The life of German thinker Karl Marx, focusing on his political and economic theories, his romance with Jenny von Westphalen, and his friendship with Friedrich Engels. (Source: TMDB)
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The Leader is a work with the ability to set any revolutionary's heart alight with pride. It is not often that these kinds of cartoons carry with them such weight, but this is no ordinary cartoon. It is a work designed to inspire a new generation of Marxists to carry forth the torch of Communism to a brighter tomorrow. I was deeply impressed by the characterization of Marx and his comrades. This show is not just a picture of Marx, it is a mirror in which the audience can see themselves reflected in the actions of Marx and the revolutionaries ofthe past. The Leader makes Marx more than just a face in a textbook, it makes him human. Technically, the show is lacking in many aspects. The art is sub-par, with the transition between 2d and 3d being quite jarring at times. The sound design also leaves much to be desired. However, it would be improper to place as much weight on these aspects as the true meat of the story. This show needs neither impressive visuals nor immersive sound to draw the viewer in with its powerful message of revolution. Overall, I was astounded by the degree to which this show moved me. As a show produced under the direction of the Communist Party of China, I was suspicious that it would dilute Marx's revolutionary character, but it seems even the revisionist CPC recognizes his great contributions to the world. I understand that to one ideologically opposed to Marx, this show might be rejected on its basic premise. However, I believe that even a reactionary can be moved by this humanization of Marx. Too many people understand Marx only by "Marxism." They understand him only by the number of deaths that are falsely attributed to him. But to truly understand Marx the philosopher, one must understand Marx the revolutionary.
Welcome to Karl Marx the animation: The Daddy of Communism. The premise of the show stated that the anime is made to commemorate Marx 200th anniversary with a serious tone, while most of us (in the west) is taking the piss out of it. I can’t unseen that joke someone made on tumblr calling this as Xi Jinping’s way of making communism appealing to the younger generation, as hilarious and meme like that text post was, some truth lies underneath it. One simple click on Google will tell you that the anime is in fact funded by multiple government authorities, ie. The Government’s Marxism Office. It’sdefinitely propaganda alright. After more clicks around the internet and watching the anime myself, I don’t really understand who the target audience is. Responses from the public: Since I never read any of his work, I can’t confirm how accurate the dialogues are. But I don’t feel like I’ve learnt much from the anime. One of the criticisms I’ve seen Chinese people commenting is that the content doesn’t appeal to a specific audience, it’s too simplistic for those who knows about Marxism, but too complicated for those who know nothing. There’re not many negative comments of the show under the episodes, the review function for the anime is blocked on the Bilibili platform where the show is streamed (I wonder why). I had to look else where for reviews. On the site Douban, out of the 1527 reviews, 50.3% are 1 star and the anime have a rating of 4/10 (as of today 07/03), if that doesn’t tell you something about how bad the show is, I don’t know what will. People don’t seem to have a problem making sarcastic comments and rating the show 1 star due to the quality of it. What’s bloody hilarious is that people are commenting on how Marx will be disappointed if he knew that Bilibili is charging people to watch the latest episodes, capitalism at its finest, yeah baby. The ONLY reason I can write this review a week early is because I have a paid membership with Bilibili and I have access to the show. I guess it sucks to be you if you can’t afford one, huh. The animation, music, writing: The first thing you will notice is that the animation is damn awful, it’s so inconsistent, it switches from 3d to 2d and back to 3d then 2d and 3d and 2d every 6 frames, it’s really annoying and harsh to the eyes, as soon as you get used to the style it changes. Episode five was just a train wreck, the faces looked funny, there was illustrations inserted that was just in a completely different art style and appeared out of place. The choice of depicting Marx and Engels as hot bishonens is also a mystery to me, I’m not saying they weren’t hot when they were young, I don’t know I can’t find any photo evidence of it (huh I wonder why), but this is what I mean when I say who is the anime for? It’s supposed to be serious toned propaganda for the communist party, yet they adopted a Japanese bishie otome game style. In episode 3, there’s also a weird ass aura between Marx and Engels, the whole show seems like a doujin to me. The ED is also one hell of a meme, the lyrics is all glory and communism with a comical rap section. It really feels like it’s very low budgeted, neither the animation or writing is great, disappointing considering the government funded this. The pacing of the story is too fast, many characters are introduced but never gets another mention, the concepts are glanced over and never discussed in depth. In episode five, Marx literally aged 20 years and they skipped over probably the most important parts of his life. Engels on the other hand has about couple minutes of screen time the entire show, considering he is equally as important as Marx, he did co-write the The Communist Manifesto for god sake, oops, sorry my bad, god doesn’t exist in communism. If the purpose of the anime were to educate, I don’t think they should chicken out on the details. Literally everything that was said in the show have gone over my head. Would I recommend this? It’s up to you and what you want out of this, watch it for a good laugh but don’t expect anything out of it, if you are even remotely interested in Marx, I presume you are intellectually enough to read some books and journal articles. Enough shit from me, I will now educate myself by reading a free copy of The Communist Manifesto. Ride on my comrades, peace and out.
This January there was some strange news from China, the airing of a Karl Marx animated series usually called Karl Marx the anime, but actually titled The Leader. There was quite a bit of fuss on news sites and social media, but oddly once episodes started floating around the net it quickly disappeared. It doesn't seem to have gained much traction even in the circles that make image reactions and jokes. I found a youtube channel that not only uploaded all seven episodes but had also fansubbed the Chinese dialogue into English and Russian. I watched the whole show, and I think I see why itdidn't last. Using the channel statistics as a guide, episode one has 100,000+ views, episode 2 though plummeted to 15,000 and the drop continued with the last episode getting around 7,000. There's a lot to untangle so I'm going to break it down a bit. **Expectations** I wasn't expecting much going in, its a biopic of Karl Marx that's seven episodes long. Each episode is around 24 minutes long, but at least four of those minutes are dedicated to credit sequences and a preview of the next episode. I was expecting more of a brief timeline and introduction to his ideas and inspirations. This seems to be what they were aiming for and some episodes mostly live up to this but the rest fall quite short. The Look Bluntly the show is very incompetent, both in animation and story structure, it seems to have deliberately gone out of its way to show off how poorly made much of it is. There's no consistency, it switches between 3D and 2D animation styles arbitrarily, the models are extremely janky in movement and stick out from the backgrounds. They often look creepy especially when laughing. The models are also recycled heavily, Marx doesn't appear to age or change his clothes much from age 17 until the 1850's when he starts to show the beginnings of a beard. His wife Jenny is usually seen wearing her wealthy noblewoman dress and her maid is wearing a sexy formal French maids outfit. The crowds are some of the laziest I've ever seen, a good chunk of multiple episodes are dedicated to Marx giving a speech, and we get reaction shots from the audience, but what's weird is that these audiences usually stay motionless until the speech is finished, and then they applaud robotically. Most do not even emote during, and many not in the front row despite being clearly visible often do not have faces. This is not the worst example of lifeless crowds, this is only the first example. From the first episode, about two minutes in It looks cheap and it's very jarring. Even the show opener highlights many of the worst features of the animation. But what's really strange is that the first episode is the cheapest looking one, every other episode while not perfect is an improvement. Now animations having spikes and drops in quality is nothing unusual, budgets of both time and money can affect production, but I've never known the opening episode to be the one that's the cheapest looking. I honestly had to pause the episode multiple times to process what I was looking at, it's not just that it looks bad, it often actively confuses. I think the last episode looks the best, and it's much easier to follow, but that's mainly because aside from an epilogue it focusses mostly on Marx coming to terms with his age and ill health. The section with him and his wife Jenny was surprisingly quite emotional. **The Education** I was expecting this to be a brief introduction friendly to people who knew nothing of Karl Marx, and I think that was the intent, but it often falls short. I personally think it might be better to skip episodes 1 and 2 and start with 3, not only do the production values increase but not much is lost. Though later episodes do still have some pretty serious issues. It presents the information in small chunks, but sometimes it does so in a way that only makes sense if you were already familiar with the topic at hand. The bits on Hegel and Kant are pretty blatant examples. Episode 2 covers the deep impression Hegel made on Marx, particularly the "Dialectic" but it doesn't explain what that is, and both philosophers and many others that pop up in the show are reduced to some very quick summaries that rely on terms that aren't in common usage. Another time Marx is outlining his ideas on Historical Materialism, and his brief explanation is overlaid random scenes on a street in Brussels, but the connection between what he's saying and the imagery is not made clear. Episode 5 the highpoint for me, is the best at this, it takes its time explaining some of the passages from Capital, and its framing works in the episode. It also has effective use of colorful imagery, the Vampire like a capitalist relationship. Other than that its main problem is its brief run time, big and important ideas and lessons are briefly mentioned and then everything has moved on. **The Revisionism** This overlaps a lot with both education and looks, but I wanted to make this its own section for clarity sake. While focussed almost exclusively on Marx, -with one exception to be dealt with later- it does reference and introduces, often for less than a minute some of the other political radicals that Marx rubbed shoulders with. Including his criticism of them. with the exception of Ruge whose briefly mentioned before he appears everyone else Marx interacts with just turns up is introduced by a brief nameplate, cross swords with Marx and either immediately leaves to be banished forever, or like Engels sticks around to become his admirer. Episode 4 takes this to the extreme. Wietling walks into the Marx home, is briefly introduced for his accomplishments, he then talks and moves incredibly smugly, talks about Christian communism for a bit and toasts himself before Marx speaks up. Every part of this scene, the dialogue, the character movements, facial emotions, etc. Is telling the audience to dislike him, but the argument between him and Marx is so quick and surface level its mostly just angry words. The only part of the disagreement that's clear between the two if you don't already know all about their ideas is that Wietling thinks workers allying with the bourgeoisie is a mistake because they are enemies, and Marx disagrees because of his views on history. Who was right? Well, we're supposed to sympathize with Marx and Wietling literally storms out of his house never to be seen again so I guess that's a win for Marx*. The International Working Men's Association is depicted as being the soul fruit of the labor of Marx, and it largely accords with his views. The reality was that it was a diverse body full of people he couldn't stand and didn't fall under his direct control until 1872 when it promptly hemorrhaged members and collapsed. In episode 6 there is a Marx/Bakunin standoff at the Hague Congress, Marx ridicules Bakunin as a conspirator, Bakunin has no allies, and he and his group are expelled. In reality Bakunin was never at the Hague Congress, Marx's motion to expel Bakunin failed, he was later expelled for questioning the new General Council, and when he left the majority of the membership also left, either to join him or like the other non-Marx non-Bakunin aligned groups like Blanqui's supporters simply to get away from the direction Marx was driving. The narration and the final episode don't acknowledge this at all, they give the impression that Marx's decision to prevent a split of the international, by well splitting the international was roaring success. This episode (heh) demonstrates a key failing in The Leader. It's supposed to be biographical, but it won't tolerate even mild and universally accepted criticism of Marx as a political advocate or as a human being. Marx is apparently faultless when I saw they were including Helene Demuth the maid I wondered if they'd dare depict him getting her pregnant. They didn't, it'd probably get in the way of depicting his relationship with Jenny as a fairy tale romance. His well-known binge drinking is also absent, at one point he even criticizes other revolutionaries for drinking too much. His behavior with his enemies real and imagined is always depicted as noble and correct, but it can't go into detail about their opposing views and criticisms even to set up their defeat, so it all comes across as extremely shallow, which also makes Marx the character seem shallow and clueless. Marx never really convinces by the power of his argument, he just registers his dislike and the reactions of the characters do the hard work of presenting this as a victory to the audience. **Self Sabotage** Again this is tied in with all the other examples. A bizarre fault with the show is that it kept undermining what it was trying to achieve. An early scene in episode one that seems based on that famous scene from Good Will Hunting with the Bully is supposed to establish Karl Marx as a genius but it totally undermines itself. Marx does this by reciting a very simplified explanation of Kant's views on dogmatism and skepticism, which shouldn't be a problem, but this is shown to stump all the other students, and more importantly, the scene immediately before that was Karl Marx in a classroom listening to his teacher tell him this. So we're supposed to be impressed by his ability to remember basic information told to him three hours earlier. Another example in episode 3 and 4 they address the poverty of the Marx family, but each time this done while the maid and his wife are onscreen in there expensive clothing, because they were too cheap to update their models. Shortly after criticizing Wietling, Marx starts ripping into Kriege's ideas on universal love, specifically the absurd notion that capitalists and lenders can be reached by appeals to their better nature. He's saying all of this to his good friend and dependable comrade Friedrich Engels, whom the show has established is a factory manager and was moved to become a Communist because witnessing the plight of the working poor appealed to his better nature. Lest you feel I'm being a bit hard, I personally agree with the criticism of Kriege, it's just that The Leader is just giving out mixed signals in its incompetence. Last but not least, there's the case of Pierre Proudhon. Engels gives Marx a copy of his Proudhon's new book Philosophy of Poverty. While Marx is holding the book unopened, two random people start throwing out snippets of Proudhon's beliefs. At which point Marx still holding the unopened book starts ranting about Proudhon's "Petits-bourgeois" socialism and declares he will write a criticism called Poverty of Philosophy. It was at this point that I wasn't sure whether some of the instances of self-sabotage were deliberate or not, Marx did write Poverty of Philosophy as an attack on Proudhon, and for many years it was considered a masterpiece in Marxist criticism. Until people started reading Proudhon's book, where it was discovered that many of Marx's criticisms were incredibly inaccurate if not made up. **Propaganda** AKA, the reason this was really made. The Leader isn't really supposed to be an educational text, its made to capitalize on Karl Marx and use his legacy to legitimize the Chinese Communist Party. The CPC fully supported the creation of The Leader, particularly the Propaganda Department of the Communist Youth League and the Central Office for the Research and Construction of Marxist Theory were involved. It was made and released just before the 200th anniversary of Karl Marx's death, and the first speech Karl Marx gives on the show “Reflections of a Young Man on the Choice of a Profession” was also chosen as an extract for Xi Jinping's speech commemorating the 200th anniversary. “If we have chosen the position in life in which we can most of all work for mankind, no burdens can bow us down, because they are sacrifices for the benefit of all; then we shall experience no petty, limited, selfish joy, but our happiness will belong to millions, our deeds will live on quietly but perpetually be at work, and over our ashes will be shed the hot tears of noble people.” Even the titles for the episodes sound like they were taken from propaganda posters 1. Different Youth 2. Defending the Rights of the People 3. New World View 4. Scientific Socialism Shines Brightly 5. Great Work Das Kapital 6. First International 7. Marx Forever The name of the series The Leader isn't exactly subtle. But in case you didn't get it the last part of the final episode really drives it home. The ending credits are a timeline of key events in Marx's life, except for episode seven. In that episode, the timeline is replaced with a history of Marxism-Leninism, through to the present day in the People's Republic. Complete with a narrator praising Mao Zedong, then Deng Xiaoping then the Three Represents and then finally Xi Jinping. Xi Jinping's new era of socialism with Chinese Characteristics together will bring the people forward into a new era for China The intention is, of course, is crystal clear, Karl Marx is the indisputable leader of Communism, and the CPC is the heir to Communism, and so it is the heir to Karl Marx. There is some attempt to justify this posture though, in an early episode Marx is absolutely indignant at the oppression of peasantry by the landlord class, and the Paris Commune is criticized for not having strong central leadership. Also, Marx did briefly talk about the importance of theory adapting it to historical conditions and reality. Which the narrator echoes at the end by claiming that Maoism through to Xi is just the Sinification of Marxism. I also think though this is speculation that the propaganda potential of the series is the explanation for its poor production values, especially in earlier episodes. The series premiered on the 28th of January, with an episode a week, meaning it ended roughly around the anniversary date. If the decision to make the series had come late, with the anniversary being the hard deadline it must reach, then that would explain why the earlier episodes are the worst with the most obvious time and cost-cutting. The later episodes which look much better would have had more time available to work on. But even in the last episodes, there are obvious signs of short cuts in some sequences. **Conclusion** I think The Leader is doomed to be a curiosity unless the CPC believes it was successful at propagandizing to the youth of China I can't see this experiment being repeated. Its a shame but I don't recommend it, it's not without its charms, but the combination of animation issues, shallow information, and propaganda distortions -and there were many more examples I could have listed- leave this as something best avoided. Which is a shame, as I don't believe the idea of an animated series is without merit, the Manga adaptation of Capital was largely a success, the films Young Karl Marx and the West German film about Rosa Luxemburg were very informative and interesting to watch, and historical drama is becoming increasingly common and more refined. If the CPC didn't cobble this together to meet its targets and it was allowed artistic freedom it could've been something great. For all its faults the final episode was quite good so the people doing the actual work of making the production seem to have been capable of doing good work. * Incidentally this same episode covers the revolutions of 1848, during which time many of Europe's bourgeoisie eventually allied with their despotic aristocracy to destroy the more radical workers and student revolutionaries. So it seems like Wietling was largely correct on that point but this is never addressed.
When I first saw it, I couldn't believe there actually existed an anime that focused only on Karl Marx's life & biography. Then I watched it, and the fact that it was Chinese made sense. It made me a little upset - after all, it was a kind of propaganda. Also, as seen in the anime, Marx-kun didn't like many compliments, and you know what? This anime is basically it! With my first comment said - this "piece of art" is 147 hours of praises and compliments, telling us that Marx-kun was the BEST PHILOSOPHER EVER and stuff (honestly I disagree with that but it's aChinese anime btw, probably the budget was all covered by the Communist Party), I'll tell you guys the truth about "The Leader". The animation is poor sometimes. Yeah, only sometimes. Actually, many times. When it's not focused on Marx-kun or Engels-kun, it is CG-based and pretty weird. I mean, Jenny's hair didn't move naturally most part of the anime. There were scenes that really made me think I was watching some MMD animation. For real. Unfocused people at the background sometimes were just weird, with a real bad animation, even for normal anime standards. Let me give you an example: in Kill la Kill, people at the background often were just copies of the same individual, right? In The Leader, they aren't. That sounds good, right? Yeah, but actually some of them - a policeman, a chief, a NORMAL PERSON, their faces were just... wrong. My ears couldn't believe what they were listening sometimes. The voice acting is horrible, emotionless at core moments. I mean, some emotions were just forced. Unnatural. Guess the budget was pretty low and the studio must have hired bad or novice actors, I dunno. This is the time where you ask me, "but Sputnik, if this anime is so awful, why did you rate it with a 6?" Well, it's probably because the story is pretty good. Maybe. Okay, it's not so good. But there was something in it that made me cry when some characters die or just let me go on and finish the anime in some hours. If it were so horrible, sure I would have dropped it. It's not the kind of anime you watch for fun, actually. It's not entertaining at all, no drama involved - only a few, and well, those scenes aren't worth watching - and surely it will make you question why did you ever thought about watching it. Before you do, listen to me: only do if you are truly interested in Karl Marx or Communism. Many philosophical quotes are poorly explained - Bakunin-kun and Proudhon-kun are an example. It was only enjoyable for me because I already knew those guys, and even I was confused sometimes. That's it, farewell.
I enjoyed this show but I could not honestly recommend it to anyone, even as a fan of Karl Marx and his ideas, this show was disappointing, firstly, it is unavoidable how technically poor this show looks, the 2d and 3d art clashing an unbelievable amount, with every scene seeming to have at least one switch between the two, and the animation in the latter is stiff and robotic, meaning you have a lot of trouble seeing any of these characters as people, especially in the first four episodes. For me episodes 1-4 were somewhat bland and uninspired, but inoffensive, some of the discussion of philosophywas so poorly placed that it was embarrassing to watch, and the pacing was noticeably pretty bad, alongside the fact that Marx himself didn't change visually at all for the three episodes, over what was something like 20? years in real life, it just felt lazy and cheap showing an adult man with two children as looking identical to his teenage self graduating from high school. Episode 5 is the only part of this show I feel I could call wholly good, not fantastic by any means, the pacing and animation issues are still there, but it felt more human than the previous episodes, and the framing device of Marx explaining worker exploitation to a child was a good way to bring in some of the more dramatized elements of Marxism, such as the comparison between Vampires and Capitalists that Marx was so fond of, as well as the episode actually containing one or two emotional scenes that hit quite well, and I liked the motif of Marx reading a story to people, but it seemed to only look good in comparison to the other episodes, there was still a lot of awkwardness in the writing and execution. Episode 6 was pretty bad, I was kind of taken aback by how much the creators showed their hand here, there seems to be much less of an effort to hide the propagandistic nature of the show in this episode, with Marx's disagreement with anarchists being used as a way to justify the current dictatorship in china, which many Marxist academics thoroughly disagree with, such as Richard Wolff, who describes China as state capitalist, not socialist, and the subplot of Tom at the Paris commune are in somewhat poor taste, the show seems to be trying to say that the pairs commune being massacred was a good thing because it gave people the chance to fight and die for socialism, and not a bad thing because it was an example of an oppressive state destroying a society largely made up of civilians. Episode 7 was better than 6 but not as good as 5, the focus was mostly on Marx's relationship with his wife, Jenny, and it felt sincere and honest, but still somewhat stiff, but the section at the end where the narrator describes how good and call china is was just, ugh. Overall, this show is fine, it has bad parts and some good parts, but those parts would ultimately be better appreciated in a better show. Marx is made into a sort of superhero, or even a sort of messiah, something Marx himself made very clear he would have hated, even in a work as shallow as the communist manifesto, he made sure to emphasize that movements should not idolize their leaders and the presentation of Marx as a pure, handsome superman just felt kind of shit, the man was a drunk journalist who slept until noon and got all of his money from his factory owning sugar daddy, I would have loved to see the sides of Marx that were less "Perfect genius" and more "Lovable Bastard", and the influence of the Chinese government really shows in this text. I expected better from the show in and of itself, but I'm not sure why. If you want to understand Marx or see something about his life, I'd give this show a pass and recommend Marx for beginners by Ruis, the play "Young Marx", and the film "The Young Karl Marx", not only are these works better in a technical capacity, they are also not associated with any governments, so show an ideologically driven picture of the man, but still something coming from the heart. More generally if you want to see the man's ideas outside of the context of 19th century England then I'd recommend "Sorry to bother you", "Billy Elliot the musical" and "Night In the Woods", works that, to varying extents, explore these ideas without the handicap of being state-produced propaganda or pinned down to the life of one well read but drunk German Man who died nearly 150 years ago.
The leader is a masterpiece. It tells the life story of the great philosopher Karl Marx in painstakingly personal detail. It tells how the immortal science of Marxism got its roots, and how the life around Marx impacted his conclusions and decisions in the making of mankind’s greatest scientific work, Das Kapital. Besides the pursuit of knowledge and answers to stop the bourgeoisie exploitation, The Leader also tells the personal life of Karl Marx in detail. We have deeply emotional situations and humane relationships. If this piece of art doesn’t make you cry your heart out at least once, you have no soul. Even if youare deeply indoctrinated into an imperialist capitalist system, if you still feel no remorse towards these characters, Marx, Engels and Jenny among them after what they’ve gone through and what situations hit them, then you truly are a lost cause. One could however critique the art direction that has been going here. If you are a 2D purist the 3D is going to put you off. Did it put me off though? No. It blended in seamlessly, and besides, I would not have cared if this was fully 3D either. It’s the end result and the story that matters the most. The cause and the beautiful art in general. Not the amount of dimensions it’s in. This piece of art was funded by the Chinese government. Because let’s be honest, an imperialist company would never fund or publish something like this. Though one can have doubts about the Chinese government, surprisingly enough, this series doesn’t push down Chinese market socialism or any such ideologies for that matter. Which is a relief. Instead we got a majestic piece of art that holds very truthful to the historic source material through an objective lens. Happy late 200th birthday Karl Marx!
State capitalism in china is very successful. so successful that the government is facing a paradox: how can it keep calling itself the communist party when the youth is so focused on making money and showing their elevated consumer status ? This anime is the answer: 1. make the leader a cool and trendy philosopher (clothing, music), keep the grit, drop the science. 2. draw the leader as an exotic individual, attractive but not chinese: the chinese cannot be universal, they shall be specific 3. don't dive into the study, do not explain. criticism shall stay manageable by emerging only from the gifted few 3. insist on social status, virtueand membership 4. kowtow to the new leaders who ditch the internationale and administer special treatment to the special people a recipe to raise communism from the dead: all fashionable and brainless this thematic was mostly treated with CGI and a few scenes were hand drawn. the animation is cheap, the colors are good. knowing the science of the capital, i could appreciate that anime as a refresher on the chronology. episode 3 features aerith's theme from final fantasy VII, so there's that.
