Zom 100: Zombie ni Naru made ni Shitai 100 no Koto
Duração: 24 min per ep
Gênero: Comedy, Suspense
Estudio: BUG FILMS
Sinopse:
After graduating from a top university with an impressive extracurricular record in the rugby club, Akira Tendou has nailed every step of the way to securing his dream job. On top of that, a beautiful and kind co-worker always brightens his day in the office! Life seems to be going very well for Akira until he slowly realizes that sleepless nights and brutal work are his new reality.
Due to three years of mind-numbing labor in an exploitative company, Akira is unable to recognize the tired, unaccomplished person he has become. On track to losing all passion in life like several of his overworked colleagues, Akira finds his saving grace in the most unexpected way possible—the breakout of a zombie apocalypse.
With the free time he finally has, Akira decides to complete a bucket list of a hundred things he wants to do before he eventually gets turned into a zombie. Although he is surrounded by the dead, Akira has never felt more alive!
[Written by MAL Rewrite]
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Comentários
EdySilva
This anime is pure CINEMA. I waited a long time for this anime and it surprised me in an incredible way. Both the art and animation are incredibly beautiful and solid, the cinematography is insane. The direction behind each episode is extraordinary. The first episode is extremely exciting, remarkable and fun. I can safely say that it has one of the best first episodes of all time. This is a zombie comedy that uses the apocalypse in a brilliant way to show you how exploration affects you and how people steal your dreams and passions. A very entertaining masterpiece that inspires you to free yourselffrom these influences so you can enjoy your life to the fullest. Memento mori!
BeetleR19d
'Zom 100' is surely the most hyped and talked about non-sequel anime of this year. The first episode of this anime can probably hook anyone to give it a try. It was so damn good. But as soon as you start to pay attention to the characters and how they act, you should start noticing some major flaws of this anime, which might be the reason this falls into the 'This is not for everyone' territory. Animation (8/10): I know that the plot is the first thing to discuss in a review generally. But all the hype around this show was mostly because of its animation.So let's talk about that first.
It was good. It was colorful and consistent throughout the entire 12 episodes. I never felt I had any problem with the excessive use of those vibrant colors. Although I noticed something interesting. The fact that Akira's face and expressions perfectly resemble Luffy. Hmmm... still it didn't bother me. Not that the other characters had any remarkable or unique character design to begin with. So I was fine with it as they looked good. Overall, you can't expect much better in the animation department than this from a new studio.
Plot (6/10): 'Zom 100' is not the first anime to have a setting where a bunch of people try to survive a chaotic situation where any normal human being would feel some sort of fear and sadness. Regardless of the individual, they will constantly be thinking about how to prolong their stay on this planet, even by a tiny margin. 'Highschool of the Dead' used this exact concept more than a decade ago. That anime showed the journey of a group of people trying to survive while also keeping their sanity and humanity intact. And that is the part where 'Zom 100' faces a major issue. We follow a set of characters who act inconsistently. Sometimes they act like normal people and sometimes they act like a bunch of drunk psychopaths you would find on the streets. They embark on an aimless journey. More about them in the 'characters' category.
Characters (5/10): Wouldn't you notice if the 'Good Guys' of a show can forget anyone's death just a few moments after their death and can celebrate getting a huge TV like they won the biggest lottery of their life? I personally think you should notice that. Akira and his nudist friend with a questionable personality are both equipped with very little common sense and empathy.Sometimes they crack some silly jokes which didn't hit the spot most of the time. I don't care how much one suffers handling their respective jobs, how painful it gets to keep your cool. Will you lose your human traits just because of the temporary freedom you get? (Of course, it is not temporary in their case as they survive every difficult situation just because they have plot armor, how on earth he jumps better than some Assassin's Creed characters btw?) Akira, his nudist friend, Shizuka and Beatrix continue their journey which has very few things to discuss. I think anyone will be able to tell that there is not much personality in any of the characters. So you get to see Beatrix, she is there for the sole purpose of giving us some fan-service with an added 'Samurai Woman' gimmick which makes her character even less enjoyable to watch. And in Shizuka's case, she also starts acting like Akira and his nudist friend upon meeting them. The reason: 'Happiness, freedom blah blah blah....' To sum up, you will find a bunch of idiotic characters wandering around prioritizing their desires over their survival. I know the author maybe tried taking a less serious approach while writing this. But zombie apocalypse and light hearted comedy about some people chilling and saying some idealistic things once in a while just don't go well together.
Audio (8/10): As always, there is little to complain about the voice acting, it was good. The opening and ending songs were also good. The visuals of those songs were even better.
Overall (7/10): At the end of the day, I can't deny the fact that I enjoyed watching this show(Specially first three episodes). That is the reason you are seeing that rating. Though this show suffers from lack of good writing and likable characters, most of the people will still find it enjoyable. These shows might have a higher 'entertainment value' than most, but lack some basic things that make a show memorable. I still won't recommend it to someone who looks beyond a show's 'entertainment value' and searches for a zombie survival show that handles the situations seriously and has an actual plot.
**I forgot to mention anything about the last three episodes being delayed earlier. That really wasn't any good news for this anime either. The hype has already died out and I had to rewatch all the episodes partially while writing this review (Not watching the recap was intentional btw)
Ionliosite2
Zom 100: Zombie ni Naru made ni Shitai 100 no Koto has taught me that people don’t know what “dystopia” means anymore. For the last 5ish years, I’ve seen a lot of complains on why the generic isekai we get by the dozens are popular, but I find the answer to that question very obvious: escapism, as they provide an outlet for MC-kun to get free from the burdens of the real world, and enter a fantasy world where he can do whatever he wants, while the high school age viewers places themselves in his place. Zom 100 offers the same idea but for theworking age viewer, with the zombie apocalypse replacing the travel to another world, showing our working-class MC-kun being able to do whatever he wants now that he’s free from his work so the overworked viewer can self-insert on him.
As a direct result of its escapism angle, the series isn’t actually horror, having a lot of light hearted moments and comedy to make it look like this is a superior lifestyle, which backfires on it hard because the comedy in this series is atrocious, I’m talking about “going naked is funny” and “fart jokes” levels of bad comedy, I wanted to slam my head on a wall when they unironically showed a zombie farting as if it was a punchline. This same light tone also undermines all the serious moments, not helped by the fact the series suffers from “getting character development means you’ll die” syndrome, so you get a scene painted as tragic because a character we barely knew is a zombie followed by the cast laughing at silly jokes. I’m a big fan of the style of Hiroyuki Imaishi, and one thing his series manage is to strike a balance between the serious character moments and the absolute batshit insanity going on around them, but this series clearly has no idea how to do that, as the tonal whiplash here is so jarring even Code Geass and its constant back and forth between racial politics and waifus eating pizza feels more balanced.
MC-kun, named Akira this time, is a self-insert character, as unlike any other person or even the other characters in the same show, he shows absolutely no horror or regret at the idea of the world ending in a zombie apocalypse, instead being happy that he doesn’t have to work anymore, obviously a tool to enable the escapism aspect of the premise. This behavior is just downright nonsensical, as we have no explanation or thematic point made by Akira acting like the death of most of humanity is his comfort catalyst, and in fact makes him come across as a sociopath rather than the sympathetic character the narrative tries to paint him as, something that’s very notorious in episode 3 where contrasted against his friend who has a far more logical reaction to seeing everyone around him turning into murderous monsters. A character acting in an extreme way CAN be done well, as shown by Shirou in Fate/stay night and Shu in Ima Soko ni Iru Boku, but only if said behavior is done to make a thematic or moral point, something that’s not the case here, as there’s really no clear reason for him to act like that beyond making it #SoRelatable to the viewers who also feel overworked. Also, what’s up with the fact he doesn’t even look like an adult? If you showed me his design with no context, I’d say he’s 15, and even watching the show he acts just like I’d expect an anime teen to do it.
The other characters aren’t really much better. Kencho has no character at all beyond being the comic relief, and by that I mean that he’s an obnoxiously loud idiot who clearly doesn’t know how to deliver jokes, with getting naked seriously being the best he can come up with in terms of comedy, just to put into perspective how poor the overall comedy of this series is. While I think that Shizuka was passable, given she seems to be the only sensible person here, she’s mostly used as a strawman damsel in distress despite her supposed capabilities to highlight how cool our MC-kun is, leading her to be a fanservice source at best. Bea is a westerner obssessed with Japanese culture - that's her entire character, everything around her revolves around being a weeb, and once again she's just a tool to provide some extra fanservice.
An aspect for which I wanted to give this series points, however, is the visuals. We live in an age of seasonal shows that all are filled with so much cost cutting like CloverWorks works being filled with blurriness, and the idea of what good animation is has been reduced to just “flashy visuals” rather than having any appreciation for the technical aspects with MAPPA churning out disaster after disaster that isn’t well animated to anyone who knows of animation but looks flashy so it gets called “good animation” by those who don’t know, making Zom 100 a show that stands out in this landscape because it actually tried. The first episode didn't have the generic simple shots made to save money, it had an actual visual identity, something that’s such a rarity in modern anime that I can see why people act as if this was groundbreaking, even if in reality it’s more of a minimum to look good, at least when they don’t use CGI, that still looks bad even here. However, this “carried by the animation” angle was only at first, as each episode got uglier and uglier to the point it got rid of much of the praise points I could give it, as it looked like any other anime by its later half, which very likely relates to its now infamous troubled production and grueling working crunch. Given that from what I read, this new studio BUG FILMS was created by people who felt overworked on their previous work at OLM, and the evils of overwork being the main theme of the series, the fact this new studio now perfectly reflects the very type of company the anime criticizes is incredibly hypocritical.
Overall, this series is just a failure all around, it fails at being entertaining, it feels at giving social commentary on Japanese work culture, it fails at being funny, it fails at building actual characters, and most importantly, it fails as an anime production, with its terrible development hell that postponed the last batch of episodes for months being a perfect example of the terrible state the anime industry is in nowadays.
Thank you for reading
Turbopasta
Zom 100 has a lot going for it, especially in its premise and first three or so episodes. This anime has an absolutely stellar first episode in particular, but as I continued to watch the story unfold, and like a zombie left out in the sun for too long, I realized that things could only get worse from here. Zom is a lot of style and very little substance. The animation, the choreography, the striking use of colorful paint in the place of zombie blood, everything on a visual level is just amazing. The opening song is an ABSOLUTE banger, and the both of theopening animations are just so fun to watch and listen to. Which is why it's so disappointing that I can't give this show a stronger recommend than I am. It's not a bad show at all, but I feel like Zom 100 definitely falls short of what it potentially could have been.
Zom 100's core message is that we all take life too seriously, and we need to stop waiting for "the day things finally get better for us" because that day will never come. It might come in the form of a zombie apocalypse, or something as quietly sinister as the slow passing of time, but for those of us with freedom and life, we owe ourselves the happiness we could have if we just lived life more fully. Our protagonist, Akira, realizes this too late as he seeks to live out the best life he possibly can now that there's a real sense of urgency in his life.
...And that's pretty much all there is to the message. It's safe and relatable, but the lack of nuance doesn't leave much room for further exploration. Characters and ideas are victim to this problem as well; things are either entirely good or evil, black and white. The villains of the show are made to be relatable but NOT very sympathetic, and as a result bad guys in Zom end up feeling like comic book villain stereotypes who are boring to watch.
This problem also extends to the main characters. All of whom, except for one at the start, are extremely good-natured people with very few negative characteristics if any. This isn't realistic and serves to make it hard to identify with these characters. There just isn't much depth to our cast of heroes, as fun as they are to watch. They also have relatively poor chemistry as most of them don't really open up to each other very much, however they've only just met so this is understandable to an extent.
The first season ends with a prolonged conflict, and without spoiling anything, I can promise you that you'll be rolling your eyes by the end of it. There's so much moral grandstanding and selfrightrousness written into these characters, it stops being belivable and just feels like a power fantasy cooked up by the author. I won't deny that there is a definite catharsis to it, but there's something so silly about how these later problems were handled that just doesn't sit right with me. Like I said, absolutely no room for exploration, all of life's problems wrapped up in a nice tidy package.
And speaking of catharsis, there's definitely a good sense of it in seeing these characters live out some of our dreams and fantasies, like the idea of quitting your dead-end job by kicking your zombified boss out of a tall building. But this thrill gets old pretty quickly, and it suddenly becomes apparent the the story isn't really sure where to take things from here. It wants to deliver these deep, thoughtful and incisive morals and lessons, but fails to consider that it needs a bit more than "society bad"
This is just season 1 so I'm hopeful this anime can get on its feet by then, but if nothing else Zom 100 is a very good anime to just turn your brain off to. Zom 100 feels shockingly fresh in a world full of zombie-related media and post-zombie media fatigue, but fails to do enough to capitalize on its core ideals.
toastalchemist
it should have been a one-episode OVA. The first episode was pretty good and set up an interesting premise. It quickly went downhill after that. All the character are thin and underdeveloped. They all get one or two traits and that's it. I couldn't tell you much about the main character besides the fact that he hated his job. The story is predictable and ends on schmaltzy bullshit about connections with other people being good and following your dreams, as if you haven't heard that a million times before. There were some good action scenes and creative moments, but the premise and characters are toothin to carry an entire series. You'd be better off simply watching a bunch of zombie movies (the good ones, I mean).
Orion911
Zom 100: A Bucket of Disappointment? While Zom 100 has its fans, it's certainly not without its flaws. One-dimensional protagonist: Akira's obsession with his bucket list overshadows any real character development. He comes across as childish and lacks depth, making it hard to connect with him. Generic supporting cast: Other characters feel like tropes rather than individuals. Their motivations and backstories are underdeveloped, leaving them forgettable. Predictable plot: The story often takes predictable turns, relying on tired zombie apocalypse cliches instead of offering something fresh. Cringey attempts at comedy: The show's attempts at humor can often fall flat, resorting to juvenile slapstick and awkward jokes. Some find it gratingand unfunny.
Repetitive gags: Certain jokes are milked to death, losing their appeal quickly.
Logic lapses: The show can be riddled with illogical choices and plot holes, leaving viewers scratching their heads.
Unrealistic survival tactics: Characters often make questionable decisions, ignoring basic survival instincts and logic.
Missed potential: The premise of a lighthearted zombie apocalypse comedy seemed promising, but ultimately feels squandered.
if you're looking for a deep and engaging story with well-developed characters, you might want to look elsewhere.
VW_Golf_4
The first episode of this show was absolutely phenomenal. It's about the MC feeling overworked, exhausted and stressed out to the brink of feeling suicidal, all of this because he sees himself trapped in a toxic unfulfilling working environment. So when a world-ending event such as a zombie apocalypse proves to be a golden opportunity for our protagonist to free himself from the shackles of his workplace and start doing the things he always wanted to do, you know you're in for something special. This goofy idea combined with the silliness of the scenes where the protagonist comes out unscathed while he rides his bikeall giddy with excitement seemingly ignoring the hordes of zombies following him makes you expect a light-hearted comedy akin to Shaun of the Dead. The great visuals and animation combined with a nice soundtrack only increase the expectations for the following episodes.
Well, I'm disappointed to say that the show manages to shatter most of the expectations by the time you reach the fourth episode. Frankly, this anime loses its identity because it tries to do many things (sometimes contradictory things) while doing none of them well enough. It still tries to be "funny" but less than the initial expectations lead you to believe and the humor doesn't land most of the time, at least for me. It's still plagued by this thing where anime creators think their audiences are comprised of toddlers who think comedy is loud screaming and goofy faces. But to the show's credit, this thing doesn't even come close to being as obnoxious as in other shows like Demon Slayer.
Something I don't understand is the fact that this show sprinkle in moments that are supposed to be sad, dramatic or wholesome, which absolutely ruin the overall light-heartedness of the anime. Isn't this supposed to be a comedy? This moments alongside some scenes where characters talk about their view on life aren't even something particularly amazing if you consider them in a vacuum. They're done as well as any generic anime does it when it tries to be emotional.
The characters are serviceable except for a weeb who's introduced later in the show and can't shut up about how much she loves Japan and its culture, which really grinds my gears. Sometimes I wonder if anime was to be invented in some obscure country instead of Japan, like Moldova, would we have as many weebs that are obsessed with Moldovan culture?
This show sets the bar very high in the first episode only to subsequently deliver a mediocre experience that doesn't have a solid grasp on what main point it wants to accomplish while being often unfunny and straight-up boring to watch.
denkisoda
I really wanted to give this anime a positive review. The first episode skillfully blended narrative and performance. It was like a breath of fresh air waking up my drowsy senses. The portrayal of the "black" company life in the first half was both humorous and despairing: obscured angles in the cramped office, or dimly-lit horror vibe outside the office. The visuals even gradually shifted to black and white without me realizing. When the protagonist, Tendou Akira, started the zombie chase, the animation exhibited astonishing expressiveness while transitioning to color – it was truly remarkable. On top of that, there were so many splendid momentsthat it's impossible to list them all.
Starting off on such a high note, no wonder my expectations exploded on this exaggerated comedy + road movie. I thought it was an exaggerated comedy road trip movie, and patiently watched the ep.2-3 with all the "character introductions". Starting from ep.4, it began to feel somewhat tedious. While there were still exhilarating action scenes (such as the ones at the aquarium in episode 5), the clichéd plot and lackluster content began to surface. The story veered between being humorous (though it gradually became less funny), action-packed, emotional, exaggerated, and realistic – it left me feeling disjointed. The only consistent factor was that the characters gradually became one-dimensional, turning into mere "labels"; I could no longer empathized with any characters.
I guess the delay in airing the anime made things worse. The last three episodes were so bad, with shallow character motivations and a faltering story. Such an ending actually left a bad taste in my mouth. If it weren't for the incredibly captivating first episode, I would have rated this anime a 5 out of 10.
Panda_Roll
This show started with a bang. The first 3 episodes were strong and interesting... but after that the show literally had nothing more to offer. CONCEPT = 5/10 Normally this would be "plot" but Zom 100 doesn't really have one. What it does have instead is a concept, what if the apocalypse happened and you were now free to do all the things you never made time for before as a working adult. Because our MC-kun here was a timid office drone his wants are rather benign and generic. Confess to the girl you like, eat high end sushi, visit hot springs..etc. All of this donewith the threat of Zombies as background noise.
What's interesting about this was that the manga released in 2018. Two full years before the pandemic and yet it accurately portrays how a lot of people started to act once we left the state of emergency with a little bit of a cash overflow to burn and a thirst to scratch things off their long time Wishlist.
It does get rather boring after a few episodes though as there is nothing to keep you invested. 9/10 for originality but 3/10 for the execution.
CHARACTERS = 4/10
Weak.
MC-kin is someone having a midlife crises. It's clear he's acting as a wish fulfillment insert but for an older crowd.
The side characters are very one note, I'm not sure what that note is.
One character insists on stripping at random moments and the show acts like this is the punchline to the joke.
Another is a weeboo Gaijin (a foreigner obsessed with japanese popculture) and the minute she shows interest in anything traditionally Japanese the show, again, acts like this is the punchline... If there's a joke it's still airborne as they never landed for me.
ART / ANIMATION / SOUND = 9/10
Very creative, no cost cuts noted and everything looks great. The show is very stylized and the OP is fire.
Sadly in this case it did end up as style with no substance.
FUN FACTOR = 4/10
Ok so this started out as a 9/10. Had the show ended after the first two or three episodes it would have been a memorable OVA and one of a kind, but it kept going. The longer it did the less fun it became with cheap tactics like establishing characters and killing them off the minute they have a bit of an arc or character moment. Focusing on fart jokes. dehumanizing their own MCs by making him borderline suicidal. It just kept getting worse and worse ending on a rather odd note.
SUMMERY = 4/10
It had an idea, a good one too. It also had the animation and art style.
Sadly the author didn't have the skills to build on that initial elevator pitch. The story was over after the first few episodes, it just shuffled along after that like a zombie, ironically.
Ohmena
"If you’re gonna waste the limited amount of reality at your disposal, who cares if someone tries to stop you? You gotta cleanse your brains. Your life isn't fast food" - Song of the Dead, Kana-Boon Zom 100: Bucket List of the Dead burst onto the scene with an explosive and brilliantly captivating introduction, leaving no room for doubt. Starting with a metaphor that likens working in a black company to becoming a zombie, which also serves as a powerful reflection of a somber Japanese reality, underscores the depth of the issue and offers an impactul entry to explore this theme in the anime, and soit does, as Akira, the main character, unfolds his journey as he resigns by throwing his boss out of the window, a symbolic act of breaking free from his own limitations.
The anime's premise is remarkably simple. A zombie apocalypse serves as the unexpected catalyst for the protagonist's liberation, enabling him to fully embrace life. What truly captivates in this narrative is the paradoxical and extravagant juxtaposition it presents. The essence and beauty of the anime stems from the very contradiction of a zombie apocalypse becoming a conduit for the protagonist's freedom and happiness. However, this uniqueness is not the only characteristic that defines it. The animation's vibrant colors and lush palette add a startling contrast to the morbid and frightening scenario that often accompanies a zombie apocalypse. This fusion of disparate elements creates a unique synergy, providing an experience that is both fascinating and unpredictably fun. Ultimately, this combination of factors results in a perfect formula for a genuinely captivating and entertaining work.
Undoubtedly, the creativity and expressiveness Akira presents find a unique harmony with the general atmosphere of the anime. From using a rugby ball strategically attached to a horn to attract the zombies' attention through sound, to the audacious choice to wear an anti-shark suit to avoid being bitten by the undead, are examples that reward the audience in a gratifying way. The absurd caprice of these unconventional solutions lends a humorous and ingenious touch at the same time, adding undeniable value to the narrative. Finally, this dose of improbable wackiness proves to be not only funny, but also exceptionally beneficial to the experience as a whole.
Addressing the negative aspect head-on, it's paradoxical but also evident that the protagonist, ironically, bears significant responsibility for almost erasing the qualities that could have enriched the anime. His negative influence is so pronounced that it becomes difficult to ignore how his presence significantly affects the overall appreciation of the work. Regrettably, Akira is remarkably inconsequential as a character. His eccentric behavior and extravagant actions can certainly be considered an attractive aspect of the anime; however, as a whole, it appears that his personal evolution is at a standstill. Just when you expect him to be developing self-awareness, he goes back to where he started. This regressive dynamic is constant throughout the narrative, noticeable in practically every episode.
Q: A zombie apocalypse has just happened, what to do first?
A- Worry about your own family (just saw a family turn into a pool of blood) ✕
B- Going out with a stewardess ✓
C - Make dreadlocks ✓
D- Have a cool beard ✓
...
Bluntly, what's truly disheartening about the introductory part is how the protagonist dismisses the gravity of the world situation, listing thirty trivial matters to his bucket list before recalling the existence of his own family. This glaringly illustrates the character's inherent shallowness and emptiness. What is the real purpose of stating that "the most important thing I want to do right now is see my parents", when at no time before that has he shown any regard for them? The irony deepens even further when we realize that, instead of immediately acting on this desire, he chooses to prioritize trivial acquisitions, such as a new television to play video games. This sheds light on Akira's true priorities and underlines his disconnect with the claims he makes, reinforcing the contradictory nature of his actions and words. Regardless of whether it was the author's intention or not, the fact remains that it's indeed frustrating to follow the story of a character like that.
Essentially, the majority of the issues raised would have become almost irrelevant if the author had promptly addressed the family matter, allocated screen time for the character to express genuine concern for his parents during his adventure to find them or, even more ideally, refrained from introducing them so early on the story. And this indirectly creates an identity problem in the anime: After all, what does it propose to be? An episodic comedy? A comedy that uses elements of dark humor to, in the end, convey an impactful message to the audience? The feeling that permeates the anime is that the author faced difficulties in clearly defining his direction. The interaction between the zombie plot and the development of the protagonist ends up creating a web of intentions that sometimes becomes somewhat confusing. While hilarious moments and enjoyful situations predominate, the deeper content that could have been explored seems to give way to the comedic aspect. In this sense, the narrative resembles a puzzle with scattered pieces, some of which fit together perfectly, but others seem somewhat out of place.
As previously mentioned, there are no apparent issues with the protagonist's eccentric behavior and unpredictable actions. Quite the opposite, these aspects contribute to the charm that this anime brings forth. My concern lies in Akira's lack of emotional growth and priorities; he fails to navigate loss, fear, and the repercussions of his choices in the way one would typically expect. The protagonist's lack of self-awareness is notable, as he rarely reflects on his actions or consequences. This lack of introspection prevents him from growing as a character. In short, every dramatic part of the show involving Akira ends up becoming a wasted opportunity, as he does not extract learning from the situations in which he finds himself. Not only is this a fact, but one often witnesses him transitioning between emotions in an unusual manner: he appears worried, then, seconds later, he reverts to the same personality of "look the crazy stuff I do in a zombie apocalypse." As a spectator, feeling uncomfortable with certain situations becomes the only viable option due to the protagonist's utter lack of awareness and empathy. It's not inherently problematic for a character of this nature to exist. The real issue lies in the fact that this character is precisely protagonist. With the anime's proposal, witnessing someone like Akira being consistently rewarded, despite the decisions and actions he undertakes, makes it progressively challenging to wholeheartedly support each achievement. In essence, the lingering sense of injustice ultimately overshadows any sense of triumph.
Then, when it comes to priorities, it's a recurring theme that Akira tends to prioritize trivial and mundane matters over recognizing the genuine significance of what truly matters. While this contributes to the comedic aspect the narrative aims to convey, there's another dimension to this behavior. At various points throughout the anime, there will be instances where grappling with the idea that "A" should take precedence over "B," or vice versa, becomes a challenge. Addressing immediate concerns that can be easily done is one matter, but sidelining a clearly more important goal for the sake of frivolities presents a different scenario altogether. Without intending to be overly critical, Akira serves as a prime example of how a slightly disproportionate protagonist can negatively impact a work, regardless of the quality of the story and world-building.
Regardless of the previous issue, the second negative point has nothing to do with the work itself but it's crucial to address the issue of how problematic the anime's postponements were. This situation carries a tremendous irony and frustration, given that in its opening episode, Zom 100 critiques capitalism, particularly the Japanese black companies, yet ends up experiencing the very setbacks it aimed to criticize. Placing the protagonist in a setting reminiscent of the current anime staff's former studio, and witnessing the anime succumb to the same issues the animators had indirectly highlighted, presents a truly unfortunate twist of fate.
In fact, the delay is a double-edged sword: while serving as a significant irony regarding its critique, it also provides relief for animators by easing the burden of a heavy workload that would have accompanied the original schedule. Nevertheless, this regrettable situation will undoubtedly leave its mark in the records of anime industry. Luckily, the fact that the anime is more focused on an episodic comedy, the postponement issue actually doesn't affected the enjoyment of the story too much. Aside from this and from the protagonist, the anime still managed to captivate its audience with a surprisingly fun character: Beatrix.
Xenophile girl injects new life into the anime as the final addition to the main group of characters. Her interactions add an extra layer of unpredictability to the group dynamics. She can transition seamlessly from being a badass samurai with a stylish soundtrack to an incredibly friendly and extroverted individual who pays no heed to societal norms. Her relationship with the rest of the group creates delightful moments of shared camaraderie, often giving the impression that they share the same braincell. For me, she is the greatest of all time and the one who carried and saved a lot of things from this show.
Unfortunately, this show is a love or hate choice: If one ignores the protagonist decisions, way of thinking and actions throughout the anime, it will end up being an actually funny watch. If not, Akira will most likely break the viewer suspension of disbelief and every scene will feel forced.
Therefore, despite its promising potential for a highly captivating story, "Zom 100: Bucket List of the Dead" is notably undermined by both its controversial production issues, identity crisis and a protagonist lacking emotional depth. Sporadic delays, an incomplete opening theme, and drops in animation quality collectively diminish the overall enjoyment of the work. Yet, despite the challenging schedule, the production team still managed to deliver something remarkably compelling, even amidst unfavorable working conditions. In the end, despite its enjoyable and compelling narrative elements, this show has its potential severely limited, rendering it unable to achieve the impactful and lasting status of a truly memorable story.
midas123
Zom 100 is one of those anime that catches you completely off-guard. I usually need a few episodes before I form a strong opinion, but here, after just one, I was already overwhelmed in the best way possible. The first episode alone delivers such a visually wild, emotionally sharp, and creatively directed experience that I immediately knew this show had something special. The animation is incredible, packed with energy and impact frames that go far beyond what you expect from a first episode. The color work deserves particular praise. The use of gray, muted tones to reflect a suffocating lifestyle, contrasted with explosive, vibrant hues oncethe true story kicks in, is a stroke of genius. Visually, it feels alive in a way that very few anime manage.
At its core, Zom 100 is a story about freedom. About reclaiming your life when the world gives you an unexpected second chance. It mixes comedy, slice-of-life warmth, and just a touch of darker reality without ever feeling jarring. There's a strange kind of joy that pulses underneath the apocalypse, and it gives the show an energy that's both chaotic and genuinely uplifting.
The characters are a massive strength as well. The main character, Akira, while sometimes written as overly pathetic to the point of being slightly frustrating, is still easy to root for. The supporting cast is incredibly diverse and distinct, making every interaction lively and fresh. Special mention has to go to Shizuka, who's easily my favorite character of the show.
Throughout the episodes, Zom 100 continues to balance heartwarming moments, hilarious absurdity, and unexpected emotional weight. Even side characters who appear briefly, for not even full episode, leave a strong impression. The show never lets you forget that, underneath all the fun, the world is still dangerous and unpredictable. It reminded me a lot of what made Chainsaw Man so captivating. That ability to blend wild energy with real emotional stakes.
By the end of the season, I was fully convinced. While not entirely flawless, with some later parts introducing elements that felt a bit forced, Zom 100 never forgets what it is: a story that knows when to be serious, when to laugh, and when to just celebrate being alive. It is a comedy first and foremost, and it embraces that with heart and style.
The animation quality holds strong across the whole season, the humor is consistently top-notch, and the chemistry between the main group only gets better with time. If you are looking for something fresh, fun, emotional, and wildly creative, Zom 100 is absolutely worth your time. It easily ranks among the most impressive anime experiences I have had recently.
vladmirkarmaslay
one of the most fun anime i have ever seen , the story about the innocence being crushed in the working world , then being a good adult working for a company that exploits your soul to point where a literal apocalypse gives you more joy. As a 31 year old guy who worked 70 - 90 hour weeks for months without a single day off during covid i sympathize with the protagonist. Story - takes a zombie troupe and bucket list mixes them nicely Art - not the best art but still great and fits the story Characters - fun characters that balance each otherout
Cliotic
The first few episodes is amazingly animated and very fun, and the anime keeps a steady quality until the german girl is introduced. Her character is uninspired and the rest of the anime drags and feels like they were running out of ideas. The art direction and color use in this anime is astounding and colorful which definately helps make the anime more enjoyable, however it cant fix the boring copy pasted concepts that plague the latter half of the anime. Despite the problems with the second half of the anime, the first half is a blast, making use of characters being put in absurd situation whileits ideas are still fresh
All in all this anime gets a 6/10 because of its great first half followed a dragging uninspired second half.
realanimelover
I had some expectations for this anime, but it exceeded them immediately. This anime made me laugh so hard and I enjoyed it so much. I never expected the art for this anime to be so good and kudos to the directors for the zombie chasing scenes. Zom 100 is great at what it does because it provides great comedy, but also maintains drama and the seriousness of death during a zombie apocalypse. Usually, I find the whole notion of zombie apocalypse cliche, but this anime has changed my perspective drastically. This is a great show that emphasizes the role of allowing yourself to escapeand set yourself free from issues in the past.
Smilomaniac
On one hand you're about to go on a cheesy romp and have a great time in the zombie post apocalypse, laughing along with the infectiously optimistic Akira as his biggest worries become getting a cold beer and how he gets himself into ludicrous situations. On the other, if you were maybe waiting for a wake up call, are stuck in life or haven't even begun to live yours yet, then watch this season and give it some thought. You don't have to get it all right, you just can't stop living. Because if you do, even if you have a job, a family, wealth... thenyou're no different than the mindless walking dead, shuffling or charging headlessly without purpose just waiting to burn out or get stomped out by something or someone. And worse, you're likely to hurt people along the way.
It's okay to be envious, selfish or bigoted, we all stumble and sometimes the resentment builds up and it feels impossible to get out of it, but you only stop mattering once you give up. You can fix it.
Write that bucket list. Put down those stupid ideas that seem impossible and just go for it. You'll fail, repeatedly, but you'll have drive and you'll meet people along the way. Keep gaining momentum, keep asking questions, start caring about people, show them your smile and never give in to the pessimism enough to let it grind you to a halt. Keep fighting for the person who needs it the most, especially if it's you.
This show is an instant classic, it "goes harder than it has any right to" and it is eminently clear that everyone involved from writers, animators, musicians, voice actors and production all were passionate about getting this done, and it seems maybe to their detriment as it took a good while for the season to finish. It may be they didn't follow their own advice and burnt themselves out, but here's hoping they pick themselves up and push forwards, gifting the world more amazing shows.
Thank you Bug Films.
PheonixPilot
This was… fine. The first and last couple episodes (1 and 2 + 11 and 12) were the best written by a large margin. The animation direction and acting was great throughout, but the writing in the middle is a complete slog. It took me months to find the motivation to finish the show. That being said, I think it was worth a watch overall- just really, really flawed. The side characters are not interesting at all, and the girls are both overly sexualized. Though, to the show’s credit, the male side character is also sexualized heavily, so it seemed to somewhat balance out. Itis a comedy, after all. They do a fire force-esque gag where the dude keeps losing all his clothing.
Yeah. That’s all I have to say. It was fine. Not very funny and poorly written, but the premise, acting, and animation are enough to carry me to the end.
Joacoski
The problem here was the hiatus, otherwise than that, this show is a masterpiece. The famous theme of "taking adavantage of being alive" is super relatable. The show has a pretty unique take on that topic and about a lot more. The other best one is the explotation of companies and how they literally make you forget you have a life other than working. I repit, if it wasn't for the hiatus, this would have been a 10/10. For those who are going to watch it from the start at this point, I highly recommend to anyone who likesa good comedy-drama-postapocalyptic anime. pd: the main charactersmy goooood. Akira, Kencho, Shisuka and Bea are so cute and funny together. I love them so much. Can't wait to see another season.
Didouche
Before watching it, I really liked the pitch. I thought there was a lot of potential within this serie. However, even so I really liked the first episodes, I was quite disappointed by the following ones, especially by the final ones. The more the serie goes on, the more the characters ( especially the bad guys) seem empty, without any kind of depth. I was particularly disappointed by the frustrated evil group at the end. I was almost under the impression that they were embodying the lazy workers in order to emphasize « rightfull » meritocratic values. A show can in my opinion only be ludicrous when ittries to moralize its watchers even though the content is extremely caricatural.. How then still take this serie seriously, when the directors are taking us for idiots ?
I recognize that I am quite harsh in this comment, especially given the way I rated this show. However, how not to be severe when the end of a relatively good show is so mediocre ?
Nonetheless, I still find that a second season could be promising given the last images.. Lets have hope:)
Merve2Love
Do you remember beeing kid, dreaming about all the fun and cool stuff you would do, once you finally became an adult? And Boom: You're there and you didn't do anything. It seems like life has passed you by, already. You did what was expected from you. You're a productive member of society. Sacrificing some childish, old dreams is normal. One day you'll make some of them still happen...maybe. Only in time you realize it's not that easy. Or maybe you dont. Life just isn't as fun as you dreamed it up to be. It can feel pretty depressing and I think we've all been there. WatchingWalking Dead or some End-of-the-World Movie, after a hard day of work, helps us relax and escape, for a bit. It makes us imagine what it would be like beeing there, when it all goes down. Something in us almost wishes for it, cause it seems so much more exciting than real life...
Well, in essence and escspecially in it's opening Episodes this Show is EXACTLY about this feeling.
But no worries, it's not too overbearing with these themes. It's not forcefully trying to be "deep" or darker than it has to be, to get some of these ideas across. It's suprisingly uplifting. If you're not into that sort of stuff you could always rely on the comical and exciting nature of the Show - featuring its often silly, but loveable characters, its fast paced action scenes or the general lunacy of the setting, to keep you entertained.
Overall it feels like a hard hitting commentary on modern society and growing up in it, coated with a lot of fun, hilarious situational comedy and a general wholesomeness that leaves you with a warm and cozy feeling, whenever a new, little life lesson is learned, by the end of an Episode.
The Mix of funny, surreal absurdity and the profound, real world struggles beeing dismantled by some good observations and clever writing is a really unusual combination that makes you think about some of your own life choices and/or misakes, while always making you laugh in the process, is what makes this Anime unique worth checking out. If anything it's a weird, but a very fun experience.
