In a research facility hidden away on a remote island, genius programmer Shiki Magata has lived as a recluse for years. She rarely sees guests, but associate professor Souhei Saikawa and university student Moe Nishinosono still seek her out. However, their meeting is cut short when they are caught up in a locked-room murder mystery.
Everything is not as it seems, and many secrets are hidden. Within an isolated facility, a seemingly impossible and gruesome crime takes place, and Saikawa and Moe must unravel the truth behind the murder and Magata's shrouded past.
[Written by MAL Rewrite]
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Comentários
Stark700
It’s not easy to watch a show like “The Perfect Insider”. Generally speaking, the show is about mystery and in this case involves murder. It’s something that can be a sensitive topic as we learn more about the circumstances. And given the mystery aspect of the show, it’s the narratives that captures the essence of story. Really though, what is The Perfect Insider? Subete ga F ni Naru (also more commonly known as The Perfect Insider) is based on a Japanese mystery novel written in 1996 by Hiroshi Mori. Produced by A-1 Pictures, the show is symbolic for how mystery can be so…mysterious. The settingtakes place on a remote island and begins when Souhei Saikawa, an associate professor of National Nagono University, goes on a vacation there. During his vacation, he is also accompanied by 1st year student, Moe Nishinosono. What started out as an ordinary trip turns bizarre when a mysterious corpse shows up at the lab. At the same time, it also became well known that a woman named Shiki Magata lives there. As one of the most mysterious characters in the show, she has literally lived in a laboratory for the past 15 years. Can you imagine that? Trapping themselves like a rat in a box hardly sounds like a paradise. For someone like Magata, there’s also a dark past that involves the parricide of her parents. It’s the establishment of these three characters that makes The Perfect Insider a dark and grimy tale.
It’s a very talky show. The first episode has an immense amount of philosophical vibe that follows with its heavy dialogues. The character interactions between Moe/Magata and Moe/Souhei can be described as cryptic. There’s some lighthearted humor as well but mostly follow a suit of dark comedy. When they reach the island, there’s also more of an experimental feeling as if there’s something that’s hidden there. It’s not long before they discover the grim truth there. What the show also concentrates a bit on is the background story of Shiki Magata. Obviously, she isn’t a normal woman by the way she talks or behaves. The bits of past we see implies that she is an unstable child although her actions are difficult to decipher because of her personality. [spoiler]This includes her involvement with the death of her parents as well as the perverse relationship she forges with her uncle.[/spoiler] I think at some point, viewers may find it unsettling with what they witness. And that’s no surprise either considering how much we learn that Magata is far from normal.
Throughout the series, there are many clues that has connections with the murder case. It’s also apparent that some of the clues are presented through intentional means. One of the most prominent is a message called ‘Everything Becomes F’, which is also synonymous with the series’ alternate title. What’s more about the clues is that they are all seems to be related to Shiki Magata. What I find the show intriguing is how each episode’s performance triggers events that correlates with one another. Even the episode titles has some sort of meaning or is symbolic with the storytelling. Some sensitive topics are used as plot devices and while can be unsettling is important to establish Magata’s character. On a weaker note, the show has a slow pacing, one that I think can really test the patience of viewers. Furthermore, the story is structured in a way that explores both Moe and Magata in almost parallel ways. As the story progresses, we also learn a bit more about Moe as well. While her personality is not similar to Magata or Souhei, something suggests that her past isn’t as bright as some people have hoped.
The main character interactions of the show is expressed by the building tension and relations one draws from another. Moe’s conversation with Souhei can be interpreted from many angles but it’s obvious that he shows a great deal of bizarre interest in Magata. Moe’s interest with Souhei also crafts a bizarre relationship angle as Magata shows unusual interest in Moe. It’s a really weird way of presenting the story and I’d have to advise to watch the show with an open mind. Not just because of the main characters but also for some of the more mature and sensitive topics. Otherwise, this is probably a show that is not worth the investment especially considering how talkative it is. There’s still also some minor comedy although mostly is far eclipsed by the thrilling feeling of its mystery.
For a mystery show, it also invests a decent amount of time with its unusual artwork. There’s a hollow feeling that anyone can draw from its backgrounds. Most characters are also designed to look simple without unusual features. Well, that is until you see Makata Shiki. Additionally, the show portrays its mystery with symbolism and disorder. The clues translates into a more detailed form of analysis such as the message Magata left behind or more prominent features Moe herself discovers later on in the show. To put it simply, artwork is unorthodox but also stylistically fitting for a show like this.
I have to admit a bit, the soundtrack is surprisingly impressive. From the unusual execution of the OP song (that features rotoscope done effectively) to the thrilling atmosphere, each episode offers what mystery should be. More intensified scenes are also adapted with quietness to add on more to the thrilling suspense. In addition, character voice mannerisms has a profound tone of philosophy behind them. In particular, Souhei speaks with intelligence and purpose and that’s something I find quite compelling. Unfortunately, this doesn’t seem to apply to Moe as she can be legitimately frustrating to watch with someone of her personality. And of course, there’s Magata. Her conversation portrayed in the show through that near-sinister like voice really can feel mysterious.
The Perfect Insider is a show with some unique dynamics even in the mystery genre. From disturbing plot devices to insightful conversations, it’s a series that goes beyond just a simple murder case. It becomes complex with its dark themes, the riveting style of the storytelling, and heavy characterization. The first three episodes will probably be a make or break for most viewers. But if you manage to stay, it’ll be a thrilling ride that is not short of perfect.
Flawfinder
So here we are. The final noitamina show of 2015. Can’t say I’ve been a big fan of the time slot’s constant deaths and revivals to the point that Jean Grey is thinking there’s something wrong with it, and considering that nobody likes The Perfect Insider but people who seem to think that good dialogue automatically equals quality, I don’t think I’m going to be breaking many hearts when I say that I’m not exactly enthusiastic about having to review the show. But hey, regardless of quality, I think most of us can agree it’s still worth talking about. Not to mention, I get toslap those “novel adaptations are always good” heathens around, so win/win.
Based on the third or fourth novel in the S&M (Sohei and Moe) series - which I haven’t read, but The Perfect Insider seems to assume its audience has because it doesn’t even bother to tell us who our two leads are - the anime stars our two title characters as they head to an island retreat for a university vacation where thanks to the almighty god that is the mystery writer, a murder happens Detective Conan-style and the two must figure out what’s going on. The series also has a live-action drama that was criticized for being slow-paced, but upon further research, I discovered it actually adapts five novels worth of material within its ten-episode run, which makes me wonder just what the fuck is in these novels that makes them such a tedious chore even when you only have an hour or so to tell the story. Yes it should come to no surprise considering it’s A-1, but for an 11-episode series The Perfect Insider is ridiculously long. And it doesn’t even have any uninspired world-building to fall back on as an excuse. It’s just long for no good reason whatsoever.
The thing about mysteries is that once you know the truth behind ‘em, they cease to be “mysteries” and instead become uninteresting. As such, the bad ones generally rely on the brain-teasing to entice the audience whilst the good ones tie the mystery into other things in order to stay relevant in the long run. Maybe explore the personalities of our main characters. Rope the mystery into some larger plot. Have the villain be a well-respected figure who was turned into a bad guy for no good reason. Basically do everything Paranoia Agent did. You’ll be pleased to hear that not only does Perfect Insider not do any of these things, but the mystery itself doesn’t even make sense. It’s like the guy who was adapting the source material realized he ordered too many timeslots, but rather than actually add anything to the adaptation like, say, telling us who the fuck Sohei and Moe are, he just turned on an episode of Monogatari, became engaged in what he was seeing, and yelled “brilliant!” And then he saw the mystery made no sense in the novel and went “oh who the fuck cares?”
There’s so much boring redundant dialogue in this show that it takes three episodes for the mystery to even fucking start. And even with the long stretches of time spent on talking me to sleep, the show is incredibly lacking in detail. The characters react to deaths the same way a normal person would react to a mosquito bite, and everyone gets free rein of the place like they don’t care that there’s a murderer among them to the point that it felt like they were reading the script. Not to mention that what little we see of the victim’s history does a pretty good job at making me glad that she’s dead because she’s fucking psychotic. Maybe it’s just me, but I find it hard to sympathize with someone who’d kill their family out of nowhere whilst looking like she inhaled two bags of coke. And explain to me where all that AI stuff came from and what it added to the story besides a load of bananas.
With that said, the show’s total commitment to treating fucked-up relationships and psychic programs as a normal thing was entertaining at points, mainly because it kept making me laugh. Well, not “laugh” persay. More like snicker at the idea that someone can say that children grow to kill their parents at the age of fifteen like it’s a normal thing to happen. I guess now we know what happened to all the parents in every single highschool anime ever, amirite? Unfortunately, the amount of unintentionally hilarious dialogue is in a vast minority compared to the ones that are either spouting exposition or talking about Moe’s desires to bone her teacher silly. Which is also kind of unintentionally hilarious in a way. I guess spouting out quantum physics when someone asks you where the rewind button on the Xbone controller is located is considered sexy to some people.
My point is this: shows that try to get by on dialogue alone are shit. Because animation is a visual medium and not using the visuals to tell the story is like not having gameplay in your video game. That’s right, The Perfect Insider is the anime version of those walking simulator games. The ones where you play as some nameless being trying to find the plot without any challenge in-between the exposition dumps to the point that it feels like you’re reading a book that was chopped into pieces and scattered across the world so that it takes an awfully long time and money to figure out how the story ends. Forgive me for being old-fashioned, but when I buy a book, I prefer to have the entire thing at my disposal and not have to buy a new chapter every time I go to a new book store. If I had to do that, Huckleberry Finn would have taken three years to finish reading.
Plus, why should I care about the dialogue when it’s being spoken by a bunch of dull drama stereotypes with no personal story or stakes in the mystery whatsoever? Did anyone ever watch LA Confidential and thought it would have been improved if you replaced Guy Pearce with some random kid genius who has no connection with the police force and just said what the audience was thinking whilst discovering the dead body underneath the house? Of course not. Because that kid would have been really fucking boring! I don’t watch anime to see people react to things. I watch anime to see people doing things. And I can’t remember one thing Sohei and Moe ever did besides wonder what was going on and then eventually figure out the truth in one long info-dump before going about their lives.
I mean did this experience change them? Did they go through any character growth throughout the series? Did they have any personal connection with the victim? I remember Moe talking with her once and that was it. Why exactly are Sohei and Moe the main characters if they’re not going to affect the story? Even Benedict Cumberbatch had to match personal wits with the otherwise-unconnected criminals he faces at the end of each episode of Sherlock.
Fair warning to all my readers. I’m going to spoil the plot of this show now, because I can’t get deep into its silliness otherwise. After more than eight episodes of exposition-dumping along with one really bad Engrish scene that grated my ears harder than the voice-acting in a post-90s Sonic game, the show decides to reveal through several overly long and tensionless exposition scenes that absolutely none of the characters we met along the way was the culprit and that the person they thought was the victim was actually a look-alike who killed herself because fifteen years of planning couldn’t stand up to the words that came out of Moe’s mouth. The original plan was to have both the intended victim and her husband killed because they lived fucked up lives and apparently this is their way of seeking redemption rather than - oh, I don’t know - turning themselves in. Instead, the intended murderer killed herself, the intended victim escapes the island, she shows up one last time to tell Sohei that she won’t get caught, we get a final episode consisting of nothing but tying up loose ends rather than giving me some actual payoff, and then the show ends with a scene consisting of the intended victim and the actual victim talking about the meaning of life.
So in other words, assuming that load of boring plot dump doesn’t put you to sleep, the only character who gets any sort of resolution out of this ridiculously long mystery is the unlikeable and uninteresting murderer we barely got to know, and it’s an incredibly anticlimactic one as well. Somewhere in Hell, Albert Wesker from Resident Evil is watching this show (and I have it on good authority that Satan allows his followers to watch anime in Hell) and going “dude, I was treated with more dignity than this. And I was killed by a muscleman and his incredibly stupid black sidekick who’d waste valuable health sprays on you if you so much as got a paper cut.”
HaXXspetten
The Perfect Insider is what I would like to call the first 'proper' mystery anime I've seen in quite some time. By 'proper' I don't mean to say that it's amazing per se, but that it actually follows the best story design for the genre. That is to say, it takes its time to give the viewers all the details you could ever ask for as well as plenty of red herrings, it doesn't blatantly break the rules of detective fiction like certain other recent works, and it is also not episodic in any way. It gives you a fair chance to reflect on thecase at hand and try to figure out the problem on your own, and it doesn't try to include any needless supernatural elements in the process. It's just 11 episodes of content all dedicated to a single in-depth mystery, and as a result it actually feels like a traditional detective story. It's simple, but very effective.
Based on a mystery novel of the same name from 1996, The Perfect Insider follows the cryptic death of a genius computer scientist named Magata Shiki, who has been locked up in an isolated research facility on an island for the last 15 years after having been accused of murdering her own parents as a teenager. Nishinosono Moe, a rich young lady, and the university professor Saikawa Souhei travel together to the island with the hopes of meeting Shiki in person, only to find her dead inside her room upon arriving, with her arms and legs cut off. Based on the guards' testimony as well as the security camera footage, it is clear that no one else ever entered or left Shiki's quarters. So who killed her, how and why? Those are the main questions which the story revolves around. In other words, at heart it's a classic 'locked room' problem. Though that's not all there is to it since as you'll find out, the case only escalates even further from that point onwards...
Now since mysteries are very spoiler-sensitive I don't really want to say anything more than that about the story, but I can at least say that while the overall plotline didn't exactly blow my mind... I still found it very satisfying. The most important part of a good mystery is to give the viewers a fair chance at figuring out the problem before the truth is revealed, and The Perfect Insider does a good job at that. Part of the solution is actually not that difficult to figure out on your own, but the whole thing? Yeah I don't think very many people were able to do that, but it all made sense when I finally heard the explanation, and that's all I can really ever ask for.
Shiki herself is unquestionably the most interesting character of the anime as is made evident when the others slowly but surely come to realize who she used to be whilst investigating the case. She's crazy, but unbelievably intelligent. As far as Saikawa-sensei and Moe goes though... I can't help but feel like they're utilized more as plot mechanics than actual persons. Saikawa-sensei quite simply fulfills the role of the detective of the case. To quote one of the 20 rules of detective fiction: "The detective novel must have a detective in it; and a detective is not a detective unless he detects. His function is to gather clues that will eventually lead to the person who did the dirty work in the first chapter; and if the detective does not reach his conclusions through an analysis of those clues, he has no more solved his problem than the schoolboy who gets his answer out of the back of the arithmetic." And that is effectively all he does: logically solving the problem, one step at a time. Beyond that he's honestly a quite bland and uninspiring character, but at least he fulfills the role that the story has given him very well. Moe on the other hand is the intermediary character who is there to ensure that the viewers are able to follow along and don't get confused, by not being quite as sharp as Saikawa-sensei is, and thus making him have to explain most of his discoveries vocally to her, thus indirectly informing the audience in the process as well. And all the other side characters... well they're mostly just 'there', not a whole lot more to say about them.
The Perfect Insider is produced by A-1 Pictures of all studios, which is pretty unexpected in and of itself since this is hardly the kind of series they usually adapt. They pretty much always make shounen anime, but this time they're tackling a philosophical seinen mystery instead. But either way, they do a surprisingly good job at it, and the animation is as top notch as ever as well. Something that might be worth mentioning here as well is that the character designs are actually made by Asano Inio, the mangaka of Oyasumi Punpun and Solanin among other things. And although The Perfect Insider perhaps doesn't look *that* crazy relatively speaking, you can still really see who the artist is. It's just too characteristic to be unnoticeable.
In the end, The Perfect Insider might be very dialogue-heavy and slow-paced, but I still found significantly more consistent enjoyment value in this anime than almost anything else from this season, mostly because it actually feels like a real mystery for once. Like a legitimately interesting one which teases your imagination and makes you think for yourself. It's surprising just how rare that is to see in anime, but it means quite a lot to me. So even though the mystery in this case might not have been completely flawless, it's still a hell of a lot better than getting nothing at all. I'll just take what I can get.
Agil-san
So, it seems that this anime was a hit more miss with most, who watched. I personally enjoyed the show thoroughly from beginning to end. What seems to be the "problem" that most people point out is that the characters are unrealistic or that they are just idiots trying to act smart but I didn't see it that way at all. Agree or disagree I will give you my 2 cents about this series. I will start with first with the [b]Characters[/b]. If you don't like 'different/perfect' characters, you won't enjoy the show. Our lead protagonist Saikawa is a professor at a college but his personality is anythingbut normal, he is very anti social and spends his time thinking about the way humans think and why they think that way. He is curious why people do many things for no reason.
His mentality is detached from society's typical way of thinking, the way he questions anything and everything would make most people in society look at him like he was crazy. I personally saw his statements as realistic questions to be asked.
"Every morning I wake up and think am I the same Saikawa I was yesterday? Or am I just trying to play the role of Saikawa?".
"In here it feels like we've been abandoned by time."
"Isn't 'released from' a better phrase as opposed to 'abandoned by'"
"Seeing nature and thinking its beautiful is what is unnatural"
"In the end, everybody is tied down to their one body, don't you find that terribly restrictive?"
I enjoyed his character because he would say things no other main character would say. Which was something great to me.
Female lead protagonist Moe, a math genius who can answer any math question immediately, she is also an unusual character, she isn't quite as curious as Saikawa when it comes humans but she tags along with him. Her above average intellect helps conversations with this unusual male lead to make some sense. Saikawa can't talk to somebody who refuses to share the same train of though.
Lastly the main focus of the series, is a woman who is a super genius named Magata. She is world famous for being super smart at the age of 11 and thus they locked her in a room so that she can work alone, for 15 years. Her character is similar to that of Saikawa in that she questions the human train of thought and emotions. Her train of thought is similar to Saikawa as well.
If you can't stand 'different/perfect' characters with drastic world views then do not watch this show.
[b]Story[/b]
The two leads go to the island where the famous Dr. Magata works, and the fact that Moe's family is well known, they are let in upon arriving. When they enter a murder is committed where the limbs of the body are missing. Although Saikawa prefers to leave Moe convinces him to stay and help figure out this murder mystery.
Not much to say about it in general except, I felt that the revelation of the murder and how they get there is enjoyable. The reasoning behind the murder might be acceptable for you depending on what kind of person are you. Like I said before the characters mainly determine how your enjoyment of this series will go.
[b]Sound[/b]
Great fantastic awesome whatever. The music was great in this series OP and ED. One of the best of this season. If a great ost is enough to get you to watch a series then this is your show.
[b]Art[/b]
The art wasn't bad. The only thing that bothered me is the way they drew everybody's eyebrowss, and occasionally how some of the characters eyes looked. Other than that the art was good.
[b]Enjoyment[/b]
Enjoyment was great, probably my favorite show of the season. If you think that OPM is the anime of the season, then I recommend you to avoid this show like the plague.
[b]In Conclusion[/b]
Subete ga F ni Naru is a show that requires your undivided attention, missing the smallest of details can change how you view it. I don’t blame you for not liking it. It is a metaphysical journey that’s more about exploring its concepts than anything. It isn’t meant to be taken at face value and demands you to pay attention to understand it. It’s a show that touches upon the human condition and finding one’s purpose in life. I suggest watching lesser complicated shows before trying to tackleSubete again. Subete is an anime made for people who understand philosophy and also have a keen understanding on how to properly analyze content.
Kurosakimaru
The Perfect Insider is a great example of how fast an interesting premise can turn into a bad story. If you came to this anime looking for an interesting and intellectual show, then I would advise you to look somewhere else. STORY This show started out with an interesting premise. The premise being that a genius programmer Shiki Magata is murdered within a locked room on an isolated island. This becomes a game of cat and mouse, as our two main characters (or protagonists) search around for clues to the mystery. While I hyped the premise initially, the actual progression/execution of the show was lackluster tosay the least. The answer to the mystery was rather predictable, but I was hoping that the execution would be better. The themes were simply not explored enough and most of dialogue seem unneeded or unnatural. In fact most of the show consists of poorly written dialogue, with very slow pacing and annoying plot holes/plot conveniences. This show tries to bombard you with pseudo-intellectualism, rather than actual facts, logic or interesting logistical questions.
Even when a noteworthy question is asked, it is quickly overshadowed by other non-sense within the show. In some cases, the question is not even related to the problem at hand. In other situations, the answers are very left field or do not even answer the question. However, the final episode was very well written. Unlike previous episodes many interesting questions were proposed and answered. We gain a bit more understanding of Shiki Magata; however, one episode does not make up for the entirety of the show. The plot just contains a lot of lazy writing, pseudo-intellectualism and moments of huge info dumping.
"Every human starts as a genius. And as they age, they become average."- Shiki Magata
CHARACTERS
All of the characters are surprisingly flat, which is shocking coming from a dialogue heavy show. Many of their motivations, fears, or dreams are stripped away. We are left with dull 2-dimensional characters, with no additional interesting information or talents about them. There are three main characters:
Souhei Saikawa:
Angsty, pseudo-intellectual main character, who solves the mystery with almost little to no insight. Most of his rants have nothing to do with the actual plot, and his moments of “genius” are ass-pulls.
Shiki Magata:
Genius, yet psychotic programmer, with the foresight of a time wizard. There’s almost no motivation for this character and no personality either. She’s merely a plot device, nothing more or less.
Moe Nishinosono:
Young side kick who obsesses over Souhei. She’s just a hollow placeholder for the audience to project their views and feelings through, while they watch the show.
ART/ANIMATION
The art is typical, nothing new in this department; however, the animation can be a bit sloppy at some points. For anime built around dialogue, many of the scenes were often animated badly. There were many jump cuts and some seriously awkward camera angles.
SOUND/OST
This is where Subete redeems itself. The OST was rather fitting for the type of narrative created. It added to the atmosphere and overall progression of the show. The opening and ending songs were very well done. The opening was very catchy. The ending song keeps and maintains this upbeat feeling, unlike most ending songs of today. The voice acting was spot on, I have no complaint in this section.
OVERALL
The Perfect Insider is a mediocre at best. No matter how interesting a premise is, if the execution and characters cannot match, then the show simply fails. Subete unfortunately bit off more than it could chew, which caused it to resort to pseudo-intellectualism blurs rather than creating logic/interesting dialogue and characters. I would say to try another show before you watch Subete ga F ni Naru: The Perfect Insider.
FINAL GRADE
D
Aluvis
Synopsis on Crunchyroll: Based on the award-winning novel Subete ga F ni Naru by Hiroshi Mori, The Perfect Insider finds Sohei Saikawa, a member of the Saikawa Research Lab, and Moe Nishinosono, the daughter of his mentor, on vacation when they discover a corpse. The two then work together to solve the mysteries of what becomes a serial murder case. I don't normally write reviews, but I had to make an exception for this show since I'm not too sure that many people are quite getting its meaning. For people who are currently on the fence trying to decide whether or not to watch PerfectInsider, please do not take the current aggregate score on MyAnimeList as an indicative measurement of the overall quality. The anime is simply different, not bad; and, to be quite frank, it takes an open mind and different kind of thinking towards plot progression to appreciate what is being done here.
The first and foremost aspect of the plot that must be addressed is that it does NOT primarily belong to the mystery genre. I can not stress this enough. If you start watching this anime thinking that it will have a conventional mystery plotline, such as Sherlock Holmes, then you will be severely disappointed by the outcome. For instance, the "mystery" aspect of the anime doesn't actually begin until the very end of episode 2 going into episode 3. Furthermore, the progression (i.e. the deductive and inductive analysis) is very slow and does not build up to "edge-of-your-seat" climatic moments. Quite simply, you won't find a clever detective snooping around with a magnifying glass and quirky methodologies to solve the mystery. What you get, instead, is Sohei Saikawa and a lot of philosophical dialogue; and this is the main point that I wanted to get to.
Perfect Insider is more of a kind of documentary than anything else. It "documents" the character's and their personalities to make a commentary on the human condition. The mystery aspect is, quite honestly, a side-note that adds a little bit of spunk to the overall narrative. However, it is still completely necessary as the mystery genre, in general, offers some of the best opportunities for internal reflection and inquiry. The exception in Perfect Insider is that, instead of asking solely HOW the killer committed the crime, a good portion of time is spend also asking WHY the killer committed the crime; and this all ties in with the philosophical dialogues that are persistent throughout the anime.
So, what type of viewer would enjoy this show? An intellectual. And by intellectual, I do not mean someone who is "smart" or "intelligent." I mean someone who likes to inquire about nature and ponder the meaning that their life holds. There is a particular quote by Saikawa in episode 1 that stuck out to me, and it is something like this: Whenever I get up in the morning, I always think to myself, "Am I really the same person I was yesterday"? If you're someone that truly thinks about questions like these, then the meaning of Perfect Insider may make a lot more sense to you than the average person.
Overall, I can not say that Perfect Insider is perfect in itself. It could focus a bit more on the plot progression and character development, of which there exists none, in my opinion. I do not wish to get into a generic review discussing the music and animation, as both are of average to good quality, so there isn't really anything left to discuss. In addition, the score that I provide for this anime is not indicative of my overall impression; it is just something that is, of course, required. One last thing that I do want to mention is that this anime is based off of a novel of a similar name, and, as a result, it holds a particular degree of "unity."
In other words, the ending ties in and complements the beginning, and vice versa. So, remember this if you become confused by some of the scenes.
In conclusion, I think that Perfect Insider is a great anime with a good story and interesting character personalities. Please do not simply let the opinions of others, including myself, carry the significant weight in your overall decision-making. After all, we are all free to make our own choices as long as we first define "ourselves."
Mythologically
It's been about a month and a half since I finished this show, and yet, I'm still pissed at how bad it was. As such, it's time for my first non-seasonal review in like half a year. What are the key components of a good murder mystery? First, and quite obviously, is the mystery itself. The mystery has to be clever, in such a way that the solution is unexpected, yet logical. The viewer also has to have adequate engagement with the story and be able to figure out the mystery for himself. Secondly, and also quite obviously, there is the investigation. The detective looks forclues, talks to witnesses, and pieces together the final picture, all while providing the same information to the viewer. And lastly, there has to be suspense. The viewer has to be invested in the story. If there is no suspense, the viewer simply doesn't give a shit and the solution to the mystery falls completely flat. Common sense, right?
Well, The Perfect Insider (right up there with KADO: The Right Answer for most cringy/edgy anime title) has none of those elements.
The mystery itself is pathetic, and literally anybody should be able to figure it out in the first five episodes of the show. As I want to spoil as little as possible, I can't really explain why, but I'll try anyway. The key to the mystery is given to you nearly instantly. When the corpse first rolls out (literally, it rolls out), there is an immediately noticeable age difference between the corpse and the supposed victim. The corpse looks about 14 years old, but the supposed victim is around 30. Hm, I wonder what could possibly explain that! I've got no clue! (By the way, the show explains this away as "she doesn't age". Uh, what?) Secondly, the door to the room the corpse rolls out from hasn't been opened in like 15 years or something, so the supposed victim, the *woman* inside, is the only possible victim! But who could've killed her! Hmmmmmmm. Take a moment and try to piece the two strings of information together. Besides suicide, how could a woman be murdered in a room that has undoubtedly not been entered by anyone in 15 years, and why would the corpse look like a 15-year-old instead of a 30-year-old? Gee, I just have no clue.
Moving on to the second aspect: The Perfect Insider must be the first murder mystery ever where the characters legitimately do not investigate (besides for like one episode of them walking around the victim's room and looking at her PC). Although this is reasonable, considering how absurdly simple the mystery is, it doesn't make for good entertainment. The entirety of the show is dialogue, and most of the dialogue is infodumps. For like eight episodes, the two main characters just talk to each other until one of them goes "haha! I've figured it out!", and that's it.
And, if it's not yet obvious, there's no suspense. My experience of watching The Perfect Insider went something like this:
Episodes 1-3: "why the fuck are they talking for 3/11 episodes of a murder mystery before the murder ever happens?"
End of episode 3: "ah looks like the murder finally happened. why is the corpse limbless, wearing a wedding dress, and rolling out on a sci-fi robot trolley? did sakae esuno write this?"
Episodes 4-11: "zzzzzzzzzzzzzzzzzzzzzzz"
Like, the show somehow managed to get more boring AFTER the murder occurred. That's really impressive tbh. I guess the only thing more boring than the buildup to a murder mystery is a murder mystery that you've already solved.
Another important aspect that needs to be noted is the sheer amount of edge. (Just as a reference, since "edgy" constantly gets thrown around as a meaningless criticism, my definition is "excessively dark to the point of being comical or difficult to take seriously"). Now, I'm usually a fan of edgy shows. I enjoyed Mirai Nikki, Akame ga Kill, and even Arifureta a fair amount. But holy shit this is just too much. Here are just a few of the hyper-edgy aspects of the show:
1. The state of the corpse as previously mentioned
2. The supposed victim stabbed her parents to death for virtually no reason when she was 15. The show and the main character, by the way, treat this as a normal thing, because "it's natural for a child to want to kill their parents" or some retarded shit like that.
3. One of the characters has an extremely fucked up, incestuous relationship
4. Not a single character cares about the murders, or that they are trapped with a murderer in a facility that you can't enter or exit. They just treat it as an everyday occurrence and move on with their lives.
5. The whole conclusion to the show (about the last four episodes or so) is asininely edgy, to the point that it's unbelievable. As I'm trying to keep this review spoiler-free, I'd refer you to the second-to-last paragraph of Flawfinder's review (4th top one), if you want to spoil yourself.
As for characters, the 2/10 rating of "dreadful" is quite accurate. Besides the three main characters, no other characters exist in the show. The most favorited side character has 7 favorites, and he has about four minutes of screentime before never again appearing in the show.
Main character 1: Psycho Bitch. She mainly appears in flashbacks, and she's really smart. She's also insane, as she killed her parents. That's literally it.
Main character 2: Emo Genius. This guy, just like main character 3, isn't a character. He is a plot device. He is the detective in the case, and that's it. He also often says depressed, pseudo-philosophical things that pretend to be deep. My favorite one of these is as follows:
"Whenever I get up in the morning, I always think to myself, 'Am I really the same person I was yesterday?' For example, just as a computer loads its OS into memory and boots up each time it restarts, is it possible I'm just booting up the person called 'Saikawa Souhei' each morning and trying to play that role?"
What the fuck does that mean? Nothing. It means nothing. It's pretentious, faux-intellectual garbage masquerading as philosophy.
Main character 3: Horny Sounding Board. My favorite one of the three, as she is neither obnoxious nor insane. She exists so that Emo Genius has someone to tell his bullshit and expository dialogue to. She also wants to fuck him.
Sound: Why is every show with a KANA-BOON opening always shit? Seriously, why is one of the best Japanese bands relegated to dogshit like this, Sarazanmai, and Boruto? The OST is pretty good tbh. I'd have given the sound an 8 if not for a ten-minute-long conversation that was entirely in Engrish. Literal ear rape.
Art: The best part of this is that the original character designs are done by Asano Inio, the king of faux-intellectualism. That's just incredibly ironic. Other than that, the art is ok. This being a 2015 A-1 Pictures show pretty much says everything.
In conclusion, this is by far the worst mystery I've encountered not only in anime but in any type of literature whatsoever. It would perhaps be passable as a novel, but it fails as a work of an audiovisual medium. The whole show consists of infodumps, the mystery is easily solvable, and not even the characters give a shit about the case.
Enigmatic17
*Some context:* I have been seriously watching anime for over 4 years now, and I have never found the need to actually write a review. This would be my first one, so I hope you guys bare with it. I'll explain my plight with a humorous short story - trust me, it's much more interesting that this anime: == In an art competition, an artist stands in front of his painting, and the judges walk up to him and ask him to explain the concept before opening and revealing the painting on canvas. The artist says that he has drawn the situation where: "Buddha lets fly awhite dove to symbolize peace and walks away. Unfortunately, a hunter who was hidden shoots this dove. The dove falls to the ground and dies."
The judges were mesmerized with the concept and were yearning to see the painting. The artist reveals the canvas and it's absolutely white and plain. They ask him:
Where is Buddha? - I told you that he let the dove fly and left!
Where is the hunter? - I told you that he was hidden!
Where is the dove? - I told you that it fell to the ground and died!
I think this anime is much like that. There is quite frankly a stupid hype around an absolutely plain and bland anime. If you are capable of just looking at a white canvas and imagining a concept as deep as above, maybe you'll enjoy this one. For mere mortals like myself, this anime is mediocre at best, and absolute shit if you are in a bad mood.
==
=== My thoughts (mild spoilers) ====
-- I think the Perfect Insider is at best a mediocre series, and your disappointment with it will likely increase the more you think about it.
-- I feel that the author got hold of one idea: a person is locked in a room for 15 years with minimal observation inside the cell; this person must have a child inside which no one knows about; and a glorious plan is set into motion which lasts the entire 15 years.
-- In order to make this implausible and frankly ridiculous idea a reality, the creators perform one ass-pull after the other. In order to disguise these ass-pulls, they pepper it up with copious amount of philosophical rants, which after a point becomes absolutely silly.
-- There are some scenes, dialogues, and actions which wanted to portray a high-brow attitude and show that some of these characters are really smart. These absolutely bombed. I am working towards a PhD in Math/CS at a top university, and I haven't come across a single professor or student who acts this way. Some of the CS ideas are plain wrong too.
-- Character motivations are not explained at all. Things happen a particular way because the author wanted it to happen that way. The events don't seem to evolve organically and feel almost forced. There are no reasons given for *why* a character does something other than the fact that doing so furthers a plot. There appear to be numerous alternative actions some characters could have done (including Dr. Shiki) which would have been quicker, neater, and led to the same final conclusion. People claimed to be as smart as these characters would certainly see such alternatives.
FlamingoXungita
The Perfect Insider is a mystery anime that came out in October 2015 and is an adaptation of a light novel by the same name, which was released in 1996. That should be enough to set expectations really low, and that is really the only way to enjoy this show. Either that or you only care about visuals, superficial characters and ignore plot holes. So I'll start by saying what's good about this show. It was animated by A-1 Pictures, the same studio that adapted Sword Art Online, Shigatsu Wa Kimi No Uso and Fairy Tail(2009-2013), among others, into an anime. If you have watched any of the previously mentioned shows, you will know that A-1 Pictures makes some of the best lookin visuals and animation out there. The Perfect Insider is not an exception. The color palette used is bright and colorful, the backgrounds are beautiful, character figures move in a very fluid way, face expressions are detailed and there are no significant quality drops. Audio wise, the sound effects are pretty good, and the soundtrack, although forgettable, fits the show's ambience.
And so looking pretty is all that this show does well, and since every anime nowdays looks pretty, this isn't much to write home about. It does nothing to distinguish itself from every other mystery story out there.
And speaking of mystery, the whole purpose of having one in a story is to serve as a hook to keep people interested. It is a very good way to gradually reveal things about the world, plot or characters if they are not meant to be explained all at once. But it should never overshadow said world, plot or characters, and the Perfect Insider does exactly that. Everyone except the main characters are simply there to make the plot move forward. They get no characterization, no development, and feel very one dimensional. Some are not even given a name!
The main characters are not much better too. One of the protagonists is the typical "genius that hates the world he lives in" edgelord stereotype, randomly spewing out filosophical thoughts that sometimes don't even have anything to do with the story at all, in a poor attempt at making the show look "deep" and "a commentary on the human condition". The only thing that defines him is his love for cigarettes. The other protagonist is a girl that is in love with edgelord 420 (for no apparent reason), and is just as boring and bland as him.
The main villain is easily the most interesting character in the whole show, because unlike others she has motives and objectives, and is given a backstory and reasons to act like she does. Still, she is above average at best, since she also suffers from many of the same problems the other two main characters do.
Back to the mystery aspect, for a mystery to be done well, it needs to foreshadow future evens by giving hints and clues. The idea is that the viewer should have enough information to predict said future events. For example, in Death Note, the author makes sure to let us know everything we need to know to make the mind games feel plausible. Things like Light getting out of a difficult situation because he knew one crucial detail that was never hinted at before about the rules of the death note doesn't happen. The Perfect Insider does the exact opposite. To exemplify, there is a scene where the protagonist looks at a bookshelf (never shown before, by the way) and notices an important detail, a pattern in the books' volume numbers. There was no way anyone could have seen that coming, since this was never hinted at, thus making it a half-assed, poorly written way to make the story continue to unfold.
The mystery finally comes to an end when the main character has an epiphany and suddenly figures everything out, out of nowhere. Again, impossible for anyone to have thought of what he did.
To sum up, forgettable cardboard characters, plot that barely makes sense, slow pacing, pretentious and sometimes unnecessary filosophical reflections, poorly executed mystery, but beautiful visuals, very good animation and decent sound. The Perfect Insider is boring, forgettable, and badly written.
DemonKingRavan
WARNING: IF YOU DON'T LIKE MIND F***S THEN PLEASE DON'T READ ANY FURTHER. With a banter that centered around the loneliness of the Number '7' and asking the question "What is the meaning of life?" to the point of showing Nihilism in a good light, this show caught me right off the bat. As the show progressed, however, I found that the plot became increasingly difficult to follow, with key elements being embedded in the understanding the various permutation and combination of numbers. The story soon transformed from a murder mystery to a math/computer geek's wet dream come true. Even with all of that, given thatthe pursuit of the truth was done with an emphasis on 'logic' the final revelation was so far out there that you'd need the Hubble telescope to find it.
While the show is enjoyable in its build-up, the events immediately prior to the final revelation along with the revelation itself fail to keep the plot tight and focused. In the end, too much time is spent on abstract philosophy and less on the actual crimes committed. If the first few episodes were not thoroughly enjoyable for their MIND F**K moments, I wouldn't have enjoyed this show at all.
dramathicc
*Contains Little Spoilers* First, if you love mystery animes, go watch this show. Second, if you don't like mystery animes and you're an easily-bored person, don't watch this show; and if you watch, please do not write a review about how boring it is and give it 1/10. You're just misleading people. Story: 10/10 YES, IT'S SLOW AND YES, IT'S BORING BUT JUST DEAL WITH IT. OK. So this story is about some genius people. First one, Magata Shiki. She is a very intelligent girl who killed her parents. Because of that she has to live in a room in an island. She stayed so many years. Thenhere comes our other geniuses, Saikawa sensei and Nishinosono moe. Some day Nishinosono decides to talk to Magata Shiki because she is curious, then Saikawa and Nishinosono end up that island because they want to talk to Magata face to face. Then the mystery begins... Magata Shiki goes out of that room after years, but in a wedding dress and dead and no arms and legs. They were like what the hell is going on here. Then an other crime happened and our 2 geniuses decide to solve that mystery. This was like a summary of the first 2 episodes. And I'm not going to tell what happens but I can say, it'll blow your mind.
Art: 9/10
The art is actually really good but some character's designs are really bad and it annoys me. So I gave it 9/10
Sound: 10/10
Awesome opening, good ending and nice OSTs. It deserves a 10/10
Character: 8/10
Well, I don't like Saikawa. He knows everything and smokes every fucking minute. Magata Shiki is a really interesting character and Nishinosono is funny but a little stupid,too.
Enjoyment: 7/10
The story is really interesting and makes you feel curious but some episodes were so boring. But you have to be patient and keep watching.
Overall: 9/10
Lancehot
TL;DR: Everything Becomes F: The Perfect Insider has what you might call the Prometheus problem. It looks good, seems interesting & at first you're totally along for the ride. Then, at some point, you start noticing that nothing makes sense & the more information it gives you, more questions you have. Fall 2015 started out looking like such a strong season for detective dramas. Alongside the Return of Kindaichi Case Files, there were two new titles that looked set to fill a void for non-fantasy murder mysteries, with Beautiful Bones: Sakurako's Investigation & Everything Becomes F: The Perfect Insider (EBF) adding some new blood into agenre that has relatively slim pickings for animé fans.
1. Story
At first, EBF seemed likely to be the best of all three. While Kindaichi began with what was the weakest case file of the series thus far, & Beautiful Bones seemed more interested in being Pet Pathologist of Sakurako than solving crimes, EBF's first few episodes provided a slow build up to its murder mystery, with a noticeably different art style, much darker tone & a more complex & intriguing story with a greater focus on the thoughts & philosophies of the main characters than in the other shows. While certainly slow, these early episodes laid a pretty solid looking foundation for a darker, smarter story than one can usually expect from TV animé
EBF's story unfolds through three plot lines that take place at different times & from the perspective of different characters. In the main story, Moe Nishinosono & her teacher/guardian/crush Souhei Saikawa all but blag their way into an island facility that houses Shiki Magata, the infamous as she is mysterious woman who murdered her parents fifteen years ago & has since lived in total isolation underground. No sooner do they manage this, then they find themselves caught up in a gruesome & seemingly impossible double murder. Concurrent to this, there are flashbacks to a previous interview between Moe & Shiki, in which Shiki takes a strange interest in Moe's past; & each episode also ends with another flashback, apparently from the perspective of Shiki's uncle writing his memories of a very dark & twisted relationship between Shiki & himself.
For the first few episodes of EBF, its slow pacing teeters on but doesn't completely cross the line between methodical & boring. EBF is a very dialogue driven series, & a large portion of the runtime is taken up by two characters talking about the mystery, which is even more impenetrable to them than the audience because they lack the benefit of those flashbacks giving context to Shiki's past & thus why she might have ended up how she did. While quite dry & dense, not to mention some laughably clunky lines like "red...red is a colour" the plot slowly builds momentum towards solving the cryptic riddle, apparently left by the killer, of what everything becomes F means, & thus the who, how & why of this seemingly impossible closed room murder mystery (incidentally, what's with animé & having characters use that literary term to refer to cases? Is it meant to be meta?)
However, for all the potential of EBF, it ultimately falls apart once the characters & setting have been established. The deliberately slow pacing of the show increasingly seems less about methodically building up to a resolution than it is padding out an overly long runtime. The conversations between Moe & Souhei, which can be hard enough to sit through to begin with, start repeating themselves as they pretty much have nothing to do between episode six, when they first solve the meaning of F, & episode 10 when the plot finally decides it's time to close the case. Indeed, in what I can only assume was a rather glaring error that slipped through the script drafting process, they forget that they've solved the meaning of F (one meaning, anyway) so they can have another overly long exchange on what it might mean. This dialogue problem reaches it's most excruciating during an exchange between Souhei & a woman who's supposedly Shiki's sister which lasts ten minutes, is entirely in English & the VA's are clearly exerting all their effort into just getting the words right.
2. Characters
It doesn't help that EBF's characters are, frankly, not able to carry such a slow story. Moe, can seem at times like she stumbled out of a high school animé. Her character is meant to act as the emotional counterbalance to Souhei's cold rationalism, even though she is a maths genius which would suggest a character more suited to cool logic. Unfortunately, she mostly expresses this side of her by being petulant & sulky, especially when Souhei doesn't notice her. She seems to get jealous whenever other women talk to or even about him, & quickly seems to start measuring herself against Shiki when she sees the interest Souhei has in trying to figure out her strange ways. The plot has an habit of taking a break from solving the mystery to focus on Moe & Souhei's relationship, which is annoying at best - not least because the author has all but said he added a slow burning relationship between the two just to keep people reading his books (of which EBF is the first of nine volumes & various short stories).
Souhei himself is the aloof, introverted type who speaks in monologues even when talking to other people. VA Yasuyuki Kase also gives to Souhei a low, monotone voice that is suitable to the character, but means that a large portion of every episode is listening to his monotonous monologues. That Souhei is a self-important, get on my level type of character just makes it worse to listen to.
His interest in the mystery seems purely intellectual. Indeed, it's arguably a flaw of the show that there is actually no reason for Souhei & Moe to be there or be allowed to investigate. They first go to the facility because Moe claims to have an interview with Shiki, but that's soon revealed to be a lie, merely a devise to get them on the island (not the last time the story will rely on such a convenient contrivance to keep moving). Once the corpses appear, it's like they're solving the case just out of intellectual curiosity, which is fine & all but it doesn't explain why the staff are so cooperative, nor does it make for a compelling murder mystery in which he seems increasingly less interested in solving the mystery than in waxing lyrically about the philosophy that's apparently behind Shiki's & his own character.
Shiki is a difficult character to talk about in a spoiler free manner, given that everything in EBF revolves around her. She has a detached, otherworldly manner to her that is not entirely unlike the aloofness of Souhei, but whereas he generally comes across as a bit self-loathing because he too normal for his liking, Shiki does operate in a completely different way to “regular” people. From the way she interacts with people in the flashbacks to the clues found by Moe & Souhei during their investigation, she comes across not unlike Hannibal Lecter, someone as fascinating as they are impenetrable.
That impenetrableness, however, is also one of her flaws. Shiki is a character you want to understand, to decipher, but it's not possible to do so because, while I won't go into specifics, the reason for her being the enigma she is is ultimately that she was just born that way. That might not be an issue for some viewers, but for me personally saying a character was just born that way is like ending a story with it was all just a dream; even if the author intended it to be that way, it still feels like a cop out. This might be more of a problem in EBF's case because whereas Lecter's character is there to serve as a window into the mind of a different serial killer, Shiki is front & centre the focus of the story.
Quite what her world view is also comes across in a rather jumbled manner. Themes of antinatalism, the nature of self & existentialism, nihilism & any other school of philosophy you fancy bringing up can be found somewhere, & it's clear some viewers have got a lot out of identifying & reading up on these. But be that as it may, Shiki herself is a character that makes less sense the more you're told about her, as do her motivations & actions. Souhei towards the end seems to view her as some sort of perfect human, but why that is seems to boil down to that she seems as complex as he wishes he was.
If this seems like too much focus to be putting on the main characters, it's simply because there is almost nothing worth saying about any of the support. The university students that accompany Souhei & Moe are really only there so Moe can talk to someone other than Souhei about the case in one episode. Likewise the staff at the facility just seem to wait around to be interviewed or push the plot button on a relevant keyboard. Shiki's uncle, who is nominally one of the characters whose point of view we're supposed to be viewing part of the story from, is completely eclipsed by his nieces presence & doesn't really have anything to him worth mentioning. Indeed, if EBF had just been Moe, Souhei & Shiki in a room together, it wouldn't have changed much.
3. Production
On the production side of things, there are some rather odd directorial decisions that have been made during EBF. A couple of scenes, most notably the final one, seem to cut off abruptly & awkwardly. One scene where Souhei is talking to an employee of the facility has what looks like a rather amusing continuity error, where Souhei is meant to be cooking breakfast but whenever it cuts from showing the food to him talking, he's standing in the office with his hand apparently holding an invisible pan. Perhaps finally realising that watching two people sitting down, talking in shot, reverse-shot is rather boring, towards the end there are a couple of dialogue scenes where the location repeatedly changes during unbroken conversation; which is disorientating as much as it is attention keeping.
That's not to say EBF looks bad, by any means. Indeed it is a visually enjoyable experience, which is fortunate given how little movement or action occurs. The colour is sufficiently desaturated to suit the tone of the story, & the character designs are likewise realistic enough to not feel out of place as more stylised face designs would have. But, if I'm being honest, this is like complimenting a grey blur for picking the right shade of grey. The OP & ED are both enjoyable, with the OP being a rather fun to interpret dance routine between stencil outlines of Souhei, Moe & Shiki. So that's three minutes of this nearly four hour show worth watching, at least. There is a rather contrived reason to get Moe into a two piece swimsuit in one episode, but other than that the director resists the temptation to add the usual anime visual clichés.
This review has been harsher on EBF than it perhaps was intended to be, but then again it's the type of show that the more I think about it, the less it holds up. That the main characters are rather flawed could have made them interesting, but they're so boring & full of themselves that it it doesn't take long to be sick of seeing them. You only have to look at the Sodachi arc of Owarimonogatari, which aired at the same time, to see how a dialogue driven dark mystery anime can be done better.
There are some clever sounding twists that initially make you think "oooh that's interesting" till you pause to think about how they just complicate & confuse an already difficult to comprehend story. In fact clever sounding twists that complicate everything pretty much sums up EBF, especially with regards to Shiki. It's a real shame that it is this way, because buried in there, somewhere, was a murder mystery I really wanted to like. Indeed, if I were to rewatch the series again, knowing what depths it sinks to, I'd probably have an even more negative opinion of it.
Maybe it's because they're only adapting the first in a series of novels, which means nothing is really concluded & indeed gives the whole series the sense of just being the first act or prologue to a bigger story. Indeed, in a perfect world I'd like to imagine they would have adapted the entire series, making each one a feature length episode in the way ITV did their best detective dramas in the 90s & early 2000's. But whatever EBF could have been, it's hard to recommend what it is.
chiibug
Hello reader! You're in luck. If you're reading this, chances are you're interested in watching this show. This is one of the shows that are better as a binge watch than as a show that you pace yourself with or follow week per week. That's why you're lucky you get to watch this in one or two sittings! I was not so lucky and let me tell you why (just to brace yourself for what's in store for you). The main reason had to be the story's pacing. It's horrible. There are lots of arguments saying that this is the kind of show that doesn'tspoon-feed you the answers to the mystery and that it expects you or allows you to solve the mystery with them. So definitely expect to have more and more questions instead of answers at the end of each episode (yes, up until the last one, too!) It can be frustrating, but once the reveal is there, it makes you want to rewatch earlier episodes to see what you have missed or if they have been building up for it all along.
Subete ga F ni Naru's 1-cour season can actually be summed up in around 4 episodes, I feel like. Just in case you're not familiar with the source material, our main characters, Moe and Saikawa are kind of a Sherlock & Watson pair who deal with strange cases. There's also a Japanese live-action dorama already out where it chronicles their adventures. In it, what they have gone through in 12 episodes in this show is told in 2 episodes tops. So that's not to say that there's more tighter and more concise way of telling it.
There's really not too much action as most of the time is spent on discussions and dialogue. If that's your thing, then do check out this show! By any means, it's not a bad show per se. I find it hard-pressed to just write it off as bad, but it is indeed flawed. Without dragging this review on for too long, I do find its dialogue to be its best. We get to learn how the characters think, how they feel, and what they believe in without getting too on the nose. (Actual philosophy majors might actually be turned off from this though. The show can get pretentious at times and over-reaching to portray the characters as oh-so smart and deep.) However that alone couldn't save the whole storytelling of the series in my opinion. (If that's your thing then be my guest! Have at it!) There's only so much discussion and over-wrought ideas to be thrown around until it gets tedious and you're just left going "Okay, we GET IT! So what now?"
Overall, would I recommend this show to anyone? Perhaps not. It's a polarizing show and I find myself in the 'No thanks, skip this one!' camp. Based on my experiences so far (after finishing the finale) I find myself telling my anime friends not to watch this show. But like I said, if you're into "modern" locked room mysteries with a dash of philosophical ideas on the side and wouldn't mind like 8 episodes of basically filler and talking, then you should give this a shot!
Darmaiad
You can a apply a version of the popular maxim “the journey is more important than the destination” to many works of storytelling, in order to justify the fact that you love it despite a disappointing ending. My most recent such application was the epic manga Kozure Ookami. The one genre that you can not apply this maxim is the murder mystery. Subete ga F ni Naru had a poor ending of such magnitude that I cannot recommend it to anyone, and this review should end right here. Somebody might ask “yes, but what about the journey?” So for reasons of thoroughness and fairness, I shallcontinue. The anime immediately shows typical noitaminA stylization with a great OP (the ED is also good), although when the actual episode begins we are served with mediocre animation. It's probably a matter of taste, but I really don't like poorly rendered 3d CGI objects festering the scenes.
The other major issue is the characters. The main “detective duo” is pretty cool, we have the genius ojou-sama and the “genuis-er” professor, but throughout the 11 episodes we learn nothing more of substance about them and no development occurs. But our duo is not the main problem, the main problem about the characters is the supporting cast: there are characters that have the potential of becoming interesting and we wait to discover how they will factor in the story etc, but nothing happens, they just disappear in the background. Magata's sister is the prime example. This anime looked pretty interesting in the first three episodes, but then simply blew over. Magata's character is pretty complex and interesting, but again: the poor ending ruins everything.
Magata's character brings us to the only strength of the anime: It offers some philosophical thoughts worth contemplating (mainly using Magata as the transmission vessel). Also the lab structure as a self-sustaining micro-society of intellectuals is a beautiful contraption. So around Magata, the writes manages to create a beautiful setting, which I imagine is the sole reason for his success with this work.
I will not spoil anything about the end, I'll just say that it has major timing issues and that it demands that we accept actions and motives based on their aesthetic value, completely disregarding logic or offering a valid explanation. You get a “wow” moment in episode 9 but that's it. Oh, and the “F reveal” is pretty dumb.
The murder mystery portion of the anime ends in episode 10, the final episode is a few pretentious dialog and a hormone overflowing Nishinosono. The fact that they gave up on the cyberpunk charm of the earlier episodes annoyed me; instead they chose to do the lazy “people talking on changing backgrounds”.
As I already said this anime fails as a murder mystery, but I imagine the near-future-cyberpunk aesthetics may make some people happy. The whole manga/anime industry seems to fail hard at the crime mystery genre (if someone thinks I'm wrong about this point, I would love to hear suggestions), so for the genre's lovers I would recommend the first season of Broadchurch and the Murder on orient express (1974). For this one... 3.5/10.
BanjoTheBear
(This review has been adapted from my blog/reddit thread. Spoilers ahead!) Have you ever thought about the concept of nothing? Nothing means no books, no chairs, no phones. It means no mirrors, no cards, no pillows. Even when all of these physical objects are gone, there is still more to remove. No air, no light, no electromagnetic forces, no atoms, no thoughts. No anything. Subete ga F ni Naru: The Perfect Insider goes the opposite way. “Everything” is just as crazy as “nothing.” Now those books and those pillows and those atoms are around, but that is not enough. Even when you think you collected it all, there isstill more to collect. And then some.
“Everything” means everything to The Perfect Insider. But while it did not collect everything, it still provides a pretty strong anime.
STORY
The Perfect Insider would, from the outside, appear to be a mystery anime. And this description is true. An unexplainable set of events occur, the characters all work together to find an explanation, and a satisfactory solution is singled out. Over the course of eleven episodes, the anime does just this.
But from the inside, the anime is that second genre: psychological.
To be more precise, the anime is philosophical. The mystery acts as a buffer for the philosophical ideas that The Perfect Insider toys with. Questioning “Who are you?” is a common line of thinking for the anime. Discussing the nature of the body versus the soul is where the anime feels safest. Trying to define the concept of freedom or love makes the anime content.
Tying each of these ideas together is another idea, one that is the most important to the anime and is another difficult philosophical concept.
Death.
There is a surprising amount of death in the show. The death of Dr. Magata’s daughter. The death of her parents. The death of her twin brother and maid. The death of Director Shindou. The death of Nishinosono’s parents. Death surrounds the anime.
A lot of words are said by the The Perfect Insider about death. But, succinctly, the anime comes to its conclusion through Dr. Magata: Death is a cure.
The problem is in the presentation. The anime barfs all of this information in the audience’s lap within the last two episodes. The other ideas are posited, creating a foundation for the idea of death, but deeper exploration of death happens almost too late. It unfortunately has to be this way: The rest of the season has to focus on the mystery and the positing. Hence, the anime’s philosophical take on death, while wildly interesting, fails to reach the audience in an easily digestible manner.
Yet, is that not the point? The philosophical questions are hard to understand because they are, well, hard to understand. Dr. Magata is an anomaly. She thinks in a way that nobody else has ever done before. And, in a way, the audience is not supposed to understand what she is thinking. Because, as Saikawa-sensei aptly and contextually puts it, we are “programmed” to think differently from this insane, unique genius.
But this barf is hard to swallow. Life is a beautiful opportunity. Life gives people fun and places to visit and different hobbies and relationships and information to learn and food worth trekking those extra few minutes to get and anime to watch and happiness. That is, life is (and relevantly) everything.
“A flower wilts for the sake of a new seed” is the anime justifying a child killing its mother. “Isn’t the instinctive desire of beings, born not of their own volition, for their lives to be taken in the same way?” is the anime trying to make the murdering of others appear normal.
These notions are not justifiable. These notions are not normal. They are ridiculous. They are ridiculous because death is not the answer. Death removes life. And since life is everything, death removes everything. Providing – by equivalency – nothing.
Beyond the philosophical themes lays the narrative itself which is comprised of two timelines.
The first is the present. Here, Nishinosono and Saikawa-sensei work together with the staff of the island laboratory to solve the mystery surrounding them. The second is the past. Here, Director Shindou and Dr. Magata – as a young teenager – slowly reveal what happened all those years ago. The past timeline usually appears at the end of most episodes since nearly every scene from the past is filled with suspense and important information. I.e., a cliffhanger.
This past-and-present technique is simple and common but effective. Having the narrative split, flip-flopping between the present and the past, ramps up the mystery. It helps to make the proceedings more confusing, more unknown to the audience.
Yet the anime more or less confuses itself when it commits a big crime of its own: It rarely shows what happened “behind the scenes.” For example, Dr. Magata and her child are only shown together at the end. Before the end, the audience gets nothing. The audience is not given a view of them in their secluded “home” or an idea of their daily lives or what the child thought of her mother and vice versa.
Another example is Dr. Magata and Director Shindou. While they have more scenes together than the mother and daughter – like riding a Ferris wheel or at a hotel – there are still not enough interactions shown to make their relationship appear worthwhile.
Not having these and the other set of interactions arguably ramps up the mystery further. Which is a nice argument. But it also prevents the audience from fully understanding Dr. Magata and, by extension, the philosophical reasoning she oft leans on.
The Perfect Insider’s narrative also leans but on a plot contrivance. Later on in the season, a futuristic pod device is introduced. A big problem is that the pod was never mentioned. But even more problematic is what it is used for.
First, the pod reveals to Nishinosono a hugely important set of details from her past. And second, the pod gives Nishinosono and Saikawa-sensei the opportunity to speak with Dr. Magata. Because the pod is so restricted in its use, it comes off as too niche. As such, events that should be worthwhile to the narrative come off as overly convenient.
As for the mystery itself, the anime does well. The details that make up the mystery are rather clever. A pregnancy, hexadecimal code, and imitation of a nonexistent sister keep the audience guessing for the duration of the anime. While it may have been best to actually show Dr. Magata going through some of these actions – the murder of her daughter, her creating the Trojan code – what is most important is keeping its events a mystery which The Perfect Insider did.
The Perfect Insider does come full-circle with its narrative when it references the magic trick and the t-shirts, but there are too many problems beforehand that weigh the anime down.
ANIMATION
Actual animation in The Perfect Insider remains relatively average. However, certain actions, like a character speaking or hair billowing or Saikawa-sensei failing to put in his eye drops, prove the anime can heighten its actual animation when it wants to.
Regardless of what level of animation is going on, the anime places extra care in its art, presenting visuals that are almost always meaningful. For example, the art does not just have the characters moving around. The art actively characterizes the cast.
In one episode. Nishinosono calls her butler back home. When he takes too long in his reply, she gets impatient. The audience sees her impatience plastered on her face and, more strikingly, in the fidgeting of the mouse pointer on the computer screen.
In the same episode, Saikawa-sensei is smoking a cigarette. (As he always does.) He speaks half of his sentence, inhales some smoke, and then exhales it. As if the smoke cleared his mind, he readjusts what he says.
In a different episode, Dr. Magata sits in her chair, looking like a doll. It is not until Director Shindou arrives that her face lights up and she begins to animate.
Tiny details like these say so much about the characters without resorting to exposition. And the anime uses such subtleties a lot.
To reiterate, The Perfect Insider contains a lot of expository material in the form of narration and monologues. Furthermore, the anime takes place on one island and (for the most part) within one building. As such, the anime puts as much care into its artistic direction as it does its art. But, rather than adding character depth, these details are designed to engage the audience.
A wonderful example is in the fourth episode. Director Shindou starts with a small bit of narration: “I heard her voice. Or more precisely, their….” The anime then proceeds to have Dr. Magata, currently a young teenager, speak to herself with her multiple personalities. But rather than just showing her talking to herself, the anime constantly shifts the perspective.
One perspective positions itself behind Director Shindou. One aims at her from her right side. One faces the mirror in front of her. One sits outside the barely ajar door. The scene does not last long, and the technique is subtle, but the different perspectives mirror the different personalities of Dr. Magata, making it hard to know “who” is really speaking.
Sometimes, these visuals derive from one’s imagination. The purple water in Nishinosono’s nightmare subconsciously reminds her of her purple dress. The cold, enclosed interrogation room for Nishinosono and the warm, open patio for Saikawa-sensei indicate the feelings between these two and Dr. Magata. Dr. Magata and her daughter riding on the back of a camel in the desert evokes a sense of endless discovery for that “perfect answer” the doctor says does not exist.
The opening track and ending track likewise mire themselves in imagination. The traced dance number in the opening track symbolizes the “dance” the characters have with each other. And the inner guts of some software forming an image of the doctor in the ending track symbolizes the “software” that makes up who people are.
(A special shout-out goes to Nishinosono’s small jig in the middle of the opening track. Her body bobbing and head bobbing are strangely alluring.)
More often than not, however, the visuals ground themselves in reality. Said realism comes from not just the lighting and the setting but also the character designs. People in The Perfect Insider wear regular clothes, varying in eye, nose, and mouth shapes to get at diversity without resorting to crazy.
The main cast – Nishinosono, Saikawa-sensei, and Dr. Magata – are the same, but, as the mains, they have a few extra details. Nishinosono’s short hair and baby face visually paint her as a naïve child. Saikawa-sensei’s many t-shirts signify his “many eyes” as Dr. Magata puts it. As for Dr. Magata, her white gown represents her “pure” disposition.
Overall, the The Perfect Insider leverages its art as much as possible to present a wonderful-looking anime.
CHARACTERS
The Perfect Insider approaches its characters in a strange way.
The audience learns a bit about Nishinosono, Saikawa-sensei, and Dr. Magata throughout the season. Nishinosono can manipulate large numbers, has a deep affection for Saikawa-sensei, and lost her parents at too young of an age. Saikawa-sensei deals with life in a calm, logical manner, smoking cigarettes and making silly jokes to pass the time. And Dr. Magata slept with her uncle, killed her parents, and hid herself away for fifteen years before reemerging to seek death.
Weirdly, the individual characters do not matter. They neither develop within the narrative nor impact it. What is truly important is the faux love triangle that exists between the three main players: Nishinosono, Saikawa-sensei, and Dr. Magata.
The whole dynamic is, perhaps obviously, complicated. But the best way to describe it is in terms of getting and understanding. “Getting” means seeing what another is saying. “Understanding” means seeing and comprehending what another is saying. That is, one cannot understand another without first getting them, but one can get another without understanding them. (Confused yet?)
An example. Nishinosono gets Saikawa-sensei. She knows when he is lying. She gets his sense of humor. She tends to know what he thinks. But her love for him, a love she feels is not reciprocated but instead aimed at Dr. Magata, prevents her from completely understanding him. Part of her character arc involves moving closer to the understanding side: learning just how much Saikawa-sensei helped her in the past lets her understand him differently.
Yet she cannot get Dr. Magata. She questions the doctor, and she is flabbergasted at how the doctor finds killing her own parents – when Nishinosono tragically lost her own – a simple, justifiable move.
Saikawa-sensei completely understands Nishinosono. He knows how to make her laugh. He had been there for her during the lowest point in her life. He accepts her “contradictions” as he puts it. But, with Dr. Magata, he only gets her. He does not understand her. He admires her for who she is. He gets what she says, but he cannot fully understand her mindset.
Dr. Magata, as the flawless character she happens to be, completely understands both Nishinosono and Saikawa-sensei. She understands Nishinosono because of her apathy towards humans, her thinking similar thoughts (as episode two showcases), and her not having parents either. And since Saikawa-sensei has a “very similar structure,” she understands how he operates, too.
In summary, Nishinosono gets Saikawa-sensei but does not get Dr. Magata. Saikawa-sensei understands Nishinosono but only gets Dr. Magata. Dr. Magata understands both Nishinosono and Saikawa-sensei. (Still following?)
The dynamics are complicated. But why? Why create such a convoluted set of dynamics? Why focus so much on their interpersonal connections rather than their intrapersonal selves?
The Perfect Insider’s narrative bases itself on the answer to this question. The anime is, after all, a mystery. However, the answer finally manifests within the last ten minutes or so of the season.
Two separate scenes in these last ten minutes are shown. In the real world, Saikawa-sensei recounts a story about Nishinosono’s father. In the imaginary world, Dr. Magata talks with her daughter about humanity. Both conversations revolve around the same theme: questioning and answering.
People are constantly questioning. Questioning the world is what drives people forward. And, by extension, people are constantly trying to find answers to these questions. Nishinosono questioned “Why do people live?” Saikawa-sensei’s answers got her laughing again. Dr. Magata’s daughter questioned herself, so she sought “freedom.” Dr. Magata questioned Saikawa-sensei in the ocean, and, after hearing his creative response – “Because you can’t smoke underwater.” – she wanted to meet him once more.
Dr. Magata phrases it best: “If they [humans] knew everything, they would attempt nothing. If they attempted nothing, nothing new would happen. Humans seek answers to the things they do not know. That is how kindness, nostalgia, joy, and fun are born.”
In other words, questioning the world and finding those answers allows people to get, allows people to understand. To get and understand the world, thoughts, and, most importantly, people.
This directive is The Perfect Insider’s main message. Question others, question ourselves. Only then can answers be found. A “perfect answer,” as Dr. Magata says, may never, ever be discovered. But so long as people question, answers will follow.
In other words, to understand each other, people simply have to ask, “Who are you?”
SOUND
Alongside the art, the sound-work of The Perfect Insider is one of its strongest aspects.
The opening track comes out on top. Its upbeat vibe completely contrasts with the mysterious vibe of the anime, making the track feel even more fun. The vocalist does a wonderful job, too, with the step-wise, quick, and “Yea!” lyrics. And, as is pretty much required for a dance song, the track is quite catchy. Made so by the drums, the guitar, and the not-too-fast-and-not-too-slow-but-just-right speed. The OP is a fantastic track that is more than worth listening to both inside and outside of the anime.
The ending track is a step down, but that is not saying all that much. The dual female and male vocalists working together symbolizes Nishinosono and Saikawa-sensei doing the same. The different techno sound-effects fit the computerized motif. The toned-down build-up in the middle. That held lyric. The sudden and not-long-lasting loss of music near the end. All of these details, combined with the catchiness, make the ED into yet another strong track offered by the anime.
Not wanting to be outdone, the rest of the original soundtrack does well too. Tension-filled tracks made up of fast violins and harps. Soft, piano-and-flute tracks for those extremely pleasant moments. And melancholic tracks composed of violins and chimes. These more classical tracks, alongside the more mysterious ones, set up and fit the atmosphere of the anime quite well, making the OST another strong addition to the anime.
Voice acting performances are similarly high in execution. Yasuyuki Kase as Saikawa-sensei uses an older, reserved voice that suits the cigarette-loving teacher and that does not get annoying to hear for long periods of time. Atsumi Tanezaki as Nishinosono uses a cute voice that is both mature and young, reflecting the girl’s same disposition. And Ibuki Kido as Dr. Magata has a calm, plain way of speaking. Her voice captures the doctor’s levelheadedness which accentuates her rare, more emotional outbursts.
The Perfect Insider also deserves huge props for a scene that somewhat came out of nowhere. In episode seven, Saikawa-sensei talks to Dr. Magata’s “sister.” The cool part is they both do so in English. The coolest part is that the scene lasts a really long time. And when the audience thinks they are done, they keep going. Cleverly, it distracts the audience from thinking that the “sister” is actually Dr. Magata, especially when she speaks in the third person.
ENJOYMENT
I liked this one. And I certainly appreciated what it did. It might be as opposite to a “turn your brain off” anime as an anime can get. The deep, philosophical questions were (obviously) the reason for this.
The anime forced me to spend a lot of time dissecting what it was trying to say. While that may be an indicator that the anime delivered its message unsuccessfully – me literally having to type out their conversations, verbatim, in order to have their exact thoughts close by seems a little absurd – it gave me the chance to question.
I thought about my own ideals. I thought about the ideals of others. I thought about life and death and myself. Not many anime can make me do that.
The mystery itself was okay but nothing I was ever taken in by. Mostly because the stakes never felt high, and the payoff was lackluster. Dr. Magata was okay, too. I am not a big fan of perfect characters; I would have liked to have seen her challenged more. The whole point is that she was perfect, but her being so flawless made her less interesting than she could have been.
I did like the “romance” between Nishinosono and Saikawa-sensei, though. Her storming out into the hallway and yelling to herself out of frustration when she learned about Saikawa-sensei staying over at another woman’s (his sister, unbeknownst to Nishinosono) place made me chuckle. Or Nishinosono declaring that she, not Saikawa-sensei’s sister, would be buying his shirts from now on made me laugh. And just the teasing, natural dialogue they shared with each other made me smile on more than a few occasions.
Nishinosono herself could be cute and fun, too. Kicking out the female lab worker because she was getting too buddy-buddy with Saikawa-sensei – “Door, close!” – had me laughing since this small act was both funny and true to her personality. And her appearing grossed out by the fact that Saikawa-sensei wanted her to call him an “idiot” had me grinning. A lot of these moments overlapped with her relationship to Saikawa-sensei, but they were, nonetheless, entertaining.
Subete ga F ni Naru: The Perfect Insider has some highs and some lows. More highs than lows. The art and the music are extremely strong, but the story and the characters, despite the philosophy, could have been executed better. In the end, the anime did neither everything nor nothing. But it did, at least, do something.
SUMMARY
Story: Bad, while the mystery itself is constructed well, a ridiculous take on death, the lack of important interactions, and an unfortunate plot contrivance each weigh the narrative down
Animation: Great, subtleties, reality, and imaginary come together to create a visually impressive treat
Characters: Fine, Nishinosono, Saikawa-sensei, and Dr. Magata are not strong characters on an individual basis, but their interpersonal relationships nicely explore the theme on questioning and answers
Sound: Great, fantastic OP, great ED, nice OST, above average VA performances
Enjoyment: Good, the mystery and Dr. Magata were okay, Nishinosono and Saikawa-sensei, especially Nishinosono, were fun, and it forced self-reflection
Final Score: 7/10
Gridfire
The accusation of being 'pretentious' has been lobbed at Subete ga F ni Naru quite often. This is unfair, considering the author actually worked as a researcher for quite a while. The integration of maths and computer science elements into the story is basic (in concession to the audience) but does bring a unique flavour into what would otherwise be a standard locked room mystery. The story starts off slowly, setting up the characters and story with dry factual dialogue, but as events unfold, more elements are added to the mystery and the relationship between Moe and Souhei becomes more fleshed out, leading to somemore compelling drama in the second half. Magata Shiki's past also adds an edge and strangeness to the story that fans of psychological anime will appreciate.
While the story is good, Subete ga F ni Naru's problem is that it follows the structure of the novel too closely, or at least it appears that way from someone who never read it. The setting and events are static, and with mature, realistic characters, even with the same script it feels this would be better realised in live action with good actors. The pacing is also a tad too slow; where 'show, don't tell' is an important principle in literature it is surely doubly important in television. The drab colour palette visually reinforces this impression, although by and large the audiovisual quality of this series is very good, with very expressive facial animation in important scenes.
If you're looking for a straight, compelling mystery told through the anime medium, Subete ga F ni Naru is the show for you. Just don't expect much more out of it than you could get from a book.
Meine
I would liken this anime to a peaceful dream. I'll rush past art and sound since my years of watching anime has convinced me that they're highly subjective, so the only thing I can objectively say about them is that they draw together nicely and have a flow to them as do many anime. As for the story, the main plot line itself, the mystery about which it all revolves, I confess I did not find it too interesting and found myself asking a question at the start which proved to be the correct path of reasoning. Still, I quite enjoyed thisanime, and will go on to explain why I do liken it to a peaceful dream.
In this anime our primary characters are all geniuses who can perform calculator operations in their heads without a moment's thought, are well regarded by the world despite each begin a recluse in their own way, and strangely enough within this anime their genius means they're each philosophically inclined. Now as often happens when writing about people smarter then ourselves, many of the arguments, chains of reasoning, and claims of these characters could be easily poked full of holes by any deeper thought, but the real guts of the anime are the philosophical abstractions that get tossed about, or at least they are in my book. Are we really meat and bone, or are we consciousness? What can we define as a distinct individual when we collect multiple personalities within an individual, or when we acknowledge that no one personality is necessarily inherent to a body in and of itself? Now, because they're all geniuses discussing deep topics the story does not scrutinize their thoughts to the extend to riddling them with holes, but rather glides along with them, much as logic might follow in a dream where in truth the contradictions matter little in the face of the new thoughts and ideas they might give birth to, and to me this seemed to be the dominant theme of the anime. Still, having given critical and non-critical thought alike to the anime, I enjoyed the notions it expressed.
While it's not too hard to find anime that tackle the nihilism behind our not knowing precisely why we exist, this anime deviates from the grittier dark side of not knowing, and instead embraces that whilst we do irrationally fear "death", and we don't really know the answers to the big questions about life, accepting its lack of logic at times and emphasizing that that sometimes the simple seemingly random habits of life themselves are the answer to these questions however nonsense that may be. I also enjoyed that this anime did not belabor the point by lingering endlessly on just these questions, delving into deep brooding depression for episodes on end as the characters thought their way through them, but rather it somewhat playfully tossed out questions and answers both as free floating thoughts more in the spirit of a stream of consciousness then as a logically defined argument or a dramatic plot line. And that is why it is that I associate the feel of this anime to that of a peaceful dream, flowing on through ceaseless thoughts without violent refutes or blood rushing excitement. I cannot say if you'll like this anime as I have, but that is not something for me to decide, it's something for you.
Minster122
Prepare for a hurting in your brain. "Subete fa F ni Naru: The Perfect Insider" is heavy with philosophical concepts about LIFE, so if you don't like that kind of stuff, stay away from it. I mean, you could watch it for the mystery (which is also very intriguing mind you) but it's biggest theme is on the meaning of freedom so pick and chose. The mystery itself is very well done. It spends a good bulk of the series trying to figure out how the mystery was completed as well as the why. It was kind of frustrating though when Saikawa says he's found outthe mystery half way through the series but doesn't tell you since you are on the same side as Nishinosono, who's trying to figure out the mystery for herself (but never does and the solution ends up getting explained by Saikawa in the second to last episode anyway). Each episodes does a good job in setting up for the next one, and curiosity will get the better of you and force you to watch the whole series just to figure out how this act was committed.
If you like philosophy, the series is also a good watch. The characters are thoughtful characters (Well two of them are) who think about the meaning of a lot of things. You also get a good look at the thought process of Magata Shiki, who is the main focus of the series. I actually still can't decide whether Magata is delusional or a genius, but she certainly as an interesting way at viewing life. Saikawa is the more down to earth version of Magata who makes Magata's thought process a bit easier to understand. All in all, her view of the world and on life and death is kind of insane but also makes a sort of sense. I can see where she came from even if it's completely insane in your head. I wish I could voice the sentiment a bit more eloquently but I don't think I can so I recommend you watch the anime and come up with your own answer and opinion about Magata Shiki.
It was a great watch and each episode got me wanting more. The story isn't cliche at all despite the mystery being the great "locked room" case. I mean, my brain hurt a bit trying to organize and process all the information into my head, but all in all, it was a great series! You just have to think a lot while watching it. Heh.
Agent_Redacted
"There is no perfect answer. But continuing to seek one is very important." Subete ga F ni Naru ( The Perfect Insider ) is a proper mystery anime that actually knows what it's doing. It is a well structured murder mystery, so good that regardless of the fact that you found out who the perpetrator was it'll still be an imperfect answer. It's very hard to get into this series unless you love mystery or you come here expecting a full mysterical ( yes I made this word up ) experience. This anime is nothing but mysteries. 10 Sherlock Holmes Smoking Pipe out of 10.A very, very good mystery anime. I recommend this to everybody who loves or are looking for a mystery anime. This will no doubt fulfill your need.
