In the future, a new MRI technology analyzes the brains of deceased crime victims and eyewitnesses within 48 hours of their death to extract images of their memories. Although this cutting-edge technology is responsible for solving various murder cases, it has raised several ethical concerns, placing Section Nine—the police division in charge of the MRI investigations led by Tsuyoshi Maki—under considerable pressure from the media and the government. The team members of Section Nine are not only forced to witness traumatic events through the eyes of both victims and murderers, but they also need to negotiate with the victims' families, whose consent is required for the post-mortem MRI scans.
Freshly graduated from the police academy, Ikkou Aoki joins Section Nine to replace Maki's best friend Katsuhiro Suzuki—a former member who passed away under ambiguous circumstances after watching MRI footage from a particularly morbid criminal case. As a stream of seemingly unrelated events creeps closer to the case of Suzuki's death, Section Nine will have to face its greatest challenge to date, threatening its very existence.
[Written by MAL Rewrite]
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Comentários
Rakuen42
Himitsu’s basic premise is interesting and makes good fodder for ideas. In the future, scientists have created a system to record and view people’s memories post-mortem. The world has entrusted this unique computer system to Japan’s Public Security Section 9. The men and women in this small department must examine the memories of murder victims to find the motive, means, and hopefully the assailant as well. They not only bring people to justice who might normally escape their crimes unscathed, but also learn about the thought process that goes into committing the crime so in the future they can prevent them.This mystery sandbox makes for some interesting cases and Himitsu does a good job of keeping the formula fresh as the series progresses. Some episodes look at the memories of the killer, the blind, the insane or delusional, and even a mass murder that shows viewpoints from multiple perspectives.
The cast of characters can really help a series like this, and the main characters do not disappoint. Aoki is the main character and plays the role of the everyman and the newbie in the show. He knows how to read lips, which is an invaluable skill since the memories have no sound. His thoughts and actions will likely mirror yours as you progress through the series, and he easily grows the most out of the cast. Maki sits on the opposite side of the spectrum as the jaded boss of Section 9. He has dealt with a lot in the past few years and drives his team to perform at the best of their abilities. His specialty is a photographic memory and extreme attention to detail. He also has an uncanny ability to appear exactly when needed. The pairs’ abilities drive most case breakthroughs, fitting their role as core protagonists. In addition, their interpersonal drama allows us to see the series from both extremes.
The rest of the characters, are more of a mixed bag. Each character's personality is decent, and all of them have at least one episode devoted to them. Unfortunately, none of them fully develops. Amaichi plays the heroine in this mystery drama and has the most development of the supporting cast. She has a minor sixth sense that occasionally comes into play. She also has a sizable crush on Aoki, though he’s too busy with his work to notice much. Okabe is a married and experienced agent who has dealt with his fair share of difficulties and has a more experienced perspective. Soga, to contrast, is a recent academy graduate who still has much to learn and needs to get his impulses under control. Michiru and Onogida are the two technicians that program and maintain the machinery, and naturally, there’s a lot of interplay between them. They round out the core cast.
While much of Himitsu is episodic in nature, an overarching plot does exist. The main story focuses on a criminal named Kainuma. His case sent ripples through the division and deeply affected Maki and his outlook on life. Even after his death, he still manages to cause tremendous grief for Section 9. On top of that, the source of his influence may not be what it first appears. Toward the end of the series, this prompts a number of plot twists, some of which are genuinely surprising and moving. Unfortunately, it feels like the directors pushed far too much into the last episodes. It culminates in an ending largely based on convenience to tie the plot line together as quickly as possible. While this weakens the series, it still doesn’t drive it into the ground.
Himitsu really shines in the moral drama that plays alongside the story. Much of this deals with privacy. After all, Section 9 views the memories of the victims, and some of these may be embarrassing or potentially incriminating for others. The characters also have to come to grips with viewing the memories of those close to them. The mind of someone you may interact with every day is far different from the mind of a complete stranger. Finally, there’s the ever-present allure of using information gleamed from the videos to benefit oneself. Beyond the obvious implications lie other problems. The series probes religion, body modification, and other societal issues. It does occasionally falter in this area, but overall the morality play is interesting and engaging.
The character designs are mature to match the subject material. However, they also have a derivative feeling to them. For the longest time I couldn’t tell the two supporting males apart. Additionally, while I don’t expect the artists to put a lot of effort into the victims and other one-time characters, perhaps a little more imagination would have helped. On the other hand, the background elements get their due attention, befitting a mystery series. Much more effort goes into detail here than in the characters. A variety of settings helps keep the artwork fresh and make sure the viewer doesn’t burn out on the urban core of the series. However, it often feels like the setting is literally too dark, which might put a bit of strain on your eyes.
Himitsu’s vocal work is competent, and none of the characters are unduly grating. The voices fit the characters well, though at times it does feel like the actors needed to put more feeling into the performance. While the designs may have been uninspired, we do get a lot of variety in the voice work for the one-shots. The opening and closing themes are relevant to the series' premise and devoid of any unnecessary Jpop influences. The background music does a tremendous amount to help the mood of the series. In particular, the composer manages to drive the chilling feeling home when it’s required.
Despite its faults, Himitsu is a solid series with many high points and some unique devices going for it. It's probably the series from Spring 2008 that everyone missed. If you enjoy a good mystery or moral drama, take the time out and give it a shot.
Final Score: 8/10 MRIs
IceAndCream
I read the compelling crime-drama josei manga “Himitsu” long before I tried the anime version. The manga was shocking, yet gripping. Steeped in mystery, crime, and violence, the horror was offset by high drama and Shimizu Reiko's beautifully drawn, lucid artwork. Never had skinned corpses looked so exquisite. And amidst the sacrifice of mind and even body, was a story of camaraderie: A small band of people supporting each other, clinging to what small shreds of sanity and human decency they could manage to keep. I was afraid the anime would not communicate the strongest points of this powerful manga. Iwas afraid that shoddy animation, and cheap filler dialog would destroy its beauty. Fortunately, my fears were unfounded, and I was pleased that this anime did justice to the manga, and with excellent animation and storytelling, is certainly on par with it.
If you have not received ample warning already, THIS ANIME IS STRICTLY FOR THOSE WHO ARE AT LEAST 16 YEARS OF AGE. I will not be held responsible for anyone who is mentally traumatized by reading my review or viewing the anime.
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The mind is the last bastion of human freedom. Devices can peer into our houses; governments can monitor our Internet and phone use; we can be held responsible for what we say or write. But our private thoughts are safe. Or so they were, until the invention of MRI: Memory Reproduction Imaging. Note that it is “imaging,” and so can only reproduce visual memory. But that is often enough. Take the brain of a dead person, put it in an MRI machine, and you can see every sight their mind ever registered. Look through the eyes of the murderer, and see if they were properly convicted. Look through the eyes of the victim, and you can see their killer.
The group who uses this machine are part of the police force, known as the infamous Section Nine. They are tasked with viewing the images that are extracted, and thereby discover or confirm facts about crimes. They could be considered a branch of forensics. But unlike forensics which only views the aftermath of crime, these people see it play out. They are forced to watch the knife slice flesh, follow the frenzied gaze of a victim in the process of being killed, and repeatedly see assault and crime in all its vivid brutality. The members of Section Nine, though often lampooned for invading the privacy of the mind, continuously sacrifice their own mental health for the sake of seeing justice done, and saving lives.
But they don’t only see crimes. In more complicated cases, they must search through day by day memories, and see everything the deceased saw. EVERYTHING. The victim’s point of attention becomes theirs, the naked body of a lover as much as fine attention paid to the slicing of a vein.
Aoki has been recently accepted into Section Nine, for his lip-reading skills. Being the naïve and open type, he wants to immediately make friends with everyone, including the Director, Maki. Despite his boyish looks, Maki is very cold, even savage, and has little patience for Aoki’s shock when he begins reviewing the MRI projections. Aoki also runs into a lot of baggage, since he resembles a former Section Nine member, Suzuki. It seems there was a complicated history between Suzuki and Maki, which may be affecting how Maki treats him. But despite his icy shell, Maki may just be the most vulnerable of them all.
Uncovering the mystery within Section Nine is only part of the drama. Section Nine deals with the living as well as the dead. Begging the family of deceased victims to allow the memories of their loved ones to be probed by strangers. Trying to prevent crimes before they happen. Investigating possible criminals. Navigating red tape. Uncovering national secrets. Sometimes providing hope and happiness to those left behind. But do they even have the right to do what they do? Does this work disregard human dignity?
At one point, Aoki realizes that even a lustful gaze can be detected via MRI, prompting him to curb his own illicit glances. All the members of the section are painfully aware that their own minds may be the subject of examination one day, should they ever be killed. For that purpose, Maki always carries a handgun. To blow his brains out should he ever be in danger of death.
Gripping and addictive to watch, this anime does have its faults, which warrant the rating of 9 instead of 10. Most obvious is the sound design. The animation is luscious and realistic, and does not cut corners, but for some reason they did not do so well on the music. It is as if they made two or three tracks for the whole series, and placed them randomly throughout, regardless of whether it was appropriate or not. I was annoyed several times when they placed peppy music during parts that were supposed to be sad and emotionally moving. I was also a bit annoyed at the choice of voice actor for Maki. He is a rather small fellow, but his voice is very deep. Granted, small people can often have deep voices, but somehow it doesn't seem to sit right for him.
Another complaint is the degree of violence and disturbing content. While the violence is there for a reason, and is necessary for this particular story, I do not think that we viewers needed to be as traumatized as Section Nine is. The camera does not shy away as a man slices his own throat with a knife. When a young man jumps off a rooftop, we see his body splat on the pavement. We see a scalpel slice into a woman’s bare breast. While the gruesome bodies were finely drawn in the manga, somehow they are not as attractive in full-color as they were in black-and-white. Rape, incest, creepy stalkers, and nightmarish phantasms bred in disturbed minds round things out.
But just as much as this anime is "adult" in terms of disturbing content, it is also adult in the un-childish way it presents the story. The emphasis on workplace drama, and a small, handsome, even tsundere Director may make it a little more attractive to female audience. But we are expected to ask questions related to moral dilemmas, dig deeper than the surface, and accept that while some crimes may often have a deep rationale behind them, some criminals kill for darker reasons. There is little happy-go-lucky. The human soul can be a very dark and dirty thing. Sometimes there is no "good guy." Even the strongest mind can be wrecked, and suffer mental breakdown. Sometimes relationships have no happy ending, straddling you with regret for the rest of your life.
I also was fascinated by how the manga (and anime too) explore how the mind might retain visual memories. Here, even hallucinations are seen through MRI, since that is what the mind "saw." Memories might be swayed by the mind, portraying a loved one as more beautiful than in reality, or a hated one as a monster. Even dreams form memory. In one case, we view the irrational yet useful world of dreams.
Now, I have to admit that I didn’t watch every episode. This series is not licensed in English, so I had to make do with watching fan-subbed versions. There were a number of episodes which were only available with improperly-timed subtitles, which, for me, rendered them unwatchable. If you ever find a place that offers all of the episodes properly subtitled, let me know, and I will be very grateful!
I’ve only touched on some of the things that make Himitsu great. Watch it for yourself, and see how much greater it is. Although, it is not for the faint of heart.
Allografter
I've decided to review this hidden gem of a series as it needs more recognition. With less than 1500 users who have rated this series, there are many who are missing out. As a fan of the mystery genre, I have seen a considerable number of anime which have attempted and failed in delivering genuinely interesting stories and those with surprising plot twists are rarer still. Himitsu - The Revelation excels in this. The overall concept of the show is the development and existence of a 'Memory Reproduction Imaging system (MRI)' which is able to replay the images of memories. Suffice to say, thisis a pretty nifty piece of hardware in ascertaining perpetrators. One would think, however, that it would be easy to figure out the culprit from this technology but the clever scripting quite often does not show the criminal and it is up to the team to delve into the memories of the victim to piece together the mystery.
The series is primarily episodic with occasional 2-3 episode arcs and in the background there is an overarching story which culminates in a grand finale. This makes it both easy to watch and gripping at the same time.
Perhaps the greatest strength of the series is the animators refusal to downplay the graphic nature of the crimes. This anime is definitely 18+ and there is no shying away from the bloody scenes or nudity.
However, as much as this is its strength, the low budget animation and limited character development is its weakness. Considering the episodic nature of the series, one can understand the latter but it is a shame that the animation quality was not up to scratch. That said, it does not detract from the story at all.
This is listed as a shoujo anime but it would perhaps better be relabelled as josei or even seinen. An added bonus was the excellent voice acting of Tomokazu Seki, whose role as Chiaki in Nodame is amongst the best I've heard.
I highly recommend you pick up this series, especially if you like gritty detective stories with a slight sci-fi twist. Psycho-Pass fans wont be disappointed either ...
gimelon
Like some of you (probably?), I decided to watch Himitsu: The Revelation because the reviews, no matter how rare they are, were pretty good, and the synopsis seemed quite interesting. I'm a big fan of thriller and psychological shows, and the Japanese are usually good with their detective stories. I honestly think the only reason why I haven't given it a higher score is because this anime obvisouly needed more episodes, aka more depth. There are a lot of side stories (I'm pretty sure 75% of the episodes are side-stories), so much that I got a bit bored. These stories only last about one totwo episodes, so the characters introduced (victim + murderer), can be very shallow. Apart from their "secret" that we discover through the MRI (so the whole processus of watching someone's memories through their brain, after death), there isn't anything. The same could be said about the team, there wasn't enough character development or team building (at least, not for me). This could potentially be blamed on the format (only 26 episodes), but if they had cut of the useless side stories (some them seriously don't add anything to the main story), they could've put more time into the characters.
The rest (OST, Art) is basic. I think the same three instrumental pieces kept being used, but they were okay. The art is absolutely nothing compared to the manga (which I decided to start after finishing the anime), and is pretty simple (most of the female characters looked the same, apart from the haircuts...).
Overall, an interesting anime that brings up and tackles a lot of issues, but could've been much better if more depth was added to the characters.
Marthgun
If, like me, you were looking for a detective show to get high on, and you somehow stumbled upon this hidden gem, then allow me to share my experience. first himitsu's premise is very solid compared to most anime, it is about a governmental group that takes deceased, high value criminal cases, extracts the murdered and murderers brains and plays back their minds eye. so obviously this has some potential to be very interesting. The story is episodic mainly, with small arcs, and an underlying main story that pervades throughout the series. It didnt really go where i thought it might, nor did it liveup to what i initially expected.
The art is certainly mediocre. The characters are drawn more realistically, which is fine, but there are a ton of still frames in it.
sound is forgetable, Characters are either under developed or way over developed.
The pros, ie why you should watch:
Its series is very introspective in a sense, intelligent even. The mysterious elements are more than enough to keep you going. Its by and large entertaining and engaging.
The cons: (minor spoilers):
basically, its so realistic that a case comes in for them to solve, and...you guessed it, they look at the brain, find the killer and go grab him. putting it this way sort of belies alot of dramatic elements and character interactions, etc. but that's really what goes on. Despite the fact they are very thorough, the stories are pretty mediocre. Where they had the potential to put in some high tension mysteries,
they choose to try to weave together most of the cases for the big finale. So they are piecemeal and too short.
So b/c they went that route, alot of the smaller "mysteries" aren't really mysterious and are in fact easily solved. too easily solved. but there is alot of background noise that keeps it just interesting enough to continue.l
Then you get to episode 24. This has to be the stupidest shit i've ever seen. First, the characters continuely run off on their own even though their dept. is constantly being targeted. The guy meets up with the "bad guy" and just turns his back while in enemy territory, and yep, gets hit from behind. its so bad and ridiculous, i thougth about ending it right there. what im relaying to you is not even a bread crumb of the absurdity that ensues throughout that episode. and thats largely why i gave this a 5.
and ofc the "grand finale" is pretty obvious and not very grand. so you're lead down this path, almost being promised greatness, and then shat on with a "derp". if i could rate this a derp i would
lisnoire
What if the police could look at the memories of dead victims and criminals? It would certainly provide clues for solving crimes but what other secrets would it reveal? What would be the consequences of seeing things never meant to be seen? And, of course, who would try to take advantage of the technology to serve their own ends? Himitsu - Top Secret is episodic with an overarching plot line. Nice animation, good character development that could have gone deeper had the series been longer. There is a touch of romance and hints that the director is gay but neither is the focus.; There issomeaction but HTS is primarily a mystery thriller that asks some pretty profound questions about morality and privacy.
This series is vastly underrated and highly under viewed.
If you enjoyed Monster, you will find the 26 episodes of Himitsu - Top Secret well worth your time. Those who liked Death Note might also find HTS satisfying.
It was based on a manga so if you want to go deeper into the story you can.
Tomboy
I had high hopes for this series since I had read the manga before and I'm really happy at what the anime accomplished. My review may seem vague but it is like that to prevent any spoilers from leaking out since revealing a spoiler would instantly spoil the experience for prospective viewers. Starting with the story, it reminded me a bit like Ghost In A Shell and Psycho Pass because it involves a particular section of the police force fighting against crime in their own unique way. The Section 9 of Himitsu deals with investigating the memories of dead suspects or witnesses by hooking upone's brain to a powerful system called the MRI system that allows you you witness their last moments. What I liked about this system is not that it's revolutionary or cool for a mystery anime but because it's not actually a perfect system to catch criminals. I won't reveal those weaknesses since they will reveal themselves in the anime as you watch it.
The format of the episodes are episodic and some episodes are broken up into parts. But what I like is that facts and details in previous episodes are referenced in the next ones. I like this sort of format since it doesn't bother me, the viewer, by making me continuously recollect thoughts of previous episodes. I say this because Himitsu is great anime for people who want to chill and enjoy a mystery anime without having to repeatedly recollect what happened before.
Moving onto characters, I like them. They're all likable in a certain way. Not much to say but from my experience of watching this series I never had the urge the punch one of the main characters. But I do have a small problem with the pacing; Sometimes the action or tension in the episode persists till the last few minutes of the episode but that tension is suddenly cut-off by a weak often anti-climatic, unsatisfying conclusion to the mystery. Sometimes even by deus ex machina if I recall.
Finally lets talk about art and sound. I was never put off by the OST or Art but I do hear lots of people complaining over the 'shoujo' graphics. Well I truly believe that's personal preference because it wasn't that horrible or the music didn't sound like nails against a chalkboard. But the art and sounds aren't that remarkable to be honest.
It does have a few flaws such as with the pacing near the end of an episode and fairly simple mysteries surrounding a case because the anime shows you many hints implicating the truth. But I enjoyed this series to the end, although the ending was rather abrupt, and would recommend to any casual viewer who wants a simple mystery and psychological anime that won't damage their brain.
guddi
Watch it. Right now. Whenever someone asks me to recommend them a mystery/psychological anime, Himitsu is always one that comes to my first. But then, it isn't something everyone will enjoy. At least I did. Don't drop it because it says "shoujo" because you won't even realise that you're watching a shoujo anime.(Shoujo anime are one of the most twisted afterall) Imagine it is 2050 and someone is watching your brain after you die. Do you want them to? Do you think it would be fun to watch someone's whole life? Himitsu leaves you with many questions. Story(9) When I started watching it, I thought that the concept wasinteresting but just by 3 episodes or so, it was hard to tell what was going to come next. It didn't really start off with a bang. I only started enjoying after I got really far. I'm really glad I continued watching it.
The story is not only episodic, but there is also a main aim. Each episode was thought-provoking and makes you think about the future.
Not only does the story show solving mysteries, it also shows what's going on in the investigator's mind. After all, watching someone's brain is not very exciting.
Art(8)
It has decent animation which also matches with the story.
Sound(10)
The background music and the opening and ending of Himitsu are still fresh in my mind. I never skipped the opening and ending. The background music was catchy too.
Character(9)
All characters, except Aoki who is one of the main characters are great. Aoki, too, is not the same as your average main character but it felt like his development was a little late or.. unsatisfactory for several episodes. The other characters are given really good roles and their designs are different and realistic. The other main character, Maki Tsuyoshi is the best and the most unique character in the series.
Enjoyment(10)
A little slow to start, but each episode left me thinking. I really wanted more of Himitsu but the franchise is just dying.
Overall(10)
I don't know why but this anime left me with twisted thoughts.
Himitsu is my most favourite. My opinion might change but I'm sure I'll still love it.
airingela
I bet people who say this anime is great haven't read the manga. I must admit that indeed this anime isn't bad IF you don't compare it with the manga. I might even give it a 7-8 score if I only watched the anime. The manga is hundred times better and this anime just ruined it. It ruined their characters, the story, and many things. I won't talk about the art, sound, etc. What I'm gonna talk about is the comparison between the anime and the manga. Most of the filler episodes are- how do I put it- shallow maybe? (Idk if I use the right word).Some of them are irrational and silly. They are really different than the episodes that follow the actual story.
The manga has some funny small scenes. Those things actually make the characters more interesting. Too bad the anime didn't include them.
WARNING: The following review contains SPOILERS.
[MINOR SPOILER] I really don't understand why they changed the characters and their backgrounds so much. These are the differences:
-Onogida and Michiru aren't in the manga.
-The actual section nine only has dudes. Well, there's Amachi. She joins the section after Aoki.
-Okabe doesn't have a wife in the manga. There’s actually a funny scene where everyone thinks that Okabe has a daughter who almost graduates from college. It turns out he’s only 36 and is still single.
-Aoki can't do lip reading and he doesn't love his sister in the manga. The story about the president is actually something like a spin-off. Thus the characters are different.
-Amachi characters is so annoying in the anime.
-Aoki is also really annoying in the anime.
-Maki's interesting traits don't show in the anime, like how he's feared by his subordinates in a comical way or how pretty and young he looks (fyi he's already in his mid 30s).
-Miyoshi isn't that different but somehow the anime made her look like a secondary character who suddenly makes an appearance just for giving Aoki a love interest when ACTUALLY she's important for Maki and Aoki's character developments.
It feels like the anime just adding more unnecessary characters and plots. All those things make me cringe cuz they're not in the manga and they are overly dramatic, especially the ending. It was so lame.
[HUGE SPOILER, kinda] About episode 20. The anime doesn't describe whom Maki is jealous of. People might think that he's jealous of Aoki for getting together with Miyoshi. The truth is he's jealous of Miyoshi. He's jealous cuz the people he cares for (Suzuki and Aoki) get hooked on Miyoshi.
[HUGE SPOILER] Amachi died in both anime and manga. The difference is the way they animate the arc. In the manga, Aoki regrets the way he treats Amachi when she's still alive. He's kinda rude to her. But in the anime, he regrets that he talks about his father to her and this lead her to falls into a trap. Aoki thinks it's his fault that Amachi died EVEN THO she's the one who asked him about his father. It feels forced and silly smh
[NO SPOILER] Lastly, about the relationship between Maki and Aoki. The manga describes more about them. You can see their bond more clearly!
Actually this is the very reason why I'm disappointed with the anime. The interesting thing about the manga is the relationship between Maki and the people that surround him. I barely see any of those in the anime.
My thought after finishing the anime: I feel like I just watched a fan fiction :/
I actually have more complains but I might as well write an essay lol (I’m pissed at how I write this review more seriously than I’ve ever done my school works).
Tl;dr: JUST READ THE MANGA. You won't understand just by reading my review. Seriously, just read it. BUT if you insist to watch this anime, I recommend you to watch it first before reading the manga so that you can still enjoy it. However if you already read the manga, don't bother watching this. You’ll be disappointed if you expect something like the manga.
