Following the events of Jigoku Shoujo Futakomori, Ai Enma, the Hell Girl, has disappeared. Her former companions decide to lead normal lives, until their absent mistress returns to them with a new companion, and in a way that none of them anticipated.
Yuzuki Mikage is a normal schoolgirl who soon comes to understand the Hell Girl on an intimate level. During a dream-like trance in the bathtub, Ai kisses Yuzuki and possesses her. So when Yuzuki's friend decides to type in the name of their teacher in the Hell Correspondence website, Ai makes use of Yuzuki's body to accomplish her own task of ferrying the teacher's soul to hell. Yuzuki is disturbed by her new circumstances and wonders why she was chosen to continue Ai's work. Unfortunately for her, the Hell Girl and her assistants resume operation of Hell Correspondence, and she is dragged along for the ride towards hell itself.
[Written by MAL Rewrite]
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Comentários
DraconisMarch
Ah... the final installment of Jigoku Shoujo. Sadly, all good things come to an end, but some ends are uglier than others. *If you haven't seen Futakomori (season two), stop reading now and watch that first. If you haven't seen Jigoku Shoujo (season one), why are you even here? Mitsuganae is like a monkey on a unicycle: At the beginning, it looks cool and interesting--until you realize it doesn't make much sense (plot holes and discontinuity issues). But then, the monkey starts throwing its poop at you. Then (starting at episode 13), it starts using its tail to try to clean thepoop off your face. Finally (starting at episode 20 or so), the monkey takes you out to a 5-star restaurant to apologize. It gets better and better until you finish off with an amazing dessert.
If that analogy didn't make sense to you, try this simpler one: It's like Obama's bailout, except it actually works.
So I'm gonna mix things up and only talk about the first 12 episodes; I'll just call them "The 12" for simplicity's sake. ***BE WARNED: This is a wall of text, but it's a very important wall of text.*** To put it bluntly: They are terrible. The characters are SO retarded they seem to be participating in some unspoken contest to see who can collect the most drool in a bucket. I think they all played together in the same idiot ball pit as kids. "The 12" has the most instances of facepalm-tastic plot-induced stupidity I've ever witnessed. And that's saying a LOT. People seem to find the most retarded reasons imaginable to send someone to Hell. This isn't aided at all by the fact that characters regularly make the absolute dumbest decisions imaginable in any given situation, and tiny communication failures seem to have catastrophic consequences. There are times when it's impossible to tell who of the two at conflict is actually worse; both seem they could be worthy of going to Hell. There's a scene that gets repeated over and over again (that I won't spoil) that reminds me of the sequence from Darker Than Black: Gemini of the Meteor (in concept, execution, and repetitive, redundant usage) where Suo's gun appears from her necklace. Well, if you've seen that, make it like 8 times longer, 10 times more disturbing, and a hundredth as meaningful, and you have what I'm talking about. In episode 12, when a target is being tormented, the scene is done entirely with real-life paper cutouts. I felt like I got trolled. Also in said episode are not one, but TWO nose bleads (you know what I'm talking about). The torture sequences are now nothing more than some ball-tripping sequence; nothing worse than some pothead would see. They are absolute jokes, and any suffering the victim seems to be going through is contrived BS. Most people would probably just be laughing and/or confused.
Episode 1 is important only for setting the stage. The rest of "The 12" are complete shit and I HIGHLY recommend you skip them. You'll be saving yourself time and, if you liked seasons one and two, tears. You won't miss anything at all. The only good parts are the occasional comical narcisstic moments from Ren and Wanyuudo. Episode 13 is where things actually start getting interesting. I swear they had some mentally unstable director during "The 12"; the series would be so much better if they just didn't exist.
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Now that that's over with, let's talk about the REST of the series, where things start to actually get good. (This portion IGNORES "The 12.")
Story: 9. Being forced to believe WITHOUT EXPLANATION that Ai is back to continue during her job, even after the events at the end of Futakomori, is pretty hard. But once you get over that, it's actually really interesting--although again, it isn't majorly developed until the end (the last 7 episodes this time). During these 7, it slowly escalates until it crescendos in an explosive conclusion, and it's INSANELY entertaining.
Art: 9. Mitsuganae improves upon the previous two installments yet again with quite crisp, clear, and fresh-looking visuals. But some scenes--which happened to coincide with critical plot development--were simply breath-taking. Motions are animated pretty well, bar a few exceptions.
Sound: 8. Still a great OST, just as before: some classic oldies, some remakes, and lots of good new stuff. However, the OP and ED tracks are pretty mediocre comparatively speeking. Voice acting is still good as always.
Character: 8. I really like Yuzuki and her back story, but at some points, she seems to function solely as a moe-blob (just tilting her head and making soft moe noises, like "eh?"). Some of the characters are pretty stupid sometimes. Pretty good character design overall, even though some of them look like familiar faces from the previous two seasons. We also get Yamawaro's back story (the newbie in Ai's gang).
Enjoyment: 9. Most of my enjoyment stemmed from the plot and character (Yuzuki and Ai) development this time. I was disappointed by the lack of torture sequences of people being sent to Hell, but sometimes, it was okay, because the person being sent sometimes didn't deserve it at all. (I think this was why.) I was disappointed at the inclusion of some unnecessary Yuri fan service scenes.
Overall: 8. See below.
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"The 12" made it automatically lose a point. It should've taken off more, but the final 7 episodes are REALLY f***in' good. (Is my bailout analogy starting to make sense now?) Basically, they try to fix the shit you'd been forced to eat so far at the end.
This series seriously had the potential to be a 10. Easy. It could've easily topped the last two seasons. But it was severly hampered by "The 12," major plotholes (that could've at least been hand waved with some explanation), and... well, lack of explanation--especially of plot-critical points.
All in all: If you liked the first two seasons, I recommend this BUT, skip episodes 2-12. If you choose not to... well, I warned you.
And now, the decision rests with you~
naganje
Maybe not as good as Futakomori, but still a must watch for every fan of Enma Ai. The story is pretty much similar to what we have seen in the two previous seasons, people are being sent to hell and hatred is released, though this time hatred gives birth to more hatred. Throughout the season it can be noticed that the creators have decided to use the ideas the fans found rather pleasing in the past. Once again someone tries to make a stand against the jigoku tsuushin, similarly to what has happened in the first season of the series. While new characters are introduced stories abouttheir past are told to eplain their bonds with Ai, this has already been ecountered in Futakomori.
There is however something fresh about the series, the element of possesion. It is not only an interesting concept, but it plays a vital role in the story throughout the season and builds up the tension until the very last episode.
Unfortunately, what seems to be a great material has it's downside. Some of the grudges people hold against each other are simply speaking too typical and therefore boring. While watching some episodes I actually had the feeling that they were nothing more than mere fillers, which had to be squeezed in so that the series would be 26 episodes long.
Art-wise, we get the same old esthetic and mysterious animation as before, which perfectly fits with the nature of the show as well as the score playing along. In one episode though we get even more than that. While watching the finale one might say that the creators have implemented an inexplicably eccentric idea into the show. The effect is awkward, but it gives you something new to look at therefore adding value to the experience.
What I found the most pleasing aspect of season three is the sound. Although when it comes to opening themes I preffered SnoW, the music in Mitsuganae is outstanding! It fits the feelings which play a crucial part of the show more than ever before. Some of the themes are actually worth listening to even without the video and voice play.
The newly introduced chracters are great, they are intresting and as a viewer I was actually interested what was going on in their minds while watching the series. I was pleased to see how the bond between Ai and her companions thightens. The single-episode chracters were pretty well designed as well, some of them were pitiful, others scary. Several however were completely forgettable and tasteless like a bad meal.
On one hand, Mitsuganae combined all the best ideas of the first two seasons. On the other, some of the typical strictly grudge based episodes were not as entertaining as in the past.
Mitsuganae is a must watch for every fan of Emma Ai. For the rest, it's a good, or maybe even very good, way of wasting some spare time, while waiting for the next episode of your favourite series.
meikira14
I'll be straightforward. If you loved futakomori, don't watch this one. It would be very dissapointing, referring to the plot and the story of course. The cases are not that intriguing, relevant and amusing this time around. And the main plot is just not as good as the one in its prequel. But still, the sound and art is great. And you still get to see the lovely enma ai. Try watching it if you want to see enma ai that badly. But do not even try if you don't want to keep comparing it to it's past seasons.
Fye_DX
Quick Review (For lazy readers!): Thinking back to the time I watched the other Jigoku Shoujo seasons, I guess this was the one that took me the longest to finish. I just didn't feel like it, and it seemed worse than the other 2. You can probably get bored of it, after all it is really similar to what we have seen so far. The last episodes were pretty good though. A- for fans, and probably an C+/B for other people watching it. Worth watching. Overall: 8/10 ------------------------------ Story (6/10): This is surely the worst season of the 3. The story was not BAD, but it was rather boring because you mostlygot more of the same: People make bad stuff, People get frustrated about it, People get sent to hell. I think I could make it a 7, if the anime was 13 episodes long, but 26 was just too much. The reasons to sent people to hell were also really plain, and you mostly knew who would send who after watching 2/3 minutes of each episode (Except for some rare occasions).
Art (8/10):
I guess I like JS' art a bit, but some times I get the feeling that some characters look retarded. About the backgrounds and so on, I have nothing to point out; they were good. The production quality was good in my opinion, and if you watched one of the other season, you already know what to expect.
Sound (9/10):
The biggest score I gave to JS3 was in the sound department, because I simply love it. It fits the series, and what is happening. You never feel like the music is in the wrong place. The OP was really good in my opinion, and the ED, even though it wasn't one that I like really much, was good for the series it was in.
Character (7/10):
You already know almost every one that appears in this series from the last 2 seasons, and there was not much of a improvement over what we knew before. Enma Ai was great once again, and her servants remain the same they were before. The characters we were introduced to were bland, and some of the older characters also get some new personalities. You'll understand once you see them.
Enjoyment (7/10):
As I already stated before, the series was really boring and repetitive, so for the most time I wasn't really interested in it. I mostly kept on watching because of two things:
1st: I try to never, EVER, drop an anime unless I really hate it. Some of my favorite animes were almost dropped, so I don't drop anything anymore [Higurashi no Naku Koro Ni...]
2nd: The other 2 seasons left most of the plot developments to the 2nd half, so I was waiting for them to appear. It took a little more time than I expected though....
Anyway, I'm glad I did keep on watching it, because the ending was quite good. But it wasn't always that interesting thanks to bad reasons to send people to hell, and a lack of plot (most of the time at least). If you loved the other 2 seasons though, or if you just like seeing people go to hell and/or the bad of society, you can probably make this a 8 or a 9.
Overall (8/10):
As said in the Quick Review, this was probably the worst of the 3 seasons. It wasn't as good (plot-wise) as Jigoku Shoujo Futakomori, and if feels boring compared to the 1st season. Also, most of the time, people were sent to hell for 'no reason'. I guess that it would be better if the series was shorter... =)
Ambertsarina
First of All, watch Jigoku Shoujo Mitsuganae if.. - You are JS or Ai Enma fan - You have seen both the season, and want some 'hell-grudge' stuff - You are not bored of people going to hell Jigoku Shoujo Mitsuganae follows after the second season of the Jigoku shoujo Series. As spectacular the first and second season were, the third fails to appeal to that level. Even though this season has its own appeals, its not THAT great! ------------------------------------------------------------------------------------------- to elaborate:- STORY Basically, JS3 continues from the 2nd season. As the season starts Ai Enma doesn't have her body, so she passes judgement through the body of a girl, yuzuki. asthe same People are going to hell in lots! and thats 2 for no particular reason. if your hate is enough, even the innocent go to hell. that's particulraly happening here!! Yuzuki is able to see people going to hell, and helpless when she finds out the reality. She is later told to be the future Ai Enma, thtas her destiny (good cliche 4 Ai Enma LOvers).... so in the end,.. Ai enma is the life-saver and takes the burden on herself saving Yuzuki....
how? watch the series (that's if Ur curious enough)
The series has its own twist and turns but has tonnes of fillers filled in. i you skip those its almost a short series of 10-12 series, thats all!
ART and SOUND
The art is magnificent as ever. The animation has improved and is very appealing to the show.. at least that keeps you glued to the screen. Even the OST of the series is nice. the OP is good, but i prefer Snow's OP style as the have done in the previous series. the ending is also quite spooky.
CHARACTER
here is the new parts. Ai Enma has a new member,Yamawaro along with her three companions, Hone Onna, Wanyūdō, Ren and Kikuri. Yuzuki's part is dull, but her life is full of twist-turns. she has a past quite similar to Ai and is always connceted to the hell corresspondence website or to the people using it . and what else, new characters and new short stories in every episode. Intrestingly, Tsugumi Shibata, the daughter of the journalist in the first season has her apperance in the season and a vital role.
ENJOYMENT
Not as much as the previous seasons, but it still is entertaining is you like the entire concept and set-up. you get to see various emotions that tend people to send people to hell.
OVERALL
Being an JS fan, i enjoyed the season. i suggest you don't keep much expectation with the series, at least don't compare it with the previous seasons, to enjoy the season to its fullest. this season has its own stage set up, characters placed and concept running, just sit back and watch people going to hell for stupid and irrelevant reasons. Enjoy the wrap-up season of Jigoku shoujo becoz i don't think more will be coming!
i give, Jigoku Shoujo Mitsuganae- ******* stars!
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ggultra2764
This season of Hell Girl felt like a step down in quality compared to the quality of the second season. Mitsuganae retains the elements you would find in the first two seasons of Hell Girl where a victim browses the Hell Correspondence site to send their tormentor to hell, thinks over the decision and sends said tormentor to hell when they reach a breaking point. The elements of flawed and sympathetic elements found between the victim and tormentor of each episode are retained from the second season as well. Anyone expecting a change from the same repetitious developments found in Hell Girl's past two seasonswill be disappointed to know that the series leaves them intact. This season introduces a new companion for Ai's group in the form of Yamawaro, whose character gets his focus in a later episode of the series.
Mitsuganae also creates a more ongoing story focus between Ai and new character Yuzuki when Ai possesses the body of the middle school girl to resume her duties as Hell Girl. Yuzuki finds herself pushed to her breaking point throughout this season as she gains a role somewhat similar to the Shibatas from season one which she tries and fails to prevent anyone from making use of the services of Hell Correspondence, as well as developing a supernatural connection to Ai. Hints are dropped throughout the season that Yuzuki's life is not as it seems as Ai exposes her more to the harsh realities of man's most selfish traits.
It does become apparent at points that Hell Girl is starting to run out of fresh ideas for this season of the series, particularly with the role of Yuzuki's character and what we eventually learn of her past. Compared to the past two seasons, the tragic dilemma with Yuzuki connecting her to Ai is poorly contrived and skewers into melodramatic territory compared to the Shibatas from season one and Takuma from season two. In addition, a number of the punishments that Ai and her companions inflict upon tormentors before sending them to hell were a bit on the silly and ridiculous side, not consistent with the horrific images they left said tormentors from earlier seasons. It is these major reasons that make me rate Hell Girl's third season at a lower rating compared to the last season.
Hell Girl Mitsuganae retains the colorful and detailed visuals found throughout the past two seasons with animated highlights shown through a number of the punishments Ai's companions are involved with and a new one in the form of Yuzuki's transformation into Ai while she is possessed. Much like the past two seasons, there are reused animation frames apparent during these scenes as a result of said repetitious developments. Some of the show's musical tracks from the prior two seasons are retained for this season, though the OP and ED musical choices do well at complementing the tense and mellow moods respectively found throughout the series.
While Hell Girl Mitsuganae does introduce a couple new characters connected to Ai, this season of the series doesn't really offer up much new from what the prior two seasons provided to me and carries some significant flaws compared to the second season. Still if you have pressed on with Hell Girl for this long and are still interested in continuing the franchise, this season is a decent look provided that you understand that it still offers up much of the same thing from the prior two seasons.
super88
This is a review for those who've watched the first two seasons of hell girl, if you haven't watched hellgirl by now you need to start with season 1. Everything about Mitsuganae is mediocre compared to the first two seasons. While the first season wasn't perfect by a long shot and many critics had lots of issues with it, Mitsuganae (the third season) is a disaster compared to it. With season 2 being the best. The problem is that the third season has the same problems as the first, except this time it's obvious the writers ran out of ideas. The repetitive plot/ revenge structure with an episodic nature comes to dominate mitsuganae once again with a "main plot" that is just so poorly written into the vast 26 episodes that the plot comes out nonsensical.
Most of the 26 episodes of the show is filled with filler material. There are maybe 6 episodes total that have anything to do with the main plot and the rest can be skipped. The 'new plot' they came up with for season 3 is just hackneyed. The plot is basically hell girl possesses human girl and hell girl has to save the girl she possesses. The problem here is that hell girls finale in season 2 was having hell girl be released from her role as hell girl and finally getting to die. So the plot begins with a deus ex machina, which is just amateur level writing. They never came up with a believable reason for why she is back.
The producers also went and made huge radical changes to the characters and cast so it throws off the FEEL of the characters they established in the hell girl universe.
The plot involving possession is just so forced and convoluted that it turns off the long time fan. Each episode of mitsuganae feels rushed and it feels rushed because the characters and their motives were not written well at all. The main problem with mitsuganae is the characters in each episode take revenge for the dumbest and most unbelievable reasons. Hell girl and mitsuganae relies on characters in each episode beside the main cast never appearing again. So the fact that the characters are not believable goes a long way to making the whole show a tired excercise of you trying to tolerate its badness to find the good episodes that make any kind of sense instead of wasting your time.
If you're a hell girl fan watch season 1 and 2 and skip 3 in order for you to not end up with a bitter aftertaste in your mouth.
BBHood22
I've seen the 1st and 2nd seasons of Jigoku Shoujo, so upon learning that there was a 3rd, I immediately made sure that I get a copy... Unfortunately, it took me some time to get all the episodes... Main Characters: Enma Ai, Hone Onna, Ichimoku Ren, Wanyuudou, Kikuri, Yamawaro and Yuzuki Story: 6/10 - the ways on how people were put to hell were still interesting... however, it gets boring since the flow of the episodes are the same... it was not necessary to drag the story to 26eps... i think 12eps will suffice... this is the first time i had to fast-forward an anime just tosee the ending...
Art: 7/10 - i'd say the art/drawing is not too colorful but not really bleak... i guess they had to consider that this is a horror genre... 1 thing i noticed though, they focused too much on the eyes that sometimes you cannot see the mouth anymore... i think the story of the manga artist and how he was put to hell was uniquely funny...
Sound: 6/10 - BG is okay... eerie but not to the point of scary... not loving any of the OP/ED songs...
Characters: 6/10 - i love Enma Ai and her team (esp Ren)... i still love their bond and i'm all for the Hell Team... but for the 3rd installment, there was nothing new... Yuzuki's story was so slow that i lost interest in her until the last part...
Enjoyment/Overall: 7/10 - if not for the ending and the re-telling of Yuzuki's past, i would've rated this as 6...
I think this series was intended for the bullies, the corrupt, the selfish and the hopeless people... the bad guys get sent to hell by the hopeless ones -- well, one can dream, right?!
How I wish we have our own Hell Hotline... :)
borodiss
Episodes about children and schools and shit were the ones i'd usually quickly skip through in first two seasons, and you want me to watch a season almost entirely comprised of those? Also general quality is lower for almost every aspect exept maybe music, the whole thing feels like a filler episode that you probably would not watch repeated 26 times, and i had to actively force myself to sit through it. If you start watching it expecting to see a third season of Jigoku Shoujo, i have bad news for you, you will find only a pretty boring and repetitive school drama with loreand characters loosely based on Jigoku Shoujo.
DoubleJEspejwan6
Warning, minor spoilers. Oh, Hell Girl: Three Vessels, you really are a unique season, aren't you? I’ll admit that Hell Girl is not for everyone, what not with how repetitive a good chunk of the episodes is. Going into season three, I wasn’t expecting anything different from the first two seasons: each episode, someone gets sent to hell and the series has a bit of plot progression or character development. We saw this a lot more during season two with the principle cast being given proper histories as opposed to just being Ai’s companions. It was something that I was hoping to see more of thisseason since, as I mentioned, Hell Girl is VERY episodic.
So, what makes Hell Girl: Three Vessels (or Jigoku Shoujo Mitsuganae) so unique? Well, unlike the past two seasons which I thought were perfectly decent series, Three Vessels manages to be simultaneously one of the worst and best anime I’ve ever seen. There truly isn’t any anime that I’ve seen in recent memory that truly ascribe to the feeling that I felt while watching this. But wait, how can an anime be both one of the worst and one of the best?
Well, to put it bluntly, the first half of this season is abjectly terrible. First and foremost, Ai is back without any explanation. Don’t get me wrong, I really enjoy Ai’s character, but there is no effort to justify or explain how she returned after what happened to her at the end of season two. As for other non-principle characters in the first twelve episodes? Think of some of the dumbest and most terrible writing you’ve seen in anime and know that it doesn’t even come close to the idiocy that you see here. Back in the good ol’ days of seasons one and two, you had people being sent to Hell for murder, attempted rape, blackmail, abuse, slander, neglect, you name it. Rarely was there an instance of someone being sent to hell who didn’t deserve it. The series also did a decent job at showing how conflicted people (generally) were about condemning themselves to eternal damnation.
Now do you remember the three or so episodes of Two Mirrors where the citizens of Lovely Hills were sending other to Hell for incredibly trite and dumbass reasons? Well, that is almost exclusively what you find in Three Vessels.
Seriously, just to give you an idea, let’s look at some of the completely justified and 100% sound reasons people were sent to Hell in this season.
Ep 1: For telling students to behave in class.
Ep 3: For telling someone they can’t sing.
Ep 4: ?????????
Ep 5: For lying to her grandmother.
Ep 6: For liking a teacher.
Ep 7: For being helpful.
Ep 9: For existing (Yes, really).
Ep 10: For selling clothes.
Ep 11: For writing a book; also, returning a book.
Ep 12: For saving someone from suicide.
What? Did you think that the abusive mother or cheating boyfriend would be the targets of retribution? Ha! What are you? A normal, rational person?
So many of these plot contrivances in the first half of this season were caused by one of my biggest pet peeves in storytelling which is poor communication. More than half of the conflicts in these episodes could have been solved if people simply TALKED to each other. Even in episode 8, which I left out (because the woman in question deliberately poisons a dog), the ‘villain’ could have avoided her fate if she reasonably explained the problems she was having with her neighbor. But she doesn’t and pays the price for it.
I’d also like to point out that there is a scene that is repeated every episode and it takes up a FULL MINUTE of the run time. It was artistic and interesting if not disturbing in the first episode and was needless every episode afterward.
All that being said, the series becomes much more tolerable from episode thirteen onward. Not to say that there still aren’t stupid characters who make mind-numbingly delusional choices (looking at you Episode 18), but the justifications become a lot more in line with previous seasons and with realistic, emotional reactions.
After Episode 19, the season becomes truly incredible. Without spoiling anything, all I can say is that there is a very unexpected plot twist that you will not pick up on unless you give the show your complete and undivided attention. In terms of Western media, the twist is somewhat cliché, but in the context of the anime, it was something that I legitimately did not see coming. It can be a tad melodramatic at times, but considering the circumstances of these episodes, I’m willing to overlook it. Characters are fleshed out and believable for what is an otherwise unrealistic anime.
The art, sound and animation of this series are also pretty good. Nothing insanely spectacular or memorable, but consistent to what we’ve seen so far. It’s because of this consistency that I’m mad that Three Vessels even bothered with the poor writing quality of the first twelve episodes. Even simply changing the motives or personalities of a few people could have drastically altered how I viewed this show. But instead, I got stuck with this slog of dumb choices and idiotic characters.
I do recommend that in watching this series that you skip episodes 2-12 and possibly 18. They are not necessary in advancing the plot in any meaningful sense. But if you choose to watch it and stick it out, I guarantee that you will be rewarded with a truly outstanding conclusion to this arc.
The first half of this season was a 3, but the last half was a 9, so I'll be generous and average out my scores since it's wholly representative of what I thought about this season.
RanmaChanFC
I don't normally feel the need to write reviews, but I felt rather, disgruntled, after watching this through to the end. Maybe this is the sort of, wait a day after watching then see if you want to write a review sort of situation? Eh, screw it. If you enjoy the main focus of the story, the 'calling upon Hell Girl and watching her banish people' no matter how trivial or silly some of the reasons become, then you will still like this. However, if that isn't all you are looking for, then you will be disappointed. I know I was, despite wanting to likeit.
Maybe we should start with what was good? First of all, the sound and the art were good. The visuals, sound effects, and music, were really quite nice and add something special to this show. When it comes to the 'the person is going to hell, here is the pseudo-torture scene' sections, they got a bit lazy. However, they also recycled the 'transformation' scene just like they did with the 'flying flaming carriage' scene in the first two series. That got kinda tiresome. The music was nice, but there was little to no variation to it, and if you -actually- listened to it long enough, it got boring.
The characters are all still as you remembered them, with an extra side character added to Ai's cast of servants. Yamawaro gets a single episode to flesh out his backstory, like the others, but gets little to no other sources of exposure like Ren, Hone Onna, and Wanyuudo did in the other series, and do in this one, acting as her eyes and ears. He is mostly just there to support the most annoying character in the entire world, Kikuri. Why they added her in I do not know. The show would be vastly improved if she was gone. Seriously, we know who she is now, we found out in the second season, why is she back? There is no reason for her to be back.
Anyways, lets get to what I wanted to talk about, and what really annoyed me: the story. If you are reading this without watching the series first, just know that it is bad, and move on. It is bad. That is it, its bad.
*Warning, Spoilers*
There is a glaring plot hole, in the very first episode. After the last series Ai is no longer the Hell Girl, she became human, then died. So, why is she back? It is never actually explained. You can make a few guesses. She is back because she hasn't truly left her hatred behind, and so cannot go to heaven or hell? She is back because the master of Hell has pulled her back into doing her old job? She is back because she has to pick a successor? She is back because the plot gods demanded so for a third season? All I know is that this annoyed me throughout the series.
In the end it seems it is because she has to pick a successor? Maybe? If you take a leap of faith and make that assumption, because they still don't explain it to you. But even if that is the case, why? Why does -she- have to? That isn't really explained either. Can't the master of Hell just pick a new Hell Girl like he picked Ai? Why couldn't he have shown Yuzuki the truth about her life, and created a new Hell Girl? Seriously, that is what Ai did and it worked, but it took 26 episodes. The first 12 of which have nothing to do with the plot at all. Maybe they are there so that you start feeling for Yuzuki, and her friend Akie, you know, drive the character development along, but that fails. She does exactly what Hajime and Tsugumi do in the first season, which is fail at trying to prevent everything from happening, and even at times, helping it to happen!
OH, and speaking of useless returning characters, guess who is back? Tsugumi. Yeah, it was neat seeing her in the second season for that short amount of time, a brief cameo appearance, but now she is back as a character (for the latter half of the series) and does absolutely nothing. Nothing. In fact, she is almost more annoying than Kikuri because she does about as much, and isn't a cute loli anymore. She has two important scenes, the first is at the festival at the portal/gateway, the second is explaining to Yuzuki that her life is a lie. Both scenes could have been done by other characters, easily. Especially the latter example, because Ai goes and explains it to her anyways, revealing her past.
Turns out Yuzuki's life is a lie, and she is a ghost. Nice, a Sixth Sense move. Somehow though she is living and participating in human society. Her friend Akie comes over, but doesn't realize the building is derelict? Her teachers don't realize that there is no paperwork on her, because she died a decade ago? Somehow she lives the normal life of a middle-schooler without anyone around her noticing? This isn't explained very well. Just that everything has been 'an illusion'. But then why does she care about Akie? Why does Akie become her companion? It all just -almost- makes sense, and -almost- works, but it just doesn't get there. That is what got me so upset. I watched 26 episodes waiting for it to get better, after the first 12 it does get better, yay! Validation! But wait, then it starts to go downhill. Then it ends like it does: like a lukewarm beverage on a hot day. Not satisfying in the least.
I hope you enjoyed my angry inane ramblings that I have written at 3:30 in the morning.
Auralice
Compared to the previous two seasons, I found the third one to be lacking in story. After the initial episodes it wasn't hard to see that the writers only had a proper script for barely half the episodes and had to fill in the gaps with whatever they could pull out of their rear ends and call it an episode as people suddenly got banished for the most inane reasons. It wasn't enjoyable at all and I had to force myself to get to the good part, the climax build-up where the plot development sped up greatly and the pieces came together for the finale. While Idid like the first few episodes and the build-up leading to the satisfying climax, the episodes inbetween jumped between being interesting and pure garbage which severely lowered my thoughts about this season.
nalferd
If you're a fan of the Jigoku Shoujo series, you gotta watch this one! It still deals with people being sent to hell, but Ai Enma got resurrected to Yuzuki's body. One thing I didn't like about the series is that the main plot starts again late in the series. They didn't also explain how did Ai came back... But I still enjoyed it especially in terms of the OST's... (The ones being played when Ai is about to send a person to hell)...
Raccoon_Citizen
This is a review talking about all three seasons of Hell Girl. (There are some spoilers of the first two seasons and the main points of what this season has. And this is mixed with my opinion) If you want to avoid spoilers, read the conclusion which gives you an advice. This is my first time (and probably only time) writing a review. First season is where the story started with some intriguing/interesting stories (As a bonus, there were 2 supernatural episodes) about revenge, then the Shibata’s make an entrance and the story will make you hooked to know what will happen. It introduced the Shibatas’ andEnma Ai’s backstories.
Second season is where it continues, again with some (but few that had quality) interesting episodic stories of revenge. This time, there wasn’t an opposite side who tried to stop Enma unfortunately, but it introduced her companions’ backstories (2 episodes hinting at them and 3 where they actually tell you about them). This season continues until one of the characters (involved in the episodic stories) starts getting the after-effects of Enma’s actions which eventually led Enma into reacting to the situation. This was followed by a conclusion to Enma’s story. Not a great ending but still good nonetheless, with a scene or two as a cliffhanger.
This is it. This is where you should stop. If there was something added to Hell Girl, it should be a movie, OVAs or a “Director’s Cut” version of the last episode to omit the cliffhangers to make it look like a proper conclusion. If there was any sequel, one would like to know who’s the Grandma? Will we see her? What did she say to Shibata that one time? Will we see that psychic guy from the 1st season? Will the spider stop from creating another Hell Girl? Did the Shibatas’ had a happy ending? Will Enma’s companions stay free?
Heck. I can ignore all these questions and be content with that ending. But guess what? Here comes the 3rd season which answers to all of those questions by a ‘No!’
Third season has, like, only 3 episodic stories that made me interested excluding the plot/main character related episodes (Yes, three. I counted them and this is just me). Oh you want to know about the main story? There was none, of course! This season introduced 2 new main characters, and, all it did was this:
>Introduce the backstory of the one of the new MCs (Yamawaro). (+)
>Tells you the situation of one of the returning MCs (Tsugumi), and it was (imo) a bad ending. (Not to the point of death or being sent to hell) (-)
All the information about their status was already implied in the last season (Tsugumi being alone which only means one thing), so nothing new apart from ruining her good ending from the first season. (-)
>Introduce the backstory of the second new character (Yuzuki) (+) and from here, it led to the ending that ruins Enma’s conclusion from the last season. (-)
… And, that’s it.
I don’t know what was the point of this season. Maybe they were planning on making another sequel which was cancelled? Even if it was cancelled. Couldn’t they release something (like I said before) to remove the bridge toward the 3rd season from the 2nd season’s last episode? Anyway, I’ll just pretend that this season doesn’t exist.
Conclusion: Hell Girl is a great series. I recommend watching the first 2 seasons and you have your complete story. You didn’t have enough of Hell Girl, maybe? It’s your choice, just lower your expectations and consider this season as a non-canon extra.
ma1kawa11
The third season of jigoku shoujo, is, unfortunately.... a disappointment. Not bad, but disappointing. It is incredibly hard to live up to the impeccable job that the previous two seasons did, and so, I wasn't expecting that this season would be necessarily better than the prior ones, however I was hoping for at least something similar in quality to the first show, and unfortunately it cannot deliver even in that regards. If you haven't seen the prior seasons well, you should, they are amazing. That being said, the issues with this season can be broken down into a few primary sections. I) Justification of theSequel
When you make a sequel to a show, that sequel must justify its existence. This can be through a myriad of ways, such as continuing an unfinished plotline, providing more context for the broader story within a timeline, and other things. The problem, is that Mitsuganae does not do this.
The second season of Jigoku Shoujo, Futakomori, essentially resolves Ai's plotline and reason for existing as hell girl, and while at the very end of that season we get a hint that there will be another, there is no reason given and not any loose ends in the plot indicated in the second season that could be why we needed a third. Thus, I was surprised to find that there is actually no adequate reason given as to why Ai Enma was still Hell Girl in Mitsuganae, or even... why Hell Girl needed to exist at all given the reason why Ai Enma was hell girl in the first place was already resolved. In fact, the ending of this show only will leave you with a sour taste in your mouth as it could have been completely avoidable if Ai had simply stopped operating as Hell Girl and this season did not exist.
II) The Inconsistency of the Morality of Ai
One of the essential aspects of what makes the previous seasons of Jigoku Shoujo particularly compelling is that Ai herself has a subjective view of what is right and what is wrong. This is indicated by her actions via who she accepts a contract with, and who she decides to torment. Before this season Ai and her companions never tormented people who were deemed innocent, at least in regards to why they were banished. However it seems that in this season Ai has zero trouble tormenting those who in previous seasons she wouldn't. This... is also not given an explanation. It almost feels to a certain degree that this Ai is a completely separate character from the Ai I saw before. This sort of leads into the next issue as well.
III) The Degradation of Torment
Another essential aspect of Jigoku Shoujo is when she does torment people, how she does so and the imagery used. This is extremely important to the 'horror' element of this show. In previous seasons, the torment someone receives is based on the unforgivable act which they committed. Additionally this part of the show is taken extremely seriously in its tone.
Would it be surprising to learn that this isn't the case in this season? For roughly half the show if not more these torment scenes, if you can call it that, are more of bad jokes than torture. On one occasion, the scene is interrupted to give a P.A. on not using too much electricity. In another, the show temporarily stops being animated and you see an amateurish torture of a paper cutout of a character being held by chopsticks. It absolutely takes you out of the scene and it makes me wonder if the production team was somehow lacking in funds because I quite honestly do not know how it made it into the show.
IV) Subverting the Subversion of Expectations
This show attempts to subvert expectations when it comes to who is the one cursing or who is the one who will curse. However often times the 'twist' ends up being nonsensical either because of a lack of proper motivations or poor setup.
V) Poor Scope
Previous seasons of the show mostly focused on various incidents throughout many different areas that were localized. This plays well because it means there are less questions about people starting to catch on. Before this season, if several events were localized into one place, the show takes that into account and handles it accordingly. This gives the worldbuilding quite a significant weight to it which I greatly respected. In this season, our scope is small, it is within a single school, and all of the events happen locally to the school. This season though, does not address the issue of people catching on and spiraling similarly to what would happen in previous seasons, even though it would be a very real problem. This is made further apparent in regards to the knowledge of Hell Girl. In season 1, she was still a relatively obscure rumor. After season 1 there was a book written about her, and she became widely more known as a rumor. In this third season, by deductive reasoning which is also confirmed by the show in many moments, her infamy is actually more widespread than ever. Which makes the fact that the school as a whole does not catch on to what is happening even less believable than it normally would be.
That being said, there are some genuinely good moments and episodes in this show. And while these good moments generally do not relate to the broader plot of the season, they are enjoyable. So if you do wish to watch this season after the previous ones, there is enjoyment that you can get out of it. However please do not go in with high expectations. This season does not meet the quality of the previous ones, and in order to get the most enjoyment out of it, it is best to ignore or at least be apathetic towards the broader plot of the season.
AkaenX
The series exploring certain states of the humans psyches, which when collided, lead to conflicts, unrest, suffering, and eventualy, " pulling THE red string ", that ultimately only brings the prosperity of Hell, through the job of the Hell Corespondence and it's 'employees', Enma Ai and Co. ; Jigoku Shoujo, continues with it's 3rd season. ( Story and Characters ) After her...disturbing departure at the end of the last season. Enma Ai, supernatural maiden, contractor of souls, once again does her stuff in this realm, this time, without a body of her own, having to manifest herself using a school girl asa medium. Most of the events are centered around the school this girl attends. Oh school, thou eternal setting of the japanese animes, smoked and resmoked till the fucktop heights of clisheeic glory !
Yet rightfully a decisive moment in the lives of all, and the place for so many tragedies to unfold.
Her old, more or less, equally hellish companions, now with a new recruit, arrive as well and reunite, sensing their old mistress around. Usually only cool spectators ( untill they had to do their part of the contract ), they are more humanized than ever before in this season, sometimes showing human like empathy towads the protagonists of the episodical "plays".
" Episodical plays ", meaning the format hasn't changed, it's still one story per episode, exception making the plot episodes, which are strategically scattered throughout the season, but mostly bunch up in the last quarter of the anime.
As for the music, I can't help but imagine at times, a mother bird, that, through a trill of tragical beauty, deplores the cruel fate of it's helpless children, that unknowngly condamn themselves to reliving the play of damnation, the one that ever repeats itself in essence, with only the dolls changed...
Other times, it seems like it's fate, laughing without discern behind the humans' backs. This contrast, this creepying feeling draws attention. So do the sound effects, the sound is very well created.
The art also does its part well. I specifically remarked the vividity of the colours, which, when placed on a faded background, again, create a contrast that draws attention. The red colour is especially vivid in key moments, contributing to the omonious feeling. The intensity of light and contrast also suffer sudden changes, amplifying the effect even further. Sure, we've seen that in the first 2 seasons as well, but in this season, they've really pushed the music and the art + animation one step further.
This 3rd season distinguishes itself from the first two, mainly through the originality of the conflicts. There's no clear black and white anymore, with white pulling the string, and the black getting what they deserved. Instead, things get a lot murkier, as Jigoku Shoujo is exploring lesser known parts of the human psyche. Oftenly, keeping the suspense, the doll pops late, and from where you expect the least. This aproach breaths some fresh air into a concept that's grown rather old over two seasons.
These series come to show how human feelings can be mistaken, and can determine impulsive actions, which can't be undone.
Overall, if you're here, you must've already watched the first two seasons, case in which, I see no reason not to recommend to give this one a try, and end the " trilogy ". But if you've already beared with Enma Ai and Co., for two whole seasons, you'll probably do the same even without me telling you that.
