THE END is an opera birthed out of the collaboration between Keiichirou Shibuya, director and script writer Toshiki Okada, and illustrator YKBX. This production does not feature any humans, and replacing all familiar elements of the non-existent singers and orchestras are aria and recitative by Hatsune Miku and Vocaloid, with a story told by computer-made music and visuals. This production tests taking the traditional tragic structure of an opera asking "What is death?" and "What is an end?" and puts Hatsune Miku as the mediator to reread it in a modern way. (Source: Official Site)
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It’s not like I feel nothing. There is an emotion here. But I can’t pinpoint what it is. Rage or disgust. Probably disgust. I mean really, what were they thinking? Actually I do know what they were thinking. “Vocaloid opera.” And that’s where they stopped thinking. They jumped right into it and a month before release they realized that operas have a story and music. They had neither. Well shoot, we have to write a story. How do you make a good story? Make it relatable. What’s something that everyone does? Die. Perfect.It’s a story about death, starring Miku. But someone might notice the story is lacking. Make it artsy, make them feel dumb for not getting it. Insult their intelligence on top of stealing their time. Making a minute and a half of good music is hard. Too hard for them. And then there’s the other 84 minutes. What do we do? It’s a vocaloid opera, make some vocaloid music. Should it be catchy? Haha no. Perhaps a song about a dragon. With her face in the dragon’s mouth. Trust me, it’s going to look way stupider than it sounds. I can confirm that The End does indeed end at some point. The applause was the most unbelievable part of this entire ordeal.