It is the year 1941. 11-year-old Murakami Wataru lives with his family, Japanese textile traders operating in British Kenya, when war breaks out between Japan and the Allies. Fleeing into the bush, young Wataru falls headlong into a series of fantastic adventures. (Source: ANN)
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Overview: Kenya Boy, along with being one of the more polite things Trump calls Obama, is also the name of a 1984 kids movie considered "one of the worst ever" by older otaku. The founder of animenewsnetwork listed it among his anime Hall of Shame and that guy has seen about 5,000 anime! Background: Kenya Boy was based on a 1950s manga that never really gained fame or popularity outside Japan. The manga is basically a Japanese Tarzan ripoff that hasn't aged particularly well. The movie tries to adapt the entire manga and crams WAY too much plot into a 100 minute run time, making the last30 minutes an absolute blitz of insanity. Plot: The plot is basically what you get when you mix Tarzan with a cocaine induced fever dream. Our hero Wataru is a young Japanese boy whose father is a merchant in 1941 Kenya. Since Kenya was a British colony and Japan declared war on Great Britain, Wataru's father decides to give his son a last tour of the country before fleeing back to Japan. Unfortunately, a rhino attacks and Wataru becomes separated from his father. The next day, Wataru finds a sick man named Zega who is actually the chief of the Masai tribe. Wataru offers to retrieve a rare healing herb to cure Zega, because he is Japanese and the Japanese are a brave and noble people. Seriously, this manga's patriotism is off the charts. Every other line is "I am not afraid for I am Japanese!" "Wow! You're Japanese! You must be very strong!". Wataru manages to escape a monster frog the size of an elephant and retrieve the herb. In exchange, Zega leaves his son in charge of the tribe and travels with Wataru to help him find his father. 3 years later, Wataru has become a spear wielding, elephant riding badass that can summon a Godzilla sized purple snake...because Zega is appararently the African Orochimaru. Wataru and Zega soon come across a young blonde girl who is being manipulated by an evil shaman. The shaman claims the blonde girl is a goddess and the entire village believes him, for some reason. Wataru and Zega manage to defeat the evil shaman and free the girl, whose name is Kate. We get a quick scene of Wataru and Kate bonding and becoming friends, but then she is immediately kidnapped by the lizard people! They are a subterranean tribe with idiotic Barney the Dinosaur costumes who worship a giant lizard. Fortunately, they flee in terror if you damage their costumes. Why? Who knows! With Kate rescued, we enter the final act and HOLY SHIT is it ridiculous! A full 3/4 through the movie we are introduced to the villain...some Nazi with a monocle! This guy named "Von Goering" has found Wataru's father and convinced him that he is a nice guy. In reality, Goering wants Wataru's father to convince a German scientist to complete Nazi Germany's secret atom bomb. The scientist, who I guess is supposed to be Heisenberg, refuses on moral grounds to allow the Nazis to have the bomb. However, Goering captures Wataru, Kate, and Zega. He then threatens to kill them if Heisenberg doesn't create the bomb. Heisenberg demands the hostages are released first, then detonates the bomb inside the testing faciliy sacrificing himself to destroy the Nazis and the research notes. Fortunately for our heroes, the bomb tears open a portal to Mesozoic Era. Yes...this fucking happens. Our heroes are attacked by a T-Rex, but the giant purple snake also traveled back in time! The snake kills the T-Rex which causes it and all other dinosaurs to immediately turn into skeletons. Why? Who the fuck knows! Our heroes then ride the snake back to the present and into safety. Wataru bids farewell to Zega and rides a train with his father and Kate because the war has apparently just ended. Art: The art during the beginning is actually quite good. This film actually had a decent budget for a 1984 anime. Then the art gets...weird. If this weren't such a crappy movie it could get away with claiming "Avant Garde" but instead it just feels like it wasn't finished. Sometimes it randomly cuts to black and white. Sometimes the lines aren't drawn in. Sometimes the bottom half of the screen becomes pixelated or looks like 8-bit graphics. Sometimes characters change skin color for absolutely no reason and then turn back again in the same scene. I have no idea why any of this is happening! Music: The music is a full orchestral soundtrack that is FAR better than this clusterfuck of a movie deserves. Audio: Many veterans of old school anime are in this, but Wataru is played by a child actor who never voiced anything again. Even non-Japanese speakers can pick up on how flat and emotionless his performance is. This kid is the Japanese Jake Lloyd! Overall: Kenya Boy is a VERY flawed film with a plot that's total nonsense and art that is inconsistent at best. However, it is quite entertaining and definitely worth a watch! You will never see another anime quite like this one!
Circa 2024. After watching Kenya Boy I am quite stunned. It uses some standard "boy must survive in Africa tropes" but then had a pacing that only intensifies by the minute. It is one of those movies that most represents what it meant to be an anime in the 80s. I won't bother with a synopsis, just know a boy gets lost in Africa due to the start of WW2 and must survive nature while looking for his father. This is the basic stuff that would normally make this an average movie, it's how far the writer went from there that truly makesthis a classic. Explosions, monsters, and a good vibes ending truly is what makes it 80s. Music feels classic. Animation is very well done, but had some questionable choices where they remove colors and sometimes backgrounds from scenes that makes some parts look a unfinished but thinking back on it, I suspect were completely stylistic. Africa's natural beauty is in full glorious display, Africa's culture, not so much. Regardless how accurate it is, African tribes are mostly portrayed in a stereotypically offensive or at least tacky way. Luckily by the end of the movie it's easy to overlook since the true enemy of the movie is revealed and the trusted allies were the friends they made along the way. A truly classic action adventure spectacle, the likes of which we never see today.
An odd film based on a manga by Yamakawa Souji, Shonen Kenya (or, "Kenya Boy"), tells the story of 11-year old Wataru Murakami, who gets separated from his father as they are travelling through Kenya. He must then survive the perils that he encounters, with the help of a few allies he meets along the way. The story is pretty standard when it comes to adventure films, and it seems to have taken much inspiration from classic black & white jungle adventure films of the 30s and 40s such as King Kong, Gunga Din, or the many others that were released during that era. However, theplot here doesn't have much of a structure to it, jumping from one scene to the next without much of any reason or purpose other than to showcase some action or animation. Much of the middle of the film is spent in action scenes that exist for little to no reason, where many of the characters' goals and motivations aren't resolved or moved forward in any way. This tends to make things drag quite a bit. There's also a plothole here and there that will introduce questions that never get resolved, and were seemingly overlooked by the directors. I will say, however, that that main story at both the beginning and the end of the film are well executed, but still aren't anything other than average in terms of content. The characters tend to be somewhat enjoyable, but also aren't anything special, and the biggest problem I have is with the lead character, Wataru, who tends to change his tone and behavior from scene to scene. In the beginning he starts off as timid and shy, then once he's separated from his father he runs for his life. After a day or two has passed, he suddenly becomes able to do acrobatics and fight off animals as though he's lived in the wilderness all his life. He also occasionally has outbursts of cockiness that seem entirely out of character for him, then he goes back to being kind-hearted. It seems like the writers just didn't really know what to do with him and so they just wrote his character as what it needed to be for the scene without giving things much thought. The odd part is that many of the supporting cast don't suffer from this kind of multiple-personality writing, only the lead. The animation is a mixed bag. The film opens with some experimental animation using flat colors without any lines, and then switches to a two-tone black & white animation style for the opening credits. After the credits are over, we then switch to the main look of the film, which is fairly standard looking 1980s CEL animation that tends to look only marginally better than TV animation of the era, not being able to stand up to other animated films from that time period in terms of quality. However, the experimental animation doesn't take a backseat for long, and aside from the other two styles I mentioned, we get a bunch more. For instance, there was a scene where the animation consisted entirely of blue linework on a black background, and you could see the film reel around the edges of the screen. There was another scene where one native tribesman was completely uncolored so you could see the background through him. You might assume this was simply in error, but all of the other tribesmen around him were colored in, and he was uncolored for TWO consecutive shots, which made it seem bizarrely intentional. These different animation styles tend to range from "unique" and "interesting" to "baffling" and "bizarre", but no matter how they come across they really don't tend to add much of anything to the film's overall style, leaving it feeling like the art director just slapped these elements together for no reason at all. The soundtrack is executed well enough, and sets the tone well. The main theme also sets a nice tone, and was pretty catchy, but nothing that's going to get stuck in my head for hours. The voice actors all played their roles well, and had good delivery on their lines, but there wasn't any breakout performances that would be super memorable. Overall, the audio side of things is well executed, above average, but nothing remarkable. Overall, Shonen Kenya is an odd film, which seems to try to do too much and, as a result, this ends up being it's downside. There's a decent story buried in here, but all of the stuff around it feels like it was just jumbled together without much thought or care going into any of it, leaving us with a slapdash film that feels bizarre in it's execution and confusing in it's presentation. The main story isn't interesting enough on it's own to warrant such a complicated production, and these bizarre elements only bring it down further and make the bland story more difficult to enjoy... so I'd really only recommend it to people who are simply curious about seeing the bizarre side of the film, anybody else could easily just skip this one.
