If not for his ability to take over people's mind and body, Yuu Otosaka would be an ordinary high school student. Though it only lasts for five seconds at a time, Yuu's mysterious power allowed him to cheat his way to the top of his class and enter a prestigious high school, where he continues his dishonest acts.
His shenanigans are eventually stopped by Nao Tomori—the headstrong student council president from Hoshinoumi Academy—who sees through his deceit. Through coercion, Nao convinces Yuu to transfer to Hoshinoumi and join the student council. Hoshinoumi Academy is secretly an institution created for adolescents who possess supernatural abilities—with the student council serving as a means of locating those who abuse their powers.
With Yuu begrudgingly assisting in council affairs, the group sets out to find and protect new ability users from harm. However, as they further investigate the abilities, their findings entangle them in far more complicated matters than they could ever imagine.
[Written by MAL Rewrite]
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Comentários
Link_of_Hyrule
Mod Edit: This review may contain spoilers. -------------------- Tell me if this description sounds familiar: “A group of ‘special’ highschoolers defined almost exclusively by archetypes and/or tragic pasts form an organization together. They don’t really get along at first, but they get to know each other extremely intimately over time, eventually culminating in a romance. Many tragic events take place as the innocent and sympathizable highschoolers are victimized by the cruel, cruel world. Eventually, they must accept sacrifice to fulfill their lives and destinies.” Some of you are probably thinking “That’s Angel Beats!”, while the rest of you are probably thinking “That’s Charlotte!” Well, good news: You’reboth right, because for all intents and purposes, they are exactly the same show.
Now don’t get me wrong, I’m not going to criticize this anime on the sole basis that it isn’t even pretending to differentiate itself from another show; I’m going to criticize this show because not only does it contain all the same errors that the show it plagiarized (yes, I know they had the same writer, so it’s not technically stealing) also contained, but it managed to magnify those errors significantly. Horrible plotholes, absurd amounts of over-convenience, awful world-building, identity confused characters, my god; Charlotte is nothing but a fucking mess.
Let’s start with what is, in my opinion, the biggest problem the show has, the characters. They are completely shallow, completely one-dimensional, and more often than not, completely devoid of personality. Let’s take our protagonist, Yuu, for example: The first episode introduces him as a character brimming with personality. He’s intelligent, arrogant, devilish, etc. These are traits that at the very least gave him a personality and the potential for development. However, as soon as the ED played at the end of episode one, everything about him that was established in that first episode is COMPLETELY forgotten. Never again does he exhibit any of traits that supposedly define him. He instantaneously turns into literally Otanashi; A boring bland, personality-less nobody which is pretty much the worst thing a character can be. Did they really think that we wouldn’t notice if they stopped giving him individuality after a single episode? It’s either a laughable oversight or an attempt to trick the audience.
There really isn’t much to say about the rest of the cast; they are either completely indistinguishable or defined entirely by traits/quirks. There is one in particular I will go over though just so I can talk about how terrible the romance in this anime is: Nao. Nao is Yuu’s love interest which is a big problem for one simple reason: They fail to demonstrate so much as a single iota of chemistry or personal connection with each other at all. Rather than gradually growing together, we are instantaneously told that they are in love! No no no writers: that’s cheating. You can’t just skip all the necessary steps of a good romance and expect us to buy it. Seriously, what intimate moments did they ever share together? I can even recall a scene where Yuu watched Nao get brutally beaten by a mob with complete indifference, as he did nothing to even attempt to assist her. What a pair. This romance is so laughable that when a love confession is finally made, the other character remarks in a surprised/confused fashion “I don’t think there was ever a time for you to think favorably of me.” I mean… That pretty much hits the nail on the head. I don’t think there was either.
I haven’t even gotten to how shitty the plot of this show is and the reasons why it didn’t even remotely work. First of all, it doesn’t make sense. Being a show about superpowers, it’s obvious that plotholes are going to emerge from characters not using certain powers at certain times or in certain ways, but to THIS extent? You will pull your hair out trying to count how many times a situation that could have been easily resolved through superpowers is treated as a legitimate conflict. Every cardinal sin of story telling is present in Charlotte: Dues ex machine, plotholes, asspulls, you name it. It’s some of the worst melodrama to ever be animated.
The second big issue with the plot is the remarkably inconsistent tone and its total inability to incorporate elements of both comedy and tragedy without being clumsy and awkward. This is a problem that is seriously pervasive in anime as a whole; if you want your dramatic scene to be taken seriously, DON’T IMMEDIATELY PRECEED IT WITH CHILDISH COMEDY! Every time something that is supposed to be taken seriously happens, you better believe a heaping dosage of comic relief is right around the corner. Even scenes involving death can’t keep comedy out of the picture. This form of writing demonstrates an inherent immaturity and lack of understanding of said medium; it’s completely embarrassing and there is no excuse for it. This disturbing pattern NEEDS to disappear from anime.
The last thing I feel the need to especially stress is the god-awful pacing and stupendously rushed nature of Charlotte. If you want an example of how to rush your show so badly that even the most naïve audience members become alienated, watch episode 13 of Charlotte. Seriously; the world needs to see that miserable atrocity and learn from it so that history does not repeat itself. When you could literally turn the events of single episode into a series of its own, maybe spread your material out a little better? I’ve somehow gone multiple paragraphs without mentioning Angel Beats yet again, but this anime has the exact same issue with pacing; it’s very evident that these two shows had the same writer.
In conclusion, Charlotte is one of the worst anime dramas you will ever see. Even Angel Beats with all its flaws is noticeably superior. This rushed, childish, shallow emotion porn cannot be believed by a thinking person; you will literally be taken aback by how many obvious mistakes have been made. The animation and music may be nice, but I do not recommend this anime to anybody unless you want to see how NOT to write a good anime drama.
PantsuuGod
An outstanding, dramatic, and heartwarming story that will make the biggest man "shred dem tears". Each Character is given a whole episode for introductions and has a backstory. And as you continue through this series you will see the main character Otosaka Yuu changing positively, as he was a narcissist and knocked down other peoples for his own good, to become a friendly teenager that cares for his friends and others. One of the most appealing points of this anime is the Art and I especially loved the characters' eyes when activating their powers. Charlotte is truly incredible, with its amazing and emotional story, lovable characters and beautifulart.
I would gladly keep rewatching it as many times as I could, as this anime is one hell of a masterpiece.
HighIQGigaChad
I was (mildly) hyped for this show. I kept watching it thinking the next episode was going to be really good, and I almost got it with the last a couple minutes of a certain episode making me really hyped for the next one. And here we are, all wrapped up, and with my score, you can probably tell what I thought of it. The story for Charlotte is dreadful, being plagued by inconsistencies, with minimal character development, and most of the development is reverted anyway so who cares at this point. Nothing even happens in term of story progression or character development for the first, I don'teven know, 8(?) episodes. If there's any indication as to how poorly thought out the story was, the show's namesake was literally only mentioned in a brief 1 minute scene more than halfway through the show and then almost never talked about again for the entire show. The pacing of the show is awful too, this show could've easily been 6 episodes if they trimmed all the garbage filler, and they could've told a much better story in the same amount of time if they redistributed the events to make the mood shift of the show around the 4th episode, with the last episode of the show being spread throughout the last 3 or so episodes.
The show's one redeeming factor is that it looks okay. The music is really generic japanese stuff. Neither are the spectacular, and are about what you've come to expect from a slice of life. I thought the Engrish was amusing at the beginning, but it became increasingly more annoying to listen to as the show progressed and probably ruined any chance of me being amused by VAs attempting to speak English in the near future.
The characters, as a result of having no development, are entirely one-dimensional and predictable, especially the side characters who are introduced for 5 minutes and convey their intent about as well as an LA Noire character, so by about the halfway point, you could pretty much guess verbatim what's going to happen. However, despite being completely predictable, they are incredibly inconsistent, and this is where my point earlier about reverted character development comes into play. Although, you can predict exactly what happens, characters will, very often, do the most random things, then quickly revert back to how they were before and do exactly what you predicted what happen with no consequences at all, so it just leads to pointless filler.
At this point, I'm not even sure if I want a second season so that they might learn where they messed up and try to make it good because this show had a lot of potential.
Watching this show was disgusting and insulting. They added in forced feels at the most random times, for characters that were quite literally introduced in the same episode so you feel no attachment to them, in addition to random moe garbage and humor, and some stuff that I think was supposed to be deep and philosophical but really made no sense, and they just expected the viewers of this show to be stupid enough and lap it all up. Charlotte is a show that's clearly made by the books to appeal to the lowest common denominator, and could even pass as an insulting satire mocking the anime industry and its viewers.
Stark700
The way I look at Charlotte is like a show that started off buzzing with potentially well-thought ideas. Then as time went on, it really crashed and burned. Like almost pouring rice. Charlotte, an original show conceived by Jun Maeda, is a series made by Aniplex and P.A. Works. The series takes place in a world where a small percentage of people manifest supernatural powers. While this hardly sounds original, Charlotte does have a unique presence with its characters. Yuu Otosaka, a first year student at Hoshinoumi Academy, developed his ability to possess others temporarily and made himself a fake academic honor student. The firstepisode establishes himself as a narcissistic individual who uses his powers for personal gains.
Now, this actually sounds kind of like a neat idea. The ability to possess others can really have a dominating effect especially for someone like Yuu. Early episodes establish him using this ability with some dangerous risks. That is until we have a girl named Nao Tomori who catches Yuu using his ability and forces him to join the student council in order to help others with these unique abilities. Like Yuu though, Nao also shows a narcissistic side of herself and for some reason lacks female friends. A good portion of Charlotte shows her using a camera filming events around her life. Joining them includes Jojiro Takajo, a boy who can apparently move at supersonic speed, and Yusa Nishimori, a popular idol singer who can channel the dead. As part of the early phases, the show takes on a slice of life focus. Every episode essentially shows the members of the student council use their ability to help others and prevent troublemakers from causing chaos. This sometimes comes at high risk as some abilities can be quite dangerous. And as such, the show maintains a somewhat dark side with some minor foreshadowing. Furthermore, we are also introduced to Yuu’s little sister Ayumi, who is like an energetic light bulb that can brighten anyone’s day; figuratively of course.
With a small cast of main characters such as this, Charlotte essentially had a good story going. Yes, some of the episodes feels like distractions that incorporate generic school life activities such as baseball or outdoor camping trips. However, the show originally maintained a cool level of comedy. It can make the viewer laugh such as with Joiro’s over-exaggerated expressions of his obsession towards Yusa. Ayumi can also be likable at times with her bright personality that seemingly has some influences towards others. Everything originally was standard and then, trouble hits.
I guess it shouldn’t be much of a surprise. Jun Maeda is known for his involvement in Key related works. These include Kanon, Air, and Clannad. Some recurring themes include family values, magical realism, and his intention to draw tears from the viewers with emotional scenarios. So here for Charlotte, it really isn’t much of a surprise that there’s a familiar trend. The first few episodes sets up a lot of fun and actually works hand in hand. Then, the second half of the show kicks into a darker tone with the story. And to be quite frank honest, it feels like the show got possessed. It turns into a series that forcefully tries to draw out emotional impact starting with Yuu’s depression. There is a good reason for this but the transitional direction of his character really is an oddball. Furthermore, Yuu’s role becomes somewhat like a savior to protect a certain someone. It’s like Yuu almost became another person as the story progresses. The turning point of the series makes Yuu look like a hero but is really one? Honestly no. In fact, Yuu is more of the anti-hero and without a certain person’s help, I fear what he really may become. The recurring themes written by Jun Maeda comes into full hold as we get alternate worlds, timelines, and loops. And in general, the show changes way too much for its own good. A major problem I found throughout the latter half of the story is the numerous plot holes that appears out of nowhere. Furthermore, there are the continuous jokes that becomes apparently blend after seeing it so many times. The mood of the story constantly changes from one point to another that eventually becomes almost intolerable. It’s also fairly predictable and has some fairly anti-climactic resolutions to problems. Despite this, I do give Charlotte some credit for taking the risk. I think the show is more suited for certain audiences that appreciates the writing style of Jun Maeda. Otherwise, Charlotte will take some enormous patience especially to get answers to wanted questions. These include the meaning of Charlotte, how Yuu’s relationship with others changes, and what true essence of some of the characters’ powers are. As with I mentioned earlier on, there’s a strong uphold about family values that is easily carved out with Yuu and Ayumi’s relationship.
Speaking of relationships, the most noticeable one is probably Yuu and Nao throughout the series. In several ways, they are similar but hard to get along. Yuu’s change builds a more stable relationship with her as time goes on. However, when it comes to love or romance, the series drops the ball. You’ll have to see it for yourself but it’s something that’s easily forgettable. That also brings back to my earlier problems with the show. Some of the characters establishes their presence such as Zhiend’s singer but are later seemingly forgotten. There could have been a more meaningful relationship that they can forge and leave viewers to remember for. Instead, too many things happen at once and the final few episodes really seems like it’s trying to fit everything into a box. Yuu’s attempt to become some sort of savior makes me feel like he really isn’t suitable for the job. And lastly, I think the glasses guy (Tokajo) and Yusa’s relevance in the series slipped like sands of an hourglass. Of course, their relationship hardly moved an inch.
Now I will say this. Charlotte makes its name and presence known with its high level production values. Once again, we see the colorful style of P.A. Works’ characters and a few of the scenes in the show can be described as scenery porn. While the character designs are usually generic, the powers themselves holds a dominating presence. Yuu’s ability to possess others is heightened by the way the art is done with his eyes while there’s also neat camera focuses of characters’ facial expressions. The OP and ED theme song has a mystical presence that invests on its show’s themes and foreshadowing. As such, the cinematography and overall animation for Charlotte is exceptional and is something to remember.
When a show mixes in comedy and tragedy, you’ll need to transit both with a fitting way to match the presentation. While not as strong as its artwork, Charlotte’s soundtrack works well on most parts. Dialogues matches with character voice mannerisms and the OST in general is easy to keep up with depending on the shift of the tone. For voice mannerism itself, the characters are represented in a tolerable way whether it’s Yuu’s narcissism, Ayumi’s hyperactive energy, Yusa’s charming personality, or even her other self, who is almost a complete opposite of Yusa’s character. The show also retains some musical themes as introduced in later episodes although the songs can be questionably enjoyable. For all other things though, Charlotte’s soundtrack is satisfactory without breaking the limits.
Charlotte is pretty much a show that is hard to accept. I think taking Charlotte for granted for what it is originally was easier for some people but as the story progresses, it becomes more and more difficult to tolerate. This is evidenced by its sharp turn in characterization, story mood changes, and reused ideas coming from Jun Maeda. As a show that tries far too hard to induce drama or tear-jerking moments, it really didn’t succeed in such a way. Now I will admit though, Charlotte’s comedy can make the fans laugh a bit and the premise can seem to be interesting. The first few episodes were really fun to watch and although had a plotless direction focused well on what it is. Just be aware that the second half of the show will take a drastic change and whether you like it or not, it’s hard to adapt with. And honestly, that’s a certain kind of blunder.
cullo99
Well this is my first review so if anyone notices an orography mistake, punctuation mistake, etc, i hope you can tell me so i can improve. Now im ready! When i heard about key making a new anime i was excited up to the roof, when the show charlotte started i grabbed my laptop lock myself in my room and wait for the tears to come but... that didnt happened. Story 8/10 Well i thought the concept of the story was perfect, the ideas of diseases of superpowers that they only last during adolescence it blow my mind. But the idea that the serie it was onlygoing to last 13 episodes long i knew it was going to rush the things at the end. Well my friends without spoiling you the last episode was a huge rush for me. The last 5 minutes were beutiful, but i thought it can have another chapter or even better other 11 episodes. The lack of tears in my face made me feel insatisfactory, i dont know if the way i watched the anime 1 episode per week affected my attachement to the anime's emotions. I think that if you want to get a better experience of the serie you have to watch it all in a day, maybe two.
Art 10/10
The art was sublime... There were mounts and mounts of backgrounds; gorgeous backgrounds, cities, cliffs, deserts, etc. The art disdnt dissapoint me at all, I really thought it was good.
Sound 10/10
Im just saying half of the music is going straight to my ipod.
Character 9/10
The main character changed throgh the serie such as the secondary characters, something that i thought "wow not in every anime happends this" The begging of the anime shows us a maniac of power protagonist and at the end shows us a kind and heroic character. The secondaries for me were the best *cof* *cof* yusarin my wifu *cof* *cof*. And i dont wanna get started with Tomori!!! She is perfect from the mature and motionless way she acted to the kind and patient she was.
Enjoyment 10/10
I looked every single episode on the day it came out, and at the end of it i wanted to skip time to next saturday. My 2015 favorite!
Overall 9/10
Since i thought it was a little rushed the last episode i didnt feel putting a 10 to the anime but i think if they split the last episode into 2 and i dont know maybe posting them all at once (just kidding) it would be a 10 for me. I highly recommend this anime been watch all in a day so you dont get the feeling of insatisfaction like i do.
Hope you enjoy this review... it was made with all the love of my kokoro
unknownwhos
I started watching charlotte after I saw one of the scene in the meme. The sheer number of negative remarks lead me to write this review and also because how much I liked it. Now It got me hooked right from the start, that ability with the person with that attitude. I think most people, if not everyone, would use the ability protagonist has any differently than he did, which made him relatable. This is the first anime in a long time that I have watched where I didn't disliked the main protagonist. Nobody blushes as much as other drama anime. I couldn't guess whatcould happen next. First few episode are most likely forgotten by how the remaining part goes on. While that may not be good thing, last episodes are has more impact and a really satisfying ending, at least for me.
Now as I said, after ep 6 or so we learn more and more about the story and why the anime is named what it is named. while some may say the story gets more deviated, personally I liked it very much. I don't get much time to watch anime lately so its been a while since I could watch anime of this sort and the development of story was really interesting for me.
The ending was really satisfying too. I was thinking that story can't be wrapped that quickly and believed ep 12 to be a good ending but as I watched the last episode and learned that the anime is contained and concluded within ep 13, and in a really better way, it really deserved the 10 I gave it.
In conclusion, if you like surprises and know nothing of what happens in this anime on later episodes, it is going to be delightful to watch, since it doesn't go as expected, But that is my opinion, may be I am easily amused, but I like it and would recommend this to my friend
zediby
*SPOILER FREE* Here it is. For me, Charlotte was a really good work overall. It was probably the best out of the Summer 2015 season, and honestly one of my favorites in my anime experience so far. * * * STORY - 8/10Don't get me wrong, the synopsis sounded so cliche and so boring I didn't actually feel like watching this in the first place - what actually gave me the push to was the poster art (we'll get into that later, anyway) - but it surprised me really much. It had really surprising plots, and the feel you had while watching everything happen, characters showing up, everything, wasn't constant. This story brought not one way to look at it, but uncountable ways to.
ART - 10/10
Personally, I loved the art for this. Charlotte had a great animation and even though this whole art rating thing is personal and differs with people's tastes, I think that's the one thing most people can agree about. What I loved so much about the art, too, was the colors. So, this was this fantasy sci fi piece, with a comet's name and they used a lot of purples and blues and whenever the sky was visible here, it was just gorgeous to look at. That was a great point too - the colors mean a lot to me in a good art.
CHARACTERS - 10/10
Some people say there was no character development - well, I don't think like that at all. There was a ton of character development, but it was so fluid and natural to watch, you don't even realize it happening. And I just loved it that way. By the time you finish Charlotte and compare the character's behavior the first and last time you saw them, you realize it. Specially the main character. The main character got a huge change of attitude, that you don't quite realize until half of the series is through.
OVERALL - 10/10
I hold Charlotte in a really dear place, specially because I felt like there was something more to it. The abilities only teenagers have are some sort of symbol to the troubles of being a teenager: it's tough, it's when you come to terms with yourself and try to realize were you belong. And that was a conclusion I came to personally after thinking about the series as a whole for a bit.
I'd really recommend you to watch this series, but you have to be able to see beyond what's right there and try to get something out of it. That's the best way to do it! (:
BanjoTheBear
(This has been adapted from my blog/reddit thread. Spoilers ahead!) You find it strange that a line is missing for the ride, but you chalk it up to luck. At some point, you find the lone worker, his nametag reading J.M. He instructs you to climb the ladder before you, with you more than willing to do so. J.M. smiles and waves you off, and you climb. The climb was quick because of how thrilling it was along the way. You are now at the top, with you overlooking the entire park. A sign says to sit down on the platform. At first, you wonder why thereis no seat and no seatbelt, but then the ride starts. From behind, you feel a push. You start to roll forward down a ramp. It is not pleasant but it is at least tolerable. Thankfully the incline is not steep, so you are not rolling fast. You start to develop bumps and bruises, thinking that this is some kind of experimental ride.
Then, suddenly, you start to fall down steps. You start to hear bones snap as the hard edges of the stairs jut into your limbs. The stairs are made of wood, so your bruises start to scrape and then bleed. You start to panic, wanting off this wild ride, wishing that your parents had said no like they always did. At the same time, the steepness starts to increase, speeding you up at intermittent intervals.
Just before you cannot take any more, you are in freefall. You believe that it is over, that a trampoline will cushion your landing. But it does not. Instead, you land on a landmine, blowing your arms clean off. The steep steps continue, except now that you have no arms the angular velocity of your person increases, forcing you to shut your eyes lest the spinning-induced nausea makes you vomit. With each new step, you lose a tooth, and with every other new step, you lose a memory, the repeated impacts putting you in and out of consciousness.
You cannot tell who is what or what is where. And just when you cannot take any more for the second time, you land on a massive spike, impaling your chest, your insides now your outsides. Your breathing is sporadic and splinters have sewed your right eye shut. So with the last of your strength, you raise your left eyelid to discover the name of the ride you just rode. There, in white letters with a comet here and a swooping star there, it reads: Charlotte.
STORY
Charlotte is a poor excuse for an anime, and nowhere is that more evident than in the narrative it attempts to construct. A slew of problems plague it, sickening each of its areas to the point that no remedy available could possibly cure its ailments. From inconsistencies in the plot to the minutiae of the writing, the show is kept bedridden, prevented from performing at an acceptable level. It is a downhill tumble down a mountain, dwindling the health of the show and leading to its inevitable death.
Like any descent, it is best to start at the summit. The first episode of Charlotte is quite well-done. While the “high school kids with superpowers” is an overused formula, it managed to establish its setting in an interesting manner, placing the abilities and the main character in a negative light. The negativity, the intriguing side cast, and the supposed theme of self-correction poised the show as something grand. Then the problems start.
The most prevalent problem of Charlotte is the pacing. Pacing is the spacing of events – the more that goes on in a short amount of time, the faster the pacing and vice versa. For most shows, pacing is not a detriment so long as it is neither too fast nor too slow. It needs to rest in the Goldilocks region to maintain a leveled approach and keep its plot from careening out of control. Charlotte, however, effectively murders the golden-hair invader and dumps the molten porridge over her lifeless body. The anime transitions from tolerably slow to whiplashing the audience as it continuously ramps up the speed of the pacing. Yuu’s mental breakdown is the first sign – a high school student to a might-as-well-be drug addict over the course of a couple of weeks or so. Time travel is introduced shortly after. Terrorists follow, with the finale of the anime cramming together a literal worldwide, person-to-person vacation. The events are not illogical or even uninteresting but they happen so fast and so often that it becomes a disconnected smorgasbord of scenarios rather than a connected grouping of instances.
Pacing speaks nothing of the actual events themselves, which are arguably worse. Many of the plot lines or plot points within Charlotte either lead to dead ends or are forgotten about entirely, both usually the byproduct of the aforementioned pacing. Nao’s older brother receives a resolution halfway through the season, only to never be mentioned again. The lead singer of “Zhiend” serves as a trigger to push events forward, but has no spot in the narrative beyond her final song. Ayumi’s resolution is overly clean, with her likewise tossed on the wayside after her conflict is taken care of. When this or any anime does this, it causes the plot to feel disconnected, therefore reducing its cohesiveness and subsequently the strength of its narrative. Interestingly the show did take advantage of its own plot developments at times – having his original girlfriend appear and try to help him out of his rut demonstrates the show’s awareness of its own material. But the majority of the time, the anime exists in the former camp, cumulative fragments that turn the plot into an indiscernible mess.
Charlotte’s mess continues in other areas, specifically dealing with the writing itself. Again, to be fair, the anime does have its moments – Nao telling each of the earlier ability users to never use their abilities again to maintain the ruse against Yuu was clever. But a large amount of its other moments do not live up to even half of this execution. For example, Yusa’s “spells” are a comedic gag that treads into overused territory, the same reactions occurring every time. Also the time travel reveal, which is little more than a huge exposition dump. Worse still is the hospital visits near the end, where a series of characters appears one after another to make up for spending so little time on them in the first place. It leads to repetition and in most cases a distinct lack of purpose since each subsequent event is supposed to build off of the previous ones. But because the previous events are so weak due to a combination of the poor pacing, unused plot points, and the stagnant writing, the shaky tower they create is never capable of standing upright.
This trifecta sees its lowest point during episode eleven, now infamous for being absolutely asinine. The character whose family was conveniently taken hostage, Shun having never known of this character’s extended family despite countlessly time travelling, and Yuu going to the warehouse alone despite the group tailing him moments later are more than enough to constitute a failed narrative. The entire confrontation was not even about Nao, the terrorists, or even Pooh; the whole point was to remove the time travel variable from the equation. Any other situation could have been chosen yet the show decided on this one for a reason, the reason being to avenge Pooh and to “payback” Nao. But both bonds are not exactly taut: the former he barely knew and the latter he had always butted heads with no signs of affection. In other words, Yuu’s inspiration was likewise lax. So while not entirely representative of the anime, this episode made it evident how broken the show truly was.
Halfway through the descent, Charlotte has already broke but it does not stop hitting itself. Another issue is the title of the show, which is irrelevant. The comet it is named after is never seen or, perhaps obviously, never used throughout. It is simply mentioned as the source of the strange particle or virus that causes the people to gain the abilities. Granted it might be unimportant; the actual comet means nothing in the grand scheme of things, moving the attention away from it and to the abilities it technically contains.
At least, that would be the argument if it did keep attention on its abilities. Instead, one of the show’s biggest focal points is confusingly ignored. Besides “invisible” – which gets used a lot earlier – and “plunder” – which gets used a lot later – abilities often go severely underutilized, appearing only a handful of times. Some hardly get used at all – the opening episodes contain abilities that, once stolen, are used to a minimal extent. The time travel is even purposely prevented from being used. Charlotte’s finale also follows this trend: Yuu plundered thousands of abilities, but no more than ten were shown. To play devil’s advocate, similar to the comet the abilities might not even be the point of the anime. If space rocks and superpowers are not what the anime is about, then something else must be.
This is when the bottom of the mountain is reached because there is no point to Charlotte; there is no thematic presence. It never centers on one specific notion, with a fairytale ending of “living happy lives from now on” when they had been doing that (or trying to) from the beginning. There might be something about never giving up even in the face of ridiculous adversity, but the use of abilities makes this a moot point since the abilities lessen the adversity considerably. One might also argue that the show is about having and pursuing goals. Nao fighting to save others to have them avoid a fate like her brother’s, Yuu plundering everyone to earn a romantic relationship, and Shun time traveling to the point of blindness to protect his family and other “ability-wielders” (as they call them) showcase how a goal motivates and pushes people to do the impossible. But since Nao’s and Shun’s dreams fall on Yuu, and Yuu’s own goal is lost, this theme loses merit as well.
Thus, after falling down a mountain while crashing into rocks formed of horrible pacing, weak writing, and nonexistent themes, Charlotte’s narrative lands at the bottom, perishing in the process.
ANIMATION
If Charlotte does anything correct, it is in regards to its art and its animation.
The art itself is vibrant, with locations varying. Schools, parks, and warehouses are featured, each filled with details that make them realistic in their presentations, appropriate for the realistic setting. Lighting is nuanced, with sunlight and fixtures casting shadows and shine where needed. Camera angles are likewise well-done, with low shots, up-close shots, and landscape ones constantly shuffled through to give the show a dynamic feel. Other tricks, like reflections in mirrors and rippling water, demonstrate the anime’s regard for its visuals.
The style of the abilities, when they are used, is also interesting. Invisible has a rainbow sheen combined with transparency, plunder makes Yuu’s eyes go green, and “collapse” causes the wielder to glow and essentially explode. A distinction for each ability is given – telekinesis has a purple outline, disintegration has a sparkly effect, and combustion produces flames – that makes each come off as unique as they are.
Unfortunately the character designs dip in execution. Many are rather plain: Yuu, Joujirou, and Ayumi, to name a few. Nao as well, but for her, her deep blue eyes and white hair contrast, coinciding with her outward cuteness and inward abrasiveness. Surprisingly it is Yusa’s older sister that has the best design. Her orange hair, red outfit, and ruby-colored eyes are a perfect fit for her fiery personality. Similar to episode eleven, she might be an outlier, but she showed where they could have gone had the designs refrained from being so plain.
Actual animation mirrors the art, staying consistently high throughout the season. Even disregarding the abilities, characters walk, flail, and react in nearly all situations, standing still for natural lengths of time. Alongside moving background objects, ruffling hair, and shattering glass, the anime always keeps its parts going, giving the show much needed strength.
CHARACTERS
Just when Charlotte starts to climb back up the mountain with its art and animation, it quickly falls down again when its cast is investigated thoroughly.
Investigating the side cast first is simple since the majority of them are either missing characterization, development, or purpose, sometimes a combination of the three. Joujirou, the Yusa-obsessed man in glasses, has that to his name alone. He is a huge fan of a pop star. Nothing else is learned or given about him past a certain point since the anime decided to ditch him to focus on the latter half of the show – Shun, time traveling, and world plundering. Yusa is arguably worse; she can sing and dance, her bubbly behavior allowing her to befriend anyone. But the development she receives is shoved into the span of a few minutes rather than throughout the season with her older sister visiting her family to eat food and her older sister writing her a letter. That is to say, while she does receive development, it is arguably worse than having none at all since what she was given was so lazy and lame.
Laziness and lameness are also found in Ayumi and Shun who oppose each other in a negative sense. Ayumi is the little sister, her adorableness and worrying attitude acting as a rock for Yuu. Plus, her pizza sauce skills know no bounds. She was poised to be a worthwhile character for the rest of the cast to connect with, but similar to Joujirou, following her death avoidance her presence diminishes nearly entirely. The worst part, though, is that this ruins her relationship with Yuu, which was a major driving force for his character. Shun is on the opposite side of the spectrum. The older brother, he was introduced late, so very little is known about him besides his friendship with Pooh, and even then the audience does not get enough of the two together to understand how connected they were. Meaning when Pooh dies, Shun’s breakdown does not have the necessary emotions established with the viewer to let them feel his plight. Furthermore, and opposite to Ayumi, Shun’s relationship with Yuu has no weight not because they stop focusing on it but because they never focused on it to begin with. Not during flashbacks and not during the present, either. Shun even purposefully hid himself from Yuu to keep Yuu out of harm’s way, meaning a relationship of any kind would not have the chance to exist. So when Shun gets emotional with Yuu or vice versa, once again the effect is not as strong as it portrays itself.
Moving beyond the side cast of Joujirou, Yusa, Ayumi, and Shun are Nao and Yuu, arguably the worst characters of the anime considering the proportion of on-screen time and development they undergo. Nao is a seemingly distraught person. She lost her family at an early age and she is bullied in school (questionable, since it only happens once and is never touched on again). As a result, she trusts and believes in almost nobody, keeping people away to stop herself from losing anyone ever again. This explains why she uses a camcorder: she places an obstacle between her and the world, treating the world with the same distance as she does people. It is clear that she is someone who is afraid of connecting with others, a person in need of help. She has traits that would supposedly see change, but she never gets it. As the leader of the group, she has to act as such, never exposing her faulty interior. During more private moments, she cracks slightly but only to the point that her emotions evaporate. Taking a step back and looking at the season altogether reveals that Nao never truly had the spotlight all to herself, so she never could progress past her problems. The ending tries to instill the idea that she has changed for the better – that she will start using her camcorder to record “happy everyday life” – but it literally occurs within the last minute of the show, indicating how much of a failed character she is.
But the worst character is undoubtedly Yuu for one reason: passiveness. Yuu, like the first episode, starts off really strong, a troubled person who was extremely full of himself. But after the first episode, he is sidelined, Nao, Joujirou, and Yusa taking center stage with Yuu making a comment or two here and there. The focus then shifts to Ayumi and Sara (the lead singer of “Zhiend”). Here, Yuu does not so much develop as he becomes an entirely different person, with the outcome having him go back to square one. The focus shifts once more to Shun, where both sides of his conflict use Yuu as a pawn. The final episode is the first instance where Charlotte puts Yuu at the forefront of its happenings. But as it was during Ayumi’s death, he becomes an entirely different person that has no relation to his earlier self, with this outcome even worse since he regresses not back to square one but to square zero. Sympathy is not possible since it is “too little, too late” to care about or have feelings towards him since he was relegated to being a side character for the majority of the show. In short, passiveness did him in.
Lastly, themes for characters are passive in a way, since they are at the mercy of the characters that control them. In order to investigate what message the cast is relaying, their abilities should give the answer because each individual person has a power of their own. Joujirou’s speed makes sense given his overzealous outbursts. Yusa’s dual-self coincides with her normal student and super star status. Shun’s time travel represents his determination and willingness to sacrifice himself for something bigger. Nao’s invisibility makes sense given her loner persona. Yuu’s plundering strangely works since he is a person who has no discernable qualities of his own. Thus, the superficial view is that…people have traits that make them who they are. This is too commonplace and inherent to be a theme. Instead, it could do with uniqueness of traits – that everyone is different – but this fails since the abilities of people sometimes overlap – Pooh’s ability-wielder-finder ability exists in others. It might deal with the abilities themselves; each one has a peculiar caveat attached to them. Joujirou’s speed cannot be controlled, Nao’s invisibility can be applied only to one person at a time, Yuu’s plundering causes him to pass out for five seconds, and so on. So it might be that people are imperfect, that everyone has something about them that is off-kilter. Sadly this does not work as well since the reasoning for the defects is not expounded on, the imperfections a penalty rather than a talking point.
Therefore there is no point. The abilities do not provide a meaningful message, an expected answer since the narrative also proved that the abilities were not what mattered most. Thus the characters are without themes and, coupled with their missing development, are left in dire straits at the bottom of the mountain once more.
SOUND
The opening theme is the last strong point of Charlotte. The piano and vocalist are in harmony throughout, creating a hopeful piece, fitting the tone of the anime. The ghostly reverb in the beginning, the quick, soft lyrics in the middle, and the resounding violins in the end combine to make a piece that is simultaneously familiar and otherworldly, once again finding comfort within the confines of the show. The ending theme somewhat counteracts its counterpart, the piece filled mostly with a repetitive middle section despite the strong vocals. The start of the song with its onomatopoeia is a soft lead in to the soft piece, said softness more or less matching Nao’s longing. The guitar, violins, and slow lyrics pad the song further, making it, if nothing else, an alright method of easing the audience out of each episode.
The remainder of the soundtrack is filled with a variety of pieces to fit the occasion. Lots of piano tracks to heighten the somber moments, hard violin pieces to maximize tenseness, and silly sounding instruments to increase the comedy. While the OST is not particularly memorable, it effectively bolsters the scenes it takes part in.
Voice acting is similar, resting somewhere around average. Kouki Uchiyama as Yuu has a voice that is too old for his character. Plus, his screaming was never convincing. Ayane Sakura as Nao passes due to the incredulity she can include in her speaking to give her that mean yet cute edge. Maaya Uchida as Yusa is the only strong performance, doing the voices for both the younger and the older sister, capturing their personalities nicely through the performances she gives.
ENJOYMENT
I would be lying if I said that the first episode did not impress me. Because it did. Then the rest of the anime happened, and I could not believe how it continued to shoot itself in the foot with each new episode. I did find Nao and Yusa cute and funny, but as individual characters they were so poorly presented that my disappointment nearly cancelled out the laughs. Yuu was a boring main character, Ayumi’s adorableness not being around was a bad move, and Joujirou’s shtick got old quick. None of the characters were engaging enough for me to resonate with, leaving me to simply follow the flow of the show.
I also had no real emotional connection to the anime. I did not cry when Yusa was reading aloud her letter from her older sister, Pooh’s death did not impact me in the slightest, and I did not care for Yuu when he was going rogue or journeying alone. The anime’s events never made me feel anything, thereby reducing the amount of entertainment I got out of it. Still, I found myself wanting to know what was going to happen next. I was not invested in the show, but it piqued my interest when Yuu time travelled or set out on his unrealistic adventure.
Something trivial that ticked me off was the order in which Yuu plundered abilities during his mega journey. The first official one he stole to start it off was Nao’s. It would have been infinitely more poetic to have her be the last one. Yuu fights and travels and steals, surviving as much as he can, until the very end where he finally meets her, with a touching yet heartbreaking reunion. Instead, the last one is some random girl in some random village with Yuu somehow getting hit with arrows despite being the strongest human to have ever lived, and then a helicopter coming down to save him as his arm is outstretched towards Nao’s gift. It is somewhat silly to be mad about this since this is not my anime. However the idea of going full-circle – starting at the beginning and ending at the beginning – is powerful narrative-wise, so seeing such a hugely missed opportunity irks me.
Charlotte deserves almost no praise. Outside of the art and bits of its music, the anime crashes and burns, its story and characters abysmal in their overall execution. Needless to say, this is one ride that nobody should ever have to endure.
SUMMARY
Story: Terrible, poor pacing, forgotten plot points, weak writing, irrelevant content, and no extensive thematic presence
Animation: Good, beautiful art, cool-looking abilities, okay character designs, and above average actual animation
Characters: Terrible, Joujirou, Yusa, Shun, Nao, and Yuu are underdeveloped, underused, or both, with their abilities meaning nothing to them or grander themes
Sound: Fine, good OP, okay ED, okay OST, and okay VA performances
Enjoyment: Bad, zero resonance, no emotional connections, and an irking directional decision, yet still interesting enough to follow through to the end
Final Score: 3/10
Lanz
I'll have a rant with Charlotte. It deserves it. Why isn't there a zero score for 'story'? It is oft repeated that everybody, well not everybody, but many people, had high hopes for Charlotte, and that 'people' includes me in the ranks. It was the first name on my team sheet for the summer season. Such a waste. It's also repeated that it started okay and plunged down after a certain point. This plays true to the words, it shot up the horribility scale after about EP8. Everything went wrong. The pacing, the character development. But especially the plot. The believability of that plot. Plot holes aregalore. It's really depressing trying to talk about every one of them. The last episode was especially a huge pile of garbage on that front, which you have to see to believe. How is that even possible? There were too many 'red dots' on one map in one city and too much time taken for him to erase one dot at a time for me to believe any second of it.
The characters were a big problem too. Nao is well-loved and praised, at least round here in my part of the Earth. She is well-designed, no doubt about it. However she plays too little a part in the short and appalling main plot, think about it again, doesn't she? About all the others, well...there are too many come-and-go characters that just slip in, do their part which have wildly varying impacts on the plot, and then vanish with slim explanation on their past or future actions and intentions. Even two 'main characters' in the main party, glasses guy and idol girl, really do nothing to complement the anime outside of giving the odd giggle(or, to put it better, vain attempt at making you giggle) and being a kind of christmas visual decoration. We still don't know virtually anything about them after the end of the last episode. It's impossible to like the character as a moving character that has flesh and blood, even though they're 'main characters'. Ms. Zhiend and Nao's older bro clog up more than one episode of the anime, and the whole of EP8, for literally nothing, as their forced drama is reversed when the MC turns back time. What was the point?
Pacing and production, to a lesser extent was also to blame. Look at the flashback scene in EP9 and...It’s really bad. I'll have a moan with the main band Zhiend as well. They're vaguely listenable, but how on earth are they a post-rock band? And why did Maeda try to emphasize that?
That leaves the art. It's not a masterwork in design and movement, but it's certainly commendable and faults were hard to find in the quality throughout the series. That's it though. It doesn't leave waves of astonishment for that, and is just...a little better than the average anime you get. There's no trying to leave from the tradition neither, everything is standard. Is it better enough than your average 'moe anime' or whatever they call them to cover up its gaping shortcomings in just about every department excepting the art? Nah... it just serves to make this shit look a bit less shit.
That's Charlotte then for me. I was planning to give this a long, critical mind you, but still long review up until EP11 or something. I lost the remaining love for this over the next couple of weeks, and gave up on giving it a long review as it was a waste of time. That leaves this rant. No recommendation people, don't watch it. No chance I'm waiting for another series from Maeda. Not in a million years.
HaXXspetten
Charlotte is another one of those controversial anime which you see people complaining about *everywhere* yet it still actually has pretty decent ratings. From this we can deduce that there are probably a lot of people hating on it mostly because everyone else is doing it and they don't want to stand out, and/or that the show is mostly successful among casual viewers who don't bother speaking their mind about it over the internet to begin with. It all sounds uncannily similar to the public view on Sword Art Online in that sense, doesn't it? And in the same way, while Charlotte is certainly noton the same level as most of Jun Maeda's earlier works, there are still countless anime significantly worse than this. The world doesn't solely consist of black and white.
Charlotte is a story about people with super powers. Only temporary and highly imperfect ones yes, but super powers all the same. It follows the life Otosaka Yuu, an initially arrogant high-schooler who has the ability to take control of people's minds for five seconds at a time; an ability he has used to cheat his way to the highest grades of his school. That is until he one day gets caught red-handed by an unknown girl who is seemingly aware of his ability, Tomori Nao, who then forces him and his sister to transfer into her own school instead: a special school built solely for students with supernatural abilities. And thus their new lives begin as Yuu and his newfound companions struggle through their lives as they attempt to fit into society, as well as do their best to stay away from any scientists who might seek to turn them into experimental guinea pigs.
Now the first problem with Charlotte is simply that the first five episodes are rather... uninteresting to say the least, and feel mostly like filler. These episodes pretty much run on an "ability user of the week" theme, as they are all separate stories about Yuu and his friends having to find and subjugate some person abusing his/her super power in some manner of fashion. But there is no semblance of coherence to it, and it doesn't feel like the main plot is going anywhere at all. Or rather it doesn't feel like any sort of main plot even exists. It's mostly just quirky over-the-top comedy similar to what we saw in Angel Beats and not a whole lot more.
It isn't until episode six that the main story actually starts out for real. Here the story immediately takes a significantly darker turn, which was clearly written for shock value. Then it gets a lot more interesting for a few episodes (though Yuu's character development still feels highly unrealistic), but as it gets closer to its climax, Charlotte starts feeling a bit like an unfinished mess script-wise. I'm not going to spoil any details of course, but there are a ridiculous amount of ideas that are juggled with towards the end of the story, and it feels like the plot takes a whole new direction with every new episode. One week it felt like I was watching Steins;Gate. The other it was Zankyou no Terror. Etcetera. Really it doesn't feel like the plot even knows where it wants to go, and as a result you get a jumbled mishmash of a storyline in the grand scheme of things. Also as an inevitable result of this, there are many plot elements which feel rather poorly thought-out. When you take a completely unexpected direction with the plot, you better have done the groundwork for it to make sense, but Charlotte doesn't always do this because some of the twists feel more like plot holes than anything else simply because earlier events seem to contradict them. In addition, despite the now more serious general atmosphere of the show, it still insists on reusing the silly comedic elements of its opening episodes every so often, but unlike those, it no longer feels appropriate at all. Oh and if you're looking for some sort of tear-jerking drama in this anime like Jun Maeda normally specializes in, you should probably look someplace else because Charlotte really isn't that kind of story at all. Rather the only drama it really has is quite cheesy, and among other things contains a pretty forced and unnatural romance subplot, but even that is still nothing more than a secondary aspect of the story.
The characters are nothing spectacular, but I find them likeable enough for the most part. In the very beginning, Yuu is the spitting image of Lelouch both in terms of personality and super power which thrilled me quite a lot, but sadly he calms down and becomes more of a standard protagonist pretty quickly. Nao is rather hotheaded and violent, but still very caring for her friends and family on the inside. The other main characters primarily consist of other ability users from the school, including the pop idol Yusarin who has a quite unique take on the "split personality" concept, as well as the glasses guy Joujirou who possesses the ability to teleport... sort of. There is also the rather overwhelming little sister Ayumi whom I know a lot of people disliked quite a lot, but she's treated more like a plot device than anything else throughout the story. Whether or not this is a good or bad thing though is debatable.
The production value however, as you may expect from P.A. Works, is top tier. While it doesn't look quite as mesmerizing as some of their earlier works such as Nagi no Asukara, it is still absolutely beautiful to look at. The character designs and the scenery both look amazing. The music is equally on point, which again may only be expected given the people behind it. The OP and ED are both among the very best of the year for sure.
But although it may be pretty to look at and listen to, that is sadly not all there is to an anime, and Charlotte falls flat in the more important categories instead. I really felt like the story always had potential, but it never really got itself together. I felt like I was constantly waiting for some clever plot twist that would make all the pieces of the puzzle fall into place, and suddenly explain why all the questionable plot twists played out the way they did... but it never really happened. Episode nine did a good job with clearing up everything up to that point, but as for the events of the last few episodes... I'm afraid I can't say the same. As a result, the ending isn't exactly the best one I've ever seen.
Despite everything though, I still somehow found Charlotte fairly entertaining from start to finish. Admittedly a lot of that probably just comes from the initial hype the series had, but even when it started to get more and more problematic script-wise, it didn't exactly get boring. And that is still the most important aspect in my mind, given that anime is, after all, nothing but entertainment media in the end.
Charlotte feels kind of like an incomplete experimental anime which tries to do too many things at the same time, and as a result doesn't really succeed with any of them. Rather it leaves more holes than answers instead. But it still manages to keep you guessing and curious about what kind of curveball it's going to throw at you next. Does that make it a good anime? Maybe not, but despite all its problems I still can't make myself hate it. While it's certainly a very flawed anime, I still had fun watching it.
Now if only we could all learn to not hype series up to the second tier of heaven before they start airing; it only makes the disappointment feel all the greater when it doesn't live up to the expectations in the end.
Zadion
ambivalence. Key is a household name for any anime connoisseur. Even those with a mere passive interest in the medium as a whole are probably familiar with at least one of Key’s titles—a close friend of mine whose anime experience mostly encompasses Naruto knows Clannad as “that anime which gives people the sads” and subsequently won’t watch it because “it’ll give me the sads.” Clannad: After Story has permanently lodged itself within MAL’s top 10, several other Key titles (such as Angel Beats! and Kanon) receive a lot of love around here, and multiple Key visual novels have received wide acclaim, with Clannad, Little Busters, andRewrite all ranking within vndb’s top 15. In short, people love Key, and when a new anime fronted by Key or Key’s figurehead and principal writer Jun Maeda rolls around, people pay attention. It could be because you’re excited for a new anime from your favorite writer, it could be because you’re one of the director’s many critics and you can’t wait to see their new trainwreck, or you could just be interested in the hype the new series delivers as a passive observer; whatever the case, interest is generated. Naturally, Charlotte, being the newest title in Jun Maeda’s impressive résumé, was met with a tidal wave of hype. Does Charlotte match the standards expected by a Key title? Well, yes and no.
The first six episodes are a testament to all things Jun Maeda, a near complete collection of tropes anybody familiar with his work probably knows intimately by now: food jokes, baseball, school hi-jinks, and tinges of supernatural melodrama, among others. Frankly, these episodes are riddled with so many KeyTropes™ that one might think they were purposely constructed as a parody of everything Maeda is known for. By episode 4, all except the most rabid of Key fans will be more than a little tired with the barrage of shenanigans pressed upon us. The problem isn’t so much that Maeda uses his traditional writing style, it’s that the execution of his ideas are simply too familiar. “Yeah, I’ve seen this before, and I’ve seen it done better than this.” His writing is almost a caricature of itself at this point. As a fan of Maeda’s writing style, I found myself chuckling a number of times and invested in “The Everyday Adventures of Tomori and Friends” more than I retrospectively can understand, but I doubt the average viewer is going to empathize with these feelings. Then, against all odds, Charlotte turned 180 in potentially one of the most contrasting shattering of tropes and clichés I’ve ever witnessed in an anime: episode seven.
The 7th episode of Charlotte is without question one of Key’s finest episodes, sitting in pleasant company with the 18th episode of Clanand: After Story, the 10th episode of Kanon, and the finale of Angel Beats. For probably the second time in his career, Maeda wrote a dramatic story earthed in realism and believability that does not rely on emotional oversensitivity. Filled with flawless progression, powerful character development, and tight writing, Maeda proved he has a grasp on human emotions and Charlotte is not just another show aimed at appealing to the viewer’s appreciation for zany comedy and “feels.” It even successfully implements Maeda’s traditional appreciation for sensationalism and does so with class. From episode seven onwards, Charlotte catapults through a number of plot twists and thrills with a sense of maturity foreign to Key’s works, only ever devolving back to its handbook of clichés to lighten the atmosphere and strengthen the execution rather than relying on them to even catch interest. However, herein lies Charlotte’s largest fault (no, it’s not the pizza sauce jokes): resolution.
Perhaps a testimony to the fact a Key story can’t be told with finesse in a mere 13 episodes, Charlotte’s single most fatal flaw is its pacing and the means by which its drama is resolved. Character development is curbed for the sake of bringing a close to each individual obstacle in a single episode and, in the best of cases, two episodes. The drama of the early episodes is ruined by the absence of build-up and negligence of expansion, and the drama of the latter episodes is diminished by the constraints of its run time that force a harried resolution without thoroughly exploring the events and before viewers are given the chance to even register what’s going on, let alone sink into our protagonist’s emotions… which brings us to the characters.
If Charlotte’s pacing is the gaping wound to the series, then its characters would be the taut string that attempts to cease the blood loss. Each member of our four-character primary cast is loveable and amusing, and a lot of Charlotte’s idiosyncratic humor would utterly fail without its characters to support it. Yuu Otosaka, accurately dubbed “mini-Lelouch,” is sly and selfish yet charismatic and… loves his sister. Nao Tomori is a stoic, responsible, and sweet girl that maneuvers skillfully across the tsundere rope, the one Key girls often do, striking a delicate balance between casually hostile and apprehensively caring. This gives her a believable emotional distance, especially taking into consideration the struggles pressed upon her, far removed from the cringe-inducing display of many of the anime community’s beloved tsunderes (Taiga is shit). Joujirou Takajo and Yusa “Yusarin” Kurobane kind of play second fiddle to our protagonists and would have benefited greatly from more development (Takajo especially; Kurobane received her share of development, but its execution was disappointing at best—more on that in a minute), but between Takajo’s presence as the butt of Charlotte’s many jokes and Yusarin’s dualistic personality, I couldn’t help but admire both of them anyway. There are a number of side characters which play an important role later in the story; speaking much of them would spoil several important events, but it’s worth noting that they are all likeable characters as well.
Unfortunately, Charlotte’s fatal ailment to some extent succeeded in demolishing its characters as well. As mentioned previously, the pacing of the series consistently stifles character development. Some of Yuu’s actions come out of left field, Tomori winds up a side character by the end, and the bits of development the other characters get is crammed into a time allotment so tightly controlled it just seems forced—Kurobane’s ultimate resolution is literally compacted into less than 5 minutes of a single episode. Charlotte nearly completely sacrifices the important element of build-up in the execution of its drama, and without that build-up it’s difficult for the audience to really care about what’s going on. Episode 7 is the single moment in the series that remembers that importance, and, to no surprise, it focuses on Yuu. As the protagonist, all of the genuine development in the series is heaped at Yuu. Even the events seemingly intended to develop the side characters commonly, ultimately serves the purpose of developing Yuu. It is for this reason that, despite some misgivings, Yuu is a well-rounded, well-developed character and certainly among the best of Key’s protagonists.
While I have no specific comments about the standard sound direction—the BGM is certainly not as noteworthy as that of Key’s holy trinity (Clannad, Kanon, Air)—praise should be directed towards the stellar voice work of Kouki Uchiyama for Yuu Otosaka and Ayane Sakura for Nao Tomori. Yuu’s voice work is theatrical and lively, perfectly complimenting his character, yet apprehensive and dejected when required. Nao’s voice in contrast is some combination of subdued, stern, and alluring; and, truthfully, Ayane Sakura’s voice is so charming I could’ve turned off the subtitles and just appreciate the beauty of her voice work.
I opened this review up with the word “ambivalence” to set an atmosphere for my general impression of the series. While the first half of the series is an enjoyable yet basic collage of slice-of-life shenanigans, the second half swiftly swings into motion reminding me why I love Key’s works, yet ultimately leaving me with mixed feelings because its unfortunate pacing restrains its overflowing potential. The resulting product is a vaguely impressive series that falls short of its fathers. And, disappointing as it is, it could have matched them with a handful more episodes, just a bit more time to expand its events and characters, to cover its plot holes. I hope this serves a lesson for any hypothetical future projects: Maeda, please make it two cour.
Narukami-
First of all...I started watching anime not so long ago. Charlotte is a anime where the world is very curious. Not realistic...darker but hopeful. The STORY that gets really interesting by every chapter have just one problem. Its like every 3 or 2 episodes the anime changes from slice of life to drama, and after 2 comes back to slice of life and then romance and then action. Many people disliked this but I love it. It let me think and watch every part of the anime deeper and gave me enough to still being curious. What can I say about the ART...just "P.A.Works.". Beutiful environment bythe way.
The SOUND is good,;I loved the op and ending but maybe I personally dislike the part of the anime of progressive rock.
All CHARACTERS have good personality s. Everyone is cool. But they focused so much on Yuu and some parts on Nao that I forget about the others characters. Even if they would kill someone I won't get sad at all. But talking in general I loved the changes of every character while story goes on. Anyways I loved something of every character and that is how it should be.
I ENJOYED all episodes. Calm, tragedy, school, love, tears. Maybe it make me feel a little sad for the music, art and what happened. But I feel it... I felt it.
In OVERALL I gave this a 9 because I didn't enjoy a anime for so long. Because I felt what yuu felt what nao felt. And I didn't expect anything. I just watch and put my heart on it.
LittleTwilight
-THIS REVIEW CONTAINS A FEW SPOILERS- Charlotte seems to be the "Key" title that sticks out the most from the bunch. Not only is it an original story, but it also has a darker and more complicated story. Yes. COMPLICATED. As it is a Key title, many people got hyped up for it before it came out and it has become one of the most popular shows of not only the Summer 2015 season, but in 2015 as well. So how is it really? Story: 3/10 As with all the Key titles, Charlotte starts off as this happy, school feeling slice-of-life show. A few episode later it divesdown into deeper and darker themes with the characters revealing something different about them. The entire show mostly plays out on the darker moments rather than the school life and that is something I appreciate from it. However, it doesn't save the story from being a rushed mess. Like Gakkou Gurashi, Charlotte's story doesn't know what it wants to be. It jumbles from a happy slice-of-life show to dark action show with a hint of mystery. The story seems as if it's changing it's mind every 5 minutes from the two themes since it wants to be both but it doesn't know how. Also, it's very rushed. We have a death in episode 6 from a character we should care about but the anime gives us so little time with that character. Instead, it gives us a baseball episode and a camping episode. Those episodes should've been used for us to learn about the characters more. Every episode after episode 6 is a Steins;Gate wannabe mindfuck. Only not that good kind. With a rushed story and such little episodes, everything seems to complicated to follow.
Art: 5/10
Charlotte was brought to us by studio P.A. Works. Responsible for shows like Angel Beats (another Key anime) and Nagi no Asukara. And the production values for those shows are beautiful to look at. While the shows themselves may not hold up well, they still have beautiful art and animation all around. This however, kind of does that, just in a very toned down kind of way. The animation in the opening is beautiful and really brings out P.A. Works potential with their animation skills. Not only that, but the colors and backgrounds (excluding some of the character designs) mix in pretty well. Another thing I like is how when the tone shifts, the color pallets would change in tone and it does it wonderfully. But the rest of the animation is pretty mediocre. The characters movements seem very sloppy and a bit too quick for the type of anime this is. Also, the hair and the eye combination for some of these characters just doesn't mix well together. Nao's sea foam type hair and dark blue eyes just seem so off. The lead singer for the band who is blind has pink hair and light blue eyes just looks so mismatched. The animation isn't terrible or bad by any means, but for P.A. Works, it's kind of a let down.
Sound: 5/10
Highlight of the show. This show gets props for having a great opening and ending song. The opening gives out a happy, cheerful but subtle deep themes that just fit perfectly for the show. The ending is a much more so somber that also fits the show well. Also, the show has a great cast of voices that all put great effort into their performances. However, even if the sound is good, the soundtrack on the other hand is lacking. It sounds just like a bunch of things we've heard of before and some of the soundtracks that play do not match with the scene the anime is showing us. However, that doesn't weigh out the good performances by the cast.
Characters: 2/10
OH BOY HERE WE GO. The worst part of Charlotte. Nao while actually a pretty interesting character doesn't do much or develops. Otosaka, the main lead, goes from a bad ass to a bland and uninteresting character by episode 3. Otosaka's sister plays a major role in the show but she's the same moeshit, "ONIICHAN!" stereotype we've seen in a billion of other shows. Rest of the characters? Who cares? They don't do much to the show or show up at all. Even the new character don't do much at all. They're just there to give Otosaka his orders while just standing around. What am I supposed to feel for this idol chick with her dead sister ability? NOTHING. Since the anime barley gives her any screen time. The guy with the glasses not only has no point to the anime, but he's one of the most pointless characters I've ever seen. Key's worst characters to date.
Enjoyment: 3/10
I liked some of the action moments and watching Nao. That's it. Most of the time I was just checking the time and begging this anime to be over and done with. It was painful to sit through to the point I felt like dropping it. I very much dislike dropping series and I didn't want this to be my first.
Overall:
Wasted Potential: The Anime.
Charlotte has a misguided and jumbled story, average animation (though not exactly a bad thing), HORRENDOUS CHARACTERS, and a rushed ending that makes you go, "What was the point of it all? Why did I watch this atrocity?" P.A. Works has never really been good at drama anime or good at anything in the matter, but this feels like a new low for the studio. And I though Glasslip from last summer was a bad anime by P.A. Works- and even though it's bad, it's not Charlotte bad. I really would like to see something good from P.A. Works for once. FOR ONCE. I guess that's too much to ask. I recommend staying away from this series. Even though it has a good opening and ending and a good cast that gave out great performances, it doesn't save the show at all.
3/10
Toonyoungster
If I were to summarize Charlotte, it would be like trying to make soup by throwing all your favorite foods into a pot. It doesn’t work like that. So what are our ingredients? 1) Good-looking audience surrogate male protagonist. 2) Equally good-looking female protagonist with tragic backstory. 3) Super kawaii imouto. 4) Glasses-wearing idol fanboy. 5) Moe idol character. 6) High school setting. 7) Government baddies. 8) Supernatural abilities 9) Deaths, but not really. 10) Romantic subplot…see where I’m going with this? The biggest problem for Charlotte seems to be its inherent lack of confidence in having compelling characters and telling an interesting story. Hell,when the director himself admits that the anime doesn’t pick up until episode 6, something is definitely wrong here. Indeed, the first five episode are incredibly formulaic, yet acts as if it isn’t. Charlotte doesn’t trust its audience enough to be able to accept what it does, and thus ends up spelling everything out. Why must we be constantly reminded how good-looking Yuu and Tomori are, how much of a turn off Joujirou is, and how despicable the government/scientists are? Only if you didn’t think these elements could be interesting at face-value.
Chef Charlotte suffers by trying way too hard and playing it way too safe. The mood of this series is jarring, shifting from humorous to tragic to “heartfelt” in seconds. Which could work and is possible (see Gintama), but the problem is that it oversells these moments. The jokes work the first time since humor is effective when it’s over-the-top, but quickly becomes a recycled tool. The dramatic moments are overdone with its constant rage-faces and Supersaiyan-esque screaming. It tries to force in moments of fan service like Yusarin’s singing under the mask of plot development. The more risky ingredients like death and romance are either haphazardly tossed in or negated altogether. Don’t add things if you’re not going to see them through.
If the most delicious part of this anime is the omurice with pizza sauce, then I think the director needs to go back to culinary school.
NyanPls
“The scars you can’t see are the hardest to heal.” Tomori Nao (Charlotte) To start off, I am writing this review so I can really give potential viewers an idea of what this show has to offer, without influencing their opinion with a biased score. This show seems to be a classic hit or miss anime, which is very well reflected in the range of review scores given. Most of the reviews on this show award either a perfect score (10), or an absolute rubbish one (1-4). I think I understand why these ratings are given (and will give my opinions on this later on in thereview), but I don’t think it’s the right way to review this show objectively. People who read these reviews shouldn’t be met with a bunch of bad ratings (and discouraged from watching it) just because a couple of people who didn’t enjoy this show as much gave it a 1, because that is just not a rating this show deserves. You might not have enjoyed this show but that doesn’t mean all those people will dislike it as well. The same goes for the people who gave the show a 10. This anime is personally one of my favorites, yet I don’t rate it a 10 as opposed to the other anime in my favorite list due to the fact that I review the show objectively rather than the enjoyment it gave me. I won’t include any hopes I had for this anime, nor my personal feelings towards it. But I digress.
Story: 5.5/10
Charlotte is a 13-episode story about Yuu Otasaka, a teenager with a special ability: he has the ability to slip into people's minds and fully control their body for five seconds. When he uses – or rather abuses – this skill for his own good, he is caught by Nao Tomori, a girl from a different school who also has her own special ability: it turns out he is not the only one with powers in this world. Together with Takajou Joujirou she tries to stop every ability user from using their ability so they can live a normal high school life. Yuu joins Nao Tomori and together they try to stop the abuse of abilities in the area, day by day. While the start of this anime feels simple and just like any other “supernatural” slice of life anime (typical Key anime anyone?), Charlotte starts of quite well. The first few episodes introduce us to the characters and really introduce us to the darker story that follows. While the first part of the show should have been a bit shorter (it felt a bit stretched out), I wasn’t too bothered by it as it didn’t make the show boring or repetitive. From episode 7 onwards the show suddenly takes quite a few unexpected turns, and (sadly) starts to feel rushed. There is just too little time (episodes) to tell the story they wanted to tell. Honestly the story had a lot of potential and possibly would have been much better if it had been a 24 episode show, or if the start had been a little faster. I think episodes 6 up and until 13 (especially 13) are the reason some people were severely disappointed by this show. Whether you like Charlotte depends on how much you enjoyed the show up until this point and how much you mind the rushed feel of the second half of the show. Objectively speaking the story as a whole is definitely nothing to be praised, but it isn’t as bad as people portray it to be (it’s probably just not as good as most people hoped it’d be, as like most Key titles it was highly anticipated). That being said, the story is still likely to pull you in from the start and you just might be one of the people who don’t mind the second half as much and enjoy it a lot, so I definitely recommend watching these 13 episodes anyway. Overall I think the story deserves a 5.5; the minimal passing grade. The show could have been a masterpiece if the story wasn’t this sloppy.
Art: 9/10
Charlotte absolutely deserves praise for its art: even for 2015 the art is top tier. Everything just looks really clean, the characters look amazing, the colors are great and the art manages to portray the atmosphere of the scene well at all times. It never feels rushed or sloppy and the characters are drawn really well too. There are pretty much no complaints to be made here other than the fact that the animation could have been a little bit better.
Sound: 9/10
The voice acting and background music in this show is absolutely amazing. The background music is never out of place and really strengthens the mood the scene is trying to portray; the powerful and sad scenes will most likely hit you hard (they sure did for me). The only reason the show doesn’t score a 10 on sound is because I think the OP and ED music weren’t that special or memorable. All in all Charlotte did a great job on the audio of the show.
Characters: 9/10
In my opinion, the characters really are Charlotte’s strongest point. The (main) characters are written in such a way that you are bound to like them, but most of all care for them. This allows you to feel sad when something sad happens to the characters (and trust me, you will feel). Because the characters are written so well you keep wondering what will happen to them, which in turn keeps you interested in the rest of the story. All main characters have some very simple and recognizable traits, but this doesn’t mean there is no character development at all. Yuu is the only character that really develops much over the course of the show (and he develops quite well), but I don’t think it’s a bad thing that the other characters don’t develop as much. The story is pretty short which would have left very little room for the main characters who get less screen time to actually develop well, so it probably would have felt rushed if they did develop a lot. I personally loved the character of Tomori, but I think all of their characters were very likable. The characters in Charlotte are definitely worthy of a near perfect score and really saved the show where the story/plot lacked.
Enjoyment: 10/10
I won’t take the enjoyment into account in my final rating, but to me Charlotte was incredibly enjoyable to the point where I rated the show a 10 on my MAL and it became one of my absolute favorites. I think the show is really powerful and is able to really play with your feelings: the sad moments hit me like a ton of bricks, I laughed a lot at the earlier episodes and I have been genuinely happy for the characters. I personally wasn’t so bothered by the sloppy second half of the show because I was still hit really hard by the powerful moments of the show and still cared a lot about the characters. I couldn’t refrain myself from watching all 13 episodes in a row. That being said, objectively speaking the show is far from perfect.
All in all I honestly recommend watching Charlotte, as it’s only 13 episodes and you definitely might be one of the people to whom this show is a masterpiece. Just don’t go in with ridiculous expectations like most people did and you just might enjoy yourself!
bmoore07
It was the summer of 2006, the heat rather modest (a rarity in my hometown of Augusta, GA), and I was aiming to make a quick buck. Roused by the success of my parents’ yard sale earlier that day, I convinced my little brother to follow me door-to-door, selling T-shirts and books, my books. I aspired to become an author (even back then) yet lacked the necessities to further my vision. What I did was borrow the books on my shelf, glue my name where the author’s should be, and sold other people’s products as though it were my own. It was an utterly disgustingact, one I reflect on in shame.
(You’re not gonna believe this but I managed to earn two dollars from my scheme).
For those of us that have viewed Charlotte in its entirety, this anecdote likely sounds very familiar. This is an anime that exists by blatantly pilfering the ideas, the mood, and the essence from other entities; it siphons from its own decency and originality for a profit. Charlotte is, in short, a Jun Maeda work through and through. Of course, it’s possible to be distracted from the rampant plagiarism, thanks to the excess of stunning scenery porn (another feat of visual excellence by P.A. Works). Charlotte is the equivalent of the Anchor Arms from SpongeBob; it projects a self-assured exterior that does absolutely nothing to repair its fragile inner workings. The crux of Charlotte’s glaring imperfections is that it mounted too much pressure on itself and then crumpled under the weight. Charlotte champions itself as a slice-of-life, a time travel epic, a Code Geass knockoff, a tearjerker of a romance, a modern take on the superhero genre, and a mystery simultaneously. However, Charlotte flounders in every facet, especially when it involves mystery.
Every recognizable cast member contains some sort of superpower and this enables the characters to settle each case without a hitch. Cold cases don’t exist in the world of Charlotte; “suspects”, “second-guessing”, and “nabbing the wrong guy” are foreign concepts here as well. In fact, Charlotte’s detective work is completely and utterly devoid of realism. It’s the superpowers that can identify, locate, and apprehend any criminal (It doesn’t require Sherlock Holmes to arrest robbers anymore, not when someone with invisibility can do the job). In the rare occasion that powers aren’t of any use, Charlotte’s cast is still able to solve cases thanks to the miracle of plot convenience (You cannot fathom how effortless the interrogation scenes are). Sir Arthur Conan Doyle, the man that popularized the mystery genre, likely rolls in his grave at the existence of Charlotte.
“Elementary” is how I’d describe Charlotte’s approach to detective work, and the same could be said for its characterization. The central cast members are Self-Insert MC, followed by Haruhi Ripoff, Quirky Glasses Guy, Cute Pop Idol, and Jailbait Chef. They (and every other character in Charlotte) are pure, benevolent, and utterly righteous beings that take actions for noble causes. One person seeks to follow their dreams while another aims for a second chance with his crush and all of them – all of them – are concerned with protecting their friends and family. Charlotte’s characters are absolutely not allowed to display any personality flaws; if they do, the show will ensure said character returns to the path of righteousness as soon as possible (this is exactly what I despised about Once Upon A Time). When one character embarks in the lifestyle of a degenerate, it’s an apology and a good meal that causes him to make a turnaround. As you and I both know, our world is filled with sunshine and rainbows and Mary Sues. Charlotte has no time for anything else.
There is no doubt you’ve heard people claim this show is riddled with plot holes, logical fallacies, pacing issues, and unintentional hilarity. All of this is certainly true but one thing needs to be said here: Charlotte is dull; it’s wildly, relentlessly, colossally dull. Both the theme song and ending theme are legitimate sleeping pills while the utter lack of visual creativity never fails to disappoint (especially in comparison to Angel Beats). If that doesn’t lower your expectations, I guarantee that Charlotte’s putrid sense of humor will do the trick. The fanboy monologues from Quirky Glasses Guy, the oh-so-funny catchphrases (“Big turnoff!”), and the nosebleeds are where the eyerolls will commence. Charlotte has a fascination for introducing unbearable gags, i.e. episode 3’s name gag, and lingering over them (a Jun Maeda trademark) like no other. The “witty” asides are guaranteed to fall flat every time; for a show that enjoys dubbing each character’s power as “half-assed”, it’s a fitting description for its sense of humor.
No review of Charlotte (or any Jun Maeda work for that matter) can be complete without mentioning the inability to understand subtlety. You don’t get a moment of silence with Charlotte. It’s nothing but noise with this show, as if muting the inspirational strings and sappy dialogue just once is too much to ask for. Charlotte exterminates the “show; don’t tell” concept with its tiresome monologues and excessive narration; every instance of character development is spelled out for you, as if you can’t observe what’s happening for yourself. Even Angel Beats has more tact that this hunk of garbage.
Ask Charlotte for a finale that’s respectable and it goes for convoluted instead.
Ask Charlotte to be original and it quits before episode 2.
Ask Charlotte to aspire for higher standards and it wallows in its own stupidity.
If there are a few tips I’d give to potential viewers of this travesty, it would be to prepare for disappointment. It would be to not misconstrue a copy-and-paste job for originality. It would be to not be deceived by pretty colors and gorgeous midafternoon skies. It would be to be wary of cop outs and deus ex machinas and an egregious confession of love. Better yet, it would be to take a glance at the legion of negative reviews, alongside the glut of low scores, and stay far, far, far away from Charlotte.
MiniOniOG
Everything about this is almost perfect, so close to perfection, I can't actually pinpoint something wrong with it. Every character was well written, I felt as if I knew them and they were all unique. Story was great and caught on real fast, story progression was at a fast, but steady pace and nothing felt rushed. Voice actors and subtitling were almost near perfection. I'm actually struggling to pickup anything negative about this Anime. Even the ending left me, full, if that makes sense. I was extremely happy with the ending, which is something I can't say about a lot of Animes. Even If you don'thave time to watch this Anime, make time, and watch it. You won't regret it.
Edit: I forgot the word "won't" in the last sentence.
Inactive_Andy
What can I say about Charlotte. I will start with the art of this Anime. To which it was very well done. Honestly coupled with the characters, are the best points for this Anime. With the art you don't get the simple rushed effort kinda look from it. What stood out for me with this art was the eyes, they were very well done. As for characters, very good in it's aspect. They were well designed, simple but dynamic. As well the characters of the story had good development, allowed for quick attachment to each of their own. Fortunately the art and characters of Charlottesaved this series from a lower grade, from my opinion.
The story started promising, the first couple episodes were alright. Afterwards from around episode four to the start of seven it got stale, had some unnecessary events and so on. All the way up until a very confusing transition in the late parts of the series. Ultimately the few stale parts of the story lowered how I felt about the plot advancements. As a whole it ended well enough to earn a seven.
For the sound on the other hand. It wasn't terrible, but it wasn't really a strong point. For a Key anime, I was fairly disappointed with this. A lot of the sounds seemed to be recycled to save time and effort. As can be said for the voice acting. It was good, but a lot of phrases and such were over used. To where the effect of such was redundant. The good about the voice acting was they really did seem to fit in with the characters quite well, a saving grace. I liked the OP.
All in all Charlotte was an enjoyable anime. My personal ranking would put it around 8.5/10. Worth a watch if you are looking for a simple but powerful anime.
conformityrules
I am a big fan of Jun Maeda. While his style of characterization is always a bit direct, and he is a bit preachy with his themes, he's always been careful to try to weave fully-developed people into these fictional worlds of his. He's master at crafting characters that audiences are guaranteed to care about, making their eventual death all the more painful. For these reasons, as well as the overall premise, Charlotte caught my interest. Unfortunately, as the series rolled on, I started to wonder to myself whether this show was capable of doing anything right as it slides like a derailed locomotive to itsinevitable doom.
Minor spoilers for the first 3 to 4 episodes ahead:
Story (3/10): One thing I have never recognized Maeda as is a strong storyteller. His characters have always been the thing that keeps his rather simplistic plots together. In his romance dramas (Kanon, Air and Clannad), most of the big emotional plot turns had something to do with fantastical elements that either affected people's memories, or caused big changes in the plot. So, naturally, it would seem this is the first time Maeda has tackled a story that's almost as plot driven as it is character-driven (especially during the second half).
Does it work? No, it doesn't work at all.
It started off with the declaration that powers were temporary. I was disappointed by this reveal greatly because it meant learning to control your powers would ultimately be pointless, as one would just lose them once adolescence ends. It also nips the potential plot point of having to live with such powers for the rest of one's life in the bud. However, unlike my siblings, I was willing to forgive this.
I could not, however, forgive the numerous other issues that cropped up in the series.
First of all, our antagonists are a faceless void, a combination of government-funded research organizations and criminal syndicates. When they discover that these young people have powers, they forcibly take them from their homes and experiment on them to see exactly how strong their powers are. In fact, their experimentation is so torturous, it cause those who undergo it to become nearly lifeless husks of their former selves that are discarded once they cannot work anymore. Despite how controversial this would be if it was made public, not a single person blows the whistle on the fact that all of these teenagers are being taken from their homes and brought into facilities where they are treated very poorly. Maeda never tries to rationalize why these groups would do this instead of offering these people health care, extra cash, or an increased rep. to get them to work for them. Why earn these folks' disdain if you can get loyal servants through more diplomatic means? If they can find these super beings so effectively, why do they have to routinely capture and torture those who show up? Furthermore, where are the filmmakers who take advantage of these abilities and put them on the big screen? Where is the outcry of rage against this horrible mistreatment? Where are the dissentors at all? Why experiment with these super-powered humans until they became unable to function when you can use their present applications to great effect? All you have to do is test their abilities in safer ways, and if it doesn't work, you bring them back to their homes. But these scientists and syndicates never even try to act rational throughout the course of the series.
Unfortunately, Maeda does little to answer any of these complaints. There are no alternatives to the grand scheme hatched by the heroes near the end of the story; there is no non-linearity and there is no alternatives to the plot he's created. Everything feels so railroaded in this story; there was only ONE twist in this show that legitimately made me go "Huh, that's actually pretty clever" and that was the only time I felt that way about this show. Everything that happens in the plot is a result of stupid evil on the part of the villains, and chronic idiocy on the part of our heroes. And although I cannot speak about the latter half of the show in detail, as it is riddled in spoilers, the story consistently finds new ways to remind you of how unintelligent it is about resolving its conflicts.
Art (7/10): After watching Tari Tari, Charlotte was a surprising disappointment for me in this department. The colors feel washed out, and the animation is surprisingly limited at times. There are moments where the latter shines, but for the most part, it's a rather lackluster affair.
Redeeming it, however, are those BEAUTIFUL landscapes P.A Works loves to boast it has. Every layout is rendered with detail and care. Whenever the on-screen action wasn't catching my eye, I'd turn to those amazing backgrounds, and go "Wow, this is what art is capable of . . ."
Finally, the character designs aren't great, but they get the job done. Na-Ga has basically settled on what design he likes for his characters, and they are quite appealing. There isn't a lot of variety, and our lead in particular has a boring design, but I still found them fitting nevertheless.
Sound (6/10): It's rare for me to say that a soundtrack by Key is lacking in quality, but this one really is. None of the scores are memorable at all. I can only recall pieces of a couple of tracks that might have been decent.
The opening, however, has a really strong impact. It's well-animated, and the atmosphere of the music and the vocals sets the tone for this series very well. It's a shame the ED is nowhere near as memorable. There are a couple of insert songs that the show uses. One is particularly effective (despite its awkward English), but the others are rather forgettable.
Character (5/10): As I mentioned before, Maeda's characters are normally pretty good. Here, unfortunately, most of them range from inconsistent to utterly under-developed.
Yuu Otosaka is our main character. He is a sociopathic teenager who uses his ability to posses others to his own advantage. He cheats on tests, sexually harasses his classmates, and beats up people he doesn't like. He even stages a car accident that has to be precisely timed, just so he can earn the affection of the school's madonna. Once his tactics are exposed by Nao and crew, however, he's forced to transfer to a new school and only use his powers when he's instructed to.
So far, this is actually a pretty interesting character. The marketing wasn't lying when they tease him as being the worst Key lead yet.
Unfortunately . . . He shows very little dissatisfaction with his new state of affairs. He's only passively resentful of the fact he's stuck working with these new friends of his and warms up to them much quicker than one would expect. Need I remind you, these people came out of nowhere, and took him out of his self-indulgent lifestyle BY FORCE. Yet, he show little signs of really despising these people. This could have been played for drama as well as the gradual character development Maeda normally employs, but instead, our writer decides to change his demeanor into something much more reminiscent of our archetypal high school protagonist.
Predictably, Yuu eventually becomes a much nicer person overtime. There is some continuity that recognizes his selfish nature from before, but the show is way too fast to turn him into a decent enough guy. However, the biggest problem with his development is one that's more subtle.
Yuu develops an EXTREMELY strong empathy for total strangers by the time we reach the last third of the series that's never really explained. While he has had time to grow close friends with the Student Council and to care for his school at large, he hasn't really been shown a solid reason to care for everyone on the same level. At the core of it, he's still a self-absorbed person who fights and does things either for himself, or the people he cares about. The only reason he willingly gave up his former lifestyle was because his friends (particularly his love interest) wanted him to. Yes, he has a soft spot for his little sister, but that didn't stop him from acting like a total jerk before. Maeda never adequately explains why he becomes such a chivalrous, boy-scout like hero, a plot point that comes up in a rather infamous episode late in the series. This inconsistent characterization was the central reason I never really felt invested in his character.
Meanwhile, Nao Tomori is our only solid character in the class. She keeps a tight leash on our lead to ensure he doesn't misbehave. Of the cast, she's the only one I was truly captivated by. Her range of interests, emotions, and convictions really reach the par for the craftsmanship Maeda normally shows in his characters. Even better, she's rather unique for a Key lead as well. Not normally do we have a lead who defaults to a more blunt, rather abrasive demeanor without coming off as a tsundere. From her character design to her seemingly uncharacteristic (yet fitting) fangirling over her favorite band Zheind, Nao really was a joy to watch, and she MADE the romance between her and Yuu work.
Joujiro Takajou is our next main character, and at the start of the show, he had a lot of potential. Since our lead was established as a rather over-the-top jerk, he's a foil in a much different way. He's polite, friendly, and rather calm about the awkward situations around him. He provides information about different aspects of the characters for our lead in an understandable fashion, and I couldn't wait for Maeda to elaborate more about his character.
Only . . . Maeda never does. Joujiro never gets a chance to become a fleshed out character. After episode 1, his dialogue tends to get drowned out in running gags that are only funny the first couple times, and he only has one especially meaningful conversation that reveals something about his character in episode 5. After the first half, he and fellow lead Yusa/Misa become very unimportant, and that's disappointing for people who were billed as main characters.
Speaking of, Yusa and Misa are two characters in one. One is a giddy, super-friendly pop star, the other a hilariously abrasive older sister. The contrast between the two makes up a number of the gags in the first half of the series. Unfortunately . . . They don't get a lot of adequate development either. Much like Joujiro, her dialogue is overwhelmingly filled with gags that don't really expand on her character at all. They just repeat broad traits about her over and over again. Unlike Takajou, however, she does get an arc that's resolved. It's not as much as I'd like, but her resolution does remind me that Maeda can write convincing characters when he puts his mind to it.
Ayumi is exactly the type of character you'd expect her to be; she's a very childish archetypal "onii-chan" character who's only distinctive quality is how overbearingly happy she is. She never develops a significant character beyond this, however. It's rather depressing when we see a scene from when she was eight years old, and her dialogue sounds more mature than it does now when she's a middle schooler. Hah . . .
There are a decent number of supporting characters and episodic plot characters who encompass the "find a super-powered being, and get him to stop using it" part of the first five episodes' formula. While a couple of these characters get close to being meaningful, none of them ultimately stuck out to me as being effective. There are a bunch of other characters who I can't talk about in detail without spoiling certain aspects of the plot, but the ones who aren't painfully flat never have their potential fully realized, a flaw which seems to be a theme for this series.
Enjoyment (4/10): What really upsets me about Charlotte, however, is I rarely found myself enjoying it.
There were times I'd get excited about the once-a-week plots, only to find out they never lived up to what they promised they would be. I normally like Jun Maeda's sense of humor, but here, it just didn't work for me. There were too many gags that would only work a couple of times that were played ad nauseum with very little variety, and they did little to establish the characters and their interactions beyond what we already know. Worse, the plot didn't have a lot of luster for me because inside I knew many of the people I would see in the plot weren't going to get adequately developed. That feeling of anticipating failure is not a fun way to watch a series, and it really hurt my enjoyment of this show when I knew it wasn't going to meet my expectations in various ways.
Now, every so often, there was an occasional gag that hit the mark, and Nao was a solid character that made the show a tiny bit palatable. But, the ridiculous number of plot-holes, the inconsistent/under-developed nature of the rest of our cast, and the underwhelming artwork made this feel like a show the creators didn't really try their best at.
Then, there's one other thing about this show that really ticked me off; the thematic conclusion of the series. The super powers are treated by the main cast like they are disease. Despite the fact only a couple are activated subconsciously, the consensus seems to be the world would be better without them. Why? Because these uber-powerful evil organizations want to persecute us for them, so it would be best if they go away. That's right; these special gifts that can be used to help people are deconstructed into a sickness that causes trouble for no rational reason. These powers are even used to benefit others a couple of times in the show, but this is seen as not enough to justify them. Why would you take away gifts that can be used to benefit mankind? If someone can find a way to use a limited version of invisibility, or healing, or pyrokinises to help the world, why in the world should they have them taking away before its time? Has Jun Maeda heard anything of compromise? This is a rather important part of the show's theme, and it really ticks me off that the show reaches a thematic conclusion that I'd find wrong even in-universe.
Overall (4/10): I wasn't asking for the next Clannad for this show; all I wanted was a well-executed series that delivered, if nothing else, solid characters that made a questionable plot worked. All the pieces were there, so there is no reason the series should have been much less than that.
Unfortunately, it was. Charlotte fails to deliver in nearly every category, proving itself to be the first work by Maeda/Key Visual Arts I can confidently say is bad.
