In the town of Engamori, supernatural beings known as yokai, gods, and humans have been living amongst each other for centuries, each striving to lead ordinary, peaceful lives. One day Buchio, a 20-year-old cat, mysteriously evolves into a nekomata, a feline yokai, near the end of his life. Although this allows him to stay with his human family longer, it also makes him question the reason behind his evolution, along with the special abilities that have recently manifested in himl.
Meanwhile, an elementary school girl named Mutsumi "Muu-chan" Sugimoto begins to feel more attached to Jirou, a tengu—a crow-like yokai—and Jirou begins to fill the void left by her late father. While both are unable to properly communicate their intentions at first, they gradually form a companionship where they protect each other.
[Written by MAL Rewrite]
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KANLen09
Tonari no Youkai-san - Humans and mythical beings living in harmony...what could go so wrong? In the era of never-ending wash, rinse, and repeat of fantasy shows (well, most of them being Isekai in their premise), pure fantasy works get lost in the lurch being categorized in the same bunch as their no-life Isekai works, and it's really a shame that we now rarely get these shows that embody a unique sense of originality that you just can't find anywhere within AniManga. Such is the fate of series like the famed female mangaka Yuki Midorikawa's Natsume Yuujinchou a.k.a Natsume's Book of Friends, in which both themanga and the anime series are still going strong to this very day after 2 decades. But what if I tell you that there is a work that is just like it, similar but not so much to a degree? Yes, it does exist, and it's one of the underrated hidden gems of the Spring 2024 season: mangaka noho's Tonari no Yokai-san, with the anime being the complete package of the manga's rather short 4-volume long story that's serialized between July 2018 and January 2022.
This seemingly simple story/plot is told through the POV of Buchio, a 20-year-old human evolving into a nekomata a.k.a cat Yokai, residing in the rural village of Fuchigamori, where a small community of humans and Youkai live their daily lives interacting with one another, it's all about finding one's purpose as a new Yokai fledgling and trying to make sense of what he can do so as to not lapse into an existential crisis. At the same time, the human side of the equation, seen through the eyes of Mutsumi "Mu-chan" Sugimoto, apart from witnessing Buchio's evolution into a nekomata, gets interested in Yokai in general, and one such party would be the Fuchibiyama family of the son-grandfather duo of crow (Karasu) Tengu Jirobo a.k.a Jiro and human (Hanataka) Tengu Tazenbo a.k.a Occhan, whom she interacts with a lot.
On the outset, this rather particular community of humans and Yokai seems to be alive and well on the outside. I mean, you have Mutsumi's family that opens their arms to Buchio, letting him understand and develop the peculiarities of Youkai with the people around him, as he attempts to re-learn how to live life in a Youkai state, and yet, still has a human heart within him that feels emotions the same as any other human. On the other hand, Jiro and Tazenbo being Fuchigamori's literate inter-generational Tengu guardians to protect the peace within the village from external factors, the place itself may be the "grass that's greener on the other side," but make no mistake that it's still susceptible to affecting just about anyone not in the know. The kids are the most vulnerable of the group, especially Mutsumi, who, despite feeling right at home with her family, feels that her TRUE identification of a family feels like love so unexplainable that, as jarring as it is, the attachment is there despite the rather unkempt execution that still makes you feel so emotionally raw, and in a harmfully good way.
I shall not go into spoilers (since there's just so much that this show does right, even when you least expect it), but it's better if you go into this show VERY blind, because it is a literate wreck to the heartstrings, teaching about stories of connecting bonds; Yokai trying to learn how to assimilate and acclimate themselves into a very new being of nature; and the most important of all: love and affection that may be the Power of Friendship, but plays out so differently that you don't know what to anticipate. It's a chronicle of many tales, but these tales exist to help and support each other, connecting the physical to the mythical with expressions that are not tropes at all, just the daily vibe of ordinary humanely works that keeps everyone on tabs at all times. You can't ask for a close, well-knitted community like this, it's almost rare to even see one so intimately related.
Of all the Liden Films shows over the past few years, Tonari no Yokai-san is a luscious treat for the eyes. It's just gorgeous and beautiful, and at the same time, not too complicated since the series doesn't have any fancy of the usual genre tropes and the like. Even compared to recent shows like last Summer's Ryza no Atelier a.k.a Atelier Ryza, and especially last Spring's Kimi wa Houkago Insomnia a.k.a Insomniacs After School, it shows that, as a studio, Liden Films could benefit more from the slice-of-life aspect showing off what they're capable of, apart from the countless Shonen works produced over the same period of time. And despite a rather B-team of sorts with Ryman's Club director-cum-series composer Ami Yamauchi (with this show being her 2nd directorial work) together with series composer Tomoko Konparu, this is a ladies'-helmed team that doesn't need to be the most exquisite, but it shows that they could flex too, even if by a teeny-weeny bit.
I just love the OST here, it's so calming and slow-moving to a degree that perfectly hits a series like this, though it does have its hard-hitting moments as well. Pii's OP may be all green with the rosy feeling of rejuvenation, but once you get to Aoi Kubo's ED, just when you think the show couldn't hit you hard enough, it just delivers more with a lovely and calming, yet depressing song that shows the vignettes of a very unforgiving yet thematically unapologetic show in its approach.
In hindsight, you would think that a slice-of-life story involving humans and mythical beings has nothing going for it, but believe me, you'd be only scratching the surface at how deep this series has going for it with its very unique, yet unheard of, approach to storytelling. So much so, that despite this being a manga adaptation and not an original show, this sparks so much originality and creativity that I'm left with a lot of feelings and emotions that just leave me speechless at how good (or great even) the author takes tropes and turns them into a wholly original take to teach the frailties of life and death. You don't get works like Tonari no Yokai-san quite a lot, and to the producers, whoever found this manga and want it to be adapted into an anime, I sincerely thank you for green-lighting this project, because it rocked me to the very core of what it means to be human, Yokai or otherwise. I can't tell you how many times this show made me cry, and for a VERY GOOD reason, because it's just emotionally heartbreaking.
Give Tonari no Yokai-san a try, you'll never find something as unique as this show does. An absolute hidden gem of a dark horse, this show is one certified homewrecker.
Gsarthotegga
Browsing through slice of life titles can be tricky, and it's easy to incorrectly stereotype SoL, thinking certain trends are representative of the genre. The older film and literary SoL (say, Yasujiro Ozu for film) was more traditional in style, then you have the later atmosphere-focused ones, with anime examples being Yokohama Kaidashi Kikou or Mushishi, and quite a few of them being iyashikei. Finally, there's the podiatrist-pandering brand of slime of life that you will find with the current deluge of CGDCT's patented cupcake and tea philosophy. Tonari no Youkai-san is in the atmospheric camp, for the most part, though it has the sentimentalitycommon to the more traditional SoL, and a touch of introspection that spills onto the scenes with blush-inducing blunt dialogue in what can sometimes come across as multiple interconnected therapy sessions, even spanning across multiple dimensions.
The series resembles a cross between the SoL and family films of Keiichi Hara and the folklore-oriented fantasy and mysticism common to Natsume Yuujinchou or Ghibli but with a fraction of the budget, for the animation is proficient for what's needed but rarely anything amazing, and there are even some slideshows here and there. In the first episode alone, this is closer to the essence of what I expect from the genre. This is SoL in the truer sense of having fractured vignettes of a village community, living an ordinary existence with the ayakashi that the departed gods have left behind. There's actually a concern with atmosphere and setting and a magical and fantastical sense to the surroundings as we're slowly introduced to the essence of the world. There's a surprising amount of content crammed into episodes, with darker and lighter moods that are shifted around gracefully, and there are a few clear overarching plot points to act as hooks, as well as oni to add a light amount of tension (while thankfully not becoming a shonen). There's something new and fascinating to be found in every episode, much of which isn't over-explained and maintains an aura of mystery, giving a sense of wonder to the world that is sorely lacking in most popular SoL titles.
Most SoL follows a menagerie of moeblobs or assorted oddballs nowadays, and it's rare to see the characters really feel rooted in a living, breathing community at all. Thankfully, that's not the case here, even if the integration of the yokai going to school with humans and entering standard career paths feels a touch odd, if not inorganic at times. Quite a few of the yokai have lifespans significantly longer than humans, and there are many elderly characters, so there is a heavy emphasis on the grief of losing loved ones and knowing they'll die and you'll have to continue without them. It's not just a pity party either, as the characters are tightly knit and the surroundings are warm. Pretty much all of them find ways to cope and grow, and there's a solid amount of character development to be found here. As a downside, the pacing of how various character arcs are handled is not always ideal, and it feels as if many characters are swallowed into a black hole for long stretches of episodes. Or one seemingly important character will have a few fleeting scenes and there's the impression that the studio forgot to continue that story. I'm even surprised that this series is apparently covering the entire manga because there's plenty of potential left to explore both the world and characters, but the ending is satisfactory.
In a sense, the world feels a bit... off, which is probably to be expected for a fantasy weaving together humanity and yokai so closely. Throughout, there are numerous points where the plot pivots to discussions of alternate dimensions and their potential to affect the world we're invested in, creating a sense that the world could be a possible aberration or has a degree of instability, heightening the emphasis on mono no aware, which has to do with an empathy toward things (and with the animism of shintoism this can very literally mean just about any "thing") and impermanence, and there is a fragility to the world we're presented with, like it could be ripped apart at any moment, adding a bittersweet sensibility that leaves the warmth of the series with a foreboding feeling of heartbreak. The scale of the fantastical elements and the alternative universe sci-fi backdrop presents many ideas that suggest a limitless amount of possibilities existing "between the lines" of what we're presented with, giving the series a fair amount of depth.
Broadly speaking, the series is solid, but, when looking at individual scenes, there's more of a mixture. Many moments are handled well, even for the majority of the series, but certain delicate scenes are handled poorly. While I'd occasionally have issues with melodramatic delivery, it has become unsavory in scenes such as those of Chiaki and Kazuhiko, with lots of crying and sappy music. I was laughing during many of these "tearjerker" scenes because Chiaki looks ridiculous to begin with, and it's hysterical when he's angry or upset, then pulls a "YOU'RE NOT MY DAD" and slams the door, followed by Kazuhiko coming in with his best ultra-high EQ sensitive routine to defuse the issue. Then we'll cut to crybaby Buchio's wavering waterspout for eyes like the hyper-expressive visual humor you'd find during the '90s, except this is meant to be serious. This example can be generalized to apply to the occasional overbaked scene. A number of scenes can even be summarized as "I know I worried you. I'm really sorry." "I'm sorry too." "How dare you apologize! I'm way sorrier than you could ever be." While it could sometimes be a case of following the source material too closely, the direction is sometimes weak when it comes to conveying emotion, going too hard and overplaying their hand, and I can't stress enough that some scenes are too melodramatic and use sappy music as a crutch. The score is decent enough for most purposes, but sometimes it's hard to do sad parts justice, and I suspect the manga version handles these parts better because there isn't any music to muck it up. Other parts are much better, such as the twisty conclusion with Jiro's backstory that involves Mutsumi's great grandmother, reinforcing and building upon what is occurring in the present between Mutsumi and Jiro; or Yuri's family drama, exploiting a sci-fi concept to wonderful effect.
Probably the greatest difficulty in embracing Tonari's world is how much of a furry festival it resembles. You've got birbman Jirou, who looks like he flew in from DeviantArt and could audition for Sesame Street, and his underdeveloped—despite her seeming importance—catwolfwhatever sidekick with fuzzy eyebrows (who appears to have a blind boyfriend; it's tough being blind, man), a guffawing camel in a T-shirt, as well as other assorted critters yiffing up the scenery. It's so pervasive that I had to wear my Don't Yiff on Me T-shirt for each episode. The large web of relationships often remains vague and implied, but I'm pretty sure the one guy who lives with Yuri, the talking fox, is ignoring the "don't feed the animals" sign and giving her sausage, if you catch my drift; is it really any consolation that this fox can turn into a girl? Spice and Wolf can get away with it, but this series has one too many paws in woof world to be ignored. Old man Kazuhiko, who has the anthropomorphic car Chiaki for a caretaker, is shown being dumped in his twenties by a blue-haired manbull that was pulled by its nose ring out of Tumblr, which led to a chill running down my spine when I realized that was a potential premonition for grandpa to get shipped with his talking car! PLEASE STOP! There's even an intense moeification of the kappa females, yet daddy kappa is an ugly bastard (all of the male kappas as well). I've always taken a medieval kill-it-with-fire approach in these cases, but the female ones are actually kind of cute, I loathe to admit... There are even vibes that the young FMC might have romantic thoughts in her head about our noble birbman, and the spirits in the OP look like sperm... So there's more than a dash of latent fetish fuel (mostly the bad kind) in an otherwise "cozy and wholesome" SoL.
red-artist
Tonari no Youkai-san is a Slice of Life with elements of mystery and heavy drama. The setting is a fantasy world where "yokai" (imaginary beings brought to life due to power of rumors, emotions, desires etc..) live with humans. Plot The show starts when a 20 year old pet cat is reborn as a nekomata (a yokai cat with two tails and power to transform). As a newborn yokai, he starts learning the ways of this world and this allows us audience to tag along for the lessons. We keep meeting new characters (around 15+ major cast members at this point) which all have their ownstories/backgrounds (both current and some flashbacks). At the same time, there is a larger mystery plot unraveling in the background. The pacing is great, leading to a decent climax that provides enough closure for this season.
Review
I definitely love the setting of humans and yokai living together in a slow slice of life with a rural backdrop. And the mystery behind the world's lore is also intriguing. And there are some ridiculous characters (eg: wagen-san) which are memorable.
But, the series has a few negatives:
1. The background stories of characters are often boring and predictable. And they say lines like "How could you understand how I feel?"..
2. Unnecessary "power of friendship" moments. Some dialogues like "I want to protect/save you" feel cringe when its middle schoolers (or even younger children) saying them.
3. Some drama is stretched too much and takes you out of the story.
I would recommend just watching the first episode. The series maintains the same vibe throughout the entire season and you can easily judge if it is to your taste. While I don't regret watching it, I don't exactly feel glad either. Its a decent enough series, that is worth its runtime, but nothing memorable.
bossunhimeswitch
This was an interesting anime. Not just because of the mythology influencing the story or the ayashi living alongside humans, but also what the anime chose to say about things like connection, grief, and anger. The characters were endearing and while some aspects of the story seemed abrupt, the ending fit what the story was trying to do and say, so I liked that about it a lot. I also liked how calm the vibe was for the most part with this series. It was very relaxing at times even when it was dramatic. The biggest downside to the anime was that I got somecharacters confused with each other because their designs were too similar. This might not be a worry for the majority of viewers, but I always run into trouble when characters look too similar to each other.
If you like a mix of fantasy and slice of life or enjoy ayashi stories then you'll likely enjoy this anime. If you want something that's going to be more tense and serious, then you might want to try something else.
Allsaints112
Very emotional at times. Found myself very emotional throughout this anime with so many sad episodes or moments. However... It can be frustrating depending on the character you're watching. Some relationships and characters i hated seeing such as mutsumi and jiro. The screen time these two characters had and the relationship they had is the most infuriating. My guy jiro is trying to protect everyone and this girl is holding him back at every turn. When the Oni attacked she had to stop him and do a big speech when he is off doing patrol she is following him. I was watching thinking leave my boialone!.
Apart from the relationship between jiro and mutsumi I do have some favourites. Buchio and his mum is adorable seeing the flashback of how she saved him and then his struggles to come to terms with knowing he will outlive the people he loves and watching this unfold was truly beautiful.
Jiro and mutsumis grandmothers relationship was another that is also great to watch. It was very well done how they showed her losing everything and everyone important to her so she instructed jiro to forget her then they hit me with the letter saying she didn't mean it and that she knows he won't be able to forget her and that she wishes he doesn't. A great episode and relationship shown.
I would have liked to have seen more of the kappa and boy story I think I would have rather seen more of them than mutsumi and jiro. I didn't enjoy how little time they were shown there relationship was very quick and seemed rushed to me. We had 13 episodes of mutsumi and jiro but it feels like we only had 4 of the boy and the kappa girl.
There were some very fun moments within the anime such as the girl in the toilet who later is seen helping the students after the Oni attack which was unexpected also the demon lord he was surprisingly nice with his tips for buchio
Very good anime but would be better if there was more focus spent on the Oni and the other characters. I would have liked to have seen why the old red man only had one wing and maybe more about the war they are always discussing. The anime spends so much time on unnecessary things such as mutsumi when we could be seeing more fun stuff like when takumi is trying to have an interview with the people from the space-time laboratory and fails miserably. Funny goofy moments like that were fun but there wasn't enough of them.
Tsiox
I decided to watch this because: 1. There was a cat. 2. It looked like a nice slow paced slice of life that could heal my sadness for a bit. Some episodes later I realized that this is more drama than I thought it would be. The characters are overcoming their struggles and sadness, and that theme will be present in every episode. The only thing I disliked about this series was Mutsumi (Muu-chan) and Jirou’s interactions with the repeating topic, and that she kept interfering with his work that just made it harder for him. I think the goal of the story is to make you put more effortin your life, face reality, do what you actually want here and now, and appreciate what you have.
I'm a sensitive person so it hit me hard. It’s a short, simple anime that is not unique, but I’m glad I watched it. I think I needed it.
The background music, OP/ED, animation and composition were good.
I would recommend this series to people who see themselves as sentimental.
PixelBrush
This anime isn’t your typical slice of life. It combines the calm day to day with the supernatural and fantastical. It’s moved me to tears multiple times throughout, while repeatedly completing subverting my expectations as to what’d happen next. This is an amazing anime for people who like folklore and endings that want to make you binge all episodes in one go. The ending was a massive 360°, and some people apparently don’t like it because of that, but it honestly felt like it built up to it quite naturally, slowly introducing the relevant concepts throughout. The world building is top-notch as well.
