Ano Hi Mita Hana no Namae wo Bokutachi wa Mada Shiranai.
Duração: 22 min per ep
Gênero: Drama, Supernatural
Estudio: A-1 Pictures
Sinopse:
Jinta Yadomi is peacefully living as a recluse, spending his days away from school and playing video games at home instead. One hot summer day, his childhood friend, Meiko "Menma" Honma, appears and pesters him to grant a forgotten wish. He pays her no mind, which annoys her, but he doesn't really care. After all, Menma already died years ago.
At first, Jinta thinks that he is merely hallucinating due to the summer heat, but he is later on convinced that what he sees truly is the ghost of Menma. Jinta and his group of childhood friends grew apart after her untimely death, but they are drawn together once more as they try to lay Menma's spirit to rest. Re-living their pain and guilt, will they be able to find the strength to help not only Menma move on—but themselves as well?
[Written by MAL Rewrite]
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Archaeon
Dealing with the death of a friend or loved one isn't easy, no matter how old you are, and everyone comes to terms with their loss in different ways. Adults can drink themselves into a stupor in an effort to dull the pain, take off on a journey of self discovery, bury themselves in their work, or find some other coping mechanism. Unfortunately the same isn't true for children, and all too often they are unable to truly deal with the emotional turmoil that occurs. Now it may seem a bit odd to talk about death, grief, and learning to deal with the loss of someoneclose, but essentially that's what Ano Hi Mita Hana no Namae wo Bokutachi wa Mada Shiranai (We Still Don't Know the Name of the Flower We Saw That Day), is all about.
The story opens with Yadomi Jinta, a seemingly grumpy teenager who is playing a game in his room on a hot summer's day whilst his childhood friend Honma Meiko (Menma), pesters him repeatedly. Having had enough of the game, Jinta decides to make lunch, but only for himself and his father which annoys Menma no end as she also wants to eat the ramen he has made.
It all seems like a fairly normal, everyday scene that one might see in anime, but not everything is as it seems ...
On the surface AnoHana looks like a fairly straightforward tale of teenagers learning to deal with a past trauma and maturing in the process, and for the most part that's a fairly accurate perception. The plot is well constructed and takes a measured, almost methodical approach to events which is reflected in the often placid tone of the narrative. Unfortunately this leads to a degree of predictability as certain events in the storyline are clearly foreshadowed, and while the series promotes a degree of empathy for the characters and their situation, there may be occasions where viewers want the story to get to the point.
One surprising aspect is the manner in which flashbacks are used to punctuate specific occurrences or emotions, whilst adding historical context to the relationship between Jinta, Menma, and the rest of the "Super Peace Busters". These sojourns into memory act as a nice counterpoint to the current state of relations between the characters, and highlight just how much has changed for each of them over the last ten years.
This contrast is also reflected in the visuals, and while there is a marked difference in the appearance of almost all of the Super Peace Busters, it's actually the subtle contextual setting that makes the change much more pronounced. The key thing to remember is that people often romanticise personal history and memories, especially if one has undergone some kind of trauma, and AnoHana plays on this by sharpening the focus and darkening the tones on the present day, which contrasts with the soft focus flashbacks that are often filled with "light".
The design itself is well handled, but while efforts have been made to really highlight the changes ten years can make to a child's physical growth, it's the character animation that stands out. A-1 Pictures have tried to visualize the movement differences between a child and an adolescent, and while there are a few niggles here and there, the overall effect promotes the sense that the characters are no longer the children they once were.
Because AnoHana is a character driven piece there is a heavy emphasis placed on the dialogue, and while the majority of the script is actually pretty intuitive, the manner of speech during the flashback scenes can sometimes seem a bit odd. Thankfully the series has some very talented seiyuu on hand, and it's interesting to note that some of the roles feature two different voice actors - one for the present day and one for the past. Each role is given due care and attention, so it's unfortunate that even with so much talent on hand, there are a few issues from time to time as the seiyuu handling the child roles are all adults. Now while this may be standard practice in the industry, studios like Ghibli have proven time and again that children are much more capable of playing the younger roles than the majority of adults, and while the relatively minor flaws in the dialogue do stand out, one has to wonder how different the series could have been if child actors had been used.
AnoHana features a number of slow pieces of background music performed on piano or guitar that reflect the measured plot and add a slightly bittersweet air to the storyline. The opening theme, Aoi Shiori by Galileo Galilei, features a sequence that shows the characters in their past and present forms and hints at the the reason for their emotional difficulties. The ending sequence features a montage of the three girls of the Super Peace Busters, Menma, Anjou Naruko (Anaru), and Tsurumi Chiriko (Tsuruko), and is set to Secret Base ~Kimi ga Kureta Mono~ (10 years after Version), which is a cover of the 2001 single by Zone and is performed by Kayano Ai, Tomatsu Haruka and Hayami Saori, the seiyuu who play the roles of Menma, Anaru and Tsuruko.
Now given the nature of the series and the near constant focus on the characters, certain viewers may assume that AnoHana should feature almost continuous development, so it may come as a surprise to some people that the show takes more of a "stop-start" approach. Because of the attempt to apply a degree of realism to the characters and the emphasis on depicting them as plausible, any attempts at continuous development would seem overly contrived.
Balancing that though, is some rather strong characterisation. One of the key things to remember about each person in the story is that they have experienced a specific defining moment in their lives, and that allows the characters to be depicted as individuals from the start. The strength of the characterisation is even more palpable if one compares the present versions of the Super Peace Busters with their past selves from the flashbacks. That said, there are occasions where the story has difficulty finding a resolution to a given situation so it can sometimes seem as though events are being dragged on in a effort to develop the characters.
AnoHana is a surprisingly simple, yet slightly over sentimental, look at the coping mechanisms of children and adolescents when coming to terms with a past trauma, and in that respect it's one of the more surprising titles of the last few years. The series errs more on the side of soap opera than outright drama from time to time, but like many of the other relatively minor flaws, this can be forgiven in light of the fact that the subject matter is well managed and delivered. In truth, the closest neighbour to AnoHana would probably be Tokyo Magnitude 8.0 as that also highlights the difficulty children have in dealing with the sudden loss of a loved one.
It's difficult to say whether I actually enjoyed the series or not. On the one hand it has some genuinely entertaining moments, but on the other the series deals with an issue that has little enjoyment value (unless watching kids coming to terms with emotional scars is your thing), and even though AnoHana isn't a story without flaws, that doesn't mean it's bad. In fact, the reverse is true as while the series does take a slightly romanticised look at the characters and events, the constant element of realism that runs through the narrative sets this anime apart from many others.
If nothing else, AnoHana is a great example of how good a completely original anime can be.
Radzeer
What do you do, when you suddenly see a ghost of a person that you were close to? Most people would think it's just their imagination or the effect of stress. But what if your mind doesn't play tricks on you and you really encounter a ghost from the past? AnoHana plays with this idea. The story starts out on a usual day for the shut-in Jinta, who suddenly sees the ghost of his childhood friend Menma. Menma tells Jinta she has a wish that she wants to be granted by him. And from here on, Jinta's unusual summer starts. Story: The story itself centers around thesix members of the Super Peace Busters, which was seemingly disbanded after the death of one their members. At first you'd expect that the story revolves around Menma and her wish but the truth is, the story tries to center around the members' lives and the way they were affected by the death of their friend and the show does a sloppy job with that. Of course true friends wouldn't leave each other in times of need. So why were the Super Peace Busters disbanded? Obviously there are more reasons behind that than the death of their friend.
I personally thought that story would be a coming-of-age story, where the characters deal with the problems of becoming adults and finally dealing with the death of their beloved friend. And boy was I wrong. Instead, the show turned out to be a love story pretty soon and the romance became the major driving force of the entire show. The mystery behind Menma's wish didn't unfold until the last episode and tension has been lifted so suddenly, at first I didn't know how it happened. The story itself moved forward pretty slowly, until the last 3 episodes, where the pace suddenly changed and everything was wrapped rather quickly up in one final episode. Not to mention many questions were left open and many were left unexplained.
The first 4 or 5 episodes were very promising, but after them, the plot went down the drain pretty soon and was dragged out for too long. I think the story could have been told in roughly 6 episodes, and then we could have been spared of all those unnecessary scenes that were dealing with the love polygon between the characters. It's a pity that they wasted 11 episodes on a story that was worth roughly 6 episodes.
The reason why AnoHana became popular is the romance and the fact that you could ship many characters together. Most of the characters rethink their relations to the others and since the cast is half male half female, it is inevitable that some of them play with the thought of starting a relationship with someone other from the Super Peace busters.
The plot wasn't really planned out from the start and it seemed the writer didn't know what to do with the 11 episodes he or she got, the pacing of the story made this obvious. This problem affects most of the original anime shows and AnoHana wasn't an exception either.
Art:
One of the major strong-points of the show. The animation is consistent, the backgrounds are well drawn. This is no wonder, since the anime was originally meant to attract tourists to Chichibu city and I think that AnoHana managed to capture the beauty of the region pretty well and reached its goal with this.
Sound:
The background music fits in the show perfectly, it was very well done. The opening and ending songs are very catchy and perhaps they are the best of the season.
Characters:
There are 6 main characters in the story. The creators could have used 6 episodes to explore their backgrounds and the nature of their problems, but the show wasn't able to do this either. I would have really liked if we could have gotten more info about Chiriko and Poppo too, since they were as important as the other four. The characters aren't any special and there is little to no character development throughout the story. Not to mention everyone is emotionally so unstable, that they can break into crying every now and then. This became very annoying especially in the last two episodes. The conflicts between them feel over-exaggerated most of the time and everyone runs in circles until the very last episode. But the execution of the last episode was so terrible, I can even tell the exact moment when all the problems are suddenly solved. The character interactions are melodramatic and take everything to the extreme. As I was telling earlier I was expecting a coming-of-age show, so I thought maybe the characters were going to discuss their problems and try to find a solution to them, but all the cast was doing was crying and complaining about their issues throughout the story and they didn't even care about the things the others were saying. Without analyzing characters I must say, that they weren't original, the show just managed to re-use some common and popular character archetypes. They are rather easy to forget.
Overall:
This show makes a perfect job on summoning emotions from the viewers and fills the holes of the plot with the tears of the viewer. It started out as a promising drama but failed to live up to its high expectations. But this might be a good start if you're unfamiliar to dramas, because AnoHana heavily relies on the sympathy that you feel towards the characters and takes you on an emotional rollercoaster and sucks you in to the story easily. If you had experiences with dramas before, I suggest you skip the show, because it’s forgettable and has many flaws that might disturb you and the rushed ending basically ruins the tension that has been building up since the beginning. Overall I say that AnoHana is a mediocre show, that had potential, but failed to exploit it, but despite this it became very popular. If you like shipping in general and crying over love stories, AnoHana is the anime for you.
themegamancave
"Oh no, here come the tears!" Anohana was a fantastic, emotional story of loss that struck all the right heart chords. Anyone who has abruptly lost someone premature in their lives can relate to this series. What it does, it does very good in fact... And I really started empathizing with the characters like I knew exactly what tragedy they had gone through. All of the characters and their motives were believable, and it made for one enjoyable experience. Although Anohana only had 11 episodes to get it's point across, I had no problem understanding any part of the plot. Six kids, inseparableit seemed were devastated when one of them was tragically killed in an accident. Now they all gather back several years later to attempt to send off the memory of one of their best friends by granting an eternal wish. The exact details of Menma's death were never explained, but it was unneeded. The writers did an incredible job of making that information irrelevant. The subject was so sad to even talk about, the characters all got fragile when they started talking about it.
I can't help but think the writer had some personal tie to a similar situation like had transpired in the series. It seemed so gripping and personal to me. Especially near the end, none of the characters wanted to let go of the memory they had of Menma, and often had trouble coming to terms with their own personal guilt. I'll just say it takes a lot to make me cry, but at the end as the closing theme played, I lost it. Incredible, original and emotional storyline.
Like I previously stated, all of the characters in Anohana were believable... and it made the show that much better. The main, Jintan struggled constantly between wanting to move on and wanting Menmas memory and love to stay with him forever. He is obviously stricken by what had happened that day, and leads a very closed off life because of it. However, Jintan opens up more and more as the show continues. I love the growth he had even through such a short amount of time.
Poppo reminds me a lot of myself. He handles grief by putting on a "everything is ok" façade, which the others mistake for him just being a goofy individual. Deep down is more than likely a sad grieving man desperate to make amends with his regret from that day. Yukiatsu kind of rubbed me the wrong way, but his character was still strong and understandably jealous of Jintan. The only strange thing I thought about the characters were how they all filled in a strange love triangle of sorts. I felt it was unnecessary to write in love interests of 10 year olds... And after years later their feelings were all still so strong. A bit odd.
The animation was very good in this series, but nothing buzzworthy. I thought it was a little strange how they made Menma age, but still not quite as much as everyone else. I'm not sure what the artists were going for here. The opening was also alright, but didn't feel as as fitting as the ending song (which I felt was very good). Especially how it was incorporated into some of the episode's conclusions.
I think it's safe to say that after all of the action animes I've seen recently, it was really nice to see Anohana. Even with as blubbery as I was at the end, I felt it showcased the feeling of loss and grief to the best extent possible. I would recommend this anime to just about anyone, especially those who enjoy heart-felt stories. Loved it!
PoeticJustice
Death of a close friend is always difficult to deal with, mainly because it always comes when you least expect it. It is especially hard to portray it accurately in any medium, let alone anime. When I first heard of Anohana, I was expecting a beautiful story about a group of friends coming to accept the death of their beloved friend and eventually becoming better people. I was sorely mistaken. Anohana is a travesty of writing and I have no idea why this deserved any praise whatsoever. Story- My first issue is, that Anohana is OVERLY melodramatic. The first couple episodes had me hooked to thecomputer screen, they gave me hope of seeing a great show but sadly I was wrong. Every episode after that is basically a crying contest. In all of the upcoming episodes, a different character breaks down in tears to get an emotional rise out of the viewer. This is not only laughable, but it boils down to poor writing and obvious emotional manipulation.
My second issue is the ghost herself, Menma. Menma is the star of the show, every character in the show loved her and never got over her death. I assume she was supposed to be a plot device to facilitate the development of the other characters, but this never happened at all. Instead of the characters reflecting upon themselves, we got a group of morons crying over a ghost without addressing their own problems. Wasn't that the point of the story? Moving on and becoming better people? I guess not.
Another issue is that many episodes are wasted on trying to prove Menma exists. In the first episode, Menma herself is a semi-corporeal being able to move objects around. Jinta ignored this fact and continued to think that she still didn't exist, despite objects moving around the room. This takes time away from the much needed development of character.
My last issue is the ending itself. Not only was it horribly executed, but none of the character's problems resolved. People were misled into thinking this was a great ending because everyone was crying and Menma, "moved on," but ultimately everyone basically remained the same aside from a few minor changes.
Art- The artstyle was pretty nice, a lot of vibrant colors and scenic backgrounds. Nothing to complain about here.
Sound- I only liked the ED, "Secret Base~Ten years later," it was a very catchy and sweet song. Such a shame that the song was wasted on a horrible show.
Character- In a show like this, the characters are arguably the most important aspect. This, however, is where the writers failed once again. The cast of this show is so unlikeable and idiotic that they failed to get any emotional reaction out of me. First we have Jinta, an NEET/social recluse who never recovered from Menma's death. He is the main protagonist of the show and a poor one at that. Jinta is so oblivious to the feelings of others that it becomes irritating just to watch him on the screen. Menma, as mentioned previously, is a moeblob with the personality of a doormat. Her one and only flaw is caring too much about other people? Isn't this supposed to be a slice of life? Aren't people supposed to have multiple flaws as opposed to just one that can't really be considered one?
Too summarize this all up, basically we have a group of unlikeable nitwits who cry a lot, are selfish, and cross-dress. Now this wouldn't be a problem if they became better people but they never did.
Overall, Anohana gets a 4/10 from me. To me, this is the most overrated show on Myanimelist. Maybe it is because people are suckers for people crying. In all honesty, that is all the show is, just a bunch of losers crying over a dead girl and never getting over it. Am I cold for saying this? Not at all. Many shows have done drama right EX: Kanon(2006) Clannad, Rumbling Hearts etc. and Anohana isn't one of them. I implore everyone who is going to watch this show to look at it with open eyes, do not be misled by the buckets of tears you are bound to see. The show has a poorly mis-managed plot, bad writing and terrible characters. I would not recommend anyone watch this.
kekekeKaj
I don't often follow currently airing shows. It's usually hard to tell which shows are genuinely good until the hype dies down a bit. But under intense peer pressure, I started following a certain series this season. That show is "Deadman Wonderland". To cut a long story short, it sucked. So to deal with the disappointment I decided to follow another series, the sleeper hit "Ano Hi Mita Hana no Namae wo Bokutachi wa Mada Shiranai", which apparently translates roughly to "We Still Don't Know the Name of That Flower We Were Smoking When We Came Up With This Title". Something like that. With atitle that long, no wonder everyone just calls it "AnoHana" instead.
The reason I chose AnoHana is because while everyone around me was talking about "Deadman Wonderland" and "C" before the season began, those talk quickly became dominated by AnoHana soon after the season got under way. And as the show also looked like a drama that isn't bursting with moe juices, I honestly thought it was going to be awesome.
...but it's not.
Which is not to say it's a bad, or even mediocre series, but while I definitely think the positives outweigh the negatives, I certainly don't think Ano Hana is a show that deserves all the praise it's been garnering.
Firstly, let me get something off my chest: having recently been annoyed by the spontaneously violent, clingy, cheesily cheerful, hyperactive white haired girl Shiro from "Deadman Wonderland", I was dismayed to find a clingy, cheesily cheerful, hyperactive white haired girl in AnoHana too. If you extracted everything that's annoying from Shiro and put it into a new character, you would essentially end up with Menma from AnoHana.
And unfortunately, Menma is one of main characters of the series. In short, AnoHana is about this exceedingly annoying ghost girl Menma returning to the world to make her childhood friends' lives miserable.
Ok ok, I jest - it was only me she made miserable... her friends were already miserable to begin with, and her re-appearance just brings their problems into focus. These group of friends, who collectively called themselves the "Super Peace Busters", had drifted apart after the unfortunate accident involving Menma that left them all mentally scarred in one way or another. But her return succeeds in bringing them back together again, and in doing so opens up the old wounds that never really healed.
Oh yeah, I should mention that there're a couple of catches in the set up. The first one is that only one of Menma's childhood friend can see her - and that's the main character Jinta (but this gets a satisfactory explanation). The other catch is that she apparently returns in order to get her wish granted... except she can't remember what it is (which smells like a bullsh*t plot device to me), and so they spend the series going on wild goose chases in order to make this unknown wish come true and thus help Menma achieve nirvana.
This second catch helps to illustrate one of main issues I have with the series - though the concept itself is promising, the story is over reliant on convenient plot devices. In the short space of 11 episodes, I counted at least four or five major plot devices being used to keep the story on its intended track, resulting in some quite exasperatingly un-natural plot progression, not to mention some massive plot holes.
The other problem I have with AnoHana is its melodrama. It may not have it by the bucketload, but it does have it in spades. The "Super Peace Busters" sure live up to their name, as whenever they come together, the peace is bound to be busted at some point. The dialogue and character interactions would often take up baffling turns that inevitably lead to lots of confrontations, angst and tears. I guess if you try hard enough, you can come up with reasons for why a character say this and does that etc, but at the end of the day, the way it all comes together just doesn't feel quite right to me. I can often feel the tug of melodrama taking the flow of conversations etc off their natural course.
AnoHana's habit of overcooking promising drama into melodrama gives me the impression that the makers are a little insecure about the potential of AnoHana to move people, and so felt like they had to work it harder in order to cement its idenity as an emotional drama. But the thing is, I feel AnoHana a show with enough good material and interesting ideas that it doesn't NEED the melodrama to make it tick. A good example of this is during final episode, when the realisation regarding Menma's situation dawned on her friends. In all honesty, it was a great moment, perhaps the best one in the entire series... and then the girls started screeching and grappling at each other and completely ruined the mood. What the hell were the makers thinking??
But while I was complaining to my friends about my disappointments regarding this series (as well as this overrated experience of following currently airing anime), I was struck by a sudden realisation: in spite of its shortcomings, I really WANTED to like AnoHana, and kept desperately hoping the show would get it right. It's a striking contrast to "Deadman Wonderland" where I couldn't care less what happens. Despite AnoHana's frequent heavy handling of drama, there's a sincerity about what it's is trying to achieve. Also, being a nostalgic person, the strong sense of melancholy about the show really speaks to me. The bittersweet joys of getting together with old friends and briefly re-living the carefree days of childhood, the aching sense of loss as you realise things can never quite be the same again... these are all feelings that the show manages to convey very successfully.
The role that the background music plays in creating the poignant moments in AnoHana cannot be underestimated. While the show itself can be accused of trying too hard at times, the same accusation certainly cannot be levelled at the music. Simple, and yet quietly evocative, it barely put a foot wrong throughout the series. In fact it's hard to fault the music in AnoHana at all - the opening and ending themes are both very solid songs, which is quite rare in anime as at least one of them is a dud normally.
Given everything AnoHana has going for it, it's a real pity that it isn't a lot better. Perhaps, given the length of the series, the makers made the decision to rely heavily on contrived plot devices in order to keep things moving along, and on melodrama as a shorcut to character development. But some things are not meant to be hurried, especially when some of the problems the characters have are quite bizarre, and the hurried execution just made them seem more random than anything else. However, it is a show that deserves some credit for its good intentions and powerful ideas. In some respects it reminds me of "Cross Game", as the two shows have some overlapping themes, particularly in the early episodes of AnoHana. "Cross Game" though, does it so much better.
So yeah, this whole following currently airing show thing has proved to be quite a disappointing experience. Don't think I'll be doing it again in a hurry (unless I succumb to peer pressure again). On the plus side, finishing a show so soon after it airs did briefly make me feel like I was down with the kids for once...
celephaise
Updated in response to Uriel1988 1/01/2012 Happy New Years! [Hello, Having just read your review on Anohana, I'm truly saddened to see you didn't enjoy it, at the very least you didn't buy into any of the hype. But more on that later, the main issue I would like to point out is that I don't agree with you on a couple fine points. First off, the series sets no lofty goals, it's flawed with execution errors and plot holes undoubtedly, but its base method in itself is its simplicity. Like you stated, it's a story of loss in a form of a "ghost story". I don'tsee it as a profound series at all, in fact, it often lacks in presenting a serious tone. However, for someone who can step into the characters' mindset, the technicality and surface value of the anime is rendered forgivable, reason falls apart in the face of emotions. And I believe it's not fair to only judge it from your eyes. Especially when you claim most people in real life eventually forget about such a "loss" as day-to-day routines and just life in general forces us to forget. Which normally I would more then agree with you on, we see it happen all the time e.g the death of a relative/loved one or the shock of a sudden undue revelation. However, keep in mind these are indeed kids you're talking about. And no matter how you argue, children are at their most vulnerable age, they soak in every detail and every event influences their personality. From my personal experiences and working with many mentally challenged individuals, I can tell you it's no small thing to have someone/ something you love taken away, especially with all the implications of painful realism, forcing decisions upon unanswered questions. Without a doubt all individuals react differently and I can't say such a generalization of yours can be made. And additionally, I don't believe that all the characters' inability/ or at least difficulty of moving on is hinged on the fact of how "perfect/wonderful" Menma really was. Think of it in a child's perspective instead of an adults'. And add that to the fact of how her death marked the end of innocence for all those involved and the beginning of regret, so many words left unspoken, the true manifestation of loss/grief with no way to set things right. Then tell me if it's simply normal to walk away, that might be the case in today's modernized western world but it's not within the culture of the Japanese. They don't blot out the deaths of cherished family/friends, but instead pay their respects to something that clearly defines what they are to that day. That being said, I clearly understand your position on this anime but am having difficulty just accepting it, I loved this anime not for what it is but what it provided me as a medium, the joys of adolescent friendship preserved, the remembrance of certain things I thought had left me, rediscovering elements I've clearly needed to think more upon.]
My Review:
If you're reading this, it means you have no life.
Read on if you dare... All jokes aside, if it takes you this many positive reviews and what-not just to convince you to pick this series up, then I have no words to say.
*But, however, if you're like me and like to read over some of the reviews of your favorite anime then proceed. (Warning: I'll be including as little plot summary as possible.)
After the completion of this work of art (Yes, in my opinion it's that great) there's only one phrase I could write.
"This anime defines the reason why I watch anime."
So much so that I didn't even bother writing a cliched philosophical statement regarding this work's main theme and/or problem.
For those who ignored my first statement and still wish to continue -It's best to go in with no expectations and no prior knowledge of the plot... It'll make it even more amazing. If that's possible.-
That being said, after deciding to place this among the top of my "planned-to-watch" list I had very high expectations and was ready to judge harshly if necessary. I can be a cruel sadistic bastard when it comes to something that I find dry and overly lacking in innovation. However... even I'm surprised at how badly I contracted brain damage. I went in with my many preconceived notions (Is this just another tragedy?) and cognitive biases (If it's repetitive material then I'm going to hate) (My friends are probably up to their usual "Freak of the moment" rants).
The end result? I was still absolutely floored.
Now time to analyze:
Is it original? Perhaps, but it still had many of the elements found in other less-than-original-anime. And what are those? The setting for one. Childhood friends centering around a memory-ridden landmark. Slight plot-holes due to the rapid transformation of adolescence characters into adulthood. Transition was done quite well and even the middle episodes were quite interesting to watch.
Is it life-changing? Few works are. But this one could perhaps edge out one or two of the masterpieces. Although there's only 11 episodes there's more than one pivot point in the anime where raw tendrils of earth-shattering thought are summoned from even the dullest of minds. (No offense, I don't mean dull. Just dense in the metaphysical criteria) You feel this sort of fire and restlessness from a simple scene. There is definitely power in Anohana to be witnessed.
Is it emotionally provoking? Sometimes, but there is also a smooth liquid quality to most of the story. The beginning started strong. I was immediately hooked. You sort of get used to the quality of the scenes. It becomes mentally harder and harder to draw yourself away from each and every little detail.
Is it informative? Critical issues are addressed but this is not one of those slice-of-life portraits. But if you mean informative in terms of sheer joy and gratification you'll be hard pressed to find another that is both serious and light.
Why exactly is this anime so damned good?
I guess it all goes back to the holistic representation + the sum of all its parts. The message is almost starkly dismally hopeful, pardon the oxymoron. You dream of life for the characters but at the same time you are sad because of the result. The story-line is balanced and well construed. There are almost no fillers of any kind and almost each little conversation and flashback plays a paramount position in the overall work. The music made starting each episode easier, as well as giving one of those joy-rides upon the completion of each sequence. The characters are quite realistic and not your typical stereotypes; They are also designed well with actual capacities for growth.
However...
For me at least, those were just the key points of a good anime. Not a great anime. So why did I just give it a score of 10 overall?
Along with many other titles I enjoy there is a goal the main characters hope to achieve. And just like those titles there should be a pleasing story that usually runs smooth while finishing the conclusion with a bang. But what sets Ano Hi Mita Hana no Namae wo Bokuachi wa Mada Shiranai apart, asides from it's slightly long name, is a thoroughly different approach to a traditional method. It's this style that makes Anohana so enjoyable. But how is this possible? What possible ploys and techniques from the usual suspect directors have we not seen? A profound sense of loss? Death and an unavoidable universal subject matter? A basis on a belief of afterlife and reincarnation? Psychological dilemmas and love triangles? Of course not. The truth is by the time most of us get to watching Anohana, we would have witnessed some of these more than just a couple of times.
By now you are probably a little tired of the reviewer for avoiding the point. Here's where you skeptics ask "Yes, I reckon it's a good anime but why should I drop what I'm doing and give it a try?"
More than one person has already suspected this review is another one of those multi-section circular breakdowns which is a practice in the art of saying nothing. But it's missing a few things.
1.) Where's the statement of undying loyalty?
or
2.) Where's the "It was damn good but I'm too cool to admit it because I'm the reviewer so I'll just pretend I didn't love this anime so much that I apparently wasted my time writing a review".
And if you didn't understand what I just wrote up there then look down.
Questions have arisen. Such as: I understand Anohana is probably amazing but how come you haven't explain it properly yet in your own terms? What are you exactly saying and where's that ground-breaking theory of yours at? Why should I waste my time reading this kind of wishy-washy overly florid review? (aka when I could just STARE AT THE NEXT REVIEW DOWN and read me a complete plot-based thriller or a fan's praise-fest) The answer? I don't know. At this time of writing this review I still have no idea. Ha, you think If I knew I wouldn't tell you? Probably. But once I know I'll most likely share. Until then, I'll try to abstain from writing at 3 in the morning, even if it's about my favorite anime. It would also be good if I didn't fret so much if I was being too sarcastic.
Rest assured I loved this anime and you should too unless you didn't get past my first statement in which case...
Mapplesauce
After finishing Anohana, I could only think of one thing - "So what's the point?" There are many positive things to say about Anohana. Its opening is well designed, featuring the characters in their past and present forms as well as hinting at their emotional problems. The theme ("Aoi Shiori") is not only a great song by itself but also well-fitting with the show's melancholic tone. Its ending is similarly well made, and it is sung by some of the voice actors of the cast. The animation/art is amazing. It is fluid and never drops in quality. The show also does a pretty good at demonstrating characterinteraction (for the most part). It's meant to be awkward and unpleasant, given the long period of time the characters went without talking to each other after the death of Menma. And, I do think the characters feel realistic (with some exceptions). They are all deeply flawed and selfish people, which is OK. In fact, it is very refreshing to see this in anime.
The issue is they don't ever develop from their mistakes, or really, develop at all. In fact, it's very debatable whether or not most of them see what they did wrong in the first place. The show doesn't go into them actually becoming better human beings. They end up basically the same as they started, barely able to accept that Menma is indeed dead. There's no catharsis, no growth. The only thing you get at the end of the series is screaming and crying for the sake of it. So what the hell was the entire point of the confessions, the crying, Menma coming back as a ghost- everything? Was the entire point of the show "Haha these people are really bad human beings"?
And this is only made worse with the copious amount of melodrama.
I'll be the first one to say people overuse the term "melodrama". Under stress, or when angered, humans will act in very irrational ways. This is natural. But Jesus Christ, the characters can just put a damn blanket on Menma and 9/10 of the drama could be solved. Jinta genuinely can't figure out a way to prove the ghost's existence. Please, Jinta, make her hold something. Anything. The object will appear to be floating. She's pretty much an invisible person. Hell, just put some paint on her and none of the characters will ever have a difficult time figuring out where the hell she is. It is insane how severely lacking the characters' mental faculties are, and it's genuinely distracting. This wouldn't be that bad by itself, except for the fact that many plot points revolve around Jinta being unable to prove the ghost's existence. The characters argue vehemently about whether or not she exists, even accusing Jinta of being a liar rather than assume he's hallucinating. This goes on for almost half the show and it is extremely stupid. Eventually, the show devolves into the characters crying hysterically together and yelling about nothing for most of the screen time. It's almost as if the show is holding audience cue cards, where the show tells you you're supposed to feel emotion when the characters bawl their eyes out.
In addition, some of the characters' emotional hurdles are very unbelievable. Although I did say the characters are realistic, I say that with a grain of salt. Yukiatsu, for one, is god damn insane for little reason. He dresses up as Menma and obsesses over her, hopelessly in love with what is a walking loli moeblob. It was a childhood crush- they were 5 years old when Menma died, it's been literally over a decade. There's just no way he could still have that amount of feelings for her. It's hard to take his character seriously, which is detrimental to a drama like Anohana. His character is there just to add more drama, and he never contributes anything.
Speaking of not being able to take things seriously, it was difficult for me to empathize with the characters, mostly because the "tragic" event of Menma's death is pretty much just alluded to. It takes very little screen time actually developing this extremely important event. The show's structure is so strange. I genuinely wonder why this show didn't start with their childhood, featuring their reactions to Menma's death, with the rest of the series as a time skip showing with their hatred for one another, their eventual acknowledgment, and finally their realization/redemption. It would make a lot more sense, and the events would have more of an impact on the viewer.
Overall, Anohana is a melodrama that has way too many things wrong with it for me to give it a positive score. Certainly, I am in the minority when I say this, as at the time of writing the show has an 8.52 on MAL, but for reasons mentioned in the review, I don't recommend Anohana to anyone. If you are looking for a coming-of-age story, I suggest you to watch Ping Pong the Animation or Nagi no Asukara, and for manga, read Onanie Master Kurosawa or if you love action, Vinland Saga.
Story: 3 (dreadful presentation of the story events, combined with the massive plothole of being unable to prove menmas existence makes it the lowest category, good concept for a coming-of-age tale though)
Art: 8 (what you would expect from A-1 Pictures)
Sound: 9 (exceptional op/ed, bgs were fine too, unique char designs)
Character: 3 (tons of potential for these characters, but 0 development and little reason to empathize with them)
Enjoyment: 4 (the excessive crying and yelling in the second half was quite annoying, but the first few episodes were pretty entertaining)
Overall: 3 (I believe art and sound are not enough to save this show)
Please leave a comment letting me know if you have a criticism of my review. Feedback would be great.
Mika-Pika
I watched Ano Hi Mita Hana no Namae wo Bokutachi wa Mada Shiranai (I will call it Anohana in this review) after all the episodes had aired so I didn't have to wait for each episode. I saw a lot of posts about this on tumblr so I decided to give it a try. Story: I really liked this story. Well, the story wasn't exactly out there but it was still very interesting and I was able to watch episode after episode eagerly. The cliff hanger endings were great and I've already rewatched the whole series. The story was great! Art: The art was indeed outstanding! The characterswere all different and easy to tell apart and they each had an appropriate set of outfits (except Menma of course). I had no problems with the art. In fact I was extremely impressed. The animation was great too.
Sound:
All the voice actors did a great job and I really love the sound track. A cry manly tears when I listen to 'Last Train Home'. The voice actor who played Anaru did superb! So much emotion! I was really impressed!
Character:
Very interesting... I found it kind of odd, coz well, Menma died when she was a kid. She has grown like everyone else but... she still thinks like a kid. Isn't that a little awkward, I mean there seems to be something going on between her and Jintan but how is that okay, when she's still emotionally a kid? Menma's character was okay. She really was a bother to me though. All the other mains were very interesting and unique.
Enjoyment:
I enjoyed this anime a lot! I felt like crying in every episode (welll almost every). It's definitely one of my favourites! Unforgettable anime!
I definitely recommend this anime to shoujo fans and people who like a good tear jerker. I want to rewatch this anime..
DELETEaccountNM
At first AnoHana didn't catch my attention at all. I thought it was a plotless anime about a group of friends who spend their summer with each other. When I ran out of ongoing anime I could look forward to during my week, I decided to try this one. I realized that I had completely underestimated this show. About the story: Like I mentioned before, I thought that there was no real plot to this anime. The reason might be that the information on the website I visited to watch the anime wasn't complete. Well, I encountered an anime that made me tear up every single episode.I like how the show describes various possibilitys on how different kind of people react to the loss of their dear friend and which impact it has on them, even after a few years.
Every character had their own way to handle Menma's death, but in the end it is shown that none of them has been able to be at peace with themselves. They are only able to do that once all of them have revealed their feelings regarding Menma's death.
I apologize for those vague statements, but the rules say that I am not allowed to write spoilers, which makes the rating of the story pretty hard.
About the art:
The art itself isn't really that outstanding. However, it accompanies the plot really well. Every place in this anime becomes familiar during the show and we can relate them to certain events.
Especially the group's 'secret base' in the forest is a constant reminder of old times and gives off a feeling of safety and home.
The character's personalities are outlined by their individual character design.
The artwork is pretty colorful, which supports the overall theme of summer and gives off a comfortable feeling.
Sound:
This one is probably the one thing, one can praise the most. I don't know about the background music, since I don't remember it. Well, that probably means that it mixed in so well with the rest of the anime that I didn't realize it individually.
However, what I want to praise is the opening and especially the ending theme.
The opening song 'Aoi Shiori' makes one start the episode with a relaxed, maybe abit nostalgic feeling, which -in my eyes- is a really important thing for this anime.
I am pretty sure that it was the ending theme, which made me tear up at the ending of every episode. It starts playing during the last few sentences and makes the whole thing a lot more sentimental. I also think that it was a really good choice to make the female main cast sing it.
The seiyuu cast in this anime show did a really great job. They transmitted the feelings of their characters really well. I have to admit that I didn't know most of them, excluding Takahiro Sakurai. The fact that one of my favorite seiyuu voiced the anime's male hottie probably got it a few extra points.
Character:
Because the story is about a group of friends, there isn't such a wide palette of characters. However, that was made up by the big character development.
Well, the next part is going to get hard again, since I don't want to spoil anyone, so I want to apologize beforehand.
Menma:
Menma died when she was a child, so even though she looks like she has become older, she has maintained the pure and innocent character of a child.
She does her best to make her childhood friends become close again.
I think that they did a really good job giving her that kind of personality. Her appearance was probably chosen to be that of a teenager, because she is a love interest. Since it's a show with a serious plot and just as many ecchi moments as needed with a male teenage protagonist, a prepubescent love interest would have been totally misplaced.
Jinta:
Jinta has become a shut-in because of Menma's death and the way his friends changed since then. He is the kind of teenager, who is angry at the world.
He wants to grant Menma's wish because he thinks that it is his fault that she died. However, he often doubts his decisions, because he often comes to the conclusion that his childhood friends won't help him.
In my eyes he represents teenagers who feel abandoned by their friends.
Anaru:
Anaru has always had a one-sided love for Jinta, which made her become jealous of Menma. She can't hate her, though, because Menma is her friend and has always been nice to her.
She is heavily influenced by her female classmates. She wants to be part of a group, so she adapts herself. She has an inner conflict, because she likes Jinta, who is an outsider, but does not want to be one herself.
She represents teenager, who make themselves fit into a group, even if that means that they won't be themselves anymore.
Yukiatsu:
Yukiatsu is handsome, smart and charming to his classmates.
He suffers because of his one-sided love for Menma and treats Jinta in a bad way, because he is jealous of him.
I like the fact that despite the characteristics mentioned above, he is not perfect. As he said himself: ''I'm hot and I'm smart, but unfortunately I'm lacking a bit in the strength department''.
He represents the misjudged teenager, who is idolized or envied by others.
Tsuruko:
Tsuruko is a quiet, smart girl. She seems to be pretty apathetic to the things that happen arround her, which is proved wrong later during the series.
She represents the misjudged teenager, who seems think of him/herself as superior.
Poppo:
Poppo seems to be the only one from the group who hasn't changed. He is the first who believes that Jinta can see Menma and is pretty desperate to help her. the reason is mentioned later in the series and would be considered a spoiler.
He represtent the kind of teenager, who acts like a happy person around others even though he doesn't feel happy.
Well, so in the end all kinds of problems that teenagers can face are represented by this set of characters. That's why everyone who watches this series can be sure to find a character whom he/she can identify him/herself with.
Because of everything mentioned above i think of AnoHana as a really enjoyable anime and I would recommend it at any time.
Orsonius
I begin this review with informing you. If you want the full effect of this show then don't read anything about it. I just recommend to watch it as blind as you can, as long as you aware of its genres. It's not just because every review contains somewhat spoilers but I speak out of experience. I wish I wouldn't have known anything about this before I watched it, then it would have been even better. So this is my final warning, just go ahead and watch it, ignore all other information. Now that that is out of the way, I will start by making a bold claim. Thereare only 2 kind of anime.
Type 1 - This type is about telling you a compelling story, with cliffhangers, plot twists and and interesting setting or theme.
This is all about to make you think.
Type 2 - This type on the other hand is all about making you feel a certain way. It's not that Type1 cannot make you feel, it's just that Type 2 disregards the plot more than type1 and focuses more on manipulating your emotions.
This is all about to make you feel.
Of course you could argue there are Type 3s that are a mixture of both, or then there are weird ones that are all about art. But those could usually be categorized in one of the 2 more than the other.
So what is AnoHana?
Type2 it's that simple.
AnoHana isn't about telling you this interesting story that keeps you hooked and craving for more. It's about making you feel. It is entertainment for the heart not for the brain.
So the right mindset to watch it would be: Turn off your brain as much as you can, and embrace the feelings that will overcome you. If you focus to much on details you will find yourself in a spot where you cannot appreciate what this show is about.
!!! Warning - Some Spoilers contained !!!
AnoHana was directed by Tatsuyuki Nagai, who is also responsible for Toradora! and Railgun. But also directed Ano Natsu de Matteru and Honey and Clover 2.
You can see a pattern here. He likes SoL. And drama.
And he is really good in this.
Besides Nagai, Mari Okada was responsible for the Script of AnoHana.
She also worked on Toradora!, and wrote the script on Black Rock Shooter, Gosick, Sakurasou and True Tears. (as well as many more).
You can see a pattern here as well, she loves drama and romance.
With this background information we can take a look at the
Story:
AnoHana takes place at the end of Summer in an idyllic small town in midst of Mountains and surrounds a group of Teenagers who used to be best friends in their childhood. Though a tragic event happened, in which one of their friends died, which led to the disband of the group.
The Story revolves around how Meiko Honma returns as a ghost to bring these friends together and get her wish granted.
The premise sounds already heartwarming and is maybe not something you never have seen before in some way or the other but still gripping enough to make you interested.
Through out the course of only 11 episodes we see the maincharacter Jinta Yadomi, who is the only one who can see "Menma" ghost try to come in contact with his old childhood friend again and get back on track with his life, as well as seek redemption for the burden he imposed on himself regarding Menmas death.
11 Episodes though is far enough, and 10 would have been enough as well.
The story does not drag on and is fast enough/things happen on a steady pace, that you never get bored.
The story is not particularly complex, which is good, since it can focus completely on the plot and the characters. The viewer doesn't need to know much in advance, nor is it 100% necessary to pay attention at all times.
Though AnoHana is farm from being plausible. There are so many things that are never answered or looked into with great detail it fills the plot with so many holes, if it was a ship it would sink the moment it enters the water.
But as I said, this show is not about a great, well thought out plot. But about emotions.
If you disregard all the supernatural things that never get any explanation then you will have much more fun watching it than nagging on every occasion something doesn't make sense.
At least the ending is solid and we get a satisfying, sad but yet still happy ending.
Overall the Story is just cute, nothing too heavy. It's about themes like, friendship, love, redemption and dealing with the death of a loved one.
Characters:
It boils down to 6 characters that matter in the show, and a handful of sidecharacters that are at least mentionable.
Yadomi, Jinta (Jin-tan), is the male maincharacter, he skips school for quite some time and lives alone with his father. He is the only one who can see Menma and first thinks of her as a mere hallucination. He is stressed, not only did he lose his childhood friend he could never tell his true feelings, but also his mother due to an illness.
Since he is the maincharacter, we'll find out the most about him compared to other characters in the show. Not only do we have the biggest insight on his past and the way he lives, but also on his thoughts and emotions. Obviously he grows the most as a character comes from accepting Menma as real, to confessing to her and finally in a struggle to let her go, lets her go.
He is by far one of the most likable characters in the show, though not the most likable character I've ever seen in such a show. At least he feels somewhat new and original and I have trouble fitting him into a stereotypical archtype without thinking about it too much. If I had to, he would be the antisocial "emo" teenager.
Honma, Meiko (Menma), is the second most important character. Even though the story revolved around her, Jin is still the protagonist and we get the most insight on him.
Menma is still like a child even though she (supposedly) has grown (but still looks like a loli). Her attitude is that of a curious happy go lucky girl with very playful character traits. She is pushy and somewhat clumsy. Compared to Jin she is much easier to identify as stereotypical character as him, but that's mostly because you are supposed to feel sorry for her.
I personally enjoy characters like her, and wish I'd have a ghost like her being around me, she is just too cute, both in her appearance and in her attitude.
It's hard to tell if she grows as a character since her mindset is so simple at times. Unlike Jin who turns from an antisocial emo to a strong, independent male.
Her change comes more from what happens to her, rather what she becomes.
Anjou, Naruko (Anaru), is almost as important in the show as Menma, though the story doesn't revolve around her. Besides Jin she gets the most attention and undergoes the most changes. She starts of as being your typical tsundere, but is a bit more than that. She is in love with Jin and always thought as Menma, not only has her friend, but also as a rival.
She grows in terms of confessing to Jin, forgiving herself and accepting Menma as the "winner". She learns to stay true to herself and becomes less easily influenced by those around her. Similar to Jin she learns to become less dependent.
She was more likable than I first thought she'd be and I found it kinda tragic that she didn't "win". But it wasn't so much a romance as it was a drama.
Tetsudo Hisakawa (Poppo), is the comic relief of the show show, but turns later to become a bit more than that, though I kinda found his motives too attached and not well fleshed out. They were tagged on way to late in the series and thus never truly making him a really serious character like the others were.
But that said he was good comic relief and a very likable character. You kinda feel sorry for him being the "forever alone" guy of the group, but they handled it well and so did he.
He doesn't go through a lot of transformation but was a very important character in bringing everyone together again, also he was a true friend to Jin.
Atsumu Matsuyuki (Yukiatsu), I personally couldn't stand him. Right from the start he is introduced as Jins childhood rival/friend who has turned to a real dick. It is revealed later on, that he didn't really overcome Menmas death either and also was jealous of the bond between Jin and Menma. Though not the most likable character, he is important and is the direct counterweight to Jin, which was very important for the story.
Unlike Poppos resolution, his wasn't as cheap but also not really founded in the end. They gave him enough screentime though, yet I had the feeling they didn't really know what to do with him in the end. I found it hard to see him as anything but a counterweight.
Chiriko Tsurumi (Tsuruko), the forgotten character. No really she has not only the least amount of screentime, also her backstory is explained the least. I can't really say if I liked her or not, but I feel sorry for her being so underrepresented in the show.
Mentionable sidecharacters:
Irene Honma, the crazy mother of Menma, who also got her salvation in the end. Not much to say here.
Atsushi Yadomi, Jins father who is like the coolest dude ever. He is calm and lets his son work out his own way without leaving him behind. He wins the award for best dad 2011.
Everyone else isn't really that mentionable.
Overall AnoHana has a good, l likable cast with fleshed out characters and interesting interactions.
The entire cross romance thing felt like attached drama though. Especially since some of it wasn't really mentioned before ep10.
Animation:
AnoHana uses a mixture of warm but soft colors, emphasis realism over stylizing things and is in tradition with similar shows like ToraDora or Sakuraso no Pet na Kanojou. It didn't use any crazy techniques or ugly 3DCG that was out of place. It was overall very clean looking and had simple but somewhat realist animation.
Despite being "just" a Slice of Life, Drama, AnoHana actually had some really well animated scenes. But sometimes you also got some "quality". I can only remember one occasion where it actually was unintentionally funny, when Poppos eyes looked cross-eyed and everything around him was super serious. Despite that, it is neither amazingly animated nor bad. Above average.
Backgrounds were good looking but not stunning. I cannot remember any amazingly beautiful drawn backgrounds but it was always fitting and looked well made.
I mean, it's "just" a SoL, don't expect some crazy action scenes with stunning backgrounds and beautiful light effects. Well done is all you'll get here.
Talking about character designs is more interesting, because those were done by Masayoshi Tanaka, who also did the character designs for Ano Natsu de Matteru, Highschool of the Dead, Toradora! and others.
I personally don't really like his style. His characters Hair always looks like one piece of cotton, rather than hair. It's way more puffy that it could be, and also he likes to use all sorts of colors for his hair, instead of sticking to more realistic ones.
That aside his style is at least rememberable and you'll see the similarities in his other works (especially Ano Natsu).
I do give credit for Menma though. She was darn cute.
Again. AnoHana is not about winning awards for amazing animation, it's a cute story with cute visuals which are somewhat realistic. So don't go in and expect to be blow away.
Sound:
When it comes to voiceactors AnoHana had some famous names like Haruka Tomatsu (Asuna/SAO, Shizuku/Tonari), Ai Kayano (Inori/GuiltyCrown, Shiina/Sakurasou), Takahiro Sakurai (Suzaku/Code Geass, Makishima/PsychoPass), Miyu Irino(Makoto/DenpaOnna, Kiritsugu/FateZero).
So needless to say the voice acting is great as for most modern shows done but big studios such as A1 pictures.
The opening was pretty cute, but I personally skipped it (mostly out of time issues) since I wanted to see the show. I watched it 3/11 times and maybe a 4th time considering the song was in the last ep at the end.
The ending was also good but inferior to the opening in my opinion. Both were fitting to the show though. Not the best but good ones at least.
The ost is a mixture of Piano pieces, acoustic songs, sometimes mixed with hip-hop beats (don't misunderstand that, with hip hop beats I mean 4/4 with the snare on the 3).
It wasn't special or anything but fitting for a SoL and was well used in dramatic scenes. Overall it was calm and melancholic, like the show itself. I think it's hard to fuck up soundtracks in well made anime nowadays.
Value/Enjoyment:
On MAL AnoHana is one of the top anime, and also THE top anime under A1 pictures.
Not my personal favorite of A1 pictures (that would be Shinsekai Yori) but I can understand why.
The show itself wasn't anything new or special. But it was really well executed and deserves to be one of the best anime of A1 pictures. Yet I think it is overrated.
It gets compared to Angel Beats a lot, and I know Angel Beats has a lot of Problems as well and they are both tearjerkers. But if I had to pick one, I'd go with Angel Beats offering more than AnoHana.
So AnoHana stands among all the sad, romance/drama/SoL of the history of anime, but where?
It is one of the best, yes. Tatsuyuki knows how to make a good SoL, and so AnoHana was one of his successions. It will be remembered and watched by many to come and will make many people cry, it's just that good. But not the best...
I enjoyed it greatly and will treasure it, but it is not as good as people say it is, at least for me. I know the problems and I am not afraid of pointing them out if I need. I just ignored them because I can enjoy both, a great story and a great emotions.
Now to the Scores:
Story7/10 (good)
Premise2 (intriguing)
Pacing2 (through out interesting)
Complexity1 (Simple but sufficient)
Plausibility0 (none)
Conclusion2 (manly tears)
Characters7/10 (good)
Personality2 (multidimensional)
Behavior1 (sometimes illogical)
Development1 (mostly good)
Motivation1 (at placed tagged on)
Likability2 (great cast)
Animation 6/10 (fair)
Artstyle2 (Fitting)
Quality 1 (mostly good)
Background1 (well done)
Character D.2 (good but nothing great)
Sound7/10 (good)
Voiceacting3 (top notch)
OP/ED2 (good op, fitting)
OST2 (nothing outstanding but fitting)
Value/Enjoy14/20 (7/10) (good)
Value6
Rewatch/2.S1 (maybe some day)
Sentimental3 (very attaching)
Historical2 (A1 pictures "best" work)
Enjoyment8
Art and Animation1
Music & Sound1
Story & World2
Characters2
Value & Attachment2
lemoncremecookie
Ano Hina has a charming premise and interesting first few episodes. A lot of times in the later of the series there are tear-jerking moments. However I was a little disappointed with how it played out in the end. Of course, I stuck with it until the end because there was something sweet about it. There are plenty of issues surrounding the death of a childhood friend that can be dealt with in a dramatic, interesting way. However, the series relies mostly on petty high school love triangles. "I have a crush on him he has a crush on her! Waah!" This wasn't set up likea typical high-school drama show...why did it end up trying to be one? Especially since it had presented itself with such a promising first few episodes. I did, however, stick to it for certain reasons.
I liked Menma enough to want to see her have a happy ending. Anaru was the best character for me, the only one who showed some semblance of development. Her character was the only one with any sort of depth, and the only one I got attached too. The other characters are mostly forgettable, particularly Yukiatsu and Tsuruko. Popo is enjoyable but he has so little involvement in aspects of the story he seems misused. Menma, is of course, an ultra-cute, joyful loligirl, but you kind of know what her fate will be from the first episode.
Now on to the last episode: hated the first half and thoroughly enjoyed the second half. Yeah, I got teary. Overall, not overly depressing and perhaps maybe a little uplifting. It's started as story about dealing with loss, growing up, and moving on. While is maintained that to a degree, it later focused more on love and relationships. Without going into spoiler territory, I'll settle at an overall opinion of average for the final chapter.
Also, there's another thing I don't want to spoil, but it's a plot hole that made me want to bang my head on a table. We know Jintan can see Menma from day one. However, there's something about how she is able to communicate in a later episode that made me think, "Well why the hell didn't you do that from the beginning!!" I mean, I know lolis can be airheads, but seriously!
All in all, it drew me in during the beginning. The drama got lackluster later in the series, but kept me watching because I wanted to see Menma's wish fulfilled. The last few episodes, with the exception of 10 which was a little better than the others, bumped the series down to just "okay" when it possibly could have been a very good and heartfelt story.
bonus points: I really love the ED, wherein hundreds of white flowers burst into color.
FormerlyKnown
Do you enjoy emotional anime where characters have to overcome the trials that life throws at them, ultimately becoming better people from the experience? Then don't watch this. AnoHana (of which the full title seems to have no relevance to the story) starts off promisingly enough - we are introduced to two characters, Jinta and Menma, the latter of which turns out to be a girl who passed away ten years prior and is visible only to Jinta due to some supernatural phenomenon. The story follows them as Jinta meets up with his old friends who have all suffered to some extent as a result of Menma’sdeath.
In its presentation of the main cast and typical slice-of-lifeness, AnoHana is enjoyable enough.
However, shortly after the full cast has been introduced, everything turns sharply downhill. Rather than telling a story of a group of friends overcoming past trauma (the death of Menma), we get what should have been titled "Crying: The Animation."
While characters crying on screen is not necessarily the main problem, the issue is that everything going on for them is completely unrelatable - unless you happened to lose a friend as a child and not be able to get over it for ten years for some reason. Two of the characters even say that their feelings for Menma (when they 5-7 years old, mind you) have not changed, even though they are now in high school. What. It's quite baffling why they would even care so much about her in the first place seeing that it was shown that she was nothing but an airhead. While the story seems like it should focus on the characters who are alive, the majority of the anime is spent trying to prove Menma’s current existence and fulfill her wish – a wish that is unknown to all of the characters, including Menma, thus leading into many irrelevant tasks that accomplish nothing of value. Without spoiling it, the wish turns out to be the cheesiest thing I have ever seen.
The characters themselves are thoroughly uninteresting, and a lot of the time are downright irritating to watch. Rather than moving on, the characters whine and cry about their problems, and even by the end none of them have really changed significantly.
Visually, the anime is fine, with distinct main characters, good use of color, and nice backgrounds. Animation was not amazing (although it doesn't really need to be), but definitely good.
All in all, the greatest flaw in AnoHana is how completely unrelatable the death of Menma was to them. If the anime was in two parts, the first showing their childhood and the death of Menma, and the second showing them ten years later in high school, their situation would not only be more understandable, but also not so drawn out. However, since it's more focused on crying over an event that is merely referenced, the show fails to incite the emotional reaction that seems appropriate for the situation.
This is quite possibly the least enjoyable anime I have ever watched. I may sound like a broken record with how much I have complained about the excessive crying, but it isn't emotional, it is aggravating.
Ibelucas
In youth, we tend to over-exaggerate, over-analyse, and over-experience any event. That ice cream we ate for the first time as a child will never quite taste that good again; even as teenagers and later adults, we chase after these childhood fantasies, never quite giving up on finding that metaphorical "fountain of youth." What's the most likely thing, then, to happen if one were to experience childhood trauma? Perhaps insanity in later life, a cold heart, apathy, denial, or maybe all of the above? What exactly does happen? Ano Hi Mita Hana no Namae wo Bokutachi wa Mada Shiranai explores this phenomenon that happens whenwe simply can't let go of the past, because in all of us, there exists a child that yearns for the good ol' days.
Story: 9/10
When you experience something earth-shattering (that's awful) isn't the first thing you want to do is forget about it? To bury it with something, anything to get rid of those horrid memories? Don't you just want to curl up in a ball and forget reality for maybe, ever? Years have passed since a tragic accident happened between what used to be five really close friends. How do they interact? How will they react to one another if they become forced in close proximity? Isn't something so terrible it's hard to speak of it without bringing up memories supposed to be left buried? Yadomi and the gang struggle to make peace with their past, all the while finding out who they are and what they mean to each other in the present.
I was shocked, more like flabbergasted, when the series laid out. It opened up faster than expected and completely caught me off guard. Where I thought there was a continuity, it turned out to be a broken link in the old rusted chain of the past. Maybe there weren't many plot twists; maybe the story got a little repetitive; maybe it was just a little too short. However, the anime moves fast, and you have to keep up. It really was beautiful story-telling; the truth is a dark, dark secret many are willing to risk their lives to keep hidden. Many times, it's to protect people you love or to have the burden of it on yourself. Yadomi and the gang have to learn: is it worth it to keep your true emotions hidden? Or are you actually hurting those around you for your own individualistic needs? This anime delves deeper than simple human or friendship or even love relationships. It answers questions much deeper that pervade the subconscious.
Art: 9/10
Interestingly enough, many a time the art wasn't gloomy. In fact, it was almost like a juxtaposition of light and dark: when Yadomi was happy, sometimes the colors flitted about between midnight and sunshine. However, the majority of the time, the colors stayed neutral; but there were key moments where light had an interesting role in keeping up the story.... The characters were drawn normal, skinny, not too flashy and not to dull either. The animation wasn't disappointing in the least. I didn't see many flaws; however, nothing really jumped out at me. However, I do want to mention the facial expressions. They were accurate and went anywhere between lighthearted laughter to deadly serious in seconds. Each character had their moments, and what fantastic moments they were.
Sound: 9/10
The score is high, not because of the OP and ED, but because of the voice acting. My goodness, I have never seen such raw emotion in a voice before. The pain is almost tangible; you can literally almost empathize with every fiber of the being, even if you weren't there and this isn't your life. It was beautiful, really, to hear the sounds of human emotion, of raw pain, pleasure, or sadness, to creep into the voices of each character. Normally, the voice acting is pretty sub-par, but that's because nothing compares to the depth at which these morals and lessons pierce through one's fragile childhood heart. The OP is upbeat, a little slow; the ED is sad and depressed, almost like a love song to a deceased wife or husband. It's not like I didn't like them, it's that I thought they were pretty plain, considering the weight this anime carries.
Character: a perfect 10/10
People have blasted this anime because of how "static" or "inflexible" these characters are; how they don't change throughout the anime, and how each of them is surprisingly bland. Who in their right mind would drastically, completely change because of a trauma? I know it sounds wrong to judge others so harshly, but the reason people go into depression or turn to alcohol or drugs when they experience such trauma isn't because they changed as a person, but because they want to get out of the past. But it haunts them, day in and day out, never ceasing to be erased from the curse and blessing that is the human memory. Yadomi exhibits this through his attachment issues; Anjou through jealously; Hisakawa, through belongingness; Atsuma, through clinging to a hopeless past; Tsurumi through learning to let go; and Homna Meiko? You're going to have to find out.
This fantastic anime takes average kids, high schoolers, and really brings out basic qualities of a person that can't be changed from the past. Interestingly, it does so with accuracy and gusto, with plenty drama in between. The character score is a perfect 10/10 because they followed the human condition with such perfection I tend to never see. Maybe this is my opinion; maybe you are supposed to change after a series of events happen. I personally have experienced trauma; maybe not in this sort of way nor in the magnitude, but it has happened. And you don't change. That's simple and plain. You slowly turn into a shell of yourself if you don't let your emotions out from time to time. Externally, you may lose friends, become antisocial, or turn to other forms of relieving yourself. But inside, you stay who you inherently are, reliving that experience for the rest of your life, afraid to change because change is what made said event happen in the first place. So coming from personal experience, these characters really nailed that topic. Hard.
Overall, I was more than astounded at what this had to offer. Originally recommended by friends, I only agreed to watch it because it was barely 11 episodes. Trust me, you won't be disappointed in the least. There was enough drama to keep you riveted in your seat, enough emotions to keep your head spinning, and even some metaphysical references that keep the story interesting as a whole. I loved every juicy bit of this wonderful show; it took the worst out of people, and could turn it around so quickly to show the best of humanity. So if you know where to look, hide and seek is a really easy game to win....
SirHellfire
Writing a review as I sit in a hospital bed.... DEDICATION! This anime struck a sour cord for me when it finally clicked in the first episode what the setting was all about, because at that point it hit far too close to home for me, and if you must ask, yes one of my childhood friends died when I was in year 6(Last year of elementary school), only really difference is I'm pretty sure none of us can see her. So please be aware that there might be bias in this review, but I think my reason is justified. Ano Hi Mita Hana no Nam-. Nopefuck that. Ano Hana or The Flower We Saw That Day by the English translation is about loss at a young age and how that effects people later in life, specifically the Super Peace Busters! a former collection of some no-longer-really close friends, with our main view of the story coming from the eyes of Jintan (Only nicknames shall be used in this review) an almost prefect depiction of shut-in gamer, almost never venturing outside and when he must leave his den he does so with a disguise.
Next in the second focal character Menma an awfully cheery little thing who loves her ramen with egg mixed in and is almost inseparable from Jintan, more would be said but that enter's spoiler territory. Next on the block is my personal favorite character Poppo he is just one of those guys that everyone needs in their lives, the funny, energetic if occasionally loud dude that you meet at parties, again not much else to say without cross the line.
Fourth to the plate is Anaru who I'll say is the most deliqual of everyone, hanging around (in the words of the anime) "Crotch loose girls", there's something between her and Jintan but I'm not telling.
The fifth and sixth members of the former Super Peace Busters! I can some up in two words each for Yukiatsu, tranny and cunt (sorry but he is, at least at the start, and Tsuruko, bitch and bitch. These opinion will change over the anime but first impression are what i remember people by.
The art is really fluid when it wants to be and there are moments when my brain clicked "Well that looks pretty." The sound is par I only give it a 10 because the piano came in when it was needed.
The thing that I noticed when I finished Ano Hana, apart from the standard fact that I was crying, was that it just did in 11 episode what other shows fall to do in 26, I think that feat speaks for itself.
Goodbye my brethren, see you in the next one.
8thSin
"I never had any friends later on like the ones I had when I was [little]. Jesus, does anyone?" Childhood friends often mean a lot to us, maybe because we feel they understand us better for having a longer relationship than anyone else, or maybe it's the memory of having fun without having to worry about anything. But what happens when you lose one in your early life? What happens if you're stuck in the past? This series is about a group of six kids who had a very poor naming sense, once called themselves the "Super Peace Busters" as well as giving one of the girlsthe nickname "Anaru". Yes, that's how the Japanese pronounce "anal". Other members of the group are "Jintan", "Menma", "Poppo", "Yukiatsu", and "Tsuruko".
Fast forward 10 years and Menma is dead, with the group almost completely split up.
'AnoHana' is the tale of Menma's mysterious return from afterlife to reunite the "Super Peace Busters".
Much of the first half of the story focuses on "seishun (coming of age)", with childhood friendship and the bond that connects the six as a major theme. The second half focuses on 'Junai (pure Love)', the unwavering love and the pain of losing someone dear, and the inability to move on with their lives.
The main characters are all suffering from Menma's death in their own unique ways, and conflicted with their own inner struggles.
Jintan and Yukiatsu are still obsessed over Menma, Anaru and Tsuruko can't get over her because she's still the focus of the guys they love, and Poppo for always watching in the sidelines. The story really focuses on the development of the five living characters, and there are many memorable, touching moments of youth.
Animation in this series is extremely fluid as expected from an A-1 Pictures production. The director Nagai Tatsuyuki who worked on 'Toradora' and 'To Aru Kagaku no Railgun' is a master at presenting seishun series in anime. 'AnoHana' is set in a countryside town with a slow, gentle atmosphere, but the director manages to inspire in key scenes as usual, using dynamic animation and sudden change in pace after building up for climax in each episode. The slower scenes have interesting camera positions and composition to draw in the attention of the audience.
Sound in this series is absolutely spectacular. BGM is the single most effective element in this series in setting the atmosphere, especially enhancing the inspirational and touching scenes.
Seiyuu cast, other for Menma, were also extremely well done. One can tell they are all very much absorbed into their characters, and really sound like they mean it rather than just reading the script. This is especially crucial in emotional/sentimental scenes, because acting make or break a series like this.
The OP 'Aoi Shiori (Blue Bookmark)' has a very catchy tune with matching vocal by Galileo Galilei and poignant lyrics. It should also be noted that "blue" is a part of kanji for "seishun ("blue" + "spring")", symbolizing coming of age.
The ED 'secret base ~what you have given me~ (10 years after Version)' is a masterpiece. I was a ZONE fan back in the day, and 'secret base' is undeniably their iconic song, and one of the most memorable Jpop songs of the decade. I hate to admit it, but the vocals and the music composition in this remake has surpassed the original. Not only that, the choice of this song as ED is absolutely godly. The lyric is about the memory of childhood and dreams for the future, and also a verse about "10 years later in August". The original song was released in 2001, AND the story of 'Ano Hana' is about a girl returning 10 years after death, in August. The ED animation scene with gray flowers falling to colored flowers rising was nothing short of incredible. I don't think it's an exaggeration to say, this may be one of the best ED ever made.
'AnoHana' is rather generic as a seishun/junai series. In fact, the premise of this show: "Dead girl coming back into life, and tracing back" is identical to that of 'Ima, Ai ni Yukimasu (Be With You)', except the girl is still much younger, and that only the protagonist can see her. And eventually, turns into 'Sekai no Chuushin de, Ai wo Sakebu (Crying Out Love, In the Center of the World)' type developments.
Still, it has an interesting use of plot devices, effective flashbacks, and very strong presentation. It feels like a true Japanese story and direction, and if you can connect with the characters, it's a very touching and memorable series.
ShattenKaramu08
Everyone has a lot of shows they hate, but , there has to be 1 show which you hate but everyone loves. For me, that show is Anohana. In a nutshell, this series is a mess, a story filled with plot holes and inconsistent, unlikeable characters that only succeeded in capitivating its audience by triggering their emotions. [Contains Some Spoilers Below To Explain Plot Holes] The story starts off slow with the MC having problems seeing the ghost of Menma who was in a friend group with a cringe name and died due to an accident. It happening when they were children makes this whole thing way more meaninglessthan it seems. Due to this and uninteresting characters, I struggled with it at first.
At first, no one takes MC seriosuly, in the middle, the MC gradually gets everyone to trust him. Wait a minute, Why doesn't the MC just let Menma write? Apparently, only Poppo thinks of it, but no one cares for some reason. Slowly and Slowly, I liked this show and ignored the plot hole.
Then Ep 8 came, the worst episode I have ever watched.
Something happened which hinders the group from fulfilling Menma's wish. The problem is, the characters discard their will immediately and doubt. In the end, they gang on MC. You have been building up the trust for 7 eps to assassinate all characters in a single ep? That was not even the worst part. Menma then finally uses an object prove her existence. You talked about it back in ep 4 or 5 sth. This is a solution everyone can think about!!! When that moment aired. My mind was in awe.
The absurdity doesn't stop. In the finale, the plan didn't work. Then all characters suddenly have the will to apologize because they realize they helped Menma for their own sake due to a love triangle. Wait a minute, last time something like this happened, you all doubted the MC, why so nice this time? Another problem is a large part of that is developed after ep 8. Making the whole thing seemed rushed. Then they even have a poor poor comedic timing that makes Your Lie in April look like Assassination Classroom in terms of balance between serious/comedy (YLIA is also not a good show, but nowhere as bad as this .) But the audience won't care, as they all cried following the characters. Because they are emotional and lose their brains once there is something emotional going on. This is how this show gets away with everything, forcing the audience to cry so they wouldn't notice the horrid plot. In my mind, I only thought that the motovations and outbursts are all ridiculous (besides Hisakawa.)
Then guess what? Menma suddenly realizes her wish for Jintan's mother has been fulfilled, which doesn't make any sense again. First, she doesn't even fulfill MC's wish at that moment. Second, Menma realizes the wish after looking at the shrine she had been exposed to every single day. How she didn't realize it sooner?
Great, as the ending is so touching, no one is gonna realize this whole thing makes 0 sense.
Yes, this anime has a 8.3 rating on MAL. It has a higher rating than Hell's Paradise, Boku yabai S1, Assassination Classroom S1 and Gosick. Speaking of Gosick, these 2 shows have the same script writer...
What is going on. How can the same person write one of best anime and the worst anime of all time in a single year?
8.3? More like the average IQ of characters.
Wilio
Despite all the bad things in this world, or how the anime industry seems to sink lower than the bottom of the sea, there is always place for originally and quality content. Even though we seem to dig in a pile of charcoal, there’s always a diamond hiding underneath. All in all, the summer season hasn’t been particularly a bad one. We had a share of original productions that didn’t work the way it had to be, we had some disgusting shows such as a 10 years old succubus princess and some other shows that you still don’t know what it supposed to beabout. In other words, it was one of those normal seasons. However, there was one anime that truly went above standards with a solid point in every aspect, and that is AnoHana.
The reason why AnoHana is so solid is because of the direction it was given. For once, you actually know what it will be about during the first episode. No, it doesn’t offer a pointless 4 episodes introduction with a beach episode in between, nor does it wander around in circle thinking what cheap trick I can use to please the viewer. AnoHana is a simple story about the lost of a childhood friend and the repercussion it had on them years later. With a glimpse of a look, AnoHana might as well be just one of those cheap dramas, but it is in fact not cheap. What makes this series above the other drama is the fact that this anime has a mission, or should I say a purpose. Really, the whole charm of it resides in the simplicity and naivety of the story. This is to say that nothing in AnoHana is overcomplicated. Only, AnoHana is absolutely not a flawless show. It does feel like the series is dragging or simply not getting to point. This is mostly due to unnecessary side plot that doesn’t really develop into something concrete. In example, some sort of love triangle will develop, but this is merely as a form of emotional fan service. There are also some few scenes in the anime that aren’t really needed, but it is far from being distracting. While it doesn’t derivate the plot by much, the audience might find it irritating. Also, AnoHana’s story falls into the category of melodrama. There is a lot of crying in this anime, but unlike some other anime out there, the melodrama is justified and doesn’t feel embarrassing in any bit. All in all, these small problems aren’t enough the flip over the quality of the storyline. AnoHana has a good story and this is entirely because of the cast. Which is not surprising, since this is a character’s driven show.
I’ll be direct on this, AnoHana really has a good cast. Now I am not talking about the flash backs where their children past was showcased with some childish moments. I am talking about the whole point of the anime, and that is dealing with the lost of someone who is dear to you. We all know that death in anime is often a plot element to create a mental breakdown for the main character, but it’s often too deep shit for me. Now of course, there is some sort of mental breakdown in AnoHana, but nothing that goes batshit insane. It is mostly due because the characters didn’t know how to adapt after the event. Thankfully, there is actually more to the characters than some mourning. Through the small 11 episodes of the show, the main cast is developed into a three dimensional way that is simply amazing. Basically, it is marvellous to see how the broken relation between them will rebuild once again. As for the side characters, they serve the purpose to show the consequences from another point of view, since there are more than friends in the life of someone. However, my main problem is with Menma’s mom. Whether she is a good character or not isn’t the question. It is actually her behaviour and reaction that I find a bit unbelievable. To sum it up, a near perfect cast supported by a perfect main cast.
Production value doesn’t have anything that is notable, but it end it is pretty much solid all way through. The animation is fluid for the most and it is beautiful supported with its background. The character design for the most part is well done. My main issue is with Naruko’s bunches which looks rather silly at times. Thankfully, her hair style changes in the series so that she can actually look beautiful. As for the music, it does a perfect job at highlighting the dramatic moments. The opening song and ending song are also well fitting with the anime series. There’s also a great job that is done with the voice actors. Their performance feels for the most part believable and strong.
AnoHana is a good show and there is no doubt about it. Only, even though I only pointed few flaws that don’t really matter, it is not a show that is exceptional either. Mostly, this show is a melodrama that can often feel too dramatic for some viewers, so it all depends on the viewer’s taste. Don’t get me wrong though, in the drama aspect, it is a solid one because it is supported by a strong story and a great cast. It is truly one of the highlights of the spring season.
MessageInTime
Ano Hi Mita Hana no Namae wo Bokutachi wa Mada Shiranai, or just Ano Hana for short is an anime that took everyone by surprise this season. I was on another forum looking over the list of anime's that were airing this season and I came across Ano Hana. The plot didn't look too special, especially considering C's and Deadman Wonderland's plot synopsis'. But I decided to to check it out the following night in what would be one of the best first episodes that I have seen in a long time. The story starts out in the home of Jinta Yadomi. Jinta is a recluseand has stopped going to school. He's not just any recluse, though. Jinta(n) has the ability to see the ghost of his deceased child hood friend Menma. The story revolves around Jintan and his childhood friends (the super peace busters) attempting to fulfill her wish. The only problem is that they do not know what this wish is.
The production value of this anime is very high. Both the ED and the OP are excellent. The ED in particular sets the mood perfectly as it often plays during the final scene of the episode and transitions into the ending credits. The music that is played during the episode is usually a soft piano which often goes unnoticed. You know the soundtrack is good when you don't notice any of it. The animation is also superb. The animators did a good job of making the characters look life-like by constantly moving during scenes. Another nice touch is the fact that the characters change their clothes and hairstyles.
The characters in this anime were actually not that special. It didn't feel like any of them were original; they just seemed like old ideas that were rehashed. Actually, I shouldn't say that because nothing was wrong with any of these characters. It's just that there was not anything special about them. The only character that stands out to me is Yukiatsu. At first he is just your typical douche bag, but as you get deeper into the series you find out what a deranged individual he really is. The other characters have realistic motivations, but none of them really stood out to me. Though the characters do go through a good amount of development, the main focus of the show was to show that people never change. Which I thought was brilliant.
This show wasn't any "fun", but I don't mean that in a bad way. This show isn't fun in the way that Code Geass is fun. There is no over the top action or ham-like performances. Ano Hana instead focus' on the main plot: Menma wanting her wish granted before she goes to heaven. This show is very melodramatic, and some parts even I admit I got teary eyed at. Despite it not being a "fun" show, I enjoyed it immensely. This is a series I would definitely re-watch in the future. The only complaint about my enjoyment is that it was too short. This series would have been better off as a 26 episode show.
Despite my high score (and now that I will be reviewing anime I will be harsh on scoring), there are many things that stop this anime from being a true masterpiece. There was WAY too much crying, and a lot of the melodrama seemed forced as a result. The show really wanted to get their point across: this is supposed to be sad. But I feel like it would have benefited more if they had more character interactions because the episodes that did show character interactions were some of the best ones. Also, I have another problem with the show: the finale. It is in every way emotionally satisfying, and I admittedly teared up a little despite having a heart of stone. But I felt the ending could have been handled better. I won't explain as it may spoil it, but they could have did without the "shouting" in my opinion (among other things).
Anyway, despite the many faults this anime has it is still a must watch. Hell, being so short may even be a good thing as you can finish it in no time.
AgentBishop
Why? why this garbage of a show has 8.5 score?!! The first time i heard about this anime, was when i was looking for some tragic anime, people recommended this one so i gave it a try It’s bad, that white haired girl (Menma) is basically the Mayuri(from steins;gate) of Anohana, only instead of “totoro” she says “i wish my friends gather together again” and that's that for this character there is nothing else going on with her development, the main character doesn’t go to school and is pretty much The typical main anime guy (aloof, stupid, awkward, doesn't have a proper family,…) Menma isn’t any better, she isthe weakling between characters, she is weak for the sake of being weak and she is extremely optimistic and naive.
We also have Anjou, a typical tsundere as well who has a crush on main character for no apparent reason
And Matsuyuki (a childhood friend of MC), nothing he does makes sense which makes this anime turn from boring to irritating, Jesus Christ he even dresses up as a girl just because he has a crush!, does the writer of the show has any idea how romance work?
This is a bad anime, waste of time
the only good thing in this anime was Menma’s cute look in some episode but the story itself is boring because characters are boring, none of them is unique, you can instantly find a similar character from another anime for every character in this anime
Romance is cringy, it is painfully obvious the writers didn’t put any effort into making a believable situation, for example at one point a certain girl who has a crush on MC, keeps clumsily falling so that main character can hold her so they can gaze each other like an idiot , this disgusting pattern is repeated throughout the anime
If you want a true tragedy, stuff like death note and code geass and attack on titan are what you are looking for
but if you insist to watch romance then watch angel beats and plastic memory and guilty crown
Soundtracks and openings aren't memorable either, as I said garbage
