At the Budokan, an annual event known as the Tsukino Concert puts Tsukino Entertainment Production's best and brightest idol units on the stage. The leaders of idol groups SolidS, SOARA, QUELL, and Growth must compose four unique and distinctive songs for their respective units, which they will perform on the second day of the festival.
Composing four new songs proves to be a difficult task for SolidS's leader, Shiki Takamura, as he struggles to find inspiration. Sora Oohara must learn to overcome past mistakes while propelling his unit, SOARA, to the top. Wanting to escape his past stardom, Shuu Izumi is determined to push his unit, QUELL, up to the level of popularity that his previous one had. Growth finds themselves working together with a rival group, ZIX, prior to their debut—something that leader Kouki Etou is reluctant to do.
Tsukipro The Animation tells the stories of these four units simultaneously as they go through their daily lives while preparing for the Tsukino Concert.
[Written by MAL Rewrite]
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Comentários
tachibanahotarou
TsukiPro The Animation is a fan-service kind of anime. Its difficult for new fans to understand the anime if you don't have a prior knowledge of the groups that were introduced and its targeted audience is the fans themselves obviously. But don't let this hinder you to watch it and to try to know about the groups' music: SolidS, SOARA, Growth, and QUELL The characters are easily likable as the story is kept simple. Although character development is sacrificed this way, the anime tries to give glimpses of the TsukiPro characters' personalities, "daily lives" and their past. Each episode tackles different problems and challenges to makethem grow as an idol and as a member of their team. For instance, the meaning of friendship and what is music for them.
Moreover, the anime's main selling point is the music itself. It concentrated more on main songs/opening songs for the four bands. Thus, the animation's quality is uneven. But the animation for the main songs/opening songs is remarkably well done. I have to admit that I preferred TsukiPro's more than Tsukiuta especially the last episode's last song of TsukiPro. But I also wish that the production decided to keep the quality going rather than focusing only on the main songs/opening songs itself.
I shall emphasise again that the anime's music is focal point. Aside from the main songs/opening songs, the anime also featured the TsukiPro's past songs and new songs as ending songs. It perfectly displayed each groups' unique quality and distinct music styles from one another; in which it gives a diverse collection of music rather than focusing on one genre. As the characters describe their music in their own words, the anime did not fail to showcase it. Moreover, the anime also shows how each group creates their music. There will always be a member who is the composer of each group. By presenting the process, the unique attributes of each group is even more emphasized and recognized. Thus, TsukiPro groups are distinct from one another.
Moreover, the anime also did not leave out the significance of music in each people's lives. As the characters' explained and displayed it in each episode, music could paint beautiful and radiant colors in our everyday lives. Hence, the anime shows the value of music.
This is the music's description of each TsukiPro groups:
SOARA - "Like the blue sky."
Growth - "Like flowers blooming in the field."
QUELL - "Like clean, clear water."
SolidS - "Like glittering, intense flames"
Hope you give this anime a chance and be a new fan of the groups' music!
Nelya
Okay, a word about this reviewer, since it's important. I enjoy books even if I start reading it from the middle, or by reading the end, and only then start reading from the beginning. Why I'm mentioning that? Because that's what getting into Tsukipro franchise through anime would be like- starting from the middle. Tsukipro is a multimedia franchise that started in 2012 with Tsukiuta project (you can find the anime of it in related category, and the above disclaimer applies to that anime as well) drama CD series, that then moved onto 2.5d (aka the stageplays), and then, in 2015, added three new groups to theroster - Soara, Growth and Solids- under two new projects, named ALIVE and SQ. A year later, Quell joined as Solids counterpart, thus making SQ a two-band project, and SQALIVE projects an officially four-element ensemble.
Now, what did I even give you that briefing for? Well, it's pretty important, since most characteristic trait of any unit produces in Tsukipro is that they "live" real-time. You get to know what they did, if not through the official drama cds, then through the short stories respective accounts post on Twitter and other soc meds, and recently, also through the two new stageprojects. And that means, the events of the anime, aired in 2017, are just excerpts of their lives, cut out and packed nicely into animated format. That means, if you're joining the franchise through the anime, you're entering through the middle of the book.
Now, you might be a person like, me, who isn't bothered AT ALL by the mess the lack of plot, or the timeline that starts in the middle of some unexplained event causes (there's a reason why I enjoyed Haruhi Suzumiya and Hetalia), but, I just find that the franchise (or at least, its' western promotion management group) does a VERY poor job of highlighting the 'real-time' aspect of that anime. It stands to a reason normal people don't reminisce every other day about how they've met, or what caused them to be in a position they are in now, or why their relation with that person is this or that. And that's the MAJOR lacking point of the Proani. You didn't hear the first drama? You will have no idea how dramatic the flashbacks of ep 11 are for Quell. Didn't heard another album? It will remain a mystery why two characters of the units that in general get along pretty well pick on each other constantly, and why their teammates insist they're similar (I have doubts about that, but ok).
Okay, so, after this longass introduction, let me go for dismantling the anime, The story is slice of life, as I mentioned, with a slice taken out and set on a separate plate so that we don't see rest of the cake, and can't figure out the decorations on top of it. That doesn't mean it's not tasty, and if you enjoy schematic male idol groups' tropes, you will enjoy this one quite easily. We have the hot and sexy type, the kindergarten type, the princely, cool and definitely gay (okay, that's my opinion, but, everybody simp for that leader), and finally the family-like one that literally has children being adopted by their older unitmates and you probably won't convince anybody that's into the franchise otherwise. All in all, the tropes are easy to see, the characters are build on certain matrix that you've most certainly has seen somewhere in the other franchises, but still are fresh enough to enjoy them (plus, let's be real, those seiyuus are dope, and practically carry the series on their backs). In short, if you're looking for new oshi, you will find it here (and if you're looking for a shipping material, well. As I've previously said, there is an unit with a 100% traditional family household dynamic, and all those units are all-male, so...)
Since I've mentioned seiyuus, let me mention music: that's the only part I can unabashedly recommend to anyone, whether you're a fan of the franchise or not. The music is adjusted to the band or unit's characteristic trait, so you have experimental rock-pop-rap-everything that can sound cool mashup for Solids, electronica pop and lots of feels for Quell, male k-on 'it's all about youth!' pop feel for Soara, and the 'I don't even know if this is even pop anymore, it sounds so otherwordly' harmonies of Growth. I swear, I don't think there's a person who's heard all of the openings and endings and said 'nope, I don't like any of them'. It's just this good. Hama Takeshi and Takizawa Akira (aka John Zeroness) did an amazing job. I just want to say, a music in an idol's show is one of the two pillars that can make or break a franchise, and with the first one being characters, that are likeable even without previous knowledge of their backgrounds (or without knowledge of their seiyuus), the music is what makes this series.
Art...okay, when they wanted to highlight something, the artists could go all out, I haven't seen this gorgeous backgrounds in an idol anime in a looong while. Characters are eye-candies so what else can I say (bonus points for making twins recognizable by the different clothes they wear), and if there's a question where the budget of a certain episode went, there's always that one scene that you can point to and say 'there. All money went there'.
Because of that, the animation is inconsistent, unfortunately, and I don't mean the 3d CGI that is used for final performance and openings. Those are actually highlights of the correct uses of motion capture to portray your characters (plus, the backgrounds. Don't start me on the backgrounds, and camerawork, because it's actually amazing, and I'm saying that in the year of 2020, when Hoseki no Kuni and Beastars are already out). With motion capture at work, you can see the character's traits in their movement, thanks to which you don't feel like the movements were copy-pasted from one model onto the other (which, considering the cast including twins, would be a solution some other franchises would implement). However, the animation throughout the episode is usually inconsistent, jumping between quite decent and 'only still picture could be worse'.
In short, there are better places to start your journey with this franchise (like the ton of slideshows that fans compiled on all characters, making you much more invested in their lives), but, just as the premise of the show says- you can open this glittering box of treasures, you just need to be prepared not to know where the heck those treasures came from.
