Fourteen-year-old Kouichi Hayase's life has always been a mediocre one, if not dismal. However, those days of being bullied by classmates and escaping to a fantasy of being a hero are put to an end when a certain "accident" bestows on him a girl and a gigantic humanoid robot called "LINEBARREL." The extraordinary power that Kouichi obtains puts him and everything around him on a sudden rollercoaster ride of battles, intrigues and friendship! During the course of his adventure, the boy starts to learn what life has to offer; he meets new friends, bids farewell to the old ones, but most of all he now has considerable responsibilities and is forced to confront the world around him. (Source: Official site)
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"An anime whose overall excitement level can be mathematically modeled by the Gaussian distribution function." As with many other GONZO production, Kurogane no Linebarrels is loosely based on its manga original. Readers from the manga will find the anime not exactly following the story and in some cases the anime is loaded with fan servicing fillers. Please note that this review will judge Kurogane no Linebarrels solely as seen from the anime perspective. GONZO started the series with a very rare approach, to bastardize the main protagonist (aka Hayase). Countless people turned away from the show after the first few episodes simply because of how much everyonehated Hayase. I strongly advise viewer to not get irritated by the early episodes and push forward as the show will get infinitely better starting around episode 4. In fact, the Gaussian distribution curve is a very fitting description for this anime. Average beginning, average ending. I had very high hope in this show around the midway point but sadly the intensity did not carry over to the end. As a long time mecha anime fan (with particular interest in super robots), I find the concept to the story (more on that below) fairly “fresh” thus I was hoping for some serious story development. Unfortunately I set my expectations too high. The basic concept of the story was actually quite interesting. A teenage boy trying to be the "hero of justice" by piloting a mecha (known as Linebarrel) from another dimension. Viewers were informed in the beginning of the story that a universe/dimension exist in parallel to our own. While that dimension obviously differs from ours in virtually everything, we do share some common ground. The background theory of how the alternate dimension may be formed after the Big Bang was briefly discussed along the way. The story then proceeds to talk about the typical terrorist-taking-over-the-world stuff, leading to some heart-breaking betrayal and thus the climax to the story. "WARNING, weird looking characters alert! This is not a false alarm. I repeat, this is not a false alarm!" Don't know if Hisashi Hirai (the character designer for Heroic Age, Infinite Ryvius, Mobile Suit Gundam Seed/Destiny, and Soukyuu no Fafner) hit his head or what, but I had a higher expectation from him. The faces of the main characters look like they have been put on TV from a sketch book! They look perfectly fine in magazines or any galleries you may come across, they are just horrible in the animation. Many viewers also complained about the CG battle animations, especially the first few battles in the series. While personally I have nothing against CG animations (I am actually glad to see something different for a change once a while), this also seem to be another fatal blow to Kurogane no Linebarrels. But with all that being said, the actual animation quality and scene to scene transitions are acceptable. So hopefully viewers can eventually get accustomed to the weird looking faces and CG battles and be able to enjoy the anime. Perhaps one of the obstacles the viewers have to get accustoms to is the OP by ALI PROJECT. Frankly, after learning that ALI PROJECT is responsible for the OP I decided to skip the OP whenever possible. However, the two ending themes by Maaya Sakamoto are worth your time (hell and heaven when compared to the OP). If you are familiar with seiyu (as most otaku do), you may want some info as to who is the CV for who. Yuichi Nakamura (Tomoya in Clannad, Alto in Macross Frontier) is voicing Moritsugu which I find very different from his past roles. Hayase is voiced by Tetsuya Kakihara (Simon in Tengen Toppa Gurren Lagann). The lovely Kizaki is voiced by the also lovely Mamiko Noto (Kotomi in Clannad, Hecate in Shakugan no Shana). There are many other award winning BIG names including Jun Fukuyama, Rie Kugimiya, Aya Hirano, and many many more. The most noticeable character development without a doubt is Hayase's view of the "hero of justice". He matured overtime seeing how real world battles are fought and what he truly needs to protect and fight against (a very big change from the little punk he started out acting as). Unfortunately, after he “upgraded” his view of the justice system midway through the series, we see little to no change in his character thereafter. A lot of viewers have probably forgotten Yajima half way through the show, but his impression on me was extremely important and he played an irreplaceable role throughout the first half of the anime. Many mysteries were answered slowly overtime concerning certain characters’ past and why he/she end up being who they are in the show. Among many other things, Kizaki’s lost memory, and Ishigami’s past with Katou were the most interesting. Character relationship-wise, Kurogane no Linebarrels could have done some more work for the supporting casts. Many characters left hanging at the end with no satisfactory conclusion. Taken as a whole, the character department is definitely one of the weaker areas of the anime. While I agree there were many changes to the manga, it did not bother me much throughout the course of the show. After all, this show is about parallel dimensions, so why don’t we just treat the events in the anime and in the manga separately (perhaps treat them as they are in two different universes?). Lastly, I have to point out that GONZO must have enjoyed producing Strike Witches a lot. The production crews end up incorporating quite a bit of fan service in a mecha series and that could be disturbing to some viewers.
Alright, this anime finished recently, and I have to say I actually was anticipating for the last episode. In brief I'll just say, I was on the verge of rage-quitting this anime after the first 3 episodes - and if it wasn't because I started late (so that I didn't have to wait in between weeks) I probably would have dropped this anime. This is why I gave character the lowest scores, because the main character really annoyed me at first. But despite that, I pulled through and the anime really is good. I'm not a Mecha-anime fan, other than Full Metal Panic! I normally don't watch Mecha-anime (Ihaven't seen one episode of Gundam before). So despite that, it really was good and kept me looking forward to each week. Although it's not GONZO's best work, the story was well done, and the art was brilliant - especially on High Resolution! Loved the use of the music in key points. So overall, it's definitely something to watch I reckon :) Just fight the first 3 episodes!
Need a demonstration of the power a main character wields over a series? Watch Linebarrels. Kouichi is a vicious, self-absorbed prick with delusions of grandeur and nary a whit of empathy, and his very presence makes the first four episodes of the series nearly unwatchable. There is a train-wreck fascination to watching a series with such an utterly vile lead, and there's no denying that the poisoning of Kouichi's mind by constant humiliation and the consequent brutality of his reaction to empowerment ring a lot truer than happier takes on the same material do. But so repulsive is he that the series is intolerable solong as he holds sway. Not even the show's knowledge of exactly when to kick him in the balls can change that. Only when Kouichi himself changes, thanks to a vicious little plot twist, does the series get sufferable. Unfortunately it also loses its spine, giving itself over completely to soggy harem comedy and unelaborated us vs. them warfare. Excruciating as they were, the episodes where Kouichi rampaged his hateful way across the screen had ambition and a sort of unpleasant magnetism. With Kouichi sanitized, the series becomes nothing more than another fan-service-laden save-the-Earth mecha bore. It gains a sense of humor, albeit one dependent on tentacle monsters and "oops I saw *insert name here* naked" snafus, and dabbles amusingly in romance, but it's still a snoozeful letdown. Not that the show had much in the way of options. The choice between a series that's an object lesson in the need for a sympathetic lead and a series made flaccid by an ambition vacuum is truly a rock-and-hard-place kind of choice. And even if you wish the series had chosen the rock, if only because it has character, you can't really blame it for settling on the hard place. If relative effort is anything to go by, Linebarrels' animators weren't enamored of either option. Hisashi Hirai's typically precise character designs are sloppy and poorly differentiated throughout, Gonzo's 2D animation is even more careless than usual, breasts balloon and shrink, faces fluctuate drunkenly, and after episode one action sequences are slapped together with little concern for comprehensibility. After a small post-debut dip Gonzo's trademark 3D mecha remain consistently sharp and fluid (if not particularly pretty) and the exploding stuff is sufficiently neat, as are the urban settings, but that's as far as the animators' enthusiasm goes, regardless of which stage—boring or painful—the series is in. Musically it fares little better, though its auditory woes owe more to messy eclecticism than to a lack of artistic engagement. Some musical snippets are good (generally when Kouichi is thumping something) but many are bad, layering on dopey 50s sci-fi noodling, ill-considered techno, and ascending strings that are intended to communicate mecha coolness but sound instead like musical escapees from a Murder She Wrote climax. The opening by the Ali Project, like everything in their unique oeuvre, grows on you, and Maaya Sakamoto's closer is so easy on the ears that it may go right through them without imprinting the gray matter in between. Through a combination of scenes mildly mussed in translation and Josh Grelle's well-meaning rounding of Kouichi's more abrasive edges, Funimation's dub manages to soften the opening episodes, bringing them more in line with the duller, easier to swallow later ones. Lost in translation is the passive-aggressive disdain in Kouichi's exchanges with Yajima, along with much of his self-satisfied grandiosity and self-pitying petulance. Which makes his rampages much easier to watch, but also throws the tone of the opening act slightly off and weakens the contrast between pre- and post-episode-four Kouichi. Other characters have similar shifts in personality, but being non-essential have less impact on the series. The comic episodes for their part are played fast and loose (just the way I like 'em) and Barry Yandell's boisterous take on Kouichi's unhinged boss is great fun, but the dub still leaves less of an impression than the original—Grelle's excellent wigging out notwithstanding. Amidst the usual extras detritus (clean OP/ED, trailers, promos) is a commentary track for episode six featuring ADR Director Caitlin Glass, Grelle, and Alexis Tipton (Emi), all of whom get along boisterously well. Fun and info abound, though some will bristle at the comparison of Linebarrels to the infinitely superior Godannar. (Grr). Messy, ugly and mercurial, the potential for sudden change is never far from Linebarrels' surface. In a series that is only interesting when it is impossibly unpleasant, that potential is one of the few things to inspire hope. Hope that the next corner it whips around leads to greener, or at least less painful and more challenging, pastures; and hope that we'll be able to hold on until they're reached.
Story: Well this whole show was one cliche after the next and most of it early on from the fillers to the stupid humor done by the president who never took anything seriously made it tough to watch this show early on, the story had some plot twists but they were decent and the last and final twist at the end just made me chuckle and go why did they even have to do that it didnt make a whole lot of sense, the ending though was decent and probably the best part of the story, give it a 6. Art: My one pet peeve whenit comes to anime has to be CG and for whatever reason gonzo is pretty well fixed on having it in most of there series and it was plentiful in here considering all the machina were done that way and it grows on you after awhile and you get use to it but in the begining it looked awful trying to do fast paced action with CG just didnt look right, give it a 6. Sound: Eh average at best the opening theme and ending theme were decent nothing that would make you want to go out and by the soundtrack to the show, the in show music didnt change much using the opening themes beat most of the time, give it a 5. Character: This was another downfall with the series i never cared to much about the main characters they all played there typical roles that again made it cliche, hayase himself was the biggest problem with this show for being the main character he was pretty boring at the begining i did like him as we went crazy with having power but after he became the cliched hero it went down hill from there, i gave it a 4. Enjoyment: Out of the 24 episodes i would say there were about 4 or 5 good episodes the other ones were pretty dull, hard to enjoy a show that played off of every other mecha series out there, the ending was the best even though it is kind of predictable i still rather enjoyed it, i gave it a 6. Overall: This show i thought was always on the edge of being good but it never was able to get over that hump, mainly for cliches horrible humor and characters i didnt really care for it just stays right at the decent level it is something people can get through but i wouldnt suggest it with the other well done mecha series out there i gave it a 6.
The overall feel of this anime is similar to “Code Geass” in the personel struggle with the main character bridging the line between good and evil, black and white. Now that being said Kurogane No Linebarrels is a much shorter series with less twists and turns, a more simplified plot, and a less complex lead character. Nonetheless the series had a good entertainment value and pretty good action sequences. The plot though pretty simple does keep its interest through a twist or two, character growth, character relationships, and the looming battles between mechs (Machinas and Armas). I found myself looking forward to Hayase’sgrowth in particular as he grew through his relationships, and battles, though as a character he was on the dumb side his nature to never give up somehow keeps you rooting for him and looking forward to his conquests. Due to these reasons the plot was overall average. The art was clean and had good depth, however lacked orginality. Orginality to me makes all the difference from a good anime to a great anime, that being said I was not turned off by the artwork, it just wasent a masterpiece in my opinion. I was quite happy with the battle sequences and the clean transitions of lighting and affects. To me this made the artwork good overall. The characters each had their own appeal, however their ability to truly connect to the audience and Hayese greatly lacked. As I watched the series I felt that Hayese was an outsider, even though they worked together and had relationships he did not match up with the other characters. I would site more specific examples however it would lead to spoilers for the series. Despite its flaws I was very entertained in the simplicity of this short series. Due to this fact of sheer entertainment value I would still recommend this series…if other similarly related animes have already been watched that is. Rating 5/10 POSTED BY @GameJok3r
I would have to say that this anime was one of my favorites. I wasn’t a fan of mecha animes before, but after watching this I soon became a fan of mecha animes. The fight scenes are really drawn out and the character designs are pretty good and bad since I didn’t like some of the character designs of some of the characters. The plot was well written and the addition of twists was a plus. It was pretty well done but some of the characters are plain out ANNOYING. But instead of focusing on these “ANNOYING” characters, you shouldjust watch this anime because it was just a good anime. Some may agree and disagree with this review, but overall I give this anime a 8 because it was good yet it wasn’t that amazing. Hope this review was usefull to all you anime watchers :) !
What appealed to me the most was the fact this picked on boy who by mishap, get amazing powers does not instantly start being a big hero and using his power for good. I guess I am just a fan of realism even in science fiction anime, but honestly he behaved realistically in my opinion and it was a nice change. The story line for me was all about the growth of this character, how you take a picked on powerless middle school boy and slowly turn him to a mature yet fun savior of the world who accepts the burden of carrying all thelives depending on him on his shoulders. I normally hate when the main character is leagues ahead of everyone else, sort of a goku effect. But for this show and what they were trying to do it works pretty well. The show can get very goofy and anti-climactic at times but the show pokes fun at its self when it does this. I really enjoyed it all the way to the end and have told many of my friends to pick it up.
Linebarrels of Iron was something I was really looking forward to. It, sadly doesn't meet these expectations. But overall, I enjoyed the show for what it's worth. Story/Characters The story starts off with the main character (Kouichi Hayase) being smashed by a giant mecha named "Linebarrel." He is brought back to life with super human abilities (Super strength, speed, etc.) by the power of Linebarrel called "D-Soil." With the mecha and new found abilities, he also finds a girl inside the robot named Emi Kizaki. Linebarrel is in a special rank of mecha (called Armas) called Machinas. (C wut day did thar? Deus Ex Machina/god out of the machine).Hayase and Emi then join up with a top secret organization, masked on the outside as "JUDA," who also have Machinas. JUDA's main goal is to take down the Katou Organization, an evil organization with mechas as well. Meh, the main problem with the story is that it doesn't actually pick up until half way through the show. What they "try" to do with the show is fuse a harem with a mecha show which doesn't work very well. Whenever the show would bring in these filler episodes it just seems to drag on, and I would just be watching for the hopes of a mecha battle to show up. So the harem parts are not done very well, and are only there to provide unnecessary fan service. As for the mecha portion of the show, this is the main meat of the show and is the best part. The story at this point is also filled with a few plot twists that actually caught me off guard at points. The ending though....Uggg the ending...So generic... As for the characters, they are also well done in my opinion. You're pretty much bond to find someone you like and most of them developed nicely. Not much to say besides that. Presentation The music in the show is pretty good and fits nicely. The animation is also decent with the best part about the show being the mechas. At first, I hated how the mechas were animated using CGI. But over time, I found myself enjoying it, mainly because of how well they stick out. The mechs themselves are also nice and fairly unique. The main point I hated about the presentation was the fan service. It just got a little to random and unneeded at points. Cheesus, I'm watching a mecha anime for the mechas, not for the girls’ panties. All in all, the presentation was nice. Overall Overall, I'd say this is worth a look into. Not the best mecha I've seen, but most certainly not the worst. The story (after the half way mark) was pretty decent aside from the ending. The presentation was pretty nice as well with some cool mechas and decent music. Worth a look if you're into mechas, but not a good mecha to start out with.
Overall I'd rate Kurogane no Linebarrels 6 out of 10. There were numerous basic ideas lined out, but no major, developments occurred further on. Review may contain minor spoilers, but nothing that will affect viewability of the show. (KnL = Kurogane no Linebarrels) First off, the art used in this series was good. Nothing outstanding, but no shortcuts seemed to be taken. Every aspect from characters, through environments and special effects were easy to understand and I personally had no problems seeing what any of the displayed aspects were. Next up were the filler episodes. No surprise here, seems like most of series tend to have some atone point or another. However thing I liked about filler in KnL is that it pinned very nicely into main arc of the series which is a rare phenomenon. When it came to character performance in the story, there were many clichés, but they were fairly enjoyable. Constant changes and twists in character standpoint may have been exaggerated, but I wouldn't say that they interviened in overall image of KnL. Now here's several things I disliked in this series. First and foremost, this isn't a spoiler of any sort, but repetition of "Hero of justice" throughout entirety of this series, was quite a nuisance. Phrase tossed around everywhere and used to fill dialogue gaps and reason character actions became quite repetitive and truly became rather annoying after some time. Nonetheless there were some background put to support this 'catchphrase' eventually. Another aspect of KnL is its' interpretation of ecchi. In comparison to other parts of the series this didn't take up too much time or was significant in any way, but overall seemed like a tool used to keep viewer watching the show. Personally didn't mind it, but the timing, and reasoning for it all, was just ridiculous and appeared almost as a desperate technique. Story wise there isn't much I can write about without adding spoilers. However few developments throughout most of series made episodes quite dull and repetitive. Although ending was quite informative and interesting. Most of questions I've had stored up have been answered and surprisingly, it made me wanting to watch a short sequel or something of such basis. Lastly there were few things that I found quite dumb about KnL. Beginning with the group of people series is following (Read synopsis). Even putting their age into consideration, average intelligence level is nothing impressive. Character group importance is quite big taken everything story presents into examination. Thus I was expecting intelligent people dealing with situations in distinct manner. Which as you may understand now did not happen. At least not in my eyes. Moving on, creators made an attempt at spicing up the relationship between the characters. Some of those attempts worked well and others were a pathetic flop. Now when it comes to this point, it is difficult being subjective and I'm sure different viewers will perceive this differently. But from me, I'd say effort was there, but it was overexerted on wrong occasions. To conclude the review, just like I wrote in the beginning, I'd give KnL 6 out of 10. The negatives outweighed the positive aspects, but thats not to matter. I did enjoy watching Kurogane no Linebarrels, although repetitiveness, and certain parts might have made it a drag to watch the series. I'd say that you should watch KnL yourself to see whether you'll like it or not, but a definite recommendation is something I would not personally give.