselves are a mixed bag. A handful of them came across as interesting, because you could actually see something holding them back and I was left wondering what it could be. Some are there to provide a bit of comedy. Some I feel were just making up the numbers. It would be fruitless to really harp on about what are ‘strong’ and ‘weak’ characters in the 765 group. Everyone will pick a favourite and latch themselves onto their story and cheer them on. That’s the beauty of a show like this. There will be at least one of them that will strike you as likeable or interesting. Some of them I couldn’t stand but that’s to be expected when you are writing to cover as many personalities as possible to appease to the widest possible audience. Some side characters feel irrelevant, including one comically evil villain, who does a better job at dragging down my enjoyment as opposed to being of great value.
The visuals are a treat. Performances look and sound the part – you can certainly see where the bulk of the budget was directed towards by A-1 Pictures. The vocals are top notch, both in and out of musical performances. The VA work helps breathe distinct identities into the large main cast. Biggest praise from me goes towards Asami Imai (Chihaya Kisaragi) and also Kenji Akabane who is the perfect choice for the loveable and often bumbling Producer.
For all its annoying quirks and characters, The Idolm@ster eventually becomes something a slight cut above average. Edging through the often unbearable opening half of the show at least helped pave the way for something more interesting to come. There’s nothing exactly memorable or mind blowing about The Idolm@ster. If you can come to terms with its often cheesy 'friendship conquers all' mentality then there will be enjoyment to be found. Give the show a try if you want something really simple and easy to watch and might just have you nodding your head along. It’s just a bit of colourful, melodic fun.
Mau-Kun
The first impression you get from a series based on a game is that it will become just another piece of merchandising like Pokémon which after a great beginning it ended keeping for 10 years like a repetitive story which will never end while the games keep selling. Thankfully the introducing Xenoglossia gave me to the characters and to the IM@S franchise made me give this anime a big chance to watch it and become one of my favorites, after I watched the first episode it promised me to be a fun series full of colorful characters and lots of music and dance, now thatI watched all episodes I can say that it accomplished even more than that.
About the characters it's amazing to see how this show makes you fall in love with them by showing not only how they are over the stage but also hoy they are in their daily lives, of course there were some of them they got left to show, but this show is so powerful that it even makes you fall in love with Kotori, who probably makes you think at the start: "Nah, she's just the secretary!", but no, you see that she's more than that.
Too bad the first episode doesn't give a good impression for those who are not familiarized to give chances, cause the second episode is where the show really starts, in the meaning that the fight for becoming top idols really start and you keep discovering more things on the idols that you didn't even see in the game, and the fact that the classic combination of comedy in the beginning and drama in the end was more deep than expected makes you love it even more. Of course if you never played the games or at least heard of them, this show is a total surprise box for you.
I loved the fact that there were new songs related to the show, and if you're watching it with subs the song titles on the screen make you run to your favorite mp3 site or youtube to listen them, cause they're songs you can't stop listening.
In few words, this show ended turning me in an Idolm@ster fan, and if you like music and colorful characters, it will turn you too into a fan after watching few episodes.
DiamondRabbit
The iDOLM@STER is one of the greatest and amazing animes that I ever watched. The story went from being light to drama. Okay, I was very happy that each of the girls got their own spotlight. The music and animation were amazing and the anime proves to me that they can make incredible dance moves without the use of CGI animation. Glad they gave the 765 Production some challenges up ahead and showed us good and bad points of being in the idol industry. The series is really based on real life idol activity. I gave this anime a positive review, for having an outstanding story. LikeI won't even thought of that (xD) and the challenges they gave for each of our characters. Keep up the good work and I hope to see more of the iDOLM@STER in the future.
This is DiamondRabbit signing off~
jd2281
Story: 9/10 - I love how the story progresses each episode. It wasn't focused on one-person's life only but everybody's. every character touch my heart. Sound: 10/10 - I love the sound effects and fitted in every scence in each episode. Most of all, I LOVE the music. I am having so much fun listening to them. I loved J-pop more. Character: 10/10 - Every character left impact on me. They have different personalities and I enjoy watching them. All I am saying while I watched is "This girls are kawaii!" Enjoyment: 10/10. I SIMPLY LOVE THIS ANIME. Nothing less. Overall: 10/10. This anime is very funto watch. I am inlove.
captjoe213
Welcome to Robert's Too Late Reviews, where old people tell you about how the anime was REAL anime when they were a kid! Naw, not really, I'm kind of spoiled by modern shows these days! Today we're going to be tackling another interesting show, Idolmaster! One peek at my anime list reveals I'm very much a moe type fan, so it goes without saying that this kind of show would catch my eye, but I am trying my very best to be properly critical and not just gush over everything, so we're going to be taking this music anime with a real grain of salt,and see if we can't nail down a proper assessment. Will the gang at 765 Pro make the RTLR wall of fame? Will they ride the shelves of awesomeness? Let's break it down.
Story: 6
We have a bit of large cast to deal with when it comes to story so a lot of the episodes, especially early in, seem to mainly serve to introduce each idol and familiarize us with them. With there being 13 girls, this makes for a lot of background to cover, leading to the show's weakness in story. We don't get into the meatier stuff very consistently until towards the end of the run. The individual stories are not bad, they're just kind of generic. You've got the calm type, the quiet one, the energetic one, the oddball, so forth, and they each get some fair amount of character development in the early run. However, most of the stories take a back seat for what I would consider the 'true' storyline that comes in towards the end dealing with one specific idol attempting to juggle friendship and stardom, fame and family, and how to keep the girls who all started together in touch with each other. It's a real coming-of-age story where the one idol realizes that with time things change, and everyone grows.
This story is also kind of hampered by the typical upbeat outlook anime like this has: the girls don't end up drifting apart, and instead come together at the end for the big show, which isn't a spoiler I wouldn't think, as the synopsis itself basically points to this ending, and anime, at least this genre, is not given to depressing endings. So it really is a run of the mill story, completed with a rival group (of guys, oddly enough) and their dirty, underhanded studio president who tries to destroy the girls' studio in every way he can. Nothing we've not seen before a bazillion times.
The story is well executed, and is handled appropriately, it's just not that remarkable, not that I found. Yes there are some good parts to it, especially regarding one girl's family's past, and a couple other nice nuggets, but it never rises above itself to become more than just fair. That's not to say it's bad, I know ratings on the site, and my own in particular, treat 6 as just awful, but no, it's above the mid-line, and indicates it's not notable, but it's not also unpleasant either. There was only one episode that really grabbed me story wise, and that was later in the season. Overall not bad, just not something you're gonna write home about either. Cute enough to pass, and with the other parts working together, the weaker story is somewhat propped up, but on it's own, it's just fair.
The story would have benefited from a smaller cast, 13 is a bit big, which is why when it comes down to telling the coming of age part, they focus on only a few of the girls in detail, and leave the rest more as background characters. If Love Live! had too many characters for your tastes, then this is utter overkill. A smaller cast would have given a tighter focus, which could have been a good thing. Of course this would have cut some fun personalities as well. Not a bad balance they strike, but again, just fair.
Art: 7
The art looks good enough, to me the art is a bit simpler than say, Love Live! which came out a couple years later. The details aren't present as much as in other shows, but the overall look doesn't really suffer much for this. The girls are easy to recognize, the outfits are cute enough, and the colors are nice. It was cleaner and simpler than some other series, but did not lack in conveying emotions and getting me invested in what I was watching. I found watching the show pleasant on the eyes.
Sound: 8
The music is the heart of a series like this, and Idolmaster does not disappoint, if you are a fan of the sugary sweet J-pop stylings put on display. Of course if you're not a fan of that kind of music, you should probably just avoid this entire thing as it is an idol anime, after all. Assuming you're down with the pop, then you'll find lots to like here. They do often play music, if even just small snippets of songs. They play them long enough, perhaps 45 seconds to a full minute for many of them for you to get a good feel for how the whole song would sound. The music is one place that Idolmaster tops even K-On! by actually sharing the songs with the viewers, instead of just dropping us in on the last chord. There are a large number of music pieces played throughout the series, with most if not all the girls getting a number or piece of one to go along with their parts of the story.
The opening themes are catchy and fun, and this show does like Akuma no Riddle in that each episode has a themed ending that fits either the idol being showcased or (later on) the situation the episode ends on, so we basically have a new closer for every show. I love this take, while great closers are awesome, to hear yet more variety in the music really is fitting for an idol anime. The voices are fairly well done, and if the preview image doesn't make it obvious, you're going to be hearing a lot of high pitched girls for the most part. None roam too close to annoying, and are all well done. I particularly liked the 'mysterious and wise' girl's voice a lot, along with the blonde bombshell girl, and of course the animal lover girl. They were all unique enough to be identified for the most part by voice alone, which can be difficult with so many girls chattering. As a native English speaker, I often have trouble telling Japanese voice actresses (seiyuu, whatever) apart in the native Japanese, but most of the Idolmaster girls are unique enough to pick out by voice alone, a very nice feature.
Character: 7
The girls are all interesting, even if some of them are kind of one trick ponies. Some girls just don't get the time to really delve into who they actually are, in favor of pacing. This is kind of sad if one of your favorite girls is passed over, but necessary to keep from really bogging down the entire series. As I said in my Love Live! review, there might be one dimensional characters, but we don't need every single last girl's life story to get the gist of what we need to know. I think Idolmaster strikes a nice balance of fitting the girls in, but not becoming lost in the construction of the background story. Its odd, I know, that I said that the story isn't anything to write home about, but the balance between the characters themselves is fairly well done. We might not see anything just revolutionary in the stories the girls are involved in, but they do effectively teach us the role each girl is to play in the overall scheme of things.
There are plenty of girls for the viewer to delight over, and a lot of them appear in most episodes so 'best girl' discussions aren't just limited to the 4 or 5 that come down to larger roles in the end coming of age story. One thing I had an issue with is that it's not believable that all the girls are solo idols. I'll buy several of them being famous on their own, but some just do not seem like they would make the cut without being in the larger group.
The producer who is never actually named is a great character as well, leading and guiding the girls throughout the show, and when it comes crunch time for the main idol, he's there supporting her the whole way. Toss in a cute as a button assistant, a sassy co-producer and former idol, along with a mysterious studio president, and you have a likeable and memorable cast.
The rival studio's president, the skeezemaster is also appropriately played, and there is an interesting development in the rival group he puts out there to 'fight' the girls and their studio. I was not expecting the boy band to take the arc they did, and I was glad they went for that part of the story, as it makes the guys understandable, and not quite so insufferable.
Enjoyment: 9
Now here's the kicker, with the rather pedestrian story, simpler art, and with some one note girls, I still enjoyed this anime immensely. It was a romping good time, and the girls were just so cute, and it was fun to watch them come together, even if it was in predictable ways. The main idol's resolve to keep everyone close and not forget their roots was really sweet, and in a way a good lesson for everyone. Don't forget where you come from, who lifted you to where you are. I cheered with the girls as they did their concerts, laughed at them on the tv show, and just enjoyed the whole experience. I would have scored the whole thing higher if not for those technical demerits I mentioned. It was worth the time to watch.
Best Girl: Hibiki! A new tagline for me, if there are multiple characters to pick from, I'll mention the girl I liked best in these reviews. I loved the animal lover Hibiki and her connection with her pets. She's fun and bubbly, and overall just really brightened every episode she was in. I especially like the episode focused on her animal show, where right before going on to make it, she gets into a serious argument with her dog and hamster. It's hilarious.
That wraps it up for us today. This series was worth the time, and I did enjoy it. If you can forgive some of the flaws, you might find lots to like here as well. If sugar pop isn't your thing, RUN AWAY. As for the great wall, the girls did not make an entry. But, fear not, they are all making an appearance on the great shelves of super awesomeness! So thumbs up, with some reservations.
Yuu_Masuhara
The plot is simply about bunch of girls under the name of 765 Pro—765 Production Studio. They want to reach the top of Japan music industry as an idol. You don't need to frown your forehead or heavily withstand with the troublesome issues on your mind. [SPOILER] The series does have problems like when few of their friends went debut first while the others still need to improve their skills, the burden of main heroine—Haruka Amami—who wants to spend time with their friends but none of them can make it so they can't be together after long time separately do their own jobs, and shed-tears momentwhen one of the member's scandal goes public.
The amount of problems they have there taste like a spicy flavour in a crispy fried chicken. The slice of life characters and humours mixed with the matters are a good combination as if tickles flavour yet savory, tempting, from freshly fried chicken. It has its main story, the goal they set as the self-conceptualization to be top idols, this undeniable resolve become the benchmark for the whole laughing nor sad matters and actions unlike the chicken fillet which is boneless and easy to chop. (Uh huh I'm hungry, don't you agree the parable of chicken usage here is easy to understand? lol)
I'm glad to comment about the visuals. Since the show is about slice of life, there's no action such as fighting and chanting magic spells like any other action and supranatural anime series. All of the impressive visuals then replaced by the idol performances on stages. Still it is not an action but the graphic there is so beautiful, accompanied by melodic songs angel-like voices in this show, also nice character designs. I am not into 3D animation at the time when musical groups in anime series perform, so this show offers the best idol group performance on stage, it's not so 3D, at least The iDOLM@STER is less 3D than Love Live! or AKB0048 or PriPara.
The characters development is not comprehensive, looking at mammoth amounts of characters, it's not questionable. I'd rather pick this story as it is than wanting it to change for thoroughgoing characterization. See it as a whole and it would be near perfect, the bond of every characters as 765 Pro is the best. Alongside Amami Haruka and her idol friends, there are a producer, ex-idol like a manager, and an assistant whose later known as an outstanding soloist in a Café. Focusing on few major characters, the characterization does well here.
No need to ask the theme songs, basically as a layman—who haven't watched the series yet—will assume the theme songs aspect is the key here. And happily it happens to be true. The show offers so many theme songs, insert songs, character songs, tons of songs will surely fill your playlist (*☌ᴗ☌) Most of them likeable and very likely to be listed on your favorite songs list. Thumping heart rhythm, elegant songs, even rip your heart off melodies and lyrics are available to listen. 申し訳ありません, I can't listed all of the theme songs, especially the ED theme because it all too much. Two OP themes, "READY!!" by 765PRO ALLSTARS and "CHANGE!!!!" by 765PRO ALLSTARS will be uploaded to my mp3 storage publicly immediately, find it there as instances for the nice songs I mentioned.
I rate iM@S series 9! and waiting for The iDOLM@STER Cinderella Girls which is airing on this season (Winter 2015) お楽しみに ! !
Pros:
Nice visual, especially when they're performing
Theme songs are awesome~
The characters are charming and have unique characteristics
mercury1980
"Our goal is for the top idol!" Idolm@ster is a gateway anime for me. This was the reason why I was pulled into anime after a long hiatus of 6 years since I watched Naruto. STORY (9): Idolm@ster is basically a popular raising sim and rhythm game franchise by Namco Bandai Games. Basically the plot takes place where 13 idols, from 765 productions are competing for the top idol along with 961 productions. The 961 productions has male idols that form the group, Jupiter. Do the 13 idols have what it takes to defeat them? The story tells that being an Idol is never easy and itrequires strength and effort put into it. Not only that teamwork is also very important because teamwork is improving the relationship with the co-worker and the producer.
ART (10):
The animation is vivid and stylistic. Every idol represents different color. Like red represents hyper and energetic. Haruka has that color. Blue represents cool and calm. Chihaya has that color.
SOUND (9):
Every songs are special and unique. I couldn't say much. The best song is "Aoi Tori". The rhythm is smooth and calm.
CHARACTER (10):
Every character has their own unique traits just like the representation of the colors.
My favorite characters are: Azusa, Chihaya & Makoto. They are the awesome trio.
Makoto Kikuichi is my favorite character in this anime. She is badass and has charisma. I wouldn't say I love her otherwise she will kick me in the ass.
Azusa & Chihaya are calm and composed. However, Chihaya is the most serious person who always achieve her goal with passion.
Chihaya is voiced by Asami Imai who voiced Kurisu Maksie from Steins Gate & Solva from Needless.
Ritsuko is a smart person and I also liked her personality.
Yukiho is easily timid which represents her color, white. She always say "I'll dig a hole and bury myself". "Anahote umatemasu!!"
Amakase Touma was a cool guy. He was voiced by the same voice actor who did Hachiman Hikigaya, one of my favorite character in My Teen Romantic Comedy SNAFU.
Shota Mitarai is hyper just like Yayoi Takatsuki. He is voiced by Yoshitsugu Matsuoka who also did the voice acting of Kirito from SAO and Sorata Kanda from Sakurasou.
Hokuto Ijuin is calm and composed just like Azusa.
The 876 idols have not much to work in this anime. They were just there in episode 10, during the tournament. In fact, I would love to see more of the 876 idols.
CONCLUSION (10):
The reason I was pulled into anime is because of this anime. I first watched a video about some Idolm@ster cast singing one of my favorite songs "The Final Countdown". That was when I was so fascinated by the video.
Idolm@ster will still remain special in my heart. Idolm@ster also teaches us life-long lessons that being an idol requires more effort and time. Just like business, teamwork, skills and effort should come together so that business can be successful.
Even though there is not much character development on 876 idols, I adore this anime a lot.
I give this anime a 10 out of 10. A beautiful masterpiece. If you're into music, you should give this one a shot.
Sip_of_Mercury
HONESTLY... When I heard of this show, all I expected were girls performing at concerts. What I did NOT expect was the journey towards performing, any problems that occurred, nor any backstory (yes, we get a lot)... The character development is insane. Both openings 1 and 2 (Ready and Change respectively) are really fantastic, and the animations are fantastic for both. The art style for the characters, the background, posters, concerts, everything is amazing. The music is fantastic, and the backstories of the characters we get the backstories for are amazing. I enjoyed this anime so much, and I did not expect an anime likethis to make me cry so much; 3 times in one episode I cried. I easily recommend this anime to ANYONE, this show is such a masterpiece.
Worinof
I started watching this anime back in 2019, and just rewatched it in 2020. Long before I watch this anime, I heard some fuss about Idolm@ster franchise. At that time, I would say that I'm still pure as a baby who knows nothing about Idol-like anime. I even never tend to bother search or lookup for it, until anime with music genre hits me. And I came with the idea to watch this. The result... i fell into it ~ for the Anime: - the anime itself was just like a Christmas gift for those Idolm@ster fans - the stories weren't bad because it's just some brief introductionof some characters.there's' plenty more that are not included in this anime.
- sure the anime give a huge impact to its franchise but Idolm@ster wasn't all about this anime
- It might be hard to enjoy the anime if you knew nothing about Idolm@ster before
here's my opinion:
- if you are new, know nothing about IM@S, and planned to watch this. get your self educated first about IM@S for better enjoyment.
- if you were already familiar with Idol-like anime, it's fine to watch as it is. This would guarantee that you would like the anime. but might turn you to like the whole franchise.
- if you are those people who just want to watch some anime to fill your time. This wouldn't be the one that you look for.
- if you're an anime expert. this one would not meet your expectation, leave it or eat it.
to sum up,
"Produce, Idol, Music, and possibly VidGame" these all that I need to underline.
ChitOKun
This is... beautiful. My expectations were already high from the graphics, but this anime went above and beyond any of them in both visuals, audio and storytelling. Really, such kind of all_girls cast and one guy usually implies only harem-like action, but there is absolutely nothing of this kind. Nothing of any traits I usually frown upon in 90% of other series - there is no harem, no school, no romance, not even a fanservice of usual scale was noticed, if any at all. Only girls actually doing their best to become idols without slacking off and eating too much cakes. Truly said, perfection isnot when there's nothing to add, but when there's nothing to remove. And it isn't even boring, as one might think without all these "features", it's got drama episodes as well as some action. However, personally I was a bit unhappy about these issues they had to go through later in time, but that's how affection to characters works - you don't want them to have slightest problems.
I never thought I would encounter this kind of show, where creators actually love and respect their characters and emphasize their best features, released in 2011, when it is become usual to lure audience by less honorable methods. Actually, such methods are clearly pictured as wrong and this is the message of the series.
This might be the first show since Lucky Star that both made me laugh and shed a tear and that I will be missing after finishing for a long time. In fact, something of this kind I has been subconsciously waiting since the ending of the last episode of L*S, something to continue the performance of Lucky Star girls on stage but on a larger scale and with more dedication. It was especially pleasuring to watch since I, being a JPop fan myself can often relate to what's going on and recognize familiar features like that time with a scenery referencing various Mizuki Nana songs. However for those not already familiar with "stardom" these series still would be pretty enjoyable as slice-of-life's best.
