Young boy Amon has mysterious powers. His dad is the cheif scientist for the Empire of the Golden Snake. He's invented weapons for this country in the past, but does not want his boy's powers to be used for destruction so he burns his research and tries to escape the country with his family. The mom and dad die in the escape and only Amon is left. He runs from the military, ends up on an island where he learns about the ancient people who could fly on the wind and talk to animals (as he can). Amon then ends up in a fishermen's village and makes friends with Maria. After this village is attacked by the Golden Snake army, the two run away with a band of rebels. Together, they try to stop the Empire of the Golden Snake from destroying and conquering everything. Based on the book by C.W. Nicol.
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Comentários
lisnoire
Wow. What an under watched, underrated gem of a movie with a bit of a Studio Ghibli feel to it. It isn't. Brains Base did it. There's no need for me to go into the story because the synopsis does it very well . . . . for a change. It takes place in an alternate world that has the of 1930's Europe. There are some pretty fantastic airships, bi-planes, tanks, and storm troopers. The background art flows from dark, menacing snowy nights, bright island life, rain on ruins, to hope filled sunrises. It is very effectivein setting moods that range from the grim, to innocence, to anguish and despair, to the heroic and hope filled, to the spiritual.
Be aware that there is violence and death. It is grim, realistic, and sad but not "twisted" or "splattery". Not really one for the kiddies to watch alone and certainly not just for the kiddies.
Character designs aren't unique or particular beautiful, but neither do they get in the way. With the exception of the "evil dictator" most characters are drawn to convey ordinary people. Come to think of it, I did like the look of some of the supporting characters. The music is equally noninvasive. Besides a flute piece played by the main character in one scene, nothing really stands out.
TBWStW can be enjoyed as a fine bit of fantasy. If you want to go deeper it can make an anti-war statement whilesaying it's o.k. to fight back when threatened. It also dips its toes into philosophy, quantum theory, and theology with its presentation of energy manipulation, many metaphors surrounding flight, and the continuation of the "soul." (Take a moment to wiki C. W. Nicol, the author of the book the anime is based on. He's fascinating.)
I liked it. I liked it a lot, enough to give it a 9. Actually it is more of an 8.5 but I can't do that here.
Sheepdude
A wonderful shounen anti-war film which slipped through the cracks. The amazing art will surely catch your eye. The vintage styling, reminiscent of "Now and Then, Here and There", will make you think you're watching a film that's much older than a 2000 movie. The Boy Who Saw the Wind's classic look paints the film as a tribal fantasy epic, despite its technologically-advanced universe. The result is a multi-temporal environment which is nostalgic, modern, and futuristic, all at the same time. Within this universe, the common boy-saves-girl anti-war drama takes place, of which Now and Then, Laputa, Conan, and Agito are variants. The Boy Who Saw theWind makes its mark among these through its tragic plot and awesome visuals.
The only pitfall of this film is the hurried direction which takes place in the second half, most likely due to time or budget constraints. The lack of build-up and anticipation at this point makes the film seem like it's jumping around, but nothing important is left out.
The Boy Who Saw the Wind is worth watching, especially if you enjoyed any of the above-mentioned works.
