Hundreds of years ago, the borders between the worlds of humans and youkai temporarily overlapped, resulting in many residents of both crossing over to the other side. In the years since this event, the city of Sakurashin has become a central hub for all inter-dimensional affairs—a result of both the sacred Seven Pillars around the city serving as a beacon for the youkai, and the efforts of the Hiizumi Life Counseling Office in keeping the townsfolk happy. This office is composed of Hime Yarizakura, the young mayor of the city; satori Ao Nanami, who can read people's minds; half-youkai Kotoha Isone, who can summon anything by speaking a word; oni siblings, Kyousuke and Touka Kishi; and the office director Akina Hiizumi, who inherited his family's ability to force youkai back to their world.
Besides volunteer and arbitration work, the Life Counseling Office also suppresses any Strikes: rare occurrences where humans are suddenly infused with youkai powers and go on a rampage. But the appearance of a sinister man signals trouble as Strikes become increasingly common, political rivals make their moves, and malicious individuals descend upon the city. As the self-appointed defenders of Sakurashin, it's up to the Life Counseling Office to protect the idyllic city they call home!
[Written by MAL Rewrite]
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Comentários
Stark700
The Yozakura Quartet franchise has been an odd ball in the mix. Some classifies it as a supernatural comedy while others sees it as a fun series with shounen battles featuring a diverse cast of characters. While the series itself doesn’t venture too far or drag like long term battle shounen series, it does take some patience to get used to. Yozakura Quartet: Hana no Uta is one prominent example of where it’ll take more than patience to get through the show. It’ll take endurance to get yourself familiar with the themes. Once you do, you might find a little charm in this show. Asfar as that goes, Yozakura Quartet still is like a stinger on a bee that might not always work out right.
Yozakura Quartet: Hana no Uta is a brand new anime series based off of the manga of the same name. The series stands out on its own so it’s not completely necessary to watch the previous seasons or OVAs. Tatsunoko Production adapts the season that has its long history of animation production tracing back to the 1960s. Their more recent works such as Gatchaman Crowds also adapts supernatural themes into a modern life setting where everything seems normal at first; that is until the extraordinary strikes into the core of the story.
Bizarre may be interpreted as an overrated word for a show like this but it never escapes as the way it describes its style.
The story begins exactly as such in a bizarre way involving fish tanks, pigeons, and something we might be more familiar with – youkai. The way it sets it up makes viewers confused at first. This is especially true for viewers coming completely fresh into the show without expectations. What follows later makes more sense as we see other characters jumping into the problem and resolving it in their own little ways. They even get their rewards too such as enjoying the Sakura Festival. Because hey, we all need a break to enjoy ourselves after a day of hard work.
If you’re unfamiliar with the Yozakura franchise, one key factor to consider would be the diversity of its characters. Among the center of its cast are four main characters by the names of Akina, Hime, Ao, and Kotoha. While they seem normal at first with their teenager like outlooks, all of them have supernatural abilities. Not only that but one of them, Hime Yarizakura, stands as the protector of their city Sakurashin. Because youkai co-exists with humans, one should expect danger at all times as nothing is considered ordinary. For Hime, she plays the role of a guardian/mayor and the anti-thesis of a frail girl. She charges into the face of danger and puts others before herself. In one instance, she even tries to escape the hospital despite being injured. In her mind, it’s her duty and responsibility to protect the people she loves.
It’s not a surprise that most of the main female characters defies the typical fragile girl trope either. It’s bizarre since most of them are teenagers and aren’t fully matured yet, or at least at the age of the adolescence stage. Even bystanders at some cases that gets indirectly involved with the youkai displays some of their tendencies to help others. It’s bizarre to see on various levels with the fact that youkai are a threat to its citizens of the city yet people are willing to risk their lives. Normally in supernatural series, you would see people rushing away from scenes of danger. In Yozakura, it’s the opposite way around. But as much as fun as the series goes with its whole supernatural themes, it still falls under the typical story involving teenagers obtaining powers in a generic setting. Antagonists are stereotypical with their own ideologies and causing menace to the city’s people. Their physical appearances also reflects their actions that speaks louder than words. Although it sparks some interest at first, they can become dull as the story goes on with limited exploration of their character backgrounds or origins. It also opens up the fact that their lack of personalities gives them a hollow part to the main story. The resolution to most conflicts literally turns a villain into an ally that becomes repetitive to comprehend. While it stands out as a justification for their actions, there’s limited amount of characterization afterwards. On other hand, Akina Hiizumi is perhaps one character that has some depth with his own conditional way of thinking such as concepts involving destiny. Unfortunately, the majority of the characters in the show still lacks dynamics. The male characters are also portrayed as jokes on various occasions such as Kyousuke Kishi thanks to his powers.
If you’re into the story, the series does go into depth with some of its concepts. In between are some episodes that may feel a bit repetitive or oddly paced. The series itself is also only 13 episodes (one cour) but surprisingly adapts quite a lot of material from the manga in the form of packages/arcs. Along with adaptation, it even manages to insert various comedy scenes too to raise attention. While it doesn’t overly express fan service, the series doesn’t avoid with the pool outdoors. On the other hand, it sticks to its themes fairly well with the supernatural features. Although the story is predictable on various occasions, it can still be surprisingly entertaining thanks to its fluid action scenes and energy. On a more technical scale however, the story sometimes lacks details in terms of explanation. It also neglects a serious atmosphere on most occasions despite the dangers of the youkai. Perhaps the amount of energy the show possesses is too much for the story to stands for itself. Hime is just one prominent example but other characters also pours their ebullience to reflect its atmosphere. A mixed bag is also the comedy – some of them oddly coordinated while others works out quite well to make its point. This usually involves the character interactions, dialogues, and in general the way they play their parts in the story. While some characters don’t stand out as much as the others, comic relief is a prevalence of the franchise and is executed decently. Get ready to grab some popcorn, sit back, and enjoy the laughs.
Artwork is not a prominent factor but does play a key theme to reflect its style. It’s important for the show to depict its supernatural themes. Surprisingly enough, it did pull it off in that fashion. Youkai are designed not only with otherworldly features but also giving their malevolent appearances. None of them looks the same and offers a diversity of characteristics. The way the antagonists are designed also conveys their efforts well. On the other hand, fan service sometimes gets in the way as female characters are characterized with more sexuality than they should be. The background textures also seems average as nothing stands out as extraordinary or noticeable. Hime on the other hand has that noticeable scarf wrapped around her neck with a more definite meaning.
The soundtrack is solid for most parts. The OST performs well mostly during its action scenes but fades in the background during more of the calm scenes. There are some emotional scenarios in the series as well and the soundtrack reflects its mood consistently. However, it lacks the concept of originality with portraying shounen battle sequences. Cheesy dialogues are inserted in during fight scenes while the whole stereotypical laughs from the antagonists are echoed in the air. The OP song is quite catchy with its presentation and the memorable “lalalala” that once again reflects its comedic mood. And as I mentioned before, there is a diverse cast of characters so each of them should reflect a different sense of tone in their voice mannerisms. Most of the characters has their standards met. Hime in particular stands out with her tone as a girl with responsibility. Kotoha Isone is also a character to take notice of because of her ability that relies on words itself that are spoken. On most parts, the soundtrack and voices works out right but nothing earth shattering.
In the end, Yozakura Quartet: Hana no Uta is one of those series that will strike out as bizarre yet appreciable. There’s that word again but it fits with the show right with its story, character, themes, and overall presentation. I won’t say this show is for everyone but shounen fans should definitely appreciate the style. The comedy can be appreciating with the drama and diversity of characters. On the other hand, some of the story itself feels blend or weak at various points. Its lack of character development sometimes makes the shows feels like it’s just another battle shounen on occasions. However, the energy will envelop and sucks you with its style in its Yozakurish way.
Milhofo
I'll write a brief review on this one (Spoiler Free). Hana no Uta is a reboot of the original Yozakura Quartet, and in my honest opinion, you can't enjoy the reboot to its fullest without watching its predecessor, you'll miss important character information and maybe some bits of the story that might make you enjoy this one a lot better. I'll say the original was definitely not that good, the story was interesting but poorly managed and the characters could have been developed a lot better. And oh boy have they fixed it in Hana no Uta, besides the different takes with the art style andthe more common comical gags (and panty shots!), which were great additions, the series has become enormously better and more entertaining.
Story 7/10:
Why am I giving a 7 here? Because the story just felt rushed. The story is great, it is interesting and has plenty of options and directions to go from, but in 13 episodes there was barely any time to extend it and have those last questions answered (even though it had a good ending).
The characters had time for proper development this time, and this increased the story's value by tons. The past of Akina's and Hime's families were explained, and a lot of other backstories that I thought were missing in the original run of Yozakura.
My only complaint would be that 13 episodes (mostly the last ones) were too rushed, I wanted the story to keep going, and the last episodes to be explained better and not feel so rushed. They leave us with questions at the end, it actually feels like Enjin has to wait on the producers to put his plan to action. I don't know if any continuation to the story is coming or not, but I really hope so.
Art 9/10:
The art style is beautiful, the characters look stunning as well as the colouring. Action scenes did flow better than I expected and all the facial expressions were top notch imo, in comical moments as well as in serious ones. It might be a matter of taste, but for me it more than deserves this score.
Sounds 9/10:
Sound isn't my strong point. I found both the opening and ending songs amazing, the ED will give me nostalgia moments in the future for sure, it's just a great song. The OST felt fitting and in place, there isn't much more I can say about it.
Characters 8/10:
The characters were already great in the original, but lacked stories behind them, well it's all fixed now. Everything's likeable about them, and this time you can follow their stories throughout the episodes. The reason I'm not giving them a 9 is because some of the stories felt rushed, like I mentioned above, doesn't make them any less good though.
Overall 8/10:
Yozakura Quartet: Hana no Uta works as a comedy, a slice of life and an action anime, when you put all of them together and it works, what's not to like? This is definitely worth the watch, I recommend it to anyone who's looking for a heart warming, funny and action filled story. If you watched the original, don't hold back, this one is a lot better and you will not regret it. If you didn't watch it before the reboot, you should, there's still important information in the original that transitions into the reboot without proper explanation in the latter.
kuity
Yozakura Quartet. The quartet of the night cherry blossoms. What a resonating name. This is another one of those shows that started off with a bang. Nekomimi girl with pantsu shot? Check. Randomly appearing huge goldfish? Check. All that crazy spiced up with a dash of ecchi. Yummy. I am one of strong believers that the start and the end of an anime are the two most important parts to get right. After all, if you don't get episode 1 just right, you're gonna lose viewers. If you don't get the final episode right, you leave a sour taste in everyone's mouth. So there's that. YozakuraQuartet. Great title. Epic start.
Characters were like-able right off the bat. You have the tsundere main girl who literally hums a tsundere song, sports a long-ass scarf for image which scores +1 in my book, don't know if it will in yours though, and kicks ass with a stick/spear/lacross racket. You have that usually-quiet, laid back main guy who actually secretly gives a shit. And a bunch of interesting side casts like nekomimi girl, oni girl, well-endowed glasses girl etc. Great eye-candy if your a guy.
Sound was awesome for me. Like it could be all-peaceful and stuff, and then WHING WHANG WONG the action just ESCALATES out of thin air. It's the kind of in your face music and sound effect that I really like.
Overall, my only complaint it that it's too bloody short and I couldn't get enough of it. So what the hell are you doing reading this bullshit? Get off your rockers and watch it now.
reversereality
Upon gazing at the ridiculously short synopsis and the total episode number, I was convinced that there is nothing too special to see here. And looking back on complaints with its first run five years ago under “Yozakura Quartet,” I was skeptical on how this reboot will deliver. How wrong I was; this anime left me with a lasting impression. You might have been put off too, but don’t back away now, because the simplistic synopsis is not all what this anime has to offer. Given the synopsis and thirteen-episode span, I was led to believe that this anime’s storyline wouldn’t get past a good mark.That proves to be quite true when it isn’t so often that the characters do their duties of kicking butt and defending the city and rather spend time dilly-dallying with ramen and swimming pools. But when they do, it is quality over quantity in this case, and each few moments of action deliver well as it also continues from building on one event to the next within the mastermind’s hands. Coupled with the soundtrack ranging towards some snazzy rushing tunes, the action is displayed well when the characters do their duties. Animation-wise, the fluidity is crisp and well-done in the fights; that makes the very few fights in this anime to have some high quality features. The amusing methods that each character employs in battle could be as outlandish as it is enjoyable (epic too).
The action and animation are eye-catching, but when it comes to plot concerns, the anime comes to a slow crawl that later picks ups half-way. The characters are confined to one area (their city), and the plot only demands action when there’s a crazy hub-bub that wants to destroy the peace. By the synopsis’s implication, it is as if the anime is to be mainly packed with constant supernatural skirmishes every episode with new villains. That isn’t what it truly offers though. Now what does this anime offer that makes it entirely unique? Characters that transform this shounen into something different.
The scope of the anime doesn’t primarily zone in on action, fanservice, and comedy, the scope seems to zone in on the characters. These types of characters aren’t exactly impressive, but the anime does create a sweet character depth and also pokes into their relationships with the others. It tends to poke into the themes of expectation and burden, especially in regards to Akina and Hime. And it does exploration for all characters along with suiting music. For a shounen anime in a fantasy setting to have slice-of-life themes in its mix, it does so pretty well. Their backstories are explored and the viewers are now given some emotional attachment to them if not all.
I think this is impressive for a thirteen-episode shounen anime. It was as if Yasuda Suzuhito was trying to implement slice-of-life themes here instead of typical shounen ones. Usually, viewers are already drawn to the convictions of shounen characters, but the convictions for these characters are not so hero-like in the traditional sense. They appeal to nearly real-world internal struggles that people tend to face in their days. The character arcs mainly focus on that, few episodes are dedicated to that as well. Forget about never giving up and protecting others, Yozakura Quartet is a mixed-bag of slice-of-life themes presented in a shounenesque way.
That is all it can ever be though, a mixed-bag. And I don’t think that is a subjective term for this anime. As convoluted as to where the focus and drive of the anime is as a whole, it seems to do it justice, and it probably was intentional. The OP song is breathes in excitement and merriment which links to the seriousness and cheeriness of the anime, while the ED song seems to remind us about how important the characters’ state of minds are to give an impact to the series. This is done in many anime I’m sure, but the songs do help with what the anime is about with the moods that the songs bring out. I think it is hard to pin down where the actual focus is, but the fact is that the characters are what run the show with every importance. Quirky, yes they are. Deep, somewhat so, and that level of depth should be tolerable and forgivable.
What’s even more respectable about Yozakura Quartet: HNU is that it does not suffer from a genre identity crisis. It does not try too hard for one thing, so it shoots down expectations from any side of the genre spectrum by balancing and shifting between action and play while it maintains the charming and optimistic childish aura that it exudes in even the direst situations. But that does not stop it from being critiqued on its ‘apparent’ potential, for I can see people wanting it to go beyond its mediocre interplay between the genres. So look away now if you are the viewer who is looking for something along the specific lines. Yozakura Quartet: HNU is not made for that. It’s made to appeal to those who are looking for something ‘different.’
The efforts made into this anime shine pretty well with intended mediocrity. The mixed action and character back-stories are the crux of the series, but plot-wise, viewers who start watching will finally be ‘rewarded’ for the real story behind this special town and the clouds that are beginning to storm in.
The storytelling is not so stellar, for the actual mystery and interesting info are only touched upon near the end of the anime, and towards the end, the whole setting and continuing devices of storytelling becomes even more predictable. There will still be the same kind of conflict, but with more detail added on regarding the secrets behind certain main characters. One should keep in mind of the true story that this anime is trying to tell. Although unfinished, from start to end, it has left me satisfied with anticipation. This makes the story tolerable somewhat, and it ought to be excused.
What is a tad inexcusable is the anime’s way of evoking emotion from the viewer. Even typical shounen anime can rally a nearly absurd amount of sympathy and emotion from. The way that this anime tries to evoke some sympathy is half-baked and isn’t dramatic enough. This clash between shounen and slice-of-life doesn’t work too well in the emotional department. What it does instead is to create an understanding of the characters, not to create sympathy for them. There isn’t anything wrong with that, but expectations and standards are not appealed. I think because many viewers are already used to specific slice-of-life and shounen anime, the result that this hybrid-genre anime gives off remains unfulfilled. That makes it’s ‘mistakes and flaws’ hard to accept was the reason why I even considered dropping the anime, but the important thing is that this is what this breed of an anime is trying to do.Even though the anime tries shoot down expectations, handling that with an open-mind could take some effort into getting used to. That may put off some people from continuing to watch.
Nevertheless, this is a decent anime with my enjoyment stemming from the fights and the internal conflicts that the main characters have. It personally did not make me strongly react, but I can’t help but admire at what it does. Had it did evoke a strong reaction, this anime would have deserved some more praise, but it does what it does somewhat well, and it works.
At least the captivating art style helps make up for its ‘mediocrity’. The city gives off a fresh feel of security, while at night it turns mysterious and dangerously exciting. Characters are not glazed like porcelain dolls, for they are more akin to the cleanliness of Durarara. It also packs a similar atmosphere, but in a more merry way. Given the whole convoluted feel of focus and whims, the art style definitely fits with the plot’s antics. The anime is like a bowl of piping hot ramen (Hime’s favorite food), a meal that combines a variety of tasteful ingredients where taste and flavor are balanced (although the overall quality might be something to gag at depending on personal tastes).
But does it appeal to you? Who knows. Just hope that you get a good flavor from that mixed-bag of tea. It just might be your cup. And it is gladly mine. Give it a try and you’ll be in for a lasting experience, for better or worse.
*NOTE: When watching this anime, the OVA Yozakura Quartet: Hoshi no Umi takes place prior to Episode 9 and after Episode 8.
thonking-time
I don't usually write reviews, but goodness gracious this show is abhorrently terrible. There are possibly some things for some people to like in this show, but it fails on pretty much every single level I can think of aside from the occasional bit of spicy sound design and the one good character. The weird thing about this show is that absolutely nothing happens. Like, the plot is technically in a different place by the end, but it might as well not be. There's no progression or real resolution very often, and most of the time it's just characters doing menial tasks or sitting around. Youcan make a show like that fun, but this show's comedy is always incredibly out of touch and really childish aside from a couple special cases. Even when plot happens, it's surrounded by all this junk, and the plot itself is incredibly slow moving. That being said, if you like kind of childish/loud humour, then you might actually like the comedy in this show which is obviously one benefit.
My biggest issue is that the characters in this show never feel human. There are amazing shows where pretty much nothing happens plot wise, but they're still good because the characters are interesting. That being said, the characters of Quartet are ridiculously one note, and most importantly, they never naturally react to things. Things that should be big deals are shrugged off like nothing, but random conflicts born out of thin air are treated like the worst thing ever. Also, it's fine if a character yells emotionally to get a point across one time, but if it happens every single episode then it just starts to show how overly melodramatic the show is.
I'd also like to talk about the frequency of sexual assault in this show because I believe this is the single piece of media with most instances of sexual assault that I've ever seen, and I've watched a handful of Sion Sono movies so that's saying something. The Ecchi in this show isn't really fun, it's just disgusting. There's no enjoyment to it, but it's painted like it's meant to be just ok or fine or whatever. I adamantly defend Kill La Kill's Ecchi, and I don't necessarily have issue with Ecchi as a concept(I mean, it could be more gay tho), but the Ecchi in this show just makes me feel sick. Theoretically it's fine when compared to other shows, but it's all just so needlessly random and invasive, and it feels like a violation of every human right. Even though it's comparatively mild on paper, the specific way that it's done always makes me want to vomit.
The one benefit is that at the end of the day, no matter how much I dislike the show, Lila is actually still a pretty good character. She's really not around for that long, but she certainly steals the splotlight seeing as how she has at least some attempted character development, and most importantly, she's just fun to watch. She lights up any scene she's in, and it's a shame that her whole story is so rushed. If she were in a better show, she'd be a decent character; not a good one, but still pretty fun, and she's a nice escape from the mildness of the rest of it all.
Still, the two characters I hate the most are the villain and Yuuhi. The villain is terribly written, I genuinely have no clue what his motivations are or what side he's on, and he just tries so hard to be edgy yet fails on every single level. I can appreciate a really cringey edgy villain, I love B: The Beginning after all, but this just isn't it. Also, Yuuhi might be my least favourite character in anything ever because he too is really edgy to a stupid degree, but he also does about 90% of the sexual assault seen in the show. I want to remove Yuuhi from existence; torture would just prolong his time on this planet, what we all deserve is a quick and immediate removal of his presence from anything ever. I hate him with a burning passion, and he easily knocked down my rating by at least 1 point because I hate him that much. Goodness he sucks.
Also, yeah the main characters exist too, but I honestly could not ever get invested in them. Like, I get it's meant to be a quartet, but I don't even know who's in the quartet because it feels more like a quintet plus seventy other people. Luckily, every single character is quite bland so I don't have to get very invested anyway. I liked Hime's stuff, but aside from that, it's just pretty boring. I tried to remember who the characters were, but none of them leave an impression, and they're all just so forgettable.
This review probably won't help anyone, and if you like this show then I genuinely hope you're able to keep enjoying it. It's not offensively bad on most occasions, but it just really isn't for me or people who have similar taste. I also acknowledge that this review was written mostly out of blind hatred, but I really just wanted to get my feelings out there. This show has been a massive waste of the past few months of my life just because of how much I kept procrastinating on it, and I am incredibly glad that I finally finished it. Go spend your time watching Flip Flappers or something actually good as opposed to this, unless you like stuff like this, in which case have fun. I realise that I'm a bit isolated in my opinion here, but genuinely, this show is terrible and I have no idea how people like it.
post_human
What do you get when you mix a weird and refreshing supernatural setting with cliched shounen character backgrounds and battle elements? When you mix a solid plot-line having interesting aspects with unnecessary and distracting fan service? And add pleasing art style & character designs with diverse yet quite unoriginal cast of characters? Apparently you get this show, which, as these mixtures suggests is a flawed yet quite an enjoyable experience at the end of the day. This is not the first adaptation of the manga, there is a previous series as well as OVA's; but quite thankfully for someone new wanting to join the excitement youdon't need to watch those to understand the show as it starts the story anew. The plot setting is a town where humans and youkai leave together and the focus is on a group of teenagers with their "Hizumi Life Counseling" agency which tries to keep the peace in town. That sounds a somewhat weak plot, right? But the story actually gets way too deep reaching various dimensions with the detailed background of the characters as well as the city while we go through their struggles each and everyday for a peaceful environment for the inhabitants.
In a very entertaining and unique way, we slowly learn about the town's past; how it is very different from the ones surrounding it; how it actually came to be; and what motivates not only the agency but even the general populace of this unique town to strive to keep their town safe. Another aspect is the general flow of the story as it moves forward in a wacky fashion, we get supernatural battles suddenly turning into some characters goofing off which then again suddenly turns into an emotional back-story revealing sequence. There are episodes in which you will get a bit bored with unnecessary fan-service galore to quite suddenly finding out some key back ground information's and character development. While this general bizarre and unorthodox approach is quite fun mostly, at times it is quite frustrating to get distracted by a sudden focus on undergarments in between an intense fight sequence or storyline revealing; and through some of this forced ecchi elements we really feel a bit sorry for the directors trying unnecessarily to give the show that appeal of commercialization which quite frankly it doesn't actually need.
Despite many flaws and general lack of explanation of some of the confusing plot points one feels that this is a show that might have really done well with a few more episodes at the least; so there grows a general want of more after watching the show and quite surprisingly this adds to the overall enjoyment as the writers never really gave a cliff-hanger ending at all (although not really settled ending at all).
The story gets a 8 out of 10.
While not totally original at all, the diverse and somewhat big cast of characters with a general lack of actually focusing on anyone is one of the strongest points of the show. Despite the synopsis stating only four main characters, this show is not limited to that at all. In fact there are quite a few number of characters which gets focused up on, to the point of the show not really having any main characters, and that is very interesting indeed. There are episodes focusing on a specific character and even total lack of otherwise important ones, but these just add to the diversity of the characters even more.
Hime is the town mayor and might be called the main female character who is somewhat like our typical shounen heroes with her trying to save all attitude. But there is also the funny aspects with her huge appetite and the song she sings, later on during the show although her character gets a little more depth but never really is able to transcend the trope of shounen cliches. Akina can be attributed as the main male character and is overall one of the interesting ones with his somewhat tragic duties and his interesting lineage & back-story, but then again he also falls into the typical category's as despite sparks of development his character never really leaves the trope. Other characters including Ao, Kotoha. Kyousuke, Touka, Juli and even the antagonists also really suffer from general lack of originality.
But despite the flaws credits is due to the writers for giving each characters almost the same amount of care and trying to give viewers the overall experience of enjoying a total story from various viewpoints as well as having various sub-plots rather than being focused on only one person.
The characters gets 7 out of 10.
Despite being visually pleasing the artwork never really draws attention to detail, it is not particularly lacking in anything but actually can't command appreciation while we are being focused on the interesting story. And the art style never really adds that much to the experience as a whole, but rather distracts and annoys with its overly endowed females and unnecessary shots of undergarments.
While it could have been better if the art somehow added to the supernatural elments of the show, the battle scenes were done nicely with fluid animation but then again never really adds anything to the intensity either (the dialogues does that job better).
So this gets 6 out of 10.
The music/soundtrack is also an overall mixed bag, as the battle themes or music during these intense sequences were quite nice yet the overall in-show music again fails to really catch attention or even provide any factors for the enjoyment of the show. The show screams the need of having nice music but somehow the compositions never really gets there, despite a few glimpses of nice melodious piano pieces and guitar works.
The OP is quite catchy and memorable which tries to focus on the wacky aspect of the show and somewhat succeeds, The ED on the other hand really lacks in aspect of its enjoyment and is rather boring with its apparent approach at the emotional aspect of the show which never really shines as a matter of fact.
The voice acting was quite appropriate but special mention should be given to the seiyuu of Hime as she does a splendid job of representing the character.
Overall it gets 6.5 out of 10.
At the end of the day, while not being that original in its character department and never really shining with its animation and music the show really has an enjoyable story-line which can be said to have the characteristic of always keeping the enjoyment going. The general overuse of unnecessary fan-service is one of the main factors holding the show back from being something beyond good but despite it all the viewers are left with a wonder for what to come next (despite the writers never really trying too much with any cliff-hangers or something like that) and might really do well with a second season after the manga is completed.
Overall Score -
7 out of 10.
pakoko
Man, this show has everything: a vibrant art style, a sufficiently interesting premise, a diverse cast of characters, a series of pulse-pounding action scenes with fluid animation, a good mix of humor, and of course, a healthy amount of fanservice. So need I say more about this show when it seemingly has everything good going for it? For the sake of a longer review, I do. Think of it this way. In reference to the title, a “quartet” can only pull off a beautiful performance when all four musicians play in sync with each other, complementing each other’s melodies to create the perfect harmony. It isnot about one musician playing exceptionally better than the rest. Everyone has to make compromises and work together to get the perfect sound. The same idea holds true for anime as well, in that it doesn’t matter how beautiful the art is, how profound the story is, or how interesting the characters are; if these components do not mesh well together you risk getting a bland mishmash of an anime that just leaves a bad taste in your mouth. And that is exactly how I feel about Yozakura Quartet: Hana no Uta.
Yozakura Quartet: Hana no Uta struggles to figure out its identity
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The show struggled mightily to find the perfect balance between all the different genres it tried to be: at times it tried to be a serious fighting anime, other times a shoujo romance anime, and sometimes a lighthearted slice-of-life anime. Not to mention, Yozakura Quartet: Hana no Uta was only a 1-cour, so the director didn’t have a lot of space to work with. As a result, I was questioning the identity of the show throughout because the show just felt like an awkward mix of genres that the director was trying to force to come together.
The starkly different pacing between shounen and slice-of-life anime not only messed up the pacing of the plot progression, but also messed with the “rhythm” of the show, especially towards the later episodes. Even in the midst of the fast-paced action during fighting scenes, slow-paced dialogues and tension-breaking humor would completely ruin my immersion to the whole scene. For example, for every little bit of fighting that went on there would be some sort of flashback about the villain or character in question. When the fight could have been over in about five minutes or so, Yozakura Quartet: Hana no Uta managed to draw the fight out to almost a full episode or two instead, showing long flashbacks that didn’t really add anything new to the characters or the villains. Yozakura no Quartet: Hana no Uta pulled no such miracles in terms of striking the perfect balance between several genres, and the inconsistent pacing that came about as a result broke my immersion to the show.
There is a severe mismatch between the amount of fighting and the villain’s purpose
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The show also had trouble trying to match its flashy action to a meaningful purpose. Every single villain that appeared in this show, except the main villain, had laughably trivial goals. The main villain was the only typical villain that wanted to achieve some form of “world domination”; the rest of the villains pursued explicitly personal interests that were as minor as wanting to reunite with a long lost sibling. And simply because of the fact that these personal interests involved our main protagonists in some way, there would be an “epic” showdown between the protagonists and the villains. As a result, there was a severe mismatch between the excessive amount of action and the triviality of the villain’s goals. The villains rightfully seemed menacing and intimidating when they were first introduced. However, once their goals were revealed, I skipped almost the entire arc and all of its beautifully animated fighting sequences because the end result was painfully obvious.
There is hardly any time for character development
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With the story rushing right along and the fight sequences taking up the majority of the show’s screen time, there is hardly any space left for character development. With a relatively large cast of characters, I was expecting a more character-driven plot with developments primarily focused on our main protagonists. Instead, the priority of the show goes mostly into fighting and exploring the backstory of the villains more so than the protagonists. Additionally, for each arc the focus of the character developments are on the secondary characters rather than the main protagonists, so there can be a loss of immersion because most viewers want to learn about the protagonists they always see on screen more so than secondary characters that appear in just a couple of episodes.
What also hurt the character developments was the rather lukewarm development of romantic relationships between certain characters. Especially in a 1-cour anime with barely enough room to fit in a bunch of fighting scenes and character developments, the romance felt pretty random and unnecessary (even if it was just staying faithful to the original work).
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Now, after having said so many harsh things about the show, would I still recommend Yozakura Quartet: Hana no Uta? Absolutely. I was not at all being sarcastic when I said that this show had everything. The art style is modern, young, flowery, and captivating; the premise is something we have already seen before but with a slightly different and interesting take; the fighting animations were exciting to look at, despite the large amount of fight sequences throughout the season and both OVAs; and finally, the humor was spot on for most of the show and the panty shots (and other forms of fanservice) were not too “in-your-face” about it.
However, my main complaint was that even with all these individually promising components, Yozakura Quartet: Hana no Uta had a difficult time combining said components in a way that works. Just like how it is difficult to mess up a dish with Grade A ingredients, the director took great components of this show and just failed to add the right amount of spices. Regardless, the show deserves some attention for being one of the better reboots to a series and deserves credit for all of its positive aspects.
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Story: 7/10
Character: 7/10
Art: 10/10
Sound: 7/10
Enjoyment: 7/10
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Overall: 7.4/10
reizenchuu
in my opinion yozakura quartet is one of the most underrated shows of the 2013 fall season, what makes it even worse is the fact it's not very known among many people. just by looking at the members amount down in this website you will understand what i mean -almost 16000 members, compared to a 30k or 40k one can tell it's insignificant-. so as a result after watching this series along with its OVAs i decided to write my thoughts about it. well then, as many of you may know yozakura's adaptation is manga written by Yasuda, Suzuhito and still on going. before the seriesstarted broadcasting in 2013, it already had 3 OAD featuring one of the events that occured in the middle of the story -Yozakura Quartet: Hoshi no Umi-. i wouldn't call it a prequel nor a sequel, but as an advice watching those 3 OAD after episode 8 and then going back to the remaining 9-13 episode would be a perfect way to avoid confusion and progress in a good pace. now going back to the story, Yozakura Quartet: Hana no Uta has quite the familiar plot. humans and youkai living at a town that provide them with what other places doesn't, you probably heard about this kind of setting somewhere -touhou project as an example-. however unlike many of those shows, here human and youkai are co-existing with each other, expecting some bad people who are against this way of life to appear is meaningless. this town is protected by hime the mayor and her group who most of them are 16 years old or less, but we can always turn a blind eye to this matter..at least I could. now, here is something i couldn't let it pass: in the middle of watching the first episode i started doubting wether if it's really the first or just renamed as 01. in other words the story started in a blurry way, that initial narration description that shows what's going on in the series doesn't exist in yozakura, so as result the characters, the stats of the town, all of it is presented throughout the flow of events. and to do that, they made use of the cast by making them ask some blunt basique question they're already supposed to know its aswer represting by that the doubts and uncertainties of the viewer. to be honest i find it to be annoying, i mean sure the confusion of the viewer should be cleared however isn't ther any other way to clear it?
alright, if i was asked what is the main aspect that i liked about yozakura story my answer would be its half-seriousness. the fact that after every huge battle things end up in a good way, the following day everything gets back as if nothing happened. the fact that every antagonist instantlly bacomes one of the supporting cast after he's defeated. or even those punch-lines inside of a battle that should be serious, this kind of aspect makes the best out of the show, everything is joyfull, no one dies...all in all nothing of tragedic happenes. while for some other people that may look as a down side, for me i say this kind of things is not bad every once in a while...if considered as change of pace.
as for the cast of characters, stating that they're unique or first of thier kind would be an exaggeration. at least they're various, the mayor of the town: a 16 years old high school girl and a glutton, her way of wearing a long scarf makes you mistook her as a ninja while she's actually a spear using youkai. there is two glasses bishounens, hiizumi akina the head of the hiizumi family whose hair grow up in a mysterious way when using his tuning power, and of course Ao the cat eared loli with the ability to read minds - one can not simply hate her-. one of the upsides of the characters is their cloths, especially eiji and enjin's. the style of these two is what you'd call badass looking. yozakura also brings another warm theme with it, it is the teamwork/friendship wich personally i didn't stumble upon it for a while until now, those exiting moments where the whole group decides to kick someone's ass and then they proceed to execute an unknown plan that demands time for the viewer to figure out, yet doesn't clear out until the end, - it kinda reminds me of some one piece arcs tbh-
i stated earlier something about half seriousness, getting back to this subject i find it to focus mainly on characters. no matter how much of a bad person someone looks in the end he ends up being an ally of the protagonist casts even if it's only temporary. the same applies with enjin, at the end he decides to stop his series of troubles after helping akina to avoid death, even if it was in an indirect way. another matter that felt out of place again is the way Yuhi Shinatsuhiko is acting, trying to look cool with that pattern of talking and the cigarette in his mouth...sure he is the god of that land but that way of talking duud it's unsupportable! the background of hime, akina and juli were well explained and didn't feel like those blunt questions i mentioned earlier and guess what kyousuke's voice was the same as shizuo from durarara, actually the whole person was similar to him -lifting heavy stuff per example- coincidence? probably that's not the case.
from a visual yozakura did a decent job at in the animation, it's the only aspect i cloud declare as unique. i doubt you will find another series featuring the same animation as this one. there's that one scene where enjin got beaten up by everyone, it had a great view, many effects were used to show how bad he got rekt before disappearing again. the show also had plenty of panty shots....perfectly timed panty shots! especially ao, it was enjoyable to grasp her striped panties every once in while.*cough* i shouldn't be talking about that right? well asides from that all what remains is the lightning effects from behind, they're a little bit rare however they make the scene looks more serious and decent.
the OP and END surprisingly were great, they got the joyful feeling in them. the voice actors were pretty much spot on form most of the characters got nothing to say about that. some of the sound effects like the lightning, or that mysterious blue atmosphere that frequently appear makes you feel a chill running down your spin, calling it an achievement wouldn't be wrong.
humu, in the end thinking of yozakura as a serious magic/supernatural show will only deceive your expectation. however thinking of it a comedy/superpower show where youkai and humans faces conflicts and try to solve them together, so that the following day they would pretend as if nothing happened...i guess that will work. personally i find yozakura to be one of the best shows out of it's kind there's a tiny romance subplot going on with the every day adventure of the team. there's a warm feeling of friendship going on between the characters, everything ends up in good way, no need to struggle that much to figure out some uncertainties, no tragedy no drama, it's the best way to take it easy while watching an adventure show. highly recommended for fellow slice of life lovers.
tsun tsun dere tsun dere tsun tsun.......(you will understand what i mean by that later)
SushiUnlimited
This anime was a mixed bag for me. I haven't seen the original show, so my experience with this franchise is based entirely on the reboot. Yozakura Quartet had a good story set up going on, but that was it. I feel like this anime feel short, it didn't really go anywhere. There were all these clues leading to this big climax, but in the end it felt like nothing had really happened and nothing got accomplished. Yes, it think the story was good, I just would've liked to get more out of it. This series could probably have benefited from being slightly longer. There characters,however, are what really make the show. There are a lot of them, most introduced within the first few episodes, and it's a diverse, fun cast of characters. Hime and Akina were handled nicely, but I would've liked to see some more of the side characters get more back story or development.
The animation was nice as well as the art style. The opening and the ending song were both catchy.
Despite my problems with this show, I think it was actually very enjoyable and was fun too watch. How, I'm going to give this anime a score of 6/10. Good, but I felt like it could've been a lot better.
Sledge260
*NOTE BEFORE WATCHING THIS ANIME PLEASE READ THIS* i thought i should mention this cause no one told me about this before i started watching. to fully watch the anime u have to watch the yozakura no quaret OVA hoshi no umi after watching the 8th episode because though listed as a side story it is actually important to the story because it introduces a new character and builds up on a present one.( though u can get the general idea from the op of the 9th episode it feels a bit confusing) this was probably cause due to constraint on the number of episodes. *END OFNOTE*
REVIEW:
okay so after watching this series i have to say that it was a wonderful experience. this show is a hit or miss kinda thing but for me its a hit. this show has everything comedy, badass fights with fluid animation and a very intriguing plot, some healthy fan service( no serious echi like HOTD or HDxD, its relitavly decent and if ur not into that then easy to overlook). these are the reasons i liked it for me the entire thing brought multiple elements together very well. Many may not agree with me but as said before this is a hit or miss sort of thing even if i loved it there is no guarantee that u will.
Now for the bad parts if i had to say there wasn't much i didn't like...... the sound was amazing the art was amazing the characters were amazing so u might be thinking why i only gave this show a total score of 8......well the answer is simple it just didn't have that bang that u feel when u finish a masterpiece the reason for that is because it is based on a manga and the manga has not ended, thus the series has not ended, therefore it dosnt answer most of our questions and is left incomplete . Not to say that the ending was bad the anime ended satisfyingly enough it just doesn't have that much of an impact like kyousou gigia or kyoukai no kanta or gurren lagann because it simply isnt over . That is the only thing that is preventing me from giving it a 9 or maybe just maybe even a 10 . Needless to say when the series ends it will probably be something great this is actually just the initial portion and is your general "our fight has just begun" type of thing( thank god they don't use that dialogue at the end like so many other anime). HOPE THIS HELPED U AND HOPE THAT U LIKE THE ANIME :D
h3ndy
This review is only on the Sound, as i agree with almost every other review, so read those instead :D Apart from beeing very outstanding overall, what struck me most in this anime was the sound. I cannot really describe it, but the OST is getting used very fittingly everytime. There are scenes where its completly silent (because nothing is happening) and then the sound just explodes. The Soundworks and volume is just as extreme as other parts of this fantastic anime, when a wall gets broken near the camera, it tries to break your speakers/headset. That felt very refreshing, because every other series i watched limits the sound tofit the picture.
I can only recommend this anime.
PS: I was also very surprised about the end, but its a very good end.
2fastt
*SPOILER FREE REVIEW* Yozakura Quartet: Hana no Uta What an anime this is. An anime which fell through the cracks of all the other hype anime that surrounded it during its release. Do you have a craving for a super powered over the top action? Well look no further because your knight in shining armor is here and it's name is Yozakura Quartet: Hana no Uta. Story: Let's get down to business here. If you read the synopsis then chances are, that didn't make you interested in this show whatsoever. It''s hard to describe the show without spoilers but basically follow a group of four high school friendsthat are gifted with supernatural abilities to fend off supernatural things. Really, that's all I can say. Pacing wise the story starts to move pretty quickly and is filled with action until around episode 9 where it unfortunately starts to slow down a lot but don't worry, the last episode contains a lot of action so keep on watching. The plot is there and it isn't difficult to follow but if you're looking for an engaging story line then I suggest you look elsewhere because that is not where this anime shines.
6/10
Art:
Okay, this here, this is where Yozakura Quartet: Hana no Uta shines. I'll be blunt, outside of the action scenes colors are bright, and the characters look nice. Unfortunately it looks like they saved the budget for the action sequences. Animation is a little choppy and lacking detail here and there although at times it adds to the comedic value of the show. Now the animation during the action scenes? My goodness, absolutely incredibly. Everything is fluid, scenes are dynamic, moves are over the top, flashy, and actually look like they hurt. The animation in the action scenes is comparable to Kyoto Animations Beyond the Boundary which says A LOT.
9/10
Sound:
Nothing really notable here. Background music usually stays in the background and while not taking away from the anime, it doesn't really fly out at you either. Pretty much average stuff. Some of the sound effects are pretty cool, most notably this dubstep kind of wub which indicates **** is going down.
7/10
Characters:
The only character that really stood out to me was Akina Hiizumi. He's one of the only humans in the group and unlike everyone else in the group he wasn't gifted with insanely ridiculous power and reflexes like everyone. He has a few secrets of his own however and can really stand out compared to everyone at times. He's comparable to Touma from Toaru Majutsu no Index but I think he's way more bad@$$. When it comes to the action, no character was leagues ahead of the others which was nice. Everyone played their part in the battles and no one at any point was dragged to the sidelines and shoved in the back because other leading characters were becoming too powerful. Everyone retains their own personality which is nice. Nothing to really complain about as none of the characters are annoying and I came to like a few of them.
8/10
Overall:
I enjoyed this anime a lot. It even became one of my personal favorites. The high point is the over the top super powered action and you see some in almost every episode so don't be scared to hop into this anime if that's all you're looking for. It's like Gurren Lagann, sit back, relax, turn your brain off and enjoy every bit of the flashy action scenes that come at you.
blackdragon88
If I were to sum this up in one sentence: It's fullmetal alchemist: brotherhood, with excessive, and over the top panty shots, with flat and unlikable characters. Honestly, the best part of this was the art. The original Yozakura art was better than this. Actually, the more I watched this one, the more I wanted to give the original yozakura quartet anime a higher score. Ignoring the ridiculous and pointless panty shots, the whole thing was just terrible. I hate all the characters in this anime. I couldn't tell you one redeeming thing about them. Things done for comedic fact in the middle of serious, and importantbattles just made the characters in question seem stupid. Well, they're already unlikable, so they're stupidly unlikable.
All in all, this anime is basically Fullmetal Alchemist: Brotherhood, but the cheap, generic knockoff you bought at the side of the road in some shady tourist trap where you know you paid ten times more than what they paid to make it.
Agent_Redacted
It's like watching Durarara all over again but with two differences being the camera angles and the fact that this show started boringly. Yozakura Quartet is good but it lacks many things. As the series ends as a cliffhanger, many unanswered questions were left creating the feeling of unease. The show doesn't really start off well for the first few episodes but the story starts to line up as you progress through the show just like Durarara. Only difference is Durarara was intriguing since the beginning. At least for me. Interesting "natural" camera angles. Unique art style. Mediocre story but satisfactory character designs. YozakuraQuartet is the perfect anime for people seeking for the MIDDLE. And by that I am talking about some actions, some chill and a little bit of sadness. Some fanservice as well.
That's about it.
R_2_R
Hana no Uta is what happens when you have a bunch of interesting ideas tied into a lose-lose plot. Normally, something like this would be a mess (which it is), but it is still an enjoyable kind of mess thanks to its solidly animated action sequences, cute art style, and quirky characters. You probably heard of animation studios overworking their staff (cough MAPPA) but sometimes, you get to watch something that looks like there aren't any compromises made during its making. Hana no Uta is one such case, where there's practically nothing to complain about its visuals. In fact, there are many details in visuals thatadd a lot to the experience. Whether the story is laid back or intense moments, the visuals do a great job at keeping things engaging.
The characters and plot are all half baked. The moment it feels like the story or a character arc is going somewhere, it gets sidelined as the next thing pop ups. So the anime struggles a lot to keep a proper tone. The characters would be in a life or death battle, then there would be a sudden gag that completely destroys the seriousness of the situation the story built up until the point. And then there's fan service... Look, there are moments where I liked and disliked fan service, and this goes into the later section. Reasons are similar as mentioned in the other review, Misplaced fan service. There's also this problem where the anime doesn't make a few points clear, so you might get lost in the earlier episodes.
The characters aren't fleshed out either. The anime does care enough to give screen time for emotional investment, but it ultimately falls flat because the characters are ultimately a bunch of soulless ideas roaming without a clear purpose. One's that do have (Juri and Lila) are introduced very late into the show and their character arcs aren't well paced.
The manga "Yozakura Quartet" has been in serialization since 2006, and so far it has 2 anime adaptations (one 2008 & a reboot in 2013) and two 3 episodes OVAs. I haven't watched 08 adaptation yet, but it seems the 2008 has same art style as manga but not faithful to story, and 2013 one has different art style but more faithful to the manga's story, though some changes were made.
Anyway, here's the watch order, apparently:
Hana no Uta EP 1-8 (2013) -> Hoshi no Umi 1-3 (OVA) -> Hana no Uta EP 9-13 -> Tsuki ni Naku 1-3 (OVA)
I personally found it enjoyable, the art style and characters are cute, the abilities were interestingly used, the characters are all fun (I particularly liked Lila), but it can ultimately be disappointing once you figure out the manga itself is incomplete, and the anime might not get a S2.
Conclusion
A fun Anime from 2010s backed by a solid budget with plenty of action, but the ultimate downfall is its poorly written plot.
(And this is probably the first time Yuuki Kaji VAd a protagonist that gives a red scarf to his live interest lol).
fillyy
Yozukara Quartet: Hana no Uta is one of the most underrated anime and needs to be more known to the community. The show starts off with quite a bizarre start. Giant fish tanks and then all of a sudden a flock of pigeons. This is done to confuse the viewers. It then transitions to a highly attended Sakura Festival showing the happiness and enjoyment the people are having in the festival. The story is told in a steady episodic flow with occasional flashbacks to fill in plot holes due to the lack of explanation in some scenes. Being only 13 episodes, the pacing is bound tobe inconsistent. Sometimes there is an episode solely to describe a character’s back story and being only 13 episodes, that takes up a lot of space which leaves not enough room for other plot details. This leads to the sense of the show being rushed and leaving a lack of explanation in some scenes. The lack of consistency with the pacing of the show is one of the shows downfall. This is, however, masked by the comedic aura the show emits almost to the point where the isn’t the main focus of the quality of the anime. It is also quite a light-hearted series, so deep plot details aren’t needed and would take away the light-heartedness out of the series if it focussed more on the plot. The action/fighting scenes are really fluid and are pleasing to watch. This show prioritises the action over the plot while including aspects of comedy to make up for the lack of plot content.
There is nothing “jaw-dropping” about the art. The art is somewhat similar to what you would see in a hand-drawn comic book, with the noticeable black outlines of an object or a figure. The art is quite different to the norm of what the studio, Tatsunoko Production, usually makes. They’re more well known for the sci-fi futuristic technologic animations. Although the art style looks “lazy” with lack of effort put into it, it does fit with the shows story. It adds to the comical effect the show tries to achieve, Some of the female characters are depicted more secually than necessary. There are occasional panty shots, clothes that “show skin” and are quite revealing but it isn’t to the point where is provides a lot of “fan-service” and is far from being an ecchi anime.
The Japanese voice actors were generally good and fitted their characters they voiced. It fit the personality the character was portrayed as. The soundtrack was also quite solid. The background music played in between scenes fitted its purpose, providing scenes with a more vibrant “colour”. It especially made the action scenes more enjoyable to watch with the intensifying music playing and the added sound effects with the close-combat scenes also made the action seem more realistic and fluid. The opening to this anime was a very catchy one. UNISON SQUARE GARDEN is a band which I have been familiar with a previous anime ending they did and they did not disappoint when they performed the opening theme to this anime. The melody is quite a memorable one which will get you humming it self-consciously, especially the “all quartets will lead to the … ? lalalalalalalala” bit at the beginning. I personally like 3-piece rock bands, such as UNISON SQUARE GARDEN, as the performers usually have to play multiple instruments and roles at once due to the lack of members. Despite this, they performed a beautiful and catchy piece.
The one thing that stands out in this anime is the diversity of the characters. The characters were quite well-rounded. Each character didn’t seem to overpowered compared to each other. While characters’ each all their strengths; those strengths were balanced out with flaws to make sure a character wasn’t too overpowered. There was nice symbolism between Hime Yarizakura’s scarf and the friendship Yarizakura and Hiizumi share. There was a clear indication between the protagonists and antagonists of the show making the audience not need to question who are the heroes and villains of the series. There is use of amnesia which is overcome and the truth is exposed between characters and their friends. Through this, we see the contrast between Yarizakura’s supposedly strong character become emotionally weak who seems to get depressed and embarrassed when she gets scared and uses her scarf to cover up her face. The vast amount of supporting characters in the series makes the series what it is; a funny comedy jam-packed with fluid action scenes. Without these supporting characters, the show wouldn’t be as funny and the action scenes wouldn’t be as vast and enjoyable without the support the supporting characters give to the main characters while they are in the fight. Yarizakura Hime is a memorable character which I will never forget; especially that scarf (there is no way you will ever forget the beauty that long scarf provides). Yarizakura was a relatable character in my opinion as she could see both sides of the spectrum and tries to unite them as she is the only one that has knowledge of both sides and understands how both sides feel without having misunderstandings made.
Overall, I enjoyed the action that was included in this series. I didn’t quite like the light-heartedness of the series but the show had enough comedy for me to slightly ignore the light-hearted feel. People who don’t mind watching anime with a lack of story will enjoy this anime. Non-anime fans may not enjoy this as much, as it may give them a bad impression of anime being just pure action with no real plot. I think I would consider re-watching this series as I probably missed some things the first time and when I rewatch it, there will probably be hints and hidden “easter eggs” that I did not notice the first time that alludes to upcoming scenes. I am a bit upset that this show isn’t licensed for distribution to the west so I had to deal with fan-subs, which weren’t particularly bad though. It seems this show isn’t very known to the anime community so licensing companies won’t bother licensing it as they won’t gain much revenue from it. I thought that this series was unique by itself and I liked that as it added variety to what anime can produce and achieve. The plot may not be quite memorable but the characters and backstories of them that were foretold is where the show shined and what was memorable.
triplefox
Hana no Uta is a show that I like because of all the things it does differently. It consistently fails to adhere to an ordinary story pacing, and it relishes in, and often pulls off, fast tone shifts. The themes have a lot of stuff to do with demons and half-demons and whether they should be protected or banished, and yet, rather than treating this as a grave affair that propels every event, I felt more often like I was in a blended slice-of-life that sometimes has action and drama. There are story arcs, of course, but it often feels like the show and thecharacters have mutually agreed to give them lip service so that they can go do something way more interesting with the screen time. You can guess what's coming next, but you don't know what the "good scene" will be, because it could be anything. And the cast is large, with enough depth and variety that you can easily lose track.
All of this makes it less readily consumable and closed-ended than your typical TV anime, and more like a messy world you could put in the background on loop, noticing different things each time. In some ways this might feel like a deficiency of being a one-cour show, rushing through a lot more than it has any right to, but if there is any example of how to pull it off in a satisfying way, this is one of them.
cryingeggroll
YOZAKURA QUARTET: HANA NO UTA REVIEW by CRISTOU (spoiler free!) INTRODUCTION Yozakura Quartet is a very strange show. I've had my eye on it for a while, having read the synopsis a long time ago and becoming interested. After watching it, I can say that the show is definitely interesting, and in most cases, worth your time. I will probably remember this show as one of the most notable that I've watched this year. SUMMARY Strengths -Good art -Incredibly fluid animation-Interesting characters
-Interesting plot
Weaknesses
-Split between 1 show and 2 OVAs
-Strange pacing
-Odd ending
NOTE:
In case you didn't know, there are two storylines for Yozakura Quartet. There is the original animated Yozakura Quartet by Studio Nomad in 2008, and there is the three part series started by Tatsunoko Production in 2010. This is a review of Tatsunoko's version as most consider it much better and more faithful to the manga. I watched one episode of Studio Nomad's version before learning this. My only comment on Nomad's version is that the artstyle and animation, while maybe being a bit more similar to the manga, was much more stiff and off-putting.
STORY (6.5)
Yozakura Quartet has an interesting story, if not a messy one. The show centers around Sakura-shin (New Sakura?) city, a city in which humans and youkai are able to live in harmony, and it is one of a kind in the human realm. The cast of characters all work together in order to preserve the natural order and peace in the city, the most important of these characters being Hime Yarizakura, the 16 year-old mayor and the daughter of the last mayor. This is the general layout of the anime at the start, but around halfway through the show a much more fast paced and action based plotline is established. This leads to my first complaint with the story, and that is the fact that the first few episodes of the show are a bit awkward and slow. In these episodes the tone is constantly shifting and the writers refuse to give much exposition. This makes it hard for a viewer to get a general grasp of how the rest of the show is going to be. These first few episodes were also a bit slow compared to the rest of the show. It almost seems like the writer was able to come up with a nice premise for the show, but not any interesting situations for said premise so he laid a new one down immediately. What I would've liked to see was something along the lines of Mob Psycho 100 or Bungou Stray Dogs, where the first season is effectively used to establish characters and create interesting situations with the premise whilst setting up a more faster and action based second season in the background. Instead, Yozakura Quartet has this jumbled storyline where at some points it feels like its moving too fast and at others it is moving too slow. My second problem with the story is the fact that mid-way through the series you have to switch to the OVA and switch back to the show to understand what is going on. In between episodes 8-9 is Yozakura Quartet: Hoshi no Umi, a 3 episode OVA which covers important parts of the plot and holds a lot of character development. This OVA came out 3 years prior to Hana no Uta, and while there is nothing wrong with the OVA itself, people who wouldn't know this would get incredibly confused and will have a hard time continuing the series, and others who don't pirate might have a hard time finding a means to view this OVA in the first place. My last gripe with the story is that the ending to this show felt very lackluster. By no means is it the ending to the series, just the ending to this season (assuming we will get another season in the future). Still, the last few episodes of the show didn't have much impact, and a lot that happened wasn't that crucial to the story in the end, so it just feels unfitting for a finale.
ART (9)
Definitely the strong point of this anime. The character designs are very simple in a way that makes them all very distinguishable, and also works well with the colorful art palette as well. This is comparable to Nomad's 2008 Yozakura Quartet which had lots of sharp edges and a much more watered down palette. While the character designs appear to be more faithful to the source material, stiff animation and thick lines did not do the characters their justice. The design choices in Hana no Uta do a much better job of reflecting the carefree attitude of Yozakura Quartet and the characters in it. Animation in Yozakura Quartet: Hana no Uta was beautiful. The casual animation was just a bit more fluid than the average show, and the fight scenes were very exciting to watch. Easily Studio bones level, the fight scenes really rounded out the middle of the show, which I would already say is the best part of the show anyway. The only drawback is that some of the fights were kind of short lived, so they weren't able to capitalize on this great animation that much, but that isn't a big problem, and it is also made up for in the rest of the series. The animation in Hoshi no Umi is just as incredible, except with a two episode fight scene to back it up. The character designs look like descendants of the ones in Hana no Uta, with not as big eyes and a few less lines making the characters simpler. I also noticed a change in how lighting worked between the series, but as an OVA these aren't big problems.
CHARACTERS (8)
The other strong point of this show. I would guess there are around 30 characters in this show, maybe 5 being main characters. It turns out this is the sweet spot for this anime, as they are able to shed light on and develop of most of these characters within the span of the 13 (+3) episodes given. The two main characters of Hime and Akina were very strong, and also a bit interesting to see as they sort of trade spotlights throughout the show. There's a large group of characters in between these two and the actual side characters such as Ao, Kotoha, and Kyousuke which are also very strong in their own light. The anime being able to show off so many different characters backstories, perspectives, and feelings without slowing the pacing down is impressive, and sort of flows back into the idea of Sakura-shin city which is supposed to be a city filled with tons of different interesting people.
ENJOYMENT (7)
It's a good show.
Looking past the messiness of the story the writer knows how to create strong, likable characters and the animators know how to make anime look beautiful. Watching this show made me genuinely want to live in Sakura-shin city and interact with the people and view the landscapes. I'm not sure if this show will ever get another season but if it does I see a lot of potential in it.
OVERALL
7-7.5/10
(I consider an 8 to be a solid recommendation of a show, but with all the problems I listed in the story I can't see myself giving this anime anything more than a 7.5)
~cristou
