Tsuujou Kougeki ga Zentai Kougeki de Ni-kai Kougeki no Okaasan wa Suki desu ka?
Duração: 23 min per ep
Gênero: Adventure, Comedy, Fantasy, Ecchi
Estudio: J.C.Staff
Sinopse:
Forming a party with one's mother in an online game seems not only unlikely but also uncomfortable to most teenage gamers.
Unfortunately, Masato Oosuki finds himself in that exact scenario. After completing a seemingly meaningless survey, he is thrown into the world of a fantasy MMORPG—and his mother Mamako actually tagged along with him! On top of all of that, Mamako turns out to be an overpowered swordswoman, possessing the power of two-hit multi-target attacks! After minor tension between the two, they search for party members, meeting the merchant Porta and the sage Wise, starting their journey to clear the game.
[Written by MAL Rewrite]
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Comentários
Johan__Liebert_
I used to be an agnostic, but this anime has turned me into an atheist. Seriously, look at this abomination and tell me there’s a god. Where did we go wrong? I had just started forgiving JC Staff for OPM S2, but now my anger and disappointment, mainly disappointment, have been rekindled. Okaasan online which is better known as “Tsuujou Kougeki ga Zentai Kougeki de Nikai Kougeki no Okaasan wa Suki Desuka” which roughly translates to “This is a light novel adaptation”, is an anime about a guy being transported to another world. You might be thinking, “OK, it’s another one of those”, but don’tbe hasty because there’s a twist – it’s about a boy who gets transported to another world along with his mom. What a twist, right? This new world is made for a mother and her child to embark on an adventure and become closer to each other in the process. Ergo, the protagonist and his mom are transported to another world in order for them to reconcile and appreciate each other’s presence more.
It’s an OK premise, but the execution is absolutely horrendous. Filled with clichés, insipid comedy and your usual harem setup, whatever enjoyment could’ve been found is lost. The plot heavily relies on oversaturated tropes and fanservice. The characters have no personality of their own and their characterisation relies on the setting instead of being the other way around. I will not be getting into the fanservice aspect of this show in this review. All you need to know about it is that it is probably a degenerate weeb’s Milf fantasy.
The main cast of characters consists of your quintessential unsophisticated harem protagonist and his mom, a tsundere, a loli and another weird character all of whom don’t contribute anything to make the setting interesting. There’s one more annoying recurring characters called Shirase who makes garbage puns for the sake of dry and bland comedy.
The characters really get as banal as they can. The tsundere girl, Wise, is basically a tsundere girl, nothing more, nothing less. The pink haired loli, Porter, basically annoys you with her Helium infested voice. Medhi is a pathetic excuse for a character. It feels like no character has a free will of their own and are just following in the footsteps of their ancient counterparts that have been seen about a billion times in other anime.
Masato is practically a useless character as he’s only used for slapstick comedy and for worthless virgins to project themselves upon; and he’s the protagonist. Mamako, Masato’s mom is just an irksome heap of tits, ass and seizure inducing voice. Speaking of seizure inducing voice, the voice actors try their best to produce the most painful voice that they can. Every character sounds like someone scratched a blackboard with their fingernails. The voice acting is pure cringe. Whenever I don’t like a character in a movie or anime I express my anger on the character as I know that the actors and voice actors are just playing the roles they’re given, but, Mamako’s cringy af voice makes me want to punch the voice actress in the face. But, then again I should perhaps direct my anger towards the writer.
The comedy is deplorable. The author probably watched a bunch of harem and isekai anime and tried to parody them but utterly failed. First of all, let’s talk about the most annoying character in the anime – Shirase, whose name means “to inform” in Japanese. After hearing the puns she makes on her name, it required an enormous amount of effort from my side to not punch my laptop to death. After hearing those puns, I regret learning Japanese because I understood the puns in more detail than I would have had I not learnt Japanese. Rest of the comedy is situational which requires a good line delivery, but there was nothing of that sort. Felt like the voice actors just gave up and uttered the lines just for the sake of uttering them.
The lines are insipidly delivered with no regards to the characters’ emotional state. Makamo always sounds cringy, Masato always sounds like a basic bitch, Wise is always stuck up, Medhi has as much personality as a white board and I don’t really know how Porter sounds because I had to lower the volume whenever she spoke as I don’t have the mental or physical strength to endure her Helium infected loli voice.
The music is bland and I was really pissed when they didn’t play Sweet Home Alabama even once. The animation is basic.
I don’t even know what I expected from this show and I’m shocked and disappointed in myself, mostly disappointed, for having finished this show.
Tinybox
Millions of years of evolution have lead us to this point. We as a species have learnt to read, write, love, hate, laugh and cry for this very moment. Years upon years of boring, trite Isekai shows have not been for naught. This is the single most monolithic event of our minuscule existence on this orbiting rock. People often like to point fingers at Sword Art Online as the sole reason that the Isekai genre has become an absolute cesspool. While SAO has contributed greatly, the major reason it's become as bad as it has is largely in result of the massive amount of money andattention it was able to pull. Money is more often than not the death of creativity, look at the Star Wars franchise.
Tsuujou Kougeki ga Zentai Kougeki de Ni-kai Kougeki no Okaasan wa Suki Desu ka? Is an absolute mouthful to read but more than that, it's stupid, and it's acutely aware that it is. Which is more than I can say about the other Isekai shows that ran this season. There's also an actual goal, although vague it's a goal nonetheless, bond with your mother in a video game.
I feel I must discuss the points that did enjoy. The animation and art actually impressed me, the style lends itself well to the video game theme.. alright I could only manage one positive.
Look, i'm aware that this show might not be for me and hell, i'm not even the target demographic. Different strokes for different folks. And a stroke is exactly what this show feels like to sit through.
Let there be no illusions, this show is a fetishist's wet dream masquerading as an anime. Going into the show I was fully expecting it to be bad, hilariously bad. I was not fully prepared for how awful this show turned out to be.
Let's say that everything after the first episode was incognito mode.
Most Isekai shows rely on the viewer to self insert. Self inserting into a show where the premise is to adventure with your mother is extremely strange. The protagonist is always deflated by the immense amount of fan service his mil-.. mother is put through and that same unenthusiam bleeds into the viewer. It's disturbing at best. Even more disturbing than that is the clear attempt to garner the interest of those who find incest enticing by having beams from the sun censor what little enjoyment they can attain from this show. It's clear that the creators just want you to buy the bluray boxed sets with the censorship removed so they can feast their eyes upon the uninteresting nudity.
It always loops back to money.
The sexualization of the mother is a bit strange but moving on the groping and suggestive dialogue got really increasingly more and more uncomfortable.
Judging just off the artwork and genres on MAL, I was just expecting a lighthearted romp into a mediocre parody show. A wink and a nudge here and there, nothing to get too worked up over. Like most things, I was wrong. The shameless and almost comedic lengths the show would take just to have an uninspired attempt at titillation was enough to give me a headache. It set off red flags immediately, but like an abusive partner I kept coming back.
Speaking of abuse, oh boy! In addition to the off-putting incest the show displays, it also includes verbal, sexual and emotional abuse! Exactly what i'd want to see in my show about being sucked into a video game world. Medhi who is a character introduced in the later half of the show is constantly berated and mocked by her mother. At a point she's even stripped naked and choked against a tree. It's a superficial attempt to stir drama and it was completely unnecessary, leaving a rancid taste in the mouth of the viewer.
I say superficial because the show does nothing to justify these story elements or provide a solution in a meaningful or satisfying way. Problems are solved by the typical "I was in a dark place" rhetoric a Youtuber would use in an apology video. It's sickening.
Speaking from my own experience the show made me question the very meaning of life. Where am I? Who am I? Why am I watching this tripe? Why do I even exist at all.
I had an existential crisis over why I even decided to torture myself with 12 episodes of this filth. It was so I could warn readers like yourself to stay very far away. I've successfully found my life's purpose.
To close, i'd like to end with a philosophical quote: "Ma-kun, your mommy is soaking wet!" - Mamako Oosuki
Stark700
Well, I’ll be damned. The isekai genre finally did it! They made a show about MILF in a fantasy adventure in 2019! With such a long ridiculous title, you should take a breath and not take this anime seriously. Just when you thought the world would be ok, this absurd thing called Okaasan Online became a reality. It’s easy to actually enjoy this anime when you turn your brains off or at least watch it without an agenda. After seeing the trailers and the promotional material, it’s obvious the anime is more of a parody of itself. I’m not going to lie though, watching Ookasan Onlineis guilty pleasure like eating junk food when you’re on a diet. The show is saturated with absurd ideas with the central focus about an overly loving mom. Main protagonist Masato Oosuki is bombarded with affections by her mother, Mamako. The two gets transported into a fantasy world as their adventures begin.
You’re probably going to question if this anime has incest elements. It’s controversial enough that Mamako is portrayed as MILF with Masato as her son. Their relationship challenges the borderlines of a son-mother connection. At its very baseline, it’s shown that Mamako genuinely loves Masato like a mother would. The real question is how much she shows that love. The first few episodes dedicates to bringing out both characters’ personalities as much as possible. Mamako is portrayed as a kind woman who sometimes can behave like a child yet also has a mature side of herself. As a protective parent, she gets angered easily when her son is threatened and is fiercely devoted to her motherly duties. In essence, you can picture Mamako as the ideal standard of a mother. Masato is portrayed more of as a typical teenager and as you can imagine, he gets embarrassed by her mother’s over the top antics. The first few episodes shows their character chemistry that sometimes will jump way over itself with its humor. For instance, it seems Mamako can’t seem to stand straight for 5 minutes if she isn’t with her son. Poor Masato. He can’t really ever be free even in a world that’s not real.
But as you can imagine, Okaasan Online overall has more of a satirical parody tone. It takes the isekai genre and transforms it into a story with some incest context and less so about a hero saving the world from evil. The story structure seems to focus on adventures at times but overall revolves around Mamako and Masato’s relationship. The amount of incest subtext is evident in some later episodes especially with bath scenes and other innendos. Plus, you can’t deny the look on Masato’s face when he shows attraction towards Mamako. Fortunately, the anime doesn’t pursue any sort of serious drama between the pair and instead plays it out like a parody. Yet, you have to wonder if there’s any actual romance at all in this anime. The answer is sort of but not quite. Sure, we have Masato falling heels for the feminine Medhi but again, their relationship plays out more like a lighthearted comedy. Even after Medhi shows her “darker side”, it’s hard to take her character seriously at all. Like I said before, you should watch this anime with your brains turned off and let the anime speaks for itself. It’s not trying to hide anything with the amount of running gag or the obvious suggestive tones.
Outside of the main leads, it’s hard to find appeal about the other supporting cast. Characters such as Shirase, Porta, or Wise just doesn’t carry the same amount of presence as Mamako. If you’ve ever played an MMORPG before, it’s like they are the supporting party while Mamako and Masato are the co-leaders. Occasionally, their dialogues can bring out a few laughs but it’s still overshadowed by the overpowered Mamako. Speaking of dialogues, it’s also hard to deny the show is consciously self-aware. Phrases such as “we are family, so it’s normal” is one of the most overused ways to showcase the son-mother relationship. There’s also dialogues about housewife jokes and character expressions showing how a typical mom would behave. If you’re not a fan of this style of humor, you’re not going to find much joy in Okaasan Online.
I’m starting to wonder if J.C. Staff is on some sort of mission to prove how productive they are in the anime industry this year. At the time of this writing, they had four ongoing projects including this show all airing the same season. Okaasan Online didn’t fall victim to production issues but it still has an average animation quality. Let’s face it, the characters has some of the most generic looks known to humankind. The one that stand above the rest is Mamako who is decorated with MILF qualities. Because she is an older woman compared to most of the cast, it’s no surprise she has a more mature body. In some episodes, the anime even decides to put her into suggestive outfits to bring the most of her appeal. In other cases, the anime relies on fan service with bath scenes. Unfortunately, the TV version contains censored lights so help us God, let the BD/DVD versions remove that nonsense. Character expressions is mostly showcased with humor with the amount of pout scenes and cartoony reactions. Does it make you laugh? That’s for you to decide but the show clearly wants you to watch this with your brains turned off.
Watching Okaasan Online wasn’t entirely a dreadful experience. Trust me, there’s garbage like Isekai Cheat Magician out there which is about as tasteless as isekai can be. On the other hand, this is one of those series that’s going to appeal a certain audience. It’s actually one of the first momcom (as Yen Press describes it) anime adaptations I remember in recent years so that's something new, I guess?
GravenER
I loved this anime just as much as I hate my mother, so I'm giving it a full 10/10. No, I'm not out of my mind - the real madness is that this masterpiece, this absolute unit, this groundbreaking work of art, is rated only 5.5/10. Mommy issues, perhaps? Mamako is adorable - she's the M.I.L.F. everyone needs but that we don't deserve; in particular, the M.I.L.F. the MC doesn't deserve. He will never see the truth, unfortunately. She's hot, she's fun, she's genuine, she's hot, she's resourceful, she's kind, she's hot, she's a bit naive and air-headed at times, I will admit this much, butthat only adds to her charm. Also, she's hot.
A M.I.L.F. that can easily pass as a teenager, with all that overflowing Ara-Ara energy and such an explosive body. Exactly HOW can you give this anime anything but full marks? The only criticism I can give on this state-of-the-art bona fide masterwork is that, while we get a glimpse of Wise's nipples, we aren't blessed with the full sight of Mama's grace. That is, in my opinion, unforgivable. Not enough to lower the score, but still... it left me with a vague sense of disappointment.
Ah, yeah, the other characters. I guess they exist, but I don't care enough about them to include them in my review.
999/10 (for Mamako.)
Plot: 999/10 (because Mamako is in it.)
Animation: 999/10 (because they animate Mamako.)
Sound: 999/10 (because of Mamako's VA.)
Overall enjoyment: 999/10.
I'd recommend this gem to anyone at any time. It will cure your depression and give you a reason to live. 10/10 would get Isekai'd with Mamako. I don't think this anime will get a second season: beauty and perfection are always rejected by the ignorant masses. That is why I am now motivated to become a millionaire, learn Japanese, and personally fund a season 2. Look forward to it. It might take years, decades perhaps, but I will get there.
Finally an anime that adheres to my taste -Kakyoin 20XX *spoilers warning for those who are weak. Okaasan online (OO) is a rather odd but inevitable anime to come out recently. Riding the wacky train of high-concept isekai premises, with this one being “what if the main character went to another world, but with his mom”. Okasan is able to land firmly in between the too ridiculous to take seriously, but not too ridiculous that you can’t make a small adaptation out of it. While it’s obvious that this entire work was made just for cheap thrills so that anybody can watch it ironically, and for othersto ogle at waifu bait until the doujinshis come along. The show, intentionally or not, ends up showcasing some interesting themes that ended up with me wanting to write this review about it.
In the beginning OO is presented as a show that really doesn’t care about it’s own story. It takes a lot of tropes from recent isekai anime, and includes a mom with them. It’s mainly used for the sake of humor, but that’s really the beginning and end of the joke. Haha, isn’t it funny that the mom is journeying with the main protagonist. Haha isn’t it funny that the mom is more overpowered than the child, ha ha ha.
The show also certainly doesn’t care about having a narrative drive, especially in the beginning of the story. It doesn’t care about reason or purpose, only results which are getting to why this show exists in the first place, anything else doesn’t matter. Why is the government able to send people into a video game? Doesn’t matter. Why is a video game used as a parent child bonding program? Doesn’t matter. What’s the end game in order to complete the program? Obviously for parent and child to be closer. How is this gauged? DOES NOT MATTER.
The first few episodes of OO are rather aimless. Treading the same waters of other shows of its nature by doing similar riff,gags, and references to JRPGs and videogames in general. The show also has a handful of mom puns, or at least it has many things in this world that has some variation of the word mom jammed into it. The mother’s name is “mama”ka, the protagonist's name is masato which is shortened to Ma-kun, the currency of the world is called mam which sounds close to mom, and pretty much every city and town has the word placed into it, etc etc. They do lessen as the show continues on or at least aren’t that annoying.
After those few episodes the show tries to build some sort of narrative, and it does so by using its themes as a sort of glue so it can have some cohesion. Since during their early aimless travels, the protagonist and his mother picked up other young players to join their adventure. Since the game is mainly about parent and child bonding it would seem odd that the other players they recruited aren’t without their parents which becomes the whole point. With Wise, one of the players they picked up along the way, becoming the catalyst of what this show is all about. The first main “story line” deals with the party dealing with wise's mother who is causing trouble in the game. It’s during this story line that it’s revealed that wise’s mother had been very neglectful of her, and despite the game being an attempt to reconcile, the mom ends up abandoning her.
It becomes obvious that the shows main themes are about parenthood, motherhood, and interpersonal relationships. The entire parent-child bonding program becomes more than just a ploy to show case hot milfs, but to also showcase themes that while may be obvious, they at least make the show more interesting from other derivative isekais. With the next storyline being the opposite of the first, this time having an overbearing parent helicopter over her child in some vicarious fashion. And the final storyline not really having an antagonistic parent, but more so rebellious children who are a mirror to the main protagonist.
Of course interesting themes can only go so far because the writing still sucks. The characters are pretty much dragged from place to place by one of the admins, Shirase, in order to solve these problems and for the storylines to happen. Two of the main storylines resolving with a Mom v. Mom battle via might makes right, with might being the plot bending over backwards for Mamako to always be the winner. Not to mention how Mamako is pretty much the second coming of jesus christ who can do no wrong and becomes way to preachy about being a mom. The only criticism towards her comes from her own son, and even then it really doesn’t matter anyway.
Then there’s Wise and Medhi the two supporting characters whose storylines with their mothers we go through, as they both have interesting characterization by their personalities being a result of how their mothers treated them. However those personalities end up being the only thing about them and also just become jokes. Which is very much the case of Medhi who has a kind personality the show in front of others, and also a malicious personality that’s filled with contempt towards others, especially towards her mother. It portrays how screwed up she has become from how her mother had treated her, but in the end it’s later portrayed like some dumb sadistic quirk that makes her say one-liners every once in a while. Not to mention that their mothers, who get shafted after their story lines are over, were being manipulated the whole time they were in the game. They were still presented as no-good parents before the game, but it was that manipulation that made them 10x worse. So it’s hard to tell whether a character like Medhi got her personality before or during the start of the game.
Sure the show is a comedy and all of this shouldn’t be taken too seriously, but that serious stuff is the only thing the show has going for it since the comedy is mostly stale. So it is a shame that such interesting themes are stuck in such a “plot”, with such ideas being ripe for examination and exploration, and the current setting being a perfect place to facilitate it. There are many possible types of combinations between the parent and child relationship such as an adoptive child, siblings of any degree, or even a NEET child just to name a few. Even the inclusion of a father character, which this anime is lacking despite being a PARENT and child program, would be enough to double or triple the number of possibilities.
There’s also the chance of exploring themes about gender roles, sex, and sexuality. Given that the story takes place in a video game it shouldn’t be too far off for a character to change their sex or appearance with a few switches and dials. Imagine for example a story line that has an old fashioned strict parent who joins the game with their child, but the child “Accidentally” became the opposite sex. However the matter of fact would be that the child did it deliberately because they could: 1.gauge how their parent would feel 2. see if the parent can accept them at that moment and 3. slowly indoctrinate them into the liberal gay agenda. Speaking of gays, what if the main character was gay. The anime does show that Mamako is fine with Masato being in a relationship as they do a sort of potential bride interview as a way to recruit party members. While it’s obvious that it’s done as a joke it would be interesting to see what would happen with their relationship if he was gay. Would Mamako be accepting of him? Well of course she would, she’s basically Jesus II . But would a mother like her but not as benevolent be as accepting? Who knows but it would be interesting.
But that’s enough wallowing of what could have been. Even if the show did these things, given the writing of this show, I doubt it would be even be good.
As for the production value of the show, it’s all right. The only thing worth of note is the character designs, more specifically their eyes. Their designs were done by an artist named Pochi who’s known for a manga that also focuses on the bonds of an older and younger family members. What makes the characters in this anime distinct is that the characters have white pupils. While having characters with white pupils isn’t anything new, it’s done in wholesale here. While i guess it is cute on the other hand the more you look at it the more uncanny it gets. As you stare at Mamako, her gaze pierces yours as she looks deep inside your soul. And as you try to do the same, you are only met with an endless white void. The abyss stares at you but you aren't able to stare back. Averting your eyes is the only option and in doing so your are met with her chest. Beautiful maternal breasts that can comfort and soften even the most hardened of people. So yeah, it's nice shit I guess.
As I was writing this review I think I finally understood why I was so interested in the themes in this show and why i bothered continuing on. It mainly boils down to there rarely ever being even a modest amount of anime about parent-child relationships. One does pop up every once in a while, but even those aren't really that focused on parenthood as much as OO is, albeit OO is very preachy about it. I guess it goes to show that writing isn’t the only way to make a show interesting, just having themes and a parent-child relationship that sometime teeters into incest can work just as well.
Anyway the scoring is a bit skewed because i had to put a 10 on characters so i don't hurt Mamako's feelings
LegendAqua
M.I.L.F ISE-KAI Well anime comes with wild ideas and goes full throttle with the concept and Tsuujou Kougeki ga Zentai Kougeki de Ni-kai Kougeki no Okaasan wa Suki Desu ka? is no different. As much as Tsuujou Kougeki ga Zentai Kougeki de Ni-kai Kougeki no Okaasan wa Suki Desu ka? has an alienating premise and the "wild ideas" diverting people away from this anime BUT LA saw something with this anime, a core concept at least all the while adding comedy and parodying the isekai genre all in one. Well let's get the "alienating premise" problem out of the way...mainly in the fact that the titular characterof the "mom" or in this case Masato Oosuki's mom Mamako voiced by Ai Kayano gives off a blatant incest-y tone and all the embrassing things that Mamko gets into especially since it's fanservicey and how clingy Mamako is to Masato is becomes a major problem with the anime and it doesn't go away. Lastly would be Masato's behavior at the start of the anime, where he's extremely stingy towards his mom, sure he DIDN'T want all this but it's his mom like what the fuck man..thankfully he does get better...or self-aware of the situation he gets and he well...just gets used to it.
BUT aside from that, Tsuujou Kougeki ga Zentai Kougeki de Ni-kai Kougeki no Okaasan wa Suki Desu ka? does give us some of a refreshing take on the isekai genre, mainly on the fact that...hey A PARENT along with the main protagonist gets transported into another world or in this case a beta test of busted MMORPG mainly focused on moms or familiar bonds (but mainly moms). Through this the main cast mostly have mommy issues that latter joins Masato's party and goes through the beta test all the while running gags such as Mamako 2 hitting everything. Wise voiced by Sayumi Suzushiro is a proto-Megumin and Aqua where she's basically useless but highly proficient in magic...just she finds ways to have 0 MP to cast anything, she's essentially the physical butt monkey of the cast and like Masato has a mom in the game where it becomes the first arc of the anime focusing on Wise's mom being WAAAY to self-adsorbed with herself and thus Wise, Masato, Mamako and Porta have to "defeat" her and make her a better mom. Ohh Porta voiced by Sayaka Harada the teams items master and joins Masato's party very early in the anime...not much is known about her besides that. The last party member joining is Medhi voiced by Lynn a white mage healer and with her helicopter mom...Medhimama who strives to do WHATEVER it takes for Medhi to become number one...thus helicopter mom and yeah Medhi gets an arc because of this. Lastly is Masumi Shirase voiced by Satomi Arai, a weak GM who gives Masato's party "quests" that more or less gets them to "fix bugs" within the game in which Shirase can't...due to her dying constantly.
So the central core concept of this anime becomes obvious...parental issues, that of selfish parents like Wise's to for LA, the much more relatable helicopter mom and her goal of wanting her daughter to become number one no matter the cost, which is something most Asian kids have dealt with or still is, Tsuujou Kougeki ga Zentai Kougeki de Ni-kai Kougeki no Okaasan wa Suki Desu ka? DOES show these concepts quite well and the setting makes sense. What doesn't is the retributions to some of the "mom villains" of this anime..mainly Wise's as her retribution was kinda a slap to the wrist than anything else...like seriously, she made Wise's life hell and THAT's her consequence.
The comedy comes in and really where the comedy shines is in it's parody of the isekai "game genre" as well as how the characters function. Running gags aside just the main cast's general dichotomy when it comes to their game elements though sometimes repetitive for LA like Wise losing MP or unable to cast anything, Medhi's dual personality seeping out, Mamako 2 shotting everything, Masato not able to fight because of Mamako, it's how the game world reacts to Masato's party or more or less Mamako's is quite funny let alone how the main cast DO have good chemistry with one another at that too.
The animation done by JC Staff gives us...well in all honesty..a self-awareness even towards it's animation due to the fact the setting of this anime is in a beta test MMORPG thus the background characters are intentionally derp and low quality. As for the character designs, they were decent for a fantasy medieval-ish setting and thus goes on with the character costumes. LA doesn't know the character design animation seemed to have this slight detail to the character eyes...like a certain intense bloom to their irises or something, exotic at least. Overall the animation done by JC Staff was good and somewhat self-aware about it in a charming way instead.
The voice cast has some veteran and rookie seiyuu's in their roster, the veteran's like Ai Kayano as Mamako to Satomi Arai as Masumi to Lynn as Medhi (who has a sorta playing against the type at that) and BOTH of them did great in their respective roles. As for the rookie's we have Sayaka Harada as Porta, Sayumi Suzushiro as Wise (doing a playing against the type from her previous role as Uruka from Bokutachi wa Benkyou ga Dekinai). The only voice actor LA really didn't care about...was Haruki Ishiya as Masao...to be expected as he really didn't get to do much and was pretty much being the straight man to the rest of the cast but he was still...ehhh..ok. Overall the voice cast was great especially Lynn, Satomi Arai, Ai Kayano and Sayumi Suzushiro.
LA thinks the only major flaw LA saw was to the near end of the anime with the only non-mom villain of the series and focusing on the constant running gags of not of not the main cast but the minor cast constantly doing their gags while the main cats ar in the background but especially from the main villain it got old fast but LA doesn't think to tell you it....yeah THAT running gag. Yes the entire concept of the mom 2 hitting things does feel like a running gag in itself but actually Mamako more or less talks the mom villains into submission more than dealing with the villain head on so it has that for a defense. Lastly would be main cast's running gag and how they stretch it out, to be honest yes they do, but they don't as the new situations placed them in gives it a new spin one way or another and sometimes it's not even based on their running gag. The ONLY running gag that sorta dulls it's welcome quickly is the intentional fanservicey moments mostly involving Mamako because OF COURSE IT DOES...
Tsuujou Kougeki ga Zentai Kougeki de Ni-kai Kougeki no Okaasan wa Suki Desu ka? has an alienating premise let alone LA wasn't even thinking this was gonna be a good isekai, but lo and behold LA actually liked this isekai even with it's incest-y flaws and running gags and all. With a refreshingly different isekai element and it running with it, funny characters let alone their chemistry with one another only making the comedy that much better to a core concept of parental issues towards it's characters...
Tsuujou Kougeki ga Zentai Kougeki de Ni-kai Kougeki no Okaasan wa Suki Desu ka? is one crazy annoying adventure with your mom, ohh and from all this...yeah..LA thinks Mamako is a badass adorable character who even with her flaws...does solidify this anime to what is really is...is Mamako the true villain disguised as the ditzy mom of the series???
memetic_hazard
This anime, "Do You Love Your Mom and Her Two-Hit Multi-Target Attacks?", stands as a towering achievement in the realm of anime. To merely label it a masterpiece would be akin to celebrating Einstein solely for his scientific contributions without acknowledging his profound impact on the world. This show effortlessly surpasses the celebrated "big 3" and every other mainstream title in existence. Jujutsu Kaisen, Death Note, JoJo's Bizarre Adventure, Mushoku Tensei, Attack on Titan—you name it, none come close. I have yet to encounter anything that even dares to approach its greatness. Any other anime pales in comparison to this titan of entertainment. Its beauty, itshumility—these are qualities that define it.
The character development within this series is nothing short of phenomenal. It's evident that each character was painstakingly crafted, their complexities teased out in every 24-minute episode. Every character feels so richly developed that you forget you're watching an animated show. The author's mastery lies not just in storytelling but in intricately weaving relationships that captivate and intrigue.
Have you ever wished for an anime that you could watch endlessly without ever growing bored? Look no further. This series fulfills that desire and more. If Itachi were to employ his Mangekyo Sharingan on me, forcing me to binge-watch this show for three straight years in a blink of an eye, I would emerge a changed person in those mere seconds. A man able to rule the continents and stop all war with the snap of my fingers.
This anime offers a diversity of characters so wide-ranging that each one feels like a genuine individual, each contributing uniquely to the narrative tapestry. It's worth noting that amidst its brilliance, the first season contains only a solitary ecchi scene—a detail that many might overlook. Yet, this singular instance serves as a testament to the author's confidence: "Even with ecchi elements, my anime will outshine them all."
"Do You Love Your Mom and Her Two-Hit Multi-Target Attacks?" is not just an anime; it's a revelation. It challenges conventions, elevates storytelling, and leaves an indelible mark on its viewers. It's a journey into a world where imagination knows no bounds and where every moment is crafted with meticulous care. In this anime, light shines brightly, wars cease effortlessly, and the continents await conquest.
Indeed, this anime is a titan among giants, a masterpiece beyond compare. It transcends the medium to become a testament to the power of storytelling and the limitless possibilities of the animated art form. As I continue to explore its depths, I am reminded that true greatness, like this anime, is rare and unforgettable. Everyday I rewatch this masterpiece, finding out 50 new details by the hour that I missed the last time, and everyday I weep at night knowing I will never find everything before I perish from this world.
But isn't that the beauty of it? Isn't the point that you CAN'T do everything? That's what this shows makes you realize, that even when you thought you gripped everything, there is always something left.
Have you heard the saying that geniuses are often underappreciated in their time? Of course, it resonates deeply when considering the anime "Do You Love Your Mom and Her Two-Hit Multi-Target Attacks?". Its seemingly mid rating on MAL shows the profound depth and brilliance it embodies. The reason for this rating is actually rather simple: there aren't enough people alive who can fully grasp the perpetually reoccurring layers of meaning and innovation this show brings to the table. No, that it brings to the world.
This anime challenges norms and expectations at every turn, daring to explore themes and narratives that are both refreshing and thought-provoking. Yet, its true genius lies not just in its narrative twists or character arcs, but in its ability to provoke introspection and redefine what it means to engage with anime as a medium. The author chose this topic BECAUSE he knew it would be a controversial one. That would basically guarantee the fact that this anime becomes popular enough for chosen ones like me to find it and spread its wisdom.
The characters, from Masato and his reluctant bond with his overpowered mother, Mamako, to the deep supporting cast, are not just pixels on a screen but reflections of human complexity and emotion. Each episode unfolds like a carefully crafted symphony, with every note resonating with purpose and resonance. If you close your eyes while listening to this, even if you're watching the subbed version, you will start to hallucinate yourself in an orchestra. An orchestra in which you are everyone. You are all the players, the conductor, the audience, and you are the instruments. You are the rain 12 miles away in another city and you are the sediment on the sidewalk.
Despite its brilliance, "Do You Love Your Mom and Her Two-Hit Multi-Target Attacks?" finds itself swimming against the current of mainstream recognition. It's a testament to the anime's ahead-of-its-time brilliance that its true impact may only be fully appreciated in the years to come, as more viewers discover its narrative treasures and thematic innovations.
To watch "Do You Love Your Mom and Her Two-Hit Multi-Target Attacks?" is to embark on a journey of discovery, where visions of what you think is gonna happen is shattered, and the boundaries of storytelling are pushed to their limits. It's an invitation to delve deeper, to appreciate the subtleties and complexities woven into every frame, and to recognize that true genius, like this anime, transcends temporal constraints. It is dangerous to put this here, but no matter. This anime transcends the boundaries and restrictions of "chance" and "possibility". In other parallel universes next to us and away from us, this anime is there with the same message.
When humanity is able to simulate a reality just like ours, over time they will come back and see that is will be nothing like ours. The only thing that will remain the same is that this anime will still be in that world. That's because it is a fundamental building block of the universe that cannot be ignored. There exists not a place in time and space where this anime is not going to be achieved.
As time unfolds and more viewers awaken to its brilliance, "Do You Love Your Mom and Her Two-Hit Multi-Target Attacks?" may well find its place among the pantheon of anime legends, celebrated for its audacity, creativity, and profound impact on the medium it boldly redefines.
Alas, this will never occur, as it never will on every other universe. This is the fate of humanity, left to wonder about their meaning and never fully grasp the meaning of this anime. There has never been a universe where this anime has been able to be seen in all of its glory, depressingly so. This is the fate of humanity, left to succumb to their own war before figuring this out. This is the fate of any creature able to pass on knowledge. This is the fate that has already been decided.
This is yet another lesson the author has taught us. Nothing lasts forever, and even if it did, it would be impossible. Even with the small amount of people that take notice of this anime it is able to leave a greatly lasting, but small impact on this world each time it appears. That's the fate that this has always had. This anime is the best of all time, the super best. The really the best of the best of best of any show ever made. This anime, is, peak fiction.
Horn_dawg_2019
Tsuujou Kougeki ga Zentai Kougeki de Ni-kai Kougeki no Okaasan wa Suki Desu ka? Or Do You Like Your Mom? Her Normal Attack is Two Attacks at Full Power, in short, Okaasan online has ended. So Story Pros: It maybe you usual isekai themed anime, but, original creator, Inaka, Dachima gave it a tweak by adding a mom on board. Cons: It was still you usual isekai themed anime plot, where it was 2 step away of having a worst story plot.Verdict 3/10
Art
Pros: It was good that a certain Pochi who designed the characters here to add some fanservices like that of Wise's panty flash.
Cons: It was the only thing that makes this anime sell.
Verdict 7/10
Sound
Pros: Mamako's voice was just cute and that ending theme "Tsuujou Kougeki ga Zentai Kougeki de Ni-kai Kougeki Mama" by ai Kayano was just soothing, in fact you can sing this to a kid who's ages from 6 and below.
Cons: Nothing in particular.
Verdict 8/10
Character
Pros: Unlike the usual Isekai themed anime where it always includes a guy who seemingly does very good in the alternate world , here such guy was replaced by Mamako Oosuki mom of Masato Oosuki where the guy was regulated as a secondary character.
Cons: Unfortunately, the main protagonist Mamako was still portrayed as the usual protagonist in any other isekai themed anime. in fact she hogged every scene in this anime.
Verdict 3/10
Enjoyment
Pros: Well, despite of this having that usual generic isekai themed anime, it was quite enjoyable when we see a mom in the helm of things.
Cons: She still hogged all the scenes.
Verdict 8/10
Overall
Verdict 3/10
This is were I get to the ugly point, cu'z only the character in the helm was change, but the anime as a whole was just poor in everything where it all relies on the main character, Mamako and fanservice that were added to sell. IMAO this doesn't deserve a 2nd season.
curvedtree
This show is about Mamako, you will love Mamako it doesn't matter how, if you love her as a milf, as wanting her to be your mum, as a character, Mamako is the best thing here. Taking that aside you are in for a story that doesn't develop its characters, there was a hint when Wise, the Sage, was introduced, but after that we don't see Wise develop. Then we get Porta which is the cute one, but she is barely introduced and not developed at all and the last member Medhi that is just as dull as the other two. The story follow a episodic structurewhere most episodes don't rely on prior, which can be good, but the "getting close to your mother" main objective falls flat on earth and we feel like the show goes nowhere.
Ma-kun, the protagonist, is forgettable, one or two moments he shows he has some brains but mostly he is complaining about his OP mum.
Mamako doesn't change much from the first episode, but she is so likeable that you end up not caring and craving for more "maaa-kuuuun", if it wasn't for her there wouldn't be a show at all.
hyperwaddledee
I’d like to think it was fairly obvious from as early on as the initial promotional materials of Okaasan that this wasn’t going to be a high-quality, well-written ride. But, of course, anime doesn’t have to be classy to be entertaining. So let me ask this question instead: which audiences will Okaasan entertain, and will it be worth your time? The answers are very few, and probably not. Only a very specific audience will be able to overlook the serious flaws of Okaasan. Story: 1/10 The story of Okaasan starts out as standard Isekai fare, but quickly devolves into a strange, contrived-even-for-Isekai mess. Many of the problems Masatoand party face should have been nuked at the dev level. What are the devs of Okaasan Online doing, letting this conga line of deranged griefers do as they please, quite literally threatening to break the game for everyone else? It’s baffling that they lack any sense of PR and any sense of protecting their own assets.
The intra-party conflict moments are marginally better, but still rely on unrealistic and nonsensical anime logic to create and solve problems. Absence of internal logic is a running theme in this anime.
Art: 4/10
Not much to say about the art of Okaasan. It’s standard fare for low budget animations. It isn’t particularly offensive in any way, and that makes it one of the best parts of the show. The designs are nothing special, but they’re nice to look at in a vacuum, when the characters aren’t making you want to smack your head against the wall.
Sound: 5/10
Again, not much to say. The opening and ending are not stellar, but they are mildly catchy. Insert tracks fit well enough with their scenes as to not be a bother.
Character: 1/10
This is another category where Okaasan utterly fails. Unfortunately, the characters of Okaasan are less characters as much as they are a loose collection of tropes from better characters, written with the consistency one might expect if a different schoolchild were assigned to each episode, were given a loose character outline, and asked to write a story. Mamako herself is the worst offender in this sense, her poor self-awareness varying wildly from episode to episode, from bad, to lethal, to just plain stupid, to even stupider yet. But, every character suffers from this lack of consistency to some degree.
Worse yet is the utter unlikability of what little consistent traits there are. You’ll want to smack Masato for being a whiny prick to his mother and everyone else. After a while, you’ll want to smack Mamako for enabling Masato’s entitled behavior. Then, you’ll want to smack the devs for apparently being content to let other players run muck-wild, brainwashing and enslaving other players, among other things. And so on and so forth.
There’s one more problem with the characters of Okaasan, the problem of how rotten behavior in general is universally dealt with. Several mothers and children in this show are downright abusive to their other half, and every single time the show doesn’t even slap the abuser on the wrist, sometimes going explicitly out of the way to say it isn’t their fault they’ve done such awful things. Every single time. Because I guess Mama’s love is all, amirite? Strangely, said characters are put on a bus before they get a chance to relapse...
Enjoyment: 1/10
There was no enjoyment to be found in this wasteland of a show. Okaasan’s writing is undeniably bottom-of-the-barrel garbage. The very best thing it can show for itself is its low-tier art and mediocre sound. Watching the show at all is an exercise in masochism.
So, in conclusion, who should watch this show?
If you are seriously horny for Mamako, then go for it, but don’t say I didn’t warn you that it’s bad.
If you came looking for a corny Isekai adventure, stay far away and don’t come back. There’s nothing funny or amusing about Okaasan in the slightest and it’ll only leave you feeling incredulous and angry.
If, for some reason, you purposely want to watch a terrible anime, then look no further. This is the one for you.
Overall, 1/10.
Igyzone
This is my first review and the reason I'm writing this is because I want to explain everyone on why I think this anime deserves more attention than it gets. From my perspective, this anime doesn't focus on the Isekai genre, neither about moms, nor the plot, but rather a very important message that's directed to the young people. Youth these days or should I say years, is more spoiled than it was. And this anime reflects this issue and shows one of the reasons why - Bad parenting and lack of it. And this main female character is a good (not exactly perfect though) example of howto be a good parent. By simply spending more time together and knowing the right amount of limits between freedom and discipline for their children.
To conclude, this show helps you understand that in order to become a good human being, one must know that the things you want in your life do NOT equal the things that you need.
sexydadee
Came for the ecchi, stayed for the plot I must say, I was expecting a horribly written isekai ecchi from reading the low score reviews. But I was surprised to find a gem. The anime makes fun of itself. It is also littered with alot of puns, which is probably the main reason why alot of people hated it. But I love puns. Sure there are alot of tropes but I also enjoyed them. I knew what I was walking into. And the premise is really well written, there are no convoluted plots that ruined the anime for me. Thecharacter development was really nice and well paced. I cant wait for season 2 to see Porta's story. I love all the characters. But I especially love Mama and her acting.
I also love the scene transitions.
I will dare say that its a great anime to watch with your mother. Especially if the both of you have a really great relationship. I'm not sure if it will be enjoyed by children who are currently having a rough relationship with their mothers as it mostly brings out the issues that usually plagues a mother/child relationship. But all in all, definitely a solid recommendation.
cancercomment
There's a very self aware vibe I got from this series and I loved it. It's very cynically and sarcastically taking a big dump on the isekai genre and makes fun of helicopter parents at the same time. If you do pick up on it then you'll either love it or hate it. This could all go right over your head and you likely won't like this show at all because the plot is stupid on purpose and beware it has repulsive fetish fan-service which I kind of found to go over the top a bit but got that it was to poke fun athelicopter moms who are in general responsible for the appetite this genre has of escapism to take risks without real consequences that iskais with their simple adventure plot and self insert protags tend to offer.. Which the protag is completely denied by his helicopter mom even in this game world which was the point of the joke.
Jamesisamess
Dude... this show... it's bad... and so stupid... Every element, characters, story, comedy, etc, is executed so poorly, so boring and generic. It tries to be funny, but it fails to the point of being cringy. The show wants to be something but doesn't know how to do it, they just simply use every cliche of isekai anime and tries to parody them but it also fails in that. The main cast are flat, predictible and with no personality or charisma. Mamako is literally Jesus, Masato is the tragic pathetic guy who wishes to be a hero in an incredible adventure, Wise is the tsundere one, Medhiis the malicius one who seems being the perfect grill, and Porta (yeah perdonen kamehameha) it's just the adorable one.
There's ton of elements throughout story that makes no sense, the mama-villains are bad because a strange rock (that doesn't justify they are horrible mothers in real life), every power of mamako just appear conveniently from nowhere to reslove every problem, why there is a school in a mmorpg and a tedious arc about it?, and Shirase and the people responsible of this game are the most usless because they cannot get rid of the problems of overpower players. Excuse but what the fuck? why the fuck you can't fix those problems if you are the creators of this unbalanced game? Also, the last villain is just a tiring unidimensional comic relief.
The art is acceptable I guess, the animation is mediocre as modern anime, but the sound and music are soooooo boring and generic.
You know what's the worst thing of all? This show could be way better than the final product. The premise is so stupid and hilarious that the writers wasted and ended doing poor generic comedy trying to be a parody... and even the writters of konosuba could use this potential and create a comedy as fun as konosuba. I really wanted to have fun with this anime but instead I had more fun hating it and talking to myself how bad this show was.
(I'm not so good at english, sorry if there are problems in this text
deigos
big booba is epic and i like the giant jugs on the mother them milkys made me pogchamp in pants that was really cool i want monkas the mother in the anime her son was cringe tho how he did not like the nig booba on his motehr and i would like to say that this was a pleasent expience from what i have watched and the others characters were ok but the mommy was really cool and pogchamp it remind me of my friends mother she also has really monkas boobas but i wosh there was more black character but sadly we did notget any of that but the boobas made up for it :)
GermanTacos
Okaa-san Online is a decent anime that lags behind in some key areas, but is overall neat to watch through. The characters are endearing at times, but can occasionally feel repetitive or overdone. Plotlines are relatively weak, but seem to focus more on a parody of the isekai format, or occasionally just anime tropes in general, than anything else. The artstyle is clean and pretty to look at, as far as low-budget anime goes. It is not at all something to look at for a broader meaning, or for some kind of deep viewer engagement. It's a neat little time-waster that parodies itself at almost every turn. Don't getupset if it's not super serious or extremely thought provoking. It's not meant to be.
K1ngOfSloth
"The longer the name, the better the show" A popular quote but it doesn't really apply to 'Tsuujou Kougeki ga Zentai Kougeki se Ni-ka Kougeki nk Okaasan wa Suki Desu ka'. One hell of a tongue breaker Done by J.C. Staff so aninations are overall decent, as expected. Sound and Art is fine too but the core here lies in story and characters. After seeing the final episode, my rating changed from 4/10 to 6/10. After this ep everything else seemed more like a big build up for what's to come. Everything makes a lot more sense "storywise" because you actually feel like there's more to it than "addinggirls to the harem which all get overshadowed by the milf".
The Characters were pretty hilarious I'd say. They aren't really anything special, but with such a setting it all comes down to a kinda awkward comedy. When you're a teenage boy you can probably relate the most to this show and that's why my Score changed by 2.
Hazmatt17
A comedy which plays off of the major tropes of many isekai anime, with its own unique premise. The main character is transported into the world of a video game... With his mother. I am sure many people would be able to see the irony in this, after years of hearing every console in existence called "the Nintendo" by their mothers. And at this point you should realize this anime will be anything but serious. The humour in this anime comes from situational absurdity, puns, tropes, fanservice, and the relatable situations in which many youth have been embarrassed at the hands of their mothers. It's definitelynot for everyone, however I feel this anime has gotten an unfair amount of flak because some people were expecting this to be more serious than it was.
Through the main characters of this anime, they explore a variety of mother and child relationships. Some are good, some are bad, and all are misunderstood. I feel like some of the relationships could have been portrayed better than they were, but I felt they were spot-on with many aspects of Masato and Mamako, where he gets embarrassed because his mom holds him with such high regard, and the way she puts up with him being a brat sometimes.
The plot in this anime isn't the greatest. But it does have a general direction in which it progresses. Again, this really is mostly a comedy anime so I won't fault it for having a weak plot, as that is not where the enjoyment comes from.
Overall I give this one 7/10 because I found it quite enjoyable to watch for its humour and relatability.
